American Indian Print Collection

Total Page:16

File Type:pdf, Size:1020Kb

American Indian Print Collection http://oac.cdlib.org/findaid/ark:/13030/c8kw5gt6 No online items American Indian Print Collection The Huntington Library, Art Collections, and Botanical Gardens. Prints and Ephemera The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © July 2019 The Huntington Library. All rights reserved. American Indian Print Collection pri520 1 Overview of the Collection Title: American Indian Print Collection Dates: 18th to 19th century Collection Number: pri520 Extent: 129 prints in 2 boxes; prints 53 cm. x 48 cm. (21 in. x 19 in.) and smaller. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Prints and Ephemera 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains prints of American Indians mainly from the Midwestern and Eastern United States during the 18th and 19th centuries. Many of the prints depict romanticized views of Native Americans, including but not limited to their daily life, peaceful and violent interactions with Europeans and Americans, and portraits of important leaders and figures. Language of Material: English Note: Finding aid last updated on July 1, 2019. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. Preferred Citation [Item title, Call number]. American Indian Print Collection. Huntington Library. Prints and Ephemera Division. Acquisition Information This collection is of uncertain provenance and previously formed part of the Huntington Library Prints and Ephemera Collection. Items 52:2 and 68:2 were missing as of March 2013 when the collection was reprocessed. Scope and Content of Collection This collection consists of more than 120 prints of American Indians during the 18th to 19th centuries. The images primarily portray romanticized views of Native Americans, including, but not limited to, their daily life, peaceful and violent interactions with Europeans and Americans, and portraits of important leaders and figures. The majority of the tribes depicted in the prints are located on the East Coast and in the Midwest. The collection contains portraits of notable Native Americans including Pocahontas, Red Jacket, Philip (Metacom) of the Wampanogas, Samson Occom, Powhatan, Theyanoguin, and Tecumseh. Prominent Europeans and Americans appear as well, including Captain John Smith, William Augustus Bowles, William Penn, Zachary Taylor, and William Henry Harrison. A significant portion of the prints are of bison hunting and Indian ceremonies by artist George Catlin and various Indian daily life scenes by artist Seth Eastman. Other notable images consist of battles between Indians and American settlers and soldiers, Indians playing ball games, dance ceremonies, caring for crops, and Christian missionaries among the Indians. The items incorporate intaglio, planographic, and relief printing techniques and include lithographs, wood engravings, engravings, and mezzotints. Box 1 holds 18 prints (1-9; 11-18; 31), Box 2 holds 111 prints (10:1; 19-30; 32-84). Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Subjects American bison hunting Dakota Indians Fox Indians American Indian Print Collection pri520 2 Indians of North America – Pictorial works Mandan Indians Mohawk Indians Pawnee Indians Pequot War, 1636-1638 Powhatan Indians Sauk Indians Seminole War, 2nd, 1835-1842 Siksika Indians Sun dance United States—History—War of 1812 Bowles, William Augustus, 1763 or 4-1805--Portraits Burgoyne, John, 1722-1792--Pictorial works Deerfoot, d. 1896--Portraits Eliot, John, 1604-1690--Pictorial works Harrison, William Henry, 1773-1841--Pictorial works McCrea, Jane, 1753-1777--Pictorial works Occom, Samson, 1723-1792--Portraits Penn, William, 1644-1718--Pictorial works Philip, Sachem of the Wampanoags, d. 1676--Portraits Pocahontas, d. 1617--Portraits Powhatan, ca. 1550-1618--Pictorial works Red Jacket, Seneca chief, ca. 1756-1830--Pictorial works Rogers, Robert, 1731-1795--Portraits Smith, John, 1580-1631--Pictorial works Taylor, Zachary, 1784-1850--Pictorial works Tecumseh, Shawnee Chief, 1768-1813--Pictorial works Theyanoguin, Hendrick Peters, 1692-1755--Portraits Pocahontas, d. 1617--Pictorial works Genres Chromolithographs Engravings Lithographs Mezzotints Prints Printer, Publisher, Artist Index The following is a complete list of artists and printers represented in the collection. Agate, Alfred T., 1812-1846 Andrews, Joseph, 1806-1850 Armytage, James Charles, d. 1897 Bodmer, Karl, 1809-1893 Brown, George Loring, 1814-1889 Buttre, John Chester, 1821-1893 Catlin, George, 1796-1872 Chamberlin, Mason, d. 1787 Chapin, John R., 1823-1894 Chapman, J.G. (John Gadsby), 1808-1889 Chappel, Alonzo, 1828-1887 American Indian Print Collection pri520 3 Corbould, Edward Henry, 1815-1905 Corbould, H. (Henry), 1787-1844 Currier, Nathaniel, 1813-1888 Danforth, Moseley Isaac, 1800-1862 Darley, Felix Octavius Carr, 1822-1888 Doney, Thomas, fl. 1844-1852 Drayton, Joseph Duval, Peter S., 1804 or 5-1886 Eastman, Seth, 1808-1875 Ellis, George B. Faber, John, 1695?-1756 Fay, Augustus, b. ca. 1824 Frenzeny, Paul Gavit, John E., 1817-1874 Hatch, George W., ca. 1805-1867 Hicks, George Elgar, 1824-1914 Hinshelwood, Robert, b. 1812 Jocelyn, Simeon Smith, 1799-1879 Jordan, Henry Kern, Edward Meyer, 1823-1863 King, Charles Bird, 1785-1862 Lens, Bernard, 1682-1740 Leroux, Eugène Matteson, Tompkins Harrison, 1813-1884 McNevin, John McRae, John C. Miller, Alfred Jacob, 1810-1874 Oertel, Johannes Adam Simon, 1823-1909 Rawdon, Ralph, b. 1793 Ridgway, W. (William), fl. 1863-1894 Rogers, John, 1808-1888(?) Rolph, John A., 1799-1862 Rosenthal, L.N. (Louis N.) Sartain, John, 1808-1897 Schenk, Peter, 1660-1718 or 9 Sharp, William, 1749-1824 Simon, John, 1675-ca. 1755 Smillie, James David, 1833-1909 Stanley, John Mix, 1814-1872 Storm, G.F. Tavernier, Jules, 1844-1889 Thompson, D. George, d. ca. 1870 Verelst, John, b. 1648 Wagstaff, Charles Edward, 1808-1850 Warren, Asa Coolidge, 1819-1904 Warren, Henry, 1794-1879 Webber, John, 1751-1793 Weir, Robert Walter, 1803-1889 American Indian Print Collection pri520 4 Wellstood, William, 1819-1900 West, Benjamin, 1738-1820 List of Prints Arrangement Items 1-9, 11-18, and 31 are housed in Box 1, and items 10, 19-30, and 32-84 are housed in Box 2. Box 1, Item 1 Bernard Lens [the younger]. The Four Indian