WE CREATE IMAGES YOU CAN RELATE TO SATORI SƏˈTƆːRI/

NOUN sudden enlightenment

SATORE STUDIO ARE MASTERS IN THE CREATION OF ILLUMINATED VISUAL AND IMMERSIVE EXPERIENCES, TAKING YOUR PROJECT FROM CONCEPT TO ACTIVATION, WHILST COMMUNICATING UNFORGETTABLE MESSAGES TO A CAPTIVATED AUDIENCE.

WHETHER ONE-OFF OR TURNKEY, INDEPENDENTLY OR COLLABORATIVELY, THE STUDIO IS WHERE WE REALISE OUR MOST AMBITIOUS VISIONS BY COMBINING SPECIALIST CREATIVE TALENT WITH EXPERIENTIAL TECHNOLOGY.

WE DELIVER INNOVATIVE CREATIVE SOLUTIONS TO SOME OF THE MOST SIGNIFICANT ORGANISATIONS, ARTISTS AND EVENTS GLOBALLY. TUPAC MARTIR IS AN INTERNATIONALLY ACCLAIMED MULTIMEDIA ARTIST, VISUAL AND CREATIVE DIRECTOR, SPECIALISING IN LIGHT. BASED, UNDER BRANDS SATORE STUDIO AND TM™, TUPAC MARTIR LEADS A GLOBALLY RECOGNISED MULTIDISCIPLINARY ART, DESIGN AND CREATIVE PRODUCTION GROUP.

Our team of collaborative and in-house performances, from global launches sectors. We are committed to the ad- tech, development, design, art and to corporate, private or large scale vancement of a sustainable future by sensory talent creates compelling entertainment events. promoting innovative technologies and and immersive experiences from Our clients and worldwide collabo- conscious design. concept to delivery, across lighting rations include Royalty, NGO’s, gov- design, sculpture, architectural in- ernments, brands and talent to the “TUPAC MARTIR IS THE VISUAL ARTIST terventions, narrative films, sounds, most esteemed art, design and tech AND CREATIVE DIRECTOR BEHIND single and multi-channel video works, pioneers, across the arts, , SOME OF THE MOST IMPORTANT event design, installations and live entertainment, music, , EVENTS IN THE WORLD” - Vogue lifestyle, hospitality, film and sports CLIENTS

