Hanezu the Giants the Other Side of Sleep Kids of Töday

Total Page:16

File Type:pdf, Size:1020Kb

Hanezu the Giants the Other Side of Sleep Kids of Töday Cannes 2011 IN CANNES Hanezu The giants The otHer kiDs oF töDay by Naomi Kawase by bouli lanners by jérôme de missolz Official Competition Directors’ Fortnight siDe oF Sleep Directors’ Fortnight by rebecca daly Closing Night Gala Gala Screening Directors’ Fortnight NEw IN POST-PRODUCTION BaD SEEDs eLLES HEADsHOT FOR eLLEN tHe MONK tHe WoMAN by safy Nebbou (aka sponsoring) by PeN-eK rataNaruaNg by so-yoNg Kim by domiNiK moll by malgosKa szumowsKa IN tHe FiFtH In Production by Pawel PawliKowsKi IN PRODUCTION IN PRE-PRODUCTION COMPLETED / MARKET SCREENINGS L’ENFANT FoXFIRE LORE NADER AND SIMIN: TOP FLOOR MAN WITHOUT D’EN HAUT by laureNt CaNtet by Cate shortlaNd a SEPARATION LeFt WING a CeLL pHONE by ursula meier by asghar farhadi by Angelo Cianci by sameh zoabi ContaCts OffICE IN CANNES: EMILIE GEORGES DEBORAH CUKIERMAN OffICE IN PARIS RIVIERA E8 [email protected] [email protected] 9 cité Paradis – 75010 Paris – France Tel: +33 6 62 08 83 43 Tel: +33 6 67 63 00 71 Tel: +33 1 53 34 90 20 PALAIS Fax: +33 1 42 47 11 24 DES fESTIVALS TANJA MEISSNER MARION KLOTZ [email protected] ade [email protected] [email protected] [email protected] Cl Tel: +33 6 22 92 48 31 Tel: +33 1 53 34 90 27 http://international.memento-films.com NICK SHUMAKER [email protected] Tel: +33 7 61 50 16 64 design: Laurence IN CANNES / OffICIAL COMPETITION HANEZU (HANEZU NO TSUKI) a film by NAOMI KAwASE the asuka region in Nara is the birthplace of japan. a metaphor for a struggle inside his own heart. the here, in ancient times, there were those who fulfilled mountains were an expression of human karma. their lives in the midst of waiting. modern people, appar- time has passed into the present. takumi and Kayoko, ently having lost this sense of waiting, seem unable to inheriting the unfulfilled hopes of their grandparents, feel grateful for the present, and cling to the illusion live out their lives. their tale continues a story of the that all things will move constantly forward according ages, representing the uncountable souls that have to one’s own plan. accumulated in this land. in ancient times, there were three small mountains that people believed were inhabited by gods. they were mt. By the director of SUZAKU (Golden Camera, Cannes 1997), SHARA (oFFiCial ComPeTiTion Cannes 2003) unebi, mt. miminashi, and mt. Kagu, and they still stand. and THE MOURNING fOREST (Grand Prix, Cannes 2007) in that time, a powerful official used the mountains as With Tohta Komizu, Hako Oshima, TetsuyA AkikawA Produced By Kumie Inc. iN Co-ProduCtioN with Kashihara-taKaiChi regioNal admiNistrative assoCiatioN JAPaN / 2011 / 91 MIN. IN CANNES / DIRECTORS’ fORTNIGHT / CLOSING NIGHT GALA tHe GIANTS (LES GEANTS) a film by BOULI LANNERS By the director of ELDORADO it’s summertime. (Prix reGards Jeunes, direCTors’ zak and seth find themselves dead broke and ditched by their absentee ForTniGhT 2008) mother in the family’s cottage. just like every holiday, they’ve resigned themselves to another shitty summer. but things change this year, when they meet danny, a local teenager. together, with their future at their fingertips, they begin the great and perilous journey of their lives. With Zacharie Chasseriaud, Martin Nissen, Paul Bartel Produced By versus ProduCtioN iN Co-ProduCtioN with haut et Court, samsa film BELGIUM, FRANCe, LUXEMBOURG / 2011 / 84 miN IN CANNES / DIRECTORS’ fORTNIGHT tHe OTHER SIDe oF sLEEP a film by REBECCA DALy a sleepwalker since childhood, arlene works in the drawn to the girl’s family — her accused boyfriend local factory of the small irish rural town she grew and grieving sister, arlene barricades herself in at up in. when a young woman is found dead in the night, depriving herself of sleep. deep in emotional woods, arlene immediately channels her own moth- turmoil, her