Kings: Tee Yee Need Ho Ga Row—Emperor of the Six Nations. Sa Ga Yeen Qua Roh Tow—King of the Maquas. Oh Nee Yeath Tow No Riow—King of the Generethgrich. Bernard Lens [the younger]. Mezzotint. Box 1, Item 2 John Verelst. Tee Yee Neen Ho Ga Row. John Simon. Mezzotint, 1st state, 1710. Note See item 3 for later state of print. Box 1, Item 3 John Verelst. Tee Yee Neen Ho Ga Row. John Simon. Mezzotint, 3rd state, circa 1755. Note See item 2 for earlier state of print. Box 1, Item 4 John Verelst. Sa Ga Yeath Qua Pieth Tow. John Simon. Mezzotint, 3rd state, circa 1755. Box 1, Item 5 John Verelst. Sa Ga Yeath Qua Pieth Ton. John Simon. Mezzotint, 1st state, 1710. Box 1, Item 6 John Verelst. Etow Oh Koam. John Simon. Mezzotint. Note See item 7 for different state of print. Box 1, Item 7 John Verelst. Etow Oh Koam. John Simon. Mezzotint, 3rd state, circa 1755. Note See item 6 for different state of print. Box 1, Item 8 Sa Ga Yean Qua Rash Tow. Pieter Schenck [the Elder]. Mezzotint. Box 1, Item 9 On Nee Yeath Tow No Riow. Pieter Schenck [the Elder]. Mezzotint. Box 2, Item 10:1 Simon [van] de Passe. Pocahontas [Matoaka Rolfe (1596-1617)] BM 2. Engraving. Box 2, Item 10:2 John Gadsby Chapman. Crowning of Powhaton. Robert Hinshelwood. Engraving. Box 1, Item 11 John Verelst. Ho Nee Yeath Taw No Row. John Simon. Mezzotint, 3rd state. circa 1755. Box 1, Item 12 John Verelst. Ho Nee Yeath Tan Ro Ron. John Simon. Mezzotint. Box 1, Item 13 William Verelst. Tomo Chachi Mico or King of Yamacran and Tooanahowi, his nephew. John Faber [Jr.]. Mezzotint. Box 1, Item 14 Hendrick, Chief of the Mohawks. Lithograph. Box 1, Item 15 John Webber. A Man of Nootka Sound. William Sharp. Lithograph. Box 1, Item 16 Robert Rogers (1731-1795) American frontier soldier. Mezzotint. Box 1, Item 17 Mason Chamberlin. Samson Occom : Missionary to American Indians. Jonathan Spilsbury. Mezzotint. Box 1, Item 18 Thomas Hardy. William Augustus Bowles. Chief of Embassy for Creek and Cherokee Nations. Joseph Grozer. Mezzotint. Box 2, Item 19 Seth Eastman. Protecting the cornfields from vermin. James David Smillie. Engraving. Box 2, Item 20 Seth Eastman. Ball play on the ice. Charles Edward Wagstaff & Joseph Andrews. Engraving. Box 2, Item 21 Seth Eastman. Indian woman dressing a buffalo skin. Charles Edward Wagstaff & Joseph Andrews. Engraving. Box 2, Item 22 Seth Eastman. Indians and Spaniards reaching an agreement (?). Engraving. American Indian Print Collection pri520 5 List of Prints Box 2, Item 23 Seth Eastman. Indian burial ground. Charles Edward Wagstaff & Joseph Andres. Engraving. Box 2, Item 24 Seth Eastman. Spearing fish in winter. Charles Edward Wagstaff & Joseph Andrews. Engraving. Box 2, Item 25 Seth Eastman. Dog dance of the Dahcotas. Charles Edward Wagstaff & Joseph Andrews. Engraving. Box 2, Item 26 Seth Eastman. Landing of Columbus (?). Engraving. Box 2, Item 27 Seth Eastman. Indian ball game. Engraving. Box 2, Item 28 Seth Eastman. Transporting the wounded. Charles Edward Wagstaff & Joseph Andrews. Engraving. Box 2, Item 29 Seth Eastman. Indian woman procuring fuel. Charles Edward Wagstaff & Joseph Andrews. Engraving. Box 2, Item 30:1 Pocahontas.