ADIDAS, BMW, V&A MUSEUM, ANOTHER MAGAZINE, MOSCHINO, UNKLE, LOUIS VUITTON, WALLPAPER* MAGAZINE, ALEXANDER McQUEEN, HUGO BOSS, QATAR FOUNDATION, DIOR, SAATCHI GALLERY, XU BING, STELLA McCARTNEY, H&M, DAZED & CONFUSED, NAKED HEART FOUNDATION, JAGUAR, FIAT, SOUTH BANK CENTRE, FIFA, MTV, PROMEXICO, NIKE, THE OLD VIC, BARBICAN,DIAGEO,BONAVERI,SIMONE ROCHA,DKNY, PAUL SMITH, BELSTAFF, JOSEPH, THOMAS TAIT, BRITISH MUSEUM, WOMEN FOR WOMEN INTERNATIONAL, WESTFIELD, REDBULL, ROYAL KINGDOM OF SAUDI ARABIA, POPULOUS, RALPH LAUREN, VIVENNE WESTWOOD, SERPENTINE GALLERIES, RAG & BONE, SAMSUNG, ELTON JOHN, BEYONCE, RIHANNA FOR RIVER ISLAND, COACHELLA, MAT- THEW WILLIAMSON, JULIEN MACDONALD, MAX MARA, SPORTMAX, MSGM, PUCCI, VINYL FACTORY, LEON MAX, STING,BACARDI, DIESEL, ROKSANDA, TEMPERLEY, WHISTLES, HOUSE OF HOLLAND, EMILIA WICK- STEAD, JOHN FRIEDA, MBC ARABIA, MBC KOREA, SMIRNOFF, KOREAN TOUR- ISM BOARD, BRITISH FASHION COUNCIL, SOUL II SOUL, IMOGEN HEAP, MADNESS, VILLAGE UNDERGROUND, UK YOUTH GAMES, MAZDA CLIENT: HUGO BOSS PROJECT: WOMENSWEAR NY 360 EXPERIENCE ROLE: 360 DIRECTION AND TECHNOLOGY CLIENT: MOSCHINO PROJECT: MILAN FASHION WEEK ROLE: LIGHTING DESIGN CLIENT: POPULOUS ARCHITECTS PROJECT: REAL MADRID & COMPETITIONS ROLE: LIGHTING & VIDEO DESIGN / TECHNOLOGY CLIENT: GUCCI PROJECT: WHAT IS CONTEMPORARY ROLE: LIGHTING DESIGN CLIENT: ADIDAS PROJECT: OFFICIAL 2010 WORLD CUP MEXICAN KIT LAUNCH ROLE: CREATIVE DIRECTION, PRODUCTION, LIGHTING & VIDEO DESIGN CLIENT: THOMAS TAIT PROJECT: LONDON FASHION WEEK ROLE: VISUAL DESIGN CLIENT: TCA PROJECT: MOTHER OF THE NATION / PROGRESS ZONE ROLE: SCULPTURE & LIGHTING DESIGN / TECHNOLOGY CLIENT: BONAVERI PROJECT: DUSSELDORF - EXPOSHOP ROLE: TECHNOLOGY, MODELING, EDIT & APP CLIENT: MAMITA’S BEACH CLUB PROJECT: DJ FEST ROLE: VISUAL, LIGHTING, VIDEO & DESIGN CLIENT: IMPOSSIBLE COLLECTION PROJECT: 1000 RAREST COMICS EXHIBITION ROLE: CONCEPTUAL & LIGHTING DESIGN CLIENT: NIKELAB X SACAI PROJECT: WOMEN’S COLLECTION LAUNCH ROLE: PERFORMANCE LIGHTING DESIGN CLIENT: DIOR PROJECT: 360 VIDEO “ROSES OF MAY” ROLE: DIRECTION, EDITING, MUSIC & FX CLIENT: XU BING X V&A PROJECT: ‘TRAVELLING TO WONDERLAND’ INSTALLATION ROLE: LIGHTING DESIGN CLIENT: NAKED HEART FOUNDATION X INCA PRODUCTIONS PROJECT: ROUNDHOUSE FUNFAIR ROLE: LIGHTING DESIGN CLIENT: HUGO BOSS PROJECT: FASHION FILM ROLE: PRODUCTION, EDITING, DIRECTION CLIENT: UVA PROJECT: COACHELLA FESTIVAL STAGE ROLE: LIGHTING DESIGN CLIENT: ALEXANDER McQUEEN PROJECT: PLATOS’ ATLANTIS FASHION WEEK ROLE: LIGHTING DESIGN CLIENT: BEYONCÉ PROJECT: ROLE: VIDEO DESIGN TITLE: LOMW CINEMA, GASTRONOMY AND DATE: MAY 2014 MIXOLOGY, EVENTS FOR DISABLED DURATION: 5 DAYS MEMBERS, MOGEES INSTALLATION VENUE: RICH MIX LONDON TURNAROUND: 5 MONTHS AUDIENCE: 2000 / FAMILY TUPAC MARTIR: CREATIVE DIRECTOR ‘Looking Outside My Window’ is a ARTISTS & CREW: 68 collaborative multidisciplinary art’s MAIN ARTISTS: MÚM, JAMES event that takes place in one . LAVELLE, CABINET OF LIVING The aim of LOMW is to showcase the CINEMA, ADDICTIVE TV, world that lives outside our windows. THOMAS TAIT Most major cities around the world DISCIPLINES & TECHNOLOGIES: have a broad creative multicultural , ECLECTIC LIVE offering, as diverse as the citizens that MUSIC, VISUAL AND VIDEO make them. This is a key inspi ration PROJECTIONS, LIVE PERFORMANCE, behind LOMW. CONTEMPORARY DANCE, FASHION, TITLE: NIERKA ELECTRONIC MUSIC, CONTEMPORARY ” Tupac Martir’s Nierka is a multidisciplinary DATE: JAN 2012 DANCE, DJ’S, PUPPETRY, performance, infuenced by Wassily DURATION: 3 DAYS PROJECTIONS, LIGHTING DESIGN, Kandinsky’s ‘The Yellow Sound’ and the VENUE: PEACOCK LONDON VISUALS, DOCUMENTARY FILM, trending new theatre philosophies from AUDIENCE: 1700 / FAMILY SCULPTURE, FASHION, MOTION renowned Directors Richard Artaud and TUPAC MARTIR: CREATIVE DIRECTOR, CONTROL, Gordon Craig. Music replaces script, WRITER, COMPOSER, DIRECTOR TURNAROUND: 8 MONTHS creating a highly sensual and intimate story ARTISTS & CREW: 184 provoking the audience to experience MAIN ARTISTS: AUSTIN TV, NSMPSM, “Nierka originates from my indigenous individual audio and visual interpretations. FERNANDO HERNANDO MAGADAN, Mexican Huichol roots, it refers to the The soprano and choir are abstract CAPITAL CHILDREN’S CHOIR exact moment in which a fower blossoms. representations of emotion, creating an DISCIPLINES & TECHNOLOGIES: Immortality and our sense of awakening is expressive universal language, whilst the BLACKTRAX (FIRST SHOW APPEARANCE), the inspiration behind this piece. dancers are representations of both our INSTRUMENTAL ROCK, CLASSICAL state of consciousness and unconsciousness. MUSIC, LIVE CHOIR, , TITLE: V&A - TUPAC MARTIR As part of Tupac Martir’s talk at the DATE: FEBRUARY 2016 V&A Museum, a performance piece was DURATION: 1 DAY divised using dance, music, fashion and VENUE: V&A MUSEUM video. Across the staircases and halls AUDIENCE: 270 of the museum , six musicians and six TUPAC MARTIR: CREATIVE DIRECTOR dancers created an immersive perfor- ARTISTS & CREW: 18 mance for the audience of the talk and MAIN ARTISTS: ADDICTIVE TV, the visitors of the museum. The per- NICOLE ROBSON formance culminated with Addictive DISCIPLINES & TECHNOLOGIES: TV’s live remix of Tupac’s work. MUSIC, VIDEO, DANCE, FASHION. TURNAROUND: 3 MONTHS TITLE: TSIKURI Created as an experiment, in order to With the use of lighting, video, DATE:FEB 2017 understand how the integration of all the scrims and smoke, the environ- VENUE: DIGITAL elements can work in a 360 film process. ment was ever changing across AUDIENCE: DIGITAL Combining musicians and dance the performers, we are looking at CREATIVE: SATORE STUDIO across the spaces, while using vari- challenging the viewer and asking ARTISTS & CREW: 30 ous techniques of filming and re- them the question “What is there” DISCIPLINES & TECHNOLOGIES: cording, we were playing with the The recording techniques, combined MUSIC, LIGHTING, PROJECTION, VR, notion of “what is it that you re- with the edit and vfx, create a piece DANCE, MUSIC, FX. ally see in VR” and which elements that is trying to understand the vari- TURNAROUND: 4 MONTHS tend to disappear or trick your eye. ous degrees of fields our eyes can see. TITLE: UNIQUE The 50 year project started in 2015 With the use of wireless dimmers DATE: NOVEMBER 2015 working across a different format ev- and servo motors, the sculpture runs DURATION: 6 MONTHS ery year , as well as composing two off 12V batteries, making it a por- VENUE: ON TOUR new pieces of music across each year. table moving rig. Each of the dim- AUDIENCE:6000 Each new format will feed back- mers and servo motors is controlled TUPAC MARTIR: CREATIVE DIRECTOR wards and forwards as the years pass. via DMX, giving the precision needed ARTISTS & CREW: 4 The novel is made of 96 pages for the lights to create the environ- MAIN ARTISTS:GEORGE BLACKLOCK, and was first presented as a ki- ment in partnership with the music. CABINET OF LIVING CINEMA, CHAVO netic sculpture, the new format for The novel and drawings are all cre- DISCIPLINES & TECHNOLOGIES: 2016 was a printed fanzine version, ated by Tupac Martir. The second MUSIC, LIGHTING, SCULPTURE, with new music being composed. format is a printed version of the DRAWING, KINETIC MOVEMENT The kinetic sculpture uses ser- novell in its 12 chapters. With a lim- TURNAROUND: 4 MONTHS vo motors to move the lights ited edition of prints, the chapters across the cnc panels, thus tell- are meant to be shared by the audi- ing the story of the graphic novel. ence, creating a sense of community. TITLE: SEHSE As part of the exhibition “Ciudad counter, which every minute runs the DATE: NOVEMBER 2016 de Mexico, Luz e Imaginación”, we number of people living in each bor- DURATION: 3 MONTHS were asked to talk about the demo- ough, including those boroughs that VENUE: MUSEO DE LA CIUDAD graphic of the city and its growth. existed at the time, but then seized AUDIENCE:150,000 The piece is about the last one hundred to exist. The second text is about the TUPAC MARTIR: CREATIVE DIRECTOR years have changed the look of the city most important news that happened in ARTISTS & CREW: 4 and its boroughs, based on the history that decade, thus placing us within the DISCIPLINES & TECHNOLOGIES: and the sounds that have shaped it. elements that were shaping the city. MUSIC, LIGHTING, SCULPTURE, Each one of the boroughs was created In the , we can hear how PROJECTION, SOUND DESIGN as a light box, with the LED tape growing the sounds that were being created TURNAROUND: 3 MONTHS slowly across the “ten minute” installa- in the city, as the centre of a country, SOUNDLINK: https://soundcloud. tion, with the pixels not only growing, shaping the way that they influenced com/tupac-martir/sehse-ciudad-de- but also moving across the borough. the rest of the country, while mould- mexico-y-arte-digital-luz-e-imagi- The second part of the installation, ing the movement within the city. nacion are the texts that appear on each side The last part of the piece is a projection of the room. On one side, there is a of the city slowly across the ten minutes. CONTACTS

MULY YECHEZKEL TUPAC MARTIR GIBRAN RAMOS ASSOCIATE & FOUNDER & CREATIVE DIRECTOR ASSOCIATE & VR/AR SPECIALIST [email protected] [email protected] [email protected] +44 7535634060 +44 7525149017 +44 7454128588