sleeping and waking realities soon blur, er’s disappearance, twenty years ago. increasingly as the community searches to find the killer... With Antonia Campbell Hughes, Sam Keeley, Vicky JOyce Produced By fastNet films iN Co-ProduCtioN with KMH film, rinkel film IRELANd, NetherlaNds, HUNGARY / 2011 / 88 MIN IN CANNES / DIRECTORS’ fORTNIGHT / SPECIAL GALA KIDs oF TÖDAY (DES JEUNES GENS MöDERNES) a doCumeNtary by JéRôME DE MISSOLZ a legendary 70’s rock critic takes hold of a group of yesterday and today pave a revolutionary road. with young counter-culturalists. from Paris to beijing, by his skeleton silhouette coiffed with a big black chapka, way of New york, montreal and hong Kong, the night- the bizarre character introduces himself: 69-x-69, yves dwellers ride a william burroughsy wave. as the dec- adrien’s testament executor, the inventor of punk, of adent pasts and urban futures interlace, music from novö, the famed music critic of times past. from an original idea By Jean-Francois Sanz Produced By love streams agNès b ProduCtioNs iN Co-ProduCtioN with arte france CiNema FRANCe / 2011 / 97 MIN NEw: IN PRODUCTION BaD SEEDs a film by SAfy NEBBOU Quiet 16-year-old louis, the high school headmaster’s son, has never been in trouble. his best friend, 18-year-old greg, however, is his polar opposite: provocative, angry, violent, he has been kicked out of school for physically threatening young english teacher Camille. when greg asks louis to help him take revenge on Camille, louis accepts, fascinated. together, they kidnap the young woman and lock her in an old remote shack. but greg’s plans with Camille are more sinister than louis could ever have foreseen, forcing him to confront his own dark side... By the director of ANGEL Of MINE, THE GIRAffE’S NECK, DUMAS With Emile Berling, Charles Berling, Kevin AzaïS, Sarah Stern | Produced By diaPhaNa films | FRANCe / SHOOTINg sPRINg 2011 IN POST-PRODUCTION eLLES (aka sponsoring) a film by MALGOSKA SZUMOwSKA anne (juliette binoche), a well-off Paris-based mother of two and investigative journalist for ELLE, is writing an article about university student prostitution. her meetings with two fiercely independent young women, alicja (joanna Kulig) and Charlotte (anais demoustier), are profound and unsettling, moving her to question her most intimate convictions about money, family and sex. By the director of 33 scenes FrOM LiFe (sPeCial Jury Prize, loCarno 2008) With Juliette Binoche, AnaïS Demoustier, Joanna Kulig Produced By slot maChiNe (melancholia, AntiChrist, the headless womaN, liverPool) | FRANCe, POLANd IN POST-PRODUCTION / PROMO-REEL AVAILABLE HEADsHOT a film by PEN-EK Ratanaruang tul, a bangkok hitman, is shot in the head during one assign- ment. after a two-month coma, he wakes up seeing every- thing upside down. he goes back to his job, but his new condition doesn’t make things easy; he starts doubting what he does for a living. but karma is a bitch, and the past is catching up with him... when he meets a mysterious girl, his world is turned even more upside down. and who was trying to kill him in the first place? By the director of 6IXTyNIN9 (Berlin 2000), LAST LIfE IN THE UNIVERSE (VeniCe 2003) With Nopachai JAyanama (NymPh), Chris Horwang (baNgKoK traffiC love story) Produced By loCal Color films (Pawas sawasChaiyamet, raymoNd PhathaNaviraNgooN) | THAILANd IN POST-PRODUCTION FOR eLLEN a film by SO-yONG KIM when an aspiring young rock star, joby taylor, finally agrees to sign divorce papers with his estranged wife, he discov- ers that he is about to forfeit all custody of his six-year-old daughter, ellen. Never having been in ellen’s life before, joby suddenly realizes that he’s not ready to lose that part of him- self. but, perhaps it’s too late for reconciliation. By the director of TREELESS MOUNTAIN (Berlinale 2009, neTPaC award Pusan 2008), IN BETwEEN DAyS (FiPresCi Berlin Forum 2006, sPeCial Jury Prize sundanCe 2006) With