Recommended publications
  • The Story of the Taovaya [Wichita]
    THE STORY OF THE TAOVAYA [WICHITA] Home Page (Images Sources): • “Coahuiltecans;” painting from The University of Texas at Austin, College of Liberal Arts; www.texasbeyondhistory.net/st-plains/peoples/coahuiltecans.html • “Wichita Lodge, Thatched with Prairie Grass;” oil painting on canvas by George Catlin, 1834-1835; Smithsonian American Art Museum; 1985.66.492. • “Buffalo Hunt on the Southwestern Plains;” oil painting by John Mix Stanley, 1845; Smithsonian American Art Museum; 1985.66.248,932. • “Peeling Pumpkins;” Photogravure by Edward S. Curtis; 1927; The North American Indian (1907-1930); v. 19; The University Press, Cambridge, Mass; 1930; facing page 50. 1-7: Before the Taovaya (Image Sources): • “Coahuiltecans;” painting from The University of Texas at Austin, College of Liberal Arts; www.texasbeyondhistory.net/st-plains/peoples/coahuiltecans.html • “Central Texas Chronology;” Gault School of Archaeology website: www.gaultschool.org/history/peopling-americas-timeline. Retrieved January 16, 2018. • Terminology Charts from Lithics-Net website: www.lithicsnet.com/lithinfo.html. Retrieved January 17, 2018. • “Hunting the Woolly Mammoth;” Wikipedia.org: https://en.wikipedia.org/wiki/File:Hunting_Woolly_Mammoth.jpg. Retrieved January 16, 2018. • “Atlatl;” Encyclopedia Britannica; Native Languages of the Americase website: www.native-languages.org/weapons.htm. Retrieved January 19, 2018. • “A mano and metate in use;” Texas Beyond History website: https://www.texasbeyondhistory.net/kids/dinner/kitchen.html. Retrieved January 18, 2018. • “Rock Art in Seminole Canyon State Park & Historic Site;” Texas Parks & Wildlife website: https://tpwd.texas.gov/state-parks/seminole-canyon. Retrieved January 16, 2018. • “Buffalo Herd;” photograph in the Tales ‘N’ Trails Museum photo; Joe Benton Collection. A1-A6: History of the Taovaya (Image Sources): • “Wichita Village on Rush Creek;” Lithograph by James Ackerman; 1854.
    [Show full text]
  • Native American Context Statement and Reconnaissance Level Survey Supplement
    NATIVE AMERICAN CONTEXT STATEMENT AND RECONNAISSANCE LEVEL SURVEY SUPPLEMENT Prepared for The City of Minneapolis Department of Community Planning & Economic Development Prepared by Two Pines Resource Group, LLC FINAL July 2016 Cover Image Indian Tepees on the Site of Bridge Square with the John H. Stevens House, 1852 Collections of the Minnesota Historical Society (Neg. No. 583) Minneapolis Pow Wow, 1951 Collections of the Minnesota Historical Society (Neg. No. 35609) Minneapolis American Indian Center 1530 E Franklin Avenue NATIVE AMERICAN CONTEXT STATEMENT AND RECONNAISSANCE LEVEL SURVEY SUPPLEMENT Prepared for City of Minneapolis Department of Community Planning and Economic Development 250 South 4th Street Room 300, Public Service Center Minneapolis, MN 55415 Prepared by Eva B. Terrell, M.A. and Michelle M. Terrell, Ph.D., RPA Two Pines Resource Group, LLC 17711 260th Street Shafer, MN 55074 FINAL July 2016 MINNEAPOLIS NATIVE AMERICAN CONTEXT STATEMENT AND RECONNAISSANCE LEVEL SURVEY SUPPLEMENT This project is funded by the City of Minneapolis and with Federal funds from the National Park Service, U.S. Department of the Interior. The contents and opinions do not necessarily reflect the views or policies of the Department of the Interior, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964 and Section 504 of the Rehabilitation Act of 1973, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability in its federally assisted programs.
    [Show full text]
  • Seth Eastman's Water Colors
    SOURCES FOR NORTHWEST HISTORY SETH EASTMAN'S WATER COLORS THAT AN ARMY OFFICER who has been characterized as "the master painter of the North American Indian" was stationed at Fort Snelling for some seven years in the 1830's and 1840's and served at four different times as Its com­ mandant is perhaps known to few present-day Minnesotans. They visit Washington, gaze upon the canvases of Seth Eastman in the Capitol and in the Corcoran Gallery, and fail to appreciate the fact that many of them are based upon sketches made in their home state In pre-territorial days. And doubtless, too, they fail to realize that to see original work by Eastman they need only visit the James Jerome Hill Reference Library in St. Paul, which has In Its collec­ tions no less than sixty water colors by this distinguished artist of the western frontier.^ Eastman was twenty-one years of age when he was grad­ uated from the United States Military Academy at West Point In July, 1829, attached to the First Infantry as a sec­ ond lieutenant, and sent to Fort Crawford, at Prairie du Chien, Wisconsin. There he began sketching the scenery and the natives, an avocation that he continued when he was transferred to Fort Snelling In the following year. He did not remain long at the Minnesota post, for In 1831 he was assigned to topographical duty. From 1833 to 1840 East­ man served as a teacher of drawing at West Point, and In ^ Oil paintings of Minnesota scenes by Eastman are owned by the Minnesota Historical Society and by Dr.
