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2012.02.01 Jeffrey RUSTEN, the Birth of Comedy
CJ -Online, 2012.02.01 BOOK REVIEW The Birth of Comedy: Texts, Documents, and Art from Athenian Comic Competitions, 486–280 . Edited by Jeffrey RUSTEN . Baltimore and London: Johns Hopkins University Press, 2011. Pp. xx + 794. Hardcover, $110.00/£57.00. ISBN 978-0- 8018-9448-0. The world of Greek comedy has always been a mysterious universe for amateurs. The naive enthusiasm of Renaissance intellectuals, who, immediately after the publication of the editio princeps of the eleven Aristophanic comedies, edited their complete translations (without footnotes!) in Latin (Andreas Divus) and Italian (the Rositini brothers), has decreased as time has passed. In contrast to the fate of Greek tragedies, Aristophanes’ and Menander’s comedies have always been rare- ly performed; even the most recent translations cannot refrain from using ex- planatory notes if they want their readers to understand the nuances of the Greek text. Apart from the two main authors, the other comic poets (Cratinus, Eupolis, Alexis, Diphilus, Philemon) are almost unknown, in spite of the good reputation they had in the ancient world. From this point of view the difference with tragedy is even greater: among the majority of people, the three tragic poets of the fifth century BCE enjoy a much wider popularity than the single representative of ancient Greek comedy; Menander’s popularity (a fairly recent one, based on the papyrological discoveries of the last century) cannot compete with that of his Roman followers, Plautus and Terence. But things are changing: since the end -
Peter Constantine
Peter Constantine ————————————————————————————- Literary Translation Program Department of Literatures, Cultures, and Languages University of Connecticut Storrs, CT 06269-1057 ACADEMIC POSITIONS • Director, Literary Translation Program, Department of Literatures, Cultures, and Lan- guages, University of Connecticut. 2016 — Present. • Humanities Institute, University of Connecticut. Fellow. 2015 — 2016. • Columbia University, Program in Hellenic Studies. Fellow. 2007 – 2015. • Princeton University, Program in Hellenic Studies. Translation Workshop in Paros, Greece. Instructor. 2009, 2011. • Banff International Literary Translation Centre. Instructor, Consulting Specialist, 2011. • Princeton University, Program in Hellenic Studies. Writer-in-Residence, 2002 - 2003. • Princeton University, Program in Hellenic Studies. Stanley J. Seeger Fellow, 2002. AWARDS • Honorary Doctorate of Humane Letters, University of Connecticut, 2016. • PEN Translation Prize (citation), 2008, for The Essential Writings of Machiavelli. • Helen and Kurt Wolff Translation Prize, 2007, for The Bird is a Raven by Benjamin Lebert. • National Jewish Book Award, 2002, (citation) for The Complete Works of Isaac Babel. • The Koret Jewish Literature Award, 2002, for The Complete Works of Isaac Babel. • Hellenic Association of Translators of Greek Literature Prize. 2001. • National Translation Award, 1999, for The Undiscovered Chekhov: Thirty-eight New Sto- ries. • PEN Translation Prize, 1998, for Thomas Mann—Six Early Stories. FELLOWSHIPS • Institute for the Liberal Arts, Boston College, Residency, October 2014. • Fellowship of the Austrian Literature Society, Vienna, 2013. • Ellen Maria Gorrissen Berlin Prize Fellow at the American Academy in Berlin, 2012. • Guggenheim Fellowship, 2011. • Cullman Center Fellowship, New York Public Library, 2011. !2 • National Endowment for the Arts Literature Fellowship for Translation, 2011. • Literary Colloquium Berlin. 2008. • National Endowment for the Arts Literature Fellowship for Translation, 2004. -
Macedonian Kings, Egyptian Pharaohs the Ptolemaic Family In