Paul Dano, Jena Malone, Jon Heder | Produced By deerjeN films, soaNdbrad | USA IN POST-PRODUCTION / PROMOREEL AVAILABLE tHe MONK a film by DOMINIK MOLL adapted from matthew g. lewis’ 1796 cult gothic novel, The Monk follows the tragic destiny of brother ambrosio in 17th century Catholic spain. abandoned at birth at the gates of a Capuchin monastery, ambrosio was raised by the friars. today, he has grown into a preacher admired far and wide for his fervor. feared, though, for his righteousness, he is believed to be immune from temptation. the arrival of a mysterious apprentice undermines his convic- tions, leading him onto the path of sin. By the director of wITH A fRIEND LIKE HARRy (ComPeTiTion Cannes 2000), LEMMING (ComPeTiTion Cannes 2005) With Vincent Cassel, Deborah François, Sergi Lopez, Geraldine Chaplin Produced By diaPhaNa films, moreNa films | FRANCe, sPAIN IN POST-PRODUCTION / PROMOREEL AVAILABLE tHe WoMAN IN tHe FiFtH a film by PAwEL PAwLIKOwSKI american writer tom ricks comes to Paris desperate to put his life together again and win back the love of his estranged wife and daughter. when things don’t go according to plan, he ends up in a shady hotel in the suburbs, having to work as a night guard to make ends meet. then margit, a beautiful, mysterious stranger walks into his life and things start looking up. their passionate and intense relation- ship triggers a string of inexplicable events… as if an obscure power was taking control of his life By the director of LAST RESORT (BaFTa For mosT PromisinG new- Comer), My SUMMER Of LOVE (BaFTa For ouTsTandinG BriTish Film) With Ethan HAwke, Kristin Scott-Thomas, Joanna Kulig | Produced By haut et Court aNd film4, In assoCiatioN with uK film Council, CofiCuP-backuP films aNd banque Postale image 4, In CoProduCtioN with sPi InterNatioNal PolaNd | FRANCe, uK, POLANd IN PRE-PRODUCTION FoXFIRE a film by LAURENT CANTET upstate New york, 1953, a working class neighborhood in a small town.
Recommended publications
  • 0-Couv Kawase
    FESTIVAL D’AUTOMNE À PARIS 10 sept – 31 déc 2018 REVUE DE PRESSE Naomi Kawase / Isaki Lacuesta Service presse : Christine Delterme – [email protected] Lucie Beraha – [email protected] Assistées de Violette Kamal – [email protected] 01 53 45 17 13 RADIO Mercredi 21 novembre 2018 : France Inter / L’heure bleue / Laure Adler – de 20h à 21h Invitée : Naomi Kawase à https://www.franceinter.fr/emissions/l-heure-bleue/l-heure-bleue-21-novembre-2018 Lundi 26 novembre 2018 : France Culture / La Grande Table / Olivia Gesbert – de 12h à 12h30 Invitée : Naomi Kawase à https://www.franceculture.fr/emissions/la-grande-table-1ere-partie/le-jardin-secret-de-naomi- kawase TÉLÉVISION Samedi 1er décembre 2018 : Parismatch.com / Auto-confidences / Yannick Vely Invité : Naomi Kawase à https://www.parismatch.com/Culture/Cinema/Naomi-Kawase-le-cinema-est-ma-seconde-vie- 1591939 PRESSE Anousparis.fr – 22 août 2018 Code Couleur – Septembre / Décembre 2018 Les Inrockuptibles Supplément – 5 septembre 2018 Madame Figaro – 14 septembre 2018 Cote For Paris Visitors – Automne 2018 Vanityfair.fr – 26 octobre 2018 Lanouvellerepublique.fr – 6 novembre 2018 Madame Figaro – 16 et 17 novembre 2018 Mediapart.fr – 18 novembre 2018 Le Jouenal du Dimanche – 25 novembre 2018 Manga-news.com – 17 novembre 2018 La CroiX – 28 novembre 2018 Le Figaro - 28 novembre 2018 Grazia – 30 novembre 2018 Nova.fr – 4 décembre 2018 Grazia.fr – 8 décembre 2018 Libération – 18 décembre 2018 Konbini.com – 30 juillet 2018 ! Romain Salomon (https://www.anousparis.fr/author/romain-salomon/) il y a 1 jour Accueil (https://www.anousparis.fr/) » A.Ecouter (https://www.anousparis.fr/a-ecouter/) » Le Festival d’Automne, un festival pluridisciplinaire Anousparis.fr – mercredi 22 août 2018 Le Festival d’Automne, un festival pluridisciplinaire Depuis 1972, le Festival d’Automne (https://www.festival-automne.com/) rayonne sur Paris et en fait un événement incontournable.