    [Show full text]
  • Glossary of Flexographic Printing Terms
    GLOSSARY OF FLEXOGRAPHIC PRINTING TERMS AA: Authors Alterations, changes other than corrections, made by a client after the proofing process has begun. AA's are usually charged to a client as billable time. Abrasion: Process of wearing away the surface of a material by friction. Abrasion marks: Marks on a photographic print or film appearing as streaks or scratches, caused by the condition of the developer. Can be partially removed by swabbing with alcohol. Abrasion resistance: Ability to withstand the effects of repeated rubbing and scuffing. Also called scuff or rub resistance. Abrasion test: A test designed to determine the ability to withstand the effects of rubbing and scuffing. Abrasiveness: That property of a substance that causes it to wear or scratch other surfaces. Absorption: In paper, the property which causes it to take up liquids or vapors in contact with it. In optics, the partial suppression of light through a transparent or translucent material. Acceptance sampling or inspection: The evaluation of a definite lot of material or product that is already in existence to determine its acceptability within quality standards. Accelerate: In flexographic printing, as by the addition of a faster drying solvent or by increasing the temperature or volume of hot air applied to the printed surface. Electrical - To speed rewind shafts during flying splices, and in taking up web slackness. Accordion Fold: Bindery term, two or more parallel folds which open like an accordion. Acetone: A very active solvent used in packaging gravure inks; the fastest drying solvent in the ketone family. Activator: A chemistry used on exposed photographic paper or film emulsion to develop the image.
    [Show full text]
  • Seth Eastman, a Portfolio of North American Indians Desperately Needed for Repairs
    RAMSEY COUNTY The Bungalow Craze And How It Swept A Publication of the Ramsey County Historical Society The Twin Cities— Page 15 Winter, 1996 Volume 30, Number 4 St. Paul Curling Club’s Colorful History The St. Paul Curling Club in 1892, a sketch by T. de Thulstrup for Harper’s Weekly. See page 4 for the history of curling in S t Paul. RAMSEY COUNTY HISTORY Executive Director Priscilla Famham Editor Virginia Brainard Kunz WARREN SCHABER 1 9 3 3 - 1 9 9 5 RAMSEY COUNTY HISTORICAL SOCIETY The Ramsey County Historical Society lost a BOARD OF DIRECTORS good friend when Ramsey County Commis­ Joanne A. Englund sioner Warren Schaber died last October Chairman of the Board at the age of sixty-two. John M. Lindley CONTENTS The Society came President to know him well Laurie Zehner 3 Letters during the twenty First Vice President years he served on Judge Margaret M. Mairinan the Board of Ramsey Second Vice President 4 Bonspiels, Skips, Rinks, Brooms, and Heavy Ice County Commission­ Richard A. Wilhoit St. Paul Curling Club and Its Century-old History Secretary ers. We were warmed by his steady support James Russell Jane McClure Treasurer of the Society and its work. Arthur Baumeister, Jr., Alexandra Bjorklund, 15 The Bungalows of the Twin Cities, With a Look Mary Bigelow McMillan, Andrew Boss, A thoughtful Warren We remember the Thomas Boyd, Mark Eisenschenk, Howard At the Craze that Created Them in St. Paul Schaber at his first County big things: the long Guthmann, John Harens, Marshall Hatfield, Board meeting, January 6, series of badly- Liz Johnson, George Mairs, III, Mary Bigelow Brian McMahon 1975.