Department of World Cultures University of Helsinki Helsinki Macedonian Kings, Egyptian Pharaohs The Ptolemaic Family in the Encomiastic Poems of Callimachus Iiro Laukola ACADEMIC DISSERTATION To be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XV, University Main Building, on the 23rd of September, 2016 at 12 o’clock. Helsinki 2016 © Iiro Laukola 2016 ISBN 978-951-51-2383-1 (paperback.) ISBN 978-951-51-2384-8 (PDF) Unigrafia Helsinki 2016 Abstract The interaction between Greek and Egyptian cultural concepts has been an intense yet controversial topic in studies about Ptolemaic Egypt. The present study partakes in this discussion with an analysis of the encomiastic poems of Callimachus of Cyrene (c. 305 – c. 240 BC). The success of the Ptolemaic Dynasty is crystallized in the juxtaposing of the different roles of a Greek ǴdzȅǻǽǷȏȄ and of an Egyptian Pharaoh, and this study gives a glimpse of this political and ideological endeavour through the poetry of Callimachus. The contribution of the present work is to situate Callimachus in the core of the Ptolemaic court. Callimachus was a proponent of the Ptolemaic rule. By reappraising the traditional Greek beliefs, he examined the bicultural rule of the Ptolemies in his encomiastic poems. This work critically examines six Callimachean hymns, namely to Zeus, to Apollo, to Artemis, to Delos, to Athena and to Demeter together with the Victory of Berenice, the Lock of Berenice and the Ektheosis of Arsinoe. Characterized by ambiguous imagery, the hymns inspect the ruptures in Greek thought during the Hellenistic age. -
Phaedrus Plato
Phaedrus Plato TRANSLATED BY BENJAMIN JOWETT ROMAN ROADS MEDIA Classical education, from a Christian perspective, created for the homeschool. Roman Roads combines its technical expertise with the experience of established authorities in the field of classical education to create quality video courses and resources tailored to the homeschooler. Just as the first century roads of the Roman Empire were the physical means by which the early church spread the gospel far and wide, so Roman Roads Media uses today’s technology to bring timeless truth, goodness, and beauty into your home. By combining excellent instruction augmented with visual aids and examples, we help inspire in your children a lifelong love of learning. Phaedrus by Plato translated by Benjamin Jowett This text was designed to accompany Roman Roads Media's 4-year video course Old Western Culture: A Christian Approach to the Great Books. For more information visit: www.romanroadsmedia.com. Other video courses by Roman Roads Media include: Grammar of Poetry featuring Matt Whitling Introductory Logic taught by Jim Nance Intermediate Logic taught by Jim Nance French Cuisine taught by Francis Foucachon Copyright © 2013 by Roman Roads Media, LLC Roman Roads Media 739 S Hayes St, Moscow, Idaho 83843 A ROMAN ROADS ETEXT Phaedrus Plato TRANSLATED BY BENJAMIN JOWETT INTRODUCTION The Phaedrus is closely connected with the Symposium, and may be regarded either as introducing or following it. The two Dialogues together contain the whole philosophy of Plato on the nature of love, which in the Republic and in the later writings of Plato is only introduced playfully or as a figure of speech. -
A History of Cynicism
A HISTORY OF CYNICISM Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com A HISTORY OF CYNICISM From Diogenes to the 6th Century A.D. by DONALD R. DUDLEY F,llow of St. John's College, Cambrid1e Htmy Fellow at Yale University firl mll METHUEN & CO. LTD. LONDON 36 Essex Street, Strand, W.C.2 Downloaded from https://www.holybooks.com First published in 1937 PRINTED IN GREAT BRITAIN Downloaded from https://www.holybooks.com PREFACE THE research of which this book is the outcome was mainly carried out at St. John's College, Cambridge, Yale University, and Edinburgh University. In the help so generously given to my work I have been no less fortunate than in the scenes in which it was pursued. I am much indebted for criticism and advice to Professor M. Rostovtseff and Professor E. R. Goodonough of Yale, to Professor A. E. Taylor of Edinburgh, to Professor F. M. Cornford of Cambridge, to Professor J. L. Stocks of Liverpool, and to Dr. W. H. Semple of Reading. I should also like to thank the electors of the Henry Fund for enabling me to visit the United States, and the College Council of St. John's for electing me to a Research Fellowship. Finally, to• the unfailing interest, advice and encouragement of Mr. M. P. Charlesworth of St. John's I owe an especial debt which I can hardly hope to repay. These acknowledgements do not exhaust the list of my obligations ; but I hope that other kindnesses have been acknowledged either in the text or privately. -