    [Show full text]
  • Pensée Et Pratique Du Montage Dans Les Films De Naomi Kawase : Une Esthétique Ancrée Dans La Culture Japonaise Florian Berthelot
    Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans la culture japonaise Florian Berthelot To cite this version: Florian Berthelot. Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans la culture japonaise. Sciences de l’ingénieur [physics]. 2016. dumas-01357253 HAL Id: dumas-01357253 https://dumas.ccsd.cnrs.fr/dumas-01357253 Submitted on 29 Aug 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Copyright Université d’Aix-Marseille Département Sciences, Arts et Techniques Faculté des Sciences de l’Image et du Son (SATIS) Année universitaire 2015-2016 Spécialité Montage Mémoire de Master Professionnel Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans la culture japonaise. Florian BERTHELOT sous la direction de Frédérique DEVAUX soutenu le 29 mars 2016 Université d’Aix-Marseille Département Sciences, Arts et Techniques de l’Image et du Son (SATIS) Pensée et pratique du montage dans les films de Naomi Kawase : une esthétique ancrée dans
    [Show full text]
  • Tel Père, Tel Fils
    couv Tel père OK_couv Entre nos mains 04/08/15 14:50 Page4 Enchantement et cruauté RÉDACTEUR EN CHEF Thierry Méranger est depuis 2004 critique et Si l’œuvre de Hirokazu Kore-eda s’affirme par sa cohérence, elle membre du comité de rédaction des Cahiers du demeure soumise à une évolution constante. Exhalant une délica- cinéma. Agrégé de lettres modernes et concepteur de documents pédagogiques, il enseigne en sec- tesse inédite, tendant à l’épure, Tel père, tel fils et son récit de pater- tion cinéma-audiovisuel au lycée Rotrou de Dreux nité passé au crible d’un fait divers tragique témoignent d’un art de et dans le cadre du Master Pro scénario, réalisation et production de l’université Paris I Panthéon- la nuance et d’une justesse d’observation remarquables. Le film se Sorbonne. Il est également délégué général du couv Tel père OK_couv Entre nos mainsmaintient 04/08/15 14:50à distance Page4 égale de la fable sociale, de l’étude de mœurs et festival Regards d’Ailleurs de Dreux. couv Tel père OK_couv Entre nos mains 04/08/15 14:50 Page1 du mélodrame en s’appuyant sur les valeurs cardinales d’un cinéma RÉDACTEUR DU LIVRET marqué par l’empreinte des documentaires réalisés par Kore-eda à Vincent Malausa est membre du comité de ses débuts. La plus noire cruauté y côtoie une puissance d’enchan- rédaction des Cahiers du cinéma. Dans le cadre tement toujours renouvelée, devant essentiellement – et plus que du dispositif Lycéens et apprentis au cinéma, il a rédigé les dossiers sur Noi Albinoi (2006), La jamaisEnchantement dans Tel père, et tel cruautéfils – à la faculté innée du cinéaste à saisir les RFamilleÉDACTEUR Tenenbaum EN(2008), CHEF Grizzly Man (2009), Bamako (2011), Burn After Reading (2013) et Au IROKAZU ORE-EDA plus infimes miroitements de l’enfance.