    [Show full text]
  • 1833-1834 Drawings of Mato-Tope and Sih-Chida
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design Art, Art History and Design, School of 2011 Stealing Horses and Hostile Conflict: 1833-1834 Drawings of Mato-Tope and Sih-Chida Kimberly Minor University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/artstudents Part of the American Art and Architecture Commons, and the Art and Design Commons Minor, Kimberly, "Stealing Horses and Hostile Conflict: 1833-1834 Drawings of Mato-Tope and Sih-Chida" (2011). Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design. 17. https://digitalcommons.unl.edu/artstudents/17 This Article is brought to you for free and open access by the Art, Art History and Design, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses, Dissertations, and Student Creative Activity, School of Art, Art History and Design by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Stealing Horses and Hostile Conflict: 1833-34 Drawings of Mato-Tope and Sih-Chida By Kimberly Minor Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Art History Under the Supervision of Professor Wendy Katz Lincoln, Nebraska April 2011 Stealing Horses and Hostile Conflict: 1833-34 Drawings of Mato-Tope and Sih-Chida Kimberly Minor, M.A. University of Nebraska, 2011 Advisor: Wendy Katz The first documented Native American art on paper includes the following drawings at the Joslyn Art Museum in Omaha, Nebraska: In the Winter, 1833-1834 (two versions) by Sih-Chida (Yellow Feather) and Mato-Tope Battling a Cheyenne Chief with a Hatchet (1834) by Mato-Tope (Four Bears) as well as an untitled drawing not previously attributed to the latter.
    [Show full text]
  • Examine the Exquisite Portraits of the American Indian Leaders Mckenney
    Examine the exquisite portraits of the American Indian leaders McKenney, Thomas, and James Hall, History of the Indian Tribes of North America. Philadelphia: Edward C. Biddle (parts 1-5), Frederick W. Greenough (parts 6-13), J.T. Bowen (part 14), Daniel Rice and James G. Clark (parts 15-20), [1833-] 1837-1844 20 Original parts, folio (21.125 x 15.25in.: 537 x 389 mm.). 117 handcolored lithographed portraits after C. B. King, 3 handcolored lithographed scenic frontispieces after Rindisbacher, leaf of lithographed maps and table, 17 pages of facsimile signatures of subscribers, leaf of statements of the genuiness of the portrait of Pocahontas, part eight with the printed notice of the correction of the description of the War Dance and the cancel leaf of that description (the incorrect cancel and leaf in part 1), part 10 with erratum slip, part 20 with printed notice to binders and subscribers, title pages in part 1 (volume 1, Biddle imprint 1837), 9 (Greenough imprint, 1838), 16 (volume 2, Rice and Clark imprint, 1842), and 20 (volume 3, Rice and Clark imprint, 1844); some variously severe but, usually light offsetting and foxing, final three parts with marginal wormholes, not affecting text or images. Original printed buff wrappers; part 2 with spine lost and rear wrapper detached, a few others with spines shipped, part 11 with sewing broken and text and plates loose, part 17 with large internal loss of front wrapper affecting part number, some others with marginal tears or fraying, some foxed or soiled. Half maroon morocco folding-case, gilt rubbed. FIRST EDITION, second issue of title-page of volume 1.