The Idea of 'Celtic Justice' in the Greco-Roman Lighter Literature
Cruel and Unusual? The Idea of ‘Celtic justice’ in the Greco-Roman Lighter Literature Antti Lampinen Abstract This article seeks to demonstrate that dramatically illustrated examples of the Celts’ sense of justice emerge as a minor trope in Greek and Roman ‘lighter literature’. In sources ranging from the Hellenistic to the Imperial era, novelistic narratives taking their cue from the register of lighter literature—with its emphasis on pathos, cultural difference, and romantic themes—feature several barbarian characters, characterised as ‘Celts’ or ‘Galatae’, who act according to a code of conduct that was constructed purposefully as barbarian, archaic, and alien. This set of motifs I venture to call the trope of ‘Celtic justice’. While almost certainly devoid of historical source value to actual judicial cultures of Iron Age Europeans, neither are these references mere alterité. Instead, their relationship with other literary registers demonstrate the literariness of certain modes of thought that came to inform the enquiry of Greek and Roman observers into the Celtic northerners. Their ostensibly ethnographical contents emerge as markers of complex textual strategies and vibrant reception of literary motifs. While lacking ‘anthropological’ source value, these texts demonstrate the variety and intensity with which the contacts between Greeks and Celts affected the epistemic regime of the Mediterranean societies.* From the 270s onwards the Hellenistic era witnessed among the Greeks an intense and emotionally charged interest in Celts. -
GREEK HOMOSEXUALITY Blank PAGE GREEK HOMOSEXUALITY Updated and with a New Postscript
GREEK HOMOSEXUALITY BlANK PAGE GREEK HOMOSEXUALITY Updated and with a new Postscript K.J. Dover Harvard University Press Cambridge, Massachusetts Copyright © 1978, 1989 by K.J. Dover All rights reserved Printed in the United States of America 10 9 8 7 6 5 4 Library of Congress Cataloging-in-Publication Data Dover, Kenneth James. Greek homosexuality I K.J. Dover.-Updated and with a new postcript. p. em. Bibliography: p. Includes indexes. 1. Homosexuality-Greece-History. 2. Homosexuality Law and legislation-Greece-History. 3. Homosexuality in art-History. 4. Homosexuality in literature-History. 5. Greece-Civilization-To 146 B.C. I. Title. HQ76.3.G8D68 1989 306.76'6'09495-dc20 89-34289 CIP ISBN 0-674-36261-6 ISBN 0-674-36270-5 (pbk.) Illustrations Thanks are due to the many museums holding vases reproduced in this book (see List of Vases, pp. 205-226), who have been most helpful in providing prints. Special permission is acknowledged from the following: National Museum, Copenhagen for B 16, R 1027; the Director of Antiquities and the Cyprus Museum for B65; Musee du Louvre, Paris, and Chuzeville, Paris., for B 166, B462, B4 70, B494, C19,, R59, R348, R422, R454, R659; Museum of Fine Arts, Boston for B342, B598a and b. R223, R456, R577, R603, R651, R783; Antikenmuseum, Staatliche Museum Preussischer Kulturbesitz, Berlin (West) for BB24, R196a, R259, R303, R970, R1127; Musee du Petit l>alais, Paris, and Etablissements Bulloz, Paris, for R414; Mr Walter Bareiss and the Metropolitan Museum of Art, New York for R462; Tony Raubitschek for R547; the Fitzwilliam Museum, Cambridge for R684; the Fogg Art Museum, Harvard University (David M. -
Posidippus' Equestrian Angelia
Mouseion, Series III, Vol. 16 (2019) 433–452 © 2019 Mouseion (published in 2019) Horse and Herald: Posidippus’ Equestrian Angelia Peter J. Miller Abstract / Résumé Posidippus’ epigrams for equestrian victors (the Hippika, AB 71–88) build on epi- nician convention by maintaining the central role of the herald’s proclamation— the angelia—in the representation of athletic achievement. In a few of these epigrams, however, Posidippus embeds the horse itself in postvictory rituals. For example, the horse brings the crown to the victor, replacing the figure of the herald who announced and crowned victors; or, in a narrative of the race’s aftermath, the horse, incredibly, chooses the victor. Posidippus’ horses, there- fore, act as causal agents for the glory of their owners, and his detailed descrip- tions transform the horse from flesh-and-blood equine to everlasting (literary) monument. Les épigrammes de Posidippe sur les victoires équestres (les Hippiques, 71-88 A.