    [Show full text]
  • Catalogue-2018 Web W Covers.Pdf
    A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz.
    [Show full text]
  • Filmvilág 2016/9)
    új raj új raj új raj új raj új raj új raj új raj új raj új raj új raj új raj új raj új raj meg főszereplőnek, akinek a hétköz- NAOMI KAWASE napi életét rögzíti (főzés, kertészke- dés), egy alkalommal azonban játéko- san átadja a kamerát az idős hölgynek, hogy az alkotóról is készüljön néhány jó kedélyű felvétel. Még közelebb Az 1995-ös Yamagata Nemzetközi Dokumentumfilm Fesztiválon Kawase TESZÁR DÁVID megismerkedett Takenori Sentóval, aki vállalkozott arra, hogy producerként tető alá hozza a fiatal rendezőnő első egészestés játékfilmjét. A végered- mény a Suzaku (1997) lett, amely olyan A KORTÁRS JAPÁN FILM LEGHÍRESEBB RENDEZŐNŐJE MÉLIÈS HELYETT A LUMIÈRE- közel maradt a dokumentumfilmes for- TESTVÉREK ÖRÖKÖSE: AKKOR IS DOKUMENTÁL, AMIKOR JÁTÉKFILMET KÉSZÍT. mához, amennyire csak lehetett (ama- tőr színészek szerepeltetése a saját aomi Kawase filmes előképzettség korán elváltak és lemondtak a lányuk- vidéki közegükben, ahol gyakorlatilag nélkül vált minden idők leghíresebb ról: Kawase idős nagynénje volt az, önmagukat alakítják), és még a hely- Njapán rendezőnőjévé: rendhagyó pá- aki örökbefogadta és felnevelte őt. szín sem változott (Nara prefektúra). lyája a japán független filmes (jishu eiga) Az oszakai egyetem fotóművészeti A minimális történettel rendelkező vonalról indult önéletrajzi ihletettségű, szakán végezte a tanulmányait, ahol (Nara egyik eldugott hegyi falvában a rövid dokumentumfilmekkel, és az első 1989-ben diplomázott. Érdeklődése családfő elvesztése után széthullik a egészestés nagyjátékfilmje (Suzaku, már az egyetemi évek alatt a film felé família), minimalista mozi ráérős tem- 1997) hozta meg számára a nemzetközi fordult, ezt példázzák a ’80-as évek vé- póban váltogatja a természeti táj- és a ismertséget. Azóta a cannes-i filmszemle gén forgatott, néhány perces, 8mm-es hétköznapi családi életképeket, ahol ünnepelt auteurje és állandó meghívott- barkács-dokumentumfilmjei.
    [Show full text]
  • Filmed Correspondence
    the complete letters Filmed Correspondence josé luis guerin – jonas mekas isaki lacuesta – naomi kawase albert serra – lisandro alonso jaime rosales – wang bing fernando eimbcke – so yong kim WINNER AUDIOVISUAL THE COMPLETE LETTERS FILMED CORRESPONDENCE Credits Curatorship: Jordi Balló Space design: Guri_Casajuana arquitectes SCP Dates: 27 April to 31 July 2011 at Centro Cultural Universitario Tlatelolco (CCUT), Mexico City 15 September to 30 October 2011 at La Casa Encendida, Madrid (film series) 12 October 2011 to 19 February 2012 at CCCB, Barcelona 25 October 2011 to 19 February 2012 at Centro de Arte Las Cigarreras, Alicante October to November 2012 at Sala Leopoldo Lugones, Buenos Aires Setember to Desember 2012 at Museo de Arte Contemporáneo de Caracas 31 November 2012 to December 2014 at Centre Georges Pompidou, Paris Organization and production: Centre de Cultura Contemporània de Barcelona (CCCB) Centro Cultural Universitario Tlatelolco (CCUT) de la UNAM, Mexico City La Casa Encendida, Madrid Acción Cultural Española (AC/E) With the collaboration of: 2 THE COMPLETE LETTERS FILMED CORRESPONDENCE Why an itinerancy of The Complete Letters? Contemporary Catalan cinema resonates significantly with the images being created by artists all over the world. The vitality of the cinema being made here is manifested in the works of upcoming filmmakers who, with their aesthetic and thematic proposals, create cinematographic dialogues with other contemporary filmmakers. These dialogues are based not on similarity, instead contrasting the creative concerns of these artists. A field/counter field, like a question/answer, in which the images can either connect or question each other, becoming possible parts of a single discourse.