    [Show full text]
  • Altered Landscapes Will Capture the Spirit of Las Vegas’S Perpetual Reinvention and the Fallacy of Its Promises
    ANNUAL CONFERENCE WEDNESDAY - SATURDAY, APRIL 4 - 7, 2018 LAS VEGAS, NEVADA CONTENTS SGCI President Welcome . .3 Thursday, April 5 at Bally’s . .37 Friday, April 6 at Bally’s . 41 Welcome Letters. 5 Friday, April 6 at 5th Street School . 45 SGCI 2018 Conference Abstract . .6 INKubator Sessions. .47 Schedule . 7 Thursday, April 5 . .47 Wednesday, April 4 . .7 Friday, April 6. 50 Thursday, April 5 . .8 Career Mentor Sessions . .55 Friday, April 6. .10 Saturday, April 7 . 14 Themed Portfolios . .57 Sunday, April 8. 15 SGCI Exhibitions . .70 Awards & Speakers. 17 All That Glitters. 70 Jaune Quick - To - See - Smith . 17 Silent Auction. 71 Dennis O’Neil. 18 Exhibitions. .73 Melanie Yazzie. 19 Las Vegas Downtown & Arts District . .73 Beth Grabowski . 20 5th Street Schoolhouse. .73 Jasmine Williams. .22 Chamber Gallery . .75 Louise Fisher . .22 Nevada Humanities . .77 Emmett Merrill . .23 Priscilla Fowler Fine Arts . .78 William L. Fox. 24 Test Site Projects . .79 Jim McCormick . 24 University of Nevada - Las Vegas .. 81 Susan Boskoff . .25 Archie C. Grant Hall. 81 Chris Giunchigliani . .25 Dr. Arturo Rando Grillot Hall. .82 Bobbie Ann Howell. .26 Donna Beam Fine Arts . 83 Maureen MacNamara Barrett. .26 Marjorie Barrick Museum of Art. 86 Demonstrations . .29 College of Southern Nevada . 88 Thursday, April 5 at Bally’s . .29 Maps & Way-Finding . 91 Friday, April 5 at Bally’s . 30 Bally’s Convention Floor. 91 Friday, April 5 at UNLV . .32 2018 Vendors, Publishers, Programs Fair. .92 Tinker Town. .35 Friday, April 6 Bus Loop . 94 Panel Discussions . .37 UNLV Campus . 96 Acknowledgements. .98 2 WELCOME FROM THE SGC INTERNATIONAL PRESIDENT Dear SGC International Members: On behalf of the board of SGC International, it is my pleasure to wel- come you to Las Vegas for our annual conference! We are so happy that you’re here to contribute to our vibrant printmaking community.
    [Show full text]
  • OLD FORT SNELLING from a Painting by Captain Seth Eastman
    OLD FORT SNELLING From a painting by Captain Seth Eastman, reproduced in Mrs. Eastman's Dahcotah; or, Life and Legends of the Sioux around Fort Snelling OLD FORT SNELLING OLD FORT SNELLING 1819–1858 BY MARCUS L. HANSEN PUBLISHED AT IOWA CITY IOWA IN 1918 BY THE STATE HISTORICAL SOCIETY OF IOWA THE TORCH PRESS CEDAR RAPIDS IOWA EDITOR'S INTRODUCTION [v] The establishment in 1917 of a camp at Fort Snelling for the training of officers for the army has aroused curiosity in the history of Old Fort Snelling. Again as in the days of the pioneer settlement of the Northwest the Fort at the junction of the Minnesota and Mississippi rivers has become an object of more than ordinary interest. Old Fort Snelling was established in 1819 within the Missouri Territory on ground which later became a part of the Territory of Iowa. Not until 1849 was it included within Minnesota boundaries. Linked with the early annals of Missouri, Michigan, Wisconsin, Iowa, Minnesota, and the Northwest, the history of Old Fort Snelling is the common heritage of many commonwealths in the Upper Mississippi Valley. The period covered in this volume begins with the establishment of the Fort in 1819 and ends with the temporary abandonment of the site as a military post in 1858. BENJ. F. SHAMBAUGH OFFICE OF THE SUPERINTENDENT AND EDITOR THE STATE HISTORICAL SOCIETY OF IOWA IOWA CITY IOWA [vi] AUTHOR'S PREFACE [vii] The position which the military post holds in western history is sometimes misunderstood. So often has a consideration of it been left to the novelist's pen that romantic glamour has obscured the permanent contribution made by many a lonely post to the development of the surrounding region.