-B.) s’appuient sur une convention poétique propre aux épinicies qui maintient le rôle de la proclamation du héraut – l’angelia – dans la représentation de la réussite athlétique. Cependant, dans quelques-unes de ces épigrammes, Posidippe intègre le cheval lui-même au rituel marquant la victoire. Par exemple, le cheval apporte la couronne au vainqueur en remplacement de la figure du héraut qui annonce et cou- ronne les vainqueurs ; ou encore, dans le récit de l’après-course, le cheval choisit, de façon surprenante, le vainqueur. Les chevaux de Posidippe interviennent donc en tant qu’agents causaux dans la gloire de leur propriétaire. Ses descriptions détaillées trans- forment ainsi l’être de chair et de sang qu’est le cheval en un monument (littéraire) éternel. -
On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
Roman Literature from Its Earliest Period to the Augustan Age
The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME. -
Prehistory - Central Balkans Cradle of Aegean Culture
Prehistory - Central Balkans Cradle of Aegean culture By Antonije Shkokljev Slave Nikolovski – Katin Translated from Macedonian to English and edited By Risto Stefov Prehistory - Central Balkans Cradle of Aegean culture Published by: Risto Stefov Publications [email protected] Toronto, Canada All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without written consent from the author, except for the inclusion of brief and documented quotations in a review. Copyright 2013 by Antonije Shkokljev, Slave Nikolovski – Katin & Risto Stefov e-book edition 2 Index Index........................................................................................................3 COMMON HISTORY AND FUTURE ..................................................5 I - GEOGRAPHICAL CONFIGURATION OF THE BALKANS.........8 II - ARCHAEOLOGICAL DISCOVERIES .........................................10 III - EPISTEMOLOGY OF THE PANNONIAN ONOMASTICS.......11 IV - DEVELOPMENT OF PALEOGRAPHY IN THE BALKANS....33 V – THRACE ........................................................................................37 VI – PREHISTORIC MACEDONIA....................................................41 VII - THESSALY - PREHISTORIC AEOLIA.....................................62 VIII – EPIRUS – PELASGIAN TESPROTIA......................................69 IX – BOEOTIA – A COLONY OF THE MINI AND THE FLEGI .....71 X – COLONIZATION -
Terence's Plays
chapter 2 Terence’s Plays: Commentary and Illustration from Manuscript to Print 2.1 Terence as an Educational Classic: Text and Commentary from Antiquity to Medieval and Renaissance Europe Publius Terentius Afer, or Terence, was the author of six plays which premiered in Rome between 166 and 160 bc— Andria, Heauton timorumenos, Eunuchus, Phormio, Hecyra, and Adelphoe. Some information on the circumstances of the production of each play can be obtained from the didascaliae,1 while the prologues reveal that they were produced in a vibrant and at times vitriolic literary environment. A biographical tradition concerning Terence only devel- oped much later; in the early second century ad Suetonius wrote a Life, which was subsequently supplemented and attached to the commentary of Aelius Donatus (for which see below), while in Late Antiquity it appears that another very brief Life, known as the Vita Ambrosiana, was composed, which provides a few facts independent of the Life found in Donatus.2 In these traditions, we are told that Terence came originally from Carthage in Northern Africa (hence his cognomen, Afer, or ‘the African’); that he was taken to Rome at a young age as a slave, and was adopted and freed there by a senator, Terentius Lucanus, from whom he took his name, and by whom he was educated; that he subsequently was befriended by some of the leading figures in Roman society associated with Scipio Africanus Aemilianus (185/ 4– 129 bc); and that he died young on a trip to Greece, where he had gone in order to purchase more comedies to translate.