    [Show full text]
  • Mubii Japan 90 Jaar Japanse Cinema
    Filmprogramma Mubii Japan 90 jaar Japanse cinema 25 september t/m 16 december 2015 EYE FILMMUSEUM AMSTERDAM eyefilm.nl/japan Ontdek de Japanse cinema in EYE Wie wil weten wat de Japanse film zo uniek maakt, is dit najaar in EYE op het goede adres. Met een overzicht van ruim veertig titels geeft het filmmuseum inzicht in meer dan negentig jaar fascineren- de filmgeschiedenis uit het Verre Oosten, van de vroege twintigste eeuw tot nu. De Japanse cinema geldt als een van de belangrijkste filmculturen van de wereldcinema, met als boegbeelden de beroemde regisseurs Yasujirō Ozu (1903-1963) en Akira Kurosawa (1910-1998). Er zijn echter meer makers die hebben bijgedragen tot de verrassende veelzijdigheid van de Japanse film; tot hen behoort bijvoorbeeld de in Nederland nog vrijwel onbekende Mikio Naruse, die zich – net als Ozu – een meester toont in de tekening van ogenschijnlijk gewone levens. Mūbii Japan (‘Mūbii’ is fonetisch Japans voor ‘movie’) laat zien dat de reikwijdte van de Japanse film groter is dan de lijst bekende namen. Het programma – met het thema van de tragische liefde als rode draad – is een ontdekkingsreis door de Japanse filmgeschiedenis, van Teinosuke Kinugasa’s stille avant-gardeklassieker A Page of Madness (1926) tot de recente arthousefilms van Hirokazu Kore-eda. Van klassiekers als Naked Youth (Nagisa Oshima) en Ran (Akira Kurosa- wa) zijn in EYE recente restauraties te zien; ook put het filmmuseum uit de eigen collectie met werk van meesters als Ozu en Shohei Imamura en besteedt het aandacht aan de Japanse genrefilm. Fraaie voorbeelden zijn de yakuzafilms (Seijun Suzuki, Takeshi Kitano) en koel gestileerde softpornotitels zoals Love Hotel van de in Nederland nauwelijks bekende Sōmai Shinji (1948-2001).
    [Show full text]
  • In the Fifth a Film by PAWEL PAWLIKOWSKI
    ETHAN HAWKE KRISTIN SCOTT THOMAS The woman in the fifth A film by PAWEL PAWLIKOWSKI ER OTH WITH ETHAN HAWKE, KRISTIN SCOTT THOMAS, JOANNA KULIG, SAMIR GUESMI, DELPHINE CHUILLOT, JULIE PAPILLON, GEOFFREY CAREY, MAMADOU MINTÉ, MOHAMED AROUSSI, JEAN-LOUIS CASSARINO, JUDITH BURNETT, MARCELA IACUB, WILFRED BENAÏCHE, PIERRE MARCOUX, PHOTO JEAN-CLAUDE L ROSINE FAVEY, GRÉGORY GADEBOIS DE LA COMÉDIE FRANÇAISE. A FILM BY PAWEL PAWLIKOWSKI BASED ON THE NOVEL BY DOUGLAS KENNEDY SCREENPLAY BY PAWEL PAWLIKOWSKI PRODUCERS CAROLINE BENJO, CAROLE SCOTTA EXECUTIVE PRODUCER TESSA ROSS ASSOCIATE PRODUCER SIMON ARNAL LINE PRODUCER BARBARA LETELLIER CO-PRODUCERS PIOTR REISCH, SOLEDAD GATTI-PASCUAL DIRECTOR OF PHOTOGRAPHY RYSZARD LENCZEWSKI PRODUCTION DESIGNER BENOIT BAROUH EDITOR DAVID CHARAP ORIGINAL MUSIC MAX DE WARDENER FIRST ASSISTANT DIRECTOR SYLVIE PEYRE COSTUME DESIGNERS JULIAN DAY, SHAIDA DAY CASTING DIRECTORS STÉPHANE BATUT, ALEXANDRE NAZARIAN SOUND MIXER NICOLAS CANTIN SOUND RE-RECODRING MIXER JEAN-PIERRE LAFORCE SOUND EDITOR VALÉRIE DELOOF PRODUCTION MANAGER SYBILLE NICOLAS-WALLON POST-PRODUCTION SUPERVISOR CHRISTINA CRASSARIS A CO-PRODUCTION HAUT ET COURT, FILM4, SPI INTERNATIONAL POLAND, THE BUREAU, IN ASSOCIATION WITH UK FILM COUNCIL WITH THE PARTICIPATION OF CANAL+, ORANGE CINÉMA SÉRIES, HAUT ET COURT DISTRIBUTION, ARTIFICIAL EYE IN ASSOCIATION WITH MEMENTO FILMS INTERNATIONAL, COFICUP-BACK UP FILMS, LA BANQUE POSTALE IMAGE 4, SOFICINÉMA 6 AND POLISH FILM INSTITUTE WITH THE SUPPORT OF I2I AUDIOVISUEL A MEDIA PROGRAM OF THE EUROPEAN UNION DEVELOPED