    [Show full text]
  • Printmaking Through the Ages Utah Museum of Fine Arts • Lesson Plans for Educators • March 7, 2012
    Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Table of Contents Page Contents 2 Image List 3 Printmaking as Art 6 Glossary of Printing Terms 7 A Brief History of Printmaking Written by Jennifer Jensen 10 Self Portrait in a Velvet Cap , Rembrandt Written by Hailey Leek 11 Lesson Plan for Self Portrait in a Velvet Cap Written by Virginia Catherall 14 Kintai Bridge, Province of Suwo, Hokusai Written by Jennifer Jensen 16 Lesson Plan for Kintai Bridge, Province of Suwo Written by Jennifer Jensen 20 Lambing , Leighton Written by Kathryn Dennett 21 Lesson Plan for Lambing Written by Kathryn Dennett 32 Madame Louison, Rouault Written by Tiya Karaus 35 Lesson Plan for Madame Louison Written by Tiya Karaus 41 Prodigal Son , Benton Written by Joanna Walden 42 Lesson Plan for Prodigal Son Written by Joanna Walden 47 Flotsam, Gottlieb Written by Joanna Walden 48 Lesson Plan for Flotsam Written by Joanna Walden 55 Fourth of July Still Life, Flack Written by Susan Price 57 Lesson Plan for Fourth of July Still Life Written by Susan Price 59 Reverberations, Katz Written by Jennie LaFortune 60 Lesson Plan for Reverberations Written by Jennie LaFortune Evening for Educators is funded in part by the StateWide Art Partnership and the Professional Outreach Programs in the Schools (POPS) through the Utah State Office of Education 1 Printmaking through the Ages Utah Museum of Fine Arts • www.umfa.utah.edu Lesson Plans for Educators • March 7, 2012 Image List 1. Rembrandt Harmensz van Rijn (1606-1669), Dutch Self Portrait in a Velvet Cap with Plume , 1638 Etching Gift of Merrilee and Howard Douglas Clark 1996.47.1 2.
    [Show full text]
  • Indiana Magazine of History the Author Has Used Swedish Sources
    156 Indiana Magazine of History The author has used Swedish sources extensively and appears to have a detailed grasp of his materials. However, the book suffers from a maddening confusion in chronology. Elmen often fails to date his accounts of events and further confuses the reader by inserting dated references to earlier and later events in order to amplify the obscure “present” of his narrative (e.g., chapter two). The bibliography is ex- tensive and the index reliable. Indiana Historical Society, Lana Ruegamer Tam Indianapolis The Indian Legacy of Charles Bird King. By Herman J. Viola. (Washington: Smithsonian Institution Press and Doubleday & Company, Inc., 1976. Pp. 152. Illustra- tions, notes, bibliography, index. $19.95.) Rhode Island born Charles Bird King studied under Benjamin West in England before settling in the District of Columbia after the War of 1812. A successful portrait paint- er, King met Thomas McKenney, superintendent of Indian trade and later head of the Bureau of Indian Affairs. Mc- Kenney had already begun “The Archives of the American Indian,” a collection of Indian artifacts, and decided to em- ploy King to add portraits to his archives. In 1822 McKenney commissioned King to portray Pawnee, Oto, Omaha, and other delegates who were in Washington at government request. In the next twenty years King did portraits of at least 143 Indian leaders who visited the capital and often did replicas for himself and for his subjects. Included were such notable figures Petalesharro of the Pawnees, Keokuk and Black Hawk of the Sac and Fox, and Red Jacket of the Senecas.
    [Show full text]
  • David's Sabine Women in the Wild West
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 1982 David's Sabine Women In The Wild West Rena N. Coen Saint Cloud State University Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Coen, Rena N., "David's Sabine Women In The Wild West" (1982). Great Plains Quarterly. 1654. https://digitalcommons.unl.edu/greatplainsquarterly/1654 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. DAVID'S SABINE WOMEN IN THE WILD WEST RENAN. COEN When one considers the body of mid-nine­ did the men. References to Christian icon­ teenth-century paintings of the American West, ography, classical sculpture, and, above all, one is struck by the place of women, especially prints and engravings after European master­ white women, in them. In the large majority pieces seem more evident in the few paintings of cases, from George Catlin and Seth Eastman involving women than in those describing the to Frederic Remington and Charles Russell, adventures of their husbands. This difference women are conspicuous by their absence. We may be due to the fact that it was myth rather know that many women did go west with than reality that dominated the pictorial pres­ their husbands, striving to maintain some sem­ ence of women-a myth underscored by the blance of the civilization they knew in the notion that, while men engaged in such manly rough and primitive conditions of army posts sports as hunting and exploring and clearing and frontier settlements.
    [Show full text]