    [Show full text]
  • Filmart 2011
    FILMART 2011 IN HONG KONG IFF NEW IN POST-PRODUCTION A SEPARATION HEADSHOT THE MONK by ASGHAR FARHADI by PEN-EK RATANARUANG by DOMINIK MOLL In post-production HI-SO THE WOMAN by ADITYA ASSARAT L’ENFANT D’EN HAUT IN THE FIFTH by URSULA MEIER by PAWEL PAWLIKOWSKI In pre-production SILENT SOULS SPONSORING by ALEKSEI FEDORCHENKO FOXFIRE by MALGORZATA by LAURENT CANTET SZUMOWSKA THINK GLOBAL In pre-production ACT RURAL FOR ELLEN by COLINE SERREAU by SO YONG KIM COMPLETED IN PRODUCTION TOP FLOOR HELLO DARKNESS LEFT WING by RICHARD GLATZER by ANGELO CIANCI & WASH WESTMORELAND LORE by CATE SHORTLAND IN HONG KONG IFF NADER & SIMIN A SEPARATION A film by Asghar Farhadi hen his wife leaves him, Nader hires a young woman to take care of his suffering father. But he doesn’t W know his new maid is not only pregnant, but also working without her unstable husband’s permission. Soon, Nader finds himself entangled in a web of lies, manipulation and public confrontations. BY THE DIRECTOR OF ABOUT ELLY (Silver Bear 2009, Best Director) WITH LEILA HATAMI, PEYMAN MOADI, SHAHAB HOSSEINI, SAREH BAYAT, SARINA FARHADI IRAN / 2011 / 117 MIN. “Audiences will be swept up in the audacity of the plot.” VARIETY “An unusual depth of characterization.” THE HOLLYWOOD REPORTER IN HONG KONG IFF HI-SO A film by Aditya Assarat nanda has returned home from studying abroad. Unsure of his career plans, he tries his hand acting in A a new movie for a famous director. During the filming in a small seaside town, Zoe, his girlfriend from University, arrives for a week-long visit.
    [Show full text]
  • FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An
    FOX SEARCHLIGHT PICTURES and INDIAN PAINTBRUSH Present An AMERICAN EMPIRICAL PICTURE by WES ANDERSON BRYAN CRANSTON SCARLETT JOHANSSON KOYU RANKIN HARVEY KEITEL EDWARD NORTON F. MURRAY ABRAHAM BOB BALABAN YOKO ONO BILL MURRAY TILDA SWINTON JEFF GOLDBLUM KEN WATANABE KUNICHI NOMURA MARI NATSUKI AKIRA TAKAYAMA FISHER STEVENS GRETA GERWIG NIJIRO MURAKAMI FRANCES MCDORMAND LIEV SCHREIBER AKIRA ITO COURTNEY B. VANCE DIRECTED BY ....................................................................... WES ANDERSON STORY BY .............................................................................. WES ANDERSON ................................................................................................. ROMAN COPPOLA ................................................................................................. JASON SCHWARTZMAN ................................................................................................. and KUNICHI NOMURA SCREENPLAY BY ................................................................. WES ANDERSON PRODUCED BY ...................................................................... WES ANDERSON ................................................................................................. SCOTT RUDIN ................................................................................................. STEVEN RALES ................................................................................................. and JEREMY DAWSON CO-PRODUCER ....................................................................
    [Show full text]
  • The Kingdom of Dreams and Madness
    A Film by Mami Sunada THE KINGDOM OF DREAMS AND MADNESS A look inside the fantastically mad world of the people behind Studio Ghibli PRESENTED BY Dwango IN COOPERATION WITH Studio Ghibli PRODUCED BY Nobuo Kawakami WRITTEN AND DIRECTED BY Mami Sunada MUSIC BY Masakatsu Takagi PRODUCTION COMPANY ENNET Technical Specification FORMAT Digital ASPECT RATIO 1920 x 1080 SOUND 5.1ch COLOR Color RUNNING TIME 118 minutes LANGUAGE Japanese with subtitles PRODUCTION YEAR 2013 COPYRIGHT NOTICE © 2013 dwango ABOUT THE FILM There have been numerous documentaries about Studio Ghibli made for television and for DVD features, but no one had ever conceived of making a theatrical documentary feature about the famed animation studio. That is precisely what filmmaker Mami Sunada set out to do in her first film since her acclaimed directorial debut, Death of a Japanese Salesman. With near-unfettered access inside the studio, Sunada follows the key personnel at Ghibli – director Hayao Miyazaki, producer Toshio Suzuki and the elusive “other” director, Isao Takahata – over the course of approximately one year as the studio rushes to complete their two highly anticipated new films, Miyazaki’s The Wind Rises and Takahata’s The Tale of The Princess Kaguya. The result is a rare glimpse into the inner workings of one of the most celebrated animation studios in the world, and a portrait of their dreams, passion and dedication that borders on madness. DIRECTOR: MAMI SUNADA Born in 1978, Mami Sunada studied documentary filmmaking while at Keio University before apprenticing as a director’s assistant under Hirokazu Kore-eda and others.
    [Show full text]
  • Catalogue5th Edition
    CATALOGUE 5th Edition 1 5 WELCOME BY RAYMOND WALRAVENS 7 WORLD CINEMA AMSTERDAM JURY AWARD 8 OPENING & CLOSING CEREMONY / AWARDS 9 THIS YEar’s vENUES 10 PRIZE WINNERS OF PREVIOUS EDITIONS 12 WORLD CINEMA AMSTERDAM COMPETITION 22 HELLO KAZACHSTAN! 28 ¡HOLA URUGUAY! 36 WORLD CINEMA OPEN AIR 41 WORLD CINEMA OPEN AIR @ VU CAMPUS 42 SPECIAL SCREENINGS 55 MEET ME @ WCA 56 WE WOULD LIKE TO THANK 60 INDEX FILMMAKERS A - Z 61 INDEX FILMS A - Z 62 FESTIVAL STAFF & COLOPHON 63 SPONSORS AND PARTNERS 3 4 WELCOME! WORLD CINEMA AMSTERDAM: THE 5TH EDITION Travelling around the world without having to leave the city... WORLD CINEMA AMSTERDAM COMPETITION That’s what Rialto had in mind when it initiated the World As in the past four editions, the competition programme Cinema Amsterdam film festival five years ago. We knew forms the festival’s backbone. The films featuring in this that there were enough “film travellers” around, but realized year’s competition cover a broad and diverse spectrum: nine that they rarely found what they were looking for. Apparently, remarkable films from nine different countries have been there’s a peculiar discrepancy between non-Western art nominated for the World Cinema Amsterdam Jury Award. cinema’s success at various international film festivals and Among these are four debut films by young, talented direc- how many of these films actually make it to cinemas in the tors: Diego Ruiz (Chile), July Jung (South Korea), Zeresenay Netherlands. Of the 10,000 films that are produced world- Berhane Mehari (Ethiopia) and Gonzalo Lugo & Florencia wide annually, about 400 are screened in Dutch cinemas.
    [Show full text]