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Bauchi State University, Gadau, University Assembly Hall, Mai Campus, Itsa-Gadau, Bauchi State
Proceedings of The Academic Conference of African Scholar Publications & Research International on Challenge and Prospects Vol. 8 No. 2. 10th December, 2015 – Bauchi State University, Gadau, University Assembly Hall, Mai Campus, Itsa-Gadau, Bauchi State. THE IMPACT OF SOCIAL MOBILIZATION DYNAMICS ON GBAGYI LANGUAGE SHIFT, RECOVERY AND MAINTENANCE ABRAHAM AREO DAVID AMENDE A. CHARLES & GAMBO ISA Department of Languages and Linguistics, Nasarawa State University, Keffi, Nasarawa State, Nigeria ABSTRACT Several social mobilization dynamics which cause shift in language are becoming issues of growing concern for linguists who do not just study but also try to proffer solutions on how to maintain and save the languages. This calls for actions and reactions to language shift and maintenance around the world especially in Africa. This paper therefore tried to answer the following questions; what are the social reasons for language shift? Are there common social factors across these cases for their shift or did all these populations shift for different reasons? The identification of the various social networks that influence language shift in Gbagyi language using Paulstons social mobilization theory was employed in determining language shift, recovery and maintenance in Gbagyi. The paper traced the extent of social networks have greatly or overtly influenced the language negatively and positively. It shall also suggest ways on how the Gbagyi language can be maintained. The language planners and legalised language planners shall greatly benefit from this study. Introduction Language shift occurs more or less like structural where shift occurs gradually most often; being noticed only after the process is complete or has advanced. For a larger part of human existence, thenormal situation according to Millar (2007) was for everybody to routinely learn and use two or more different languages and most speakers of any language have a day-to-day dealings with the speakers of at least one or two languages, and possibly with a larger number of people. -
Oral Literature Genres of the Nupe of Central Nigeria
Oral literature genres of the Nupe of Central Nigeria [DRAFT CIRCULATED FOR COMMENT] Roger Blench Kay Williamson Educational Foundation 8, Guest Road Cambridge CB1 2AL United Kingdom Voice/Ans 0044-(0)1223-560687 Mobile worldwide (00-44)-(0)7967-696804 E-mail [email protected] http://www.rogerblench.info/RBOP.htm This printout: July 16, 2010 Roger Blench Nupe oral literature genres Circulated for comment TABLE OF CONTENTS 1. INTRODUCTION: BACKGROUND TO NIGERIA.............................................................................. 1 2. THE NUPE PEOPLE ................................................................................................................................. 2 3. THE NUPE LANGUAGE .......................................................................................................................... 3 4. WRITTEN FORMS OF NUPE LITERATURE GENRES..................................................................... 5 4.1 Arabic script literature..........................................................................................................................................5 4.2 Roman script literature .........................................................................................................................................6 5. NUPE ORAL LITERATURE GENRES................................................................................................... 8 5.1 General....................................................................................................................................................................8 -
UJFAAJ JOURNAL 2019.Pdf
UNIVERSITY OF JOS FINE AND APPLIED ARTS JOURNAL (UJFAAJ) MAIDEN EDITION University of Jos Fine and Applied Arts Journal (UJFAAJ) is a peer reviewed Journal. The journal helps to spread visual arts research findings and reports from the studio, theoretical and empirical works in the field in order to advance the knowledge base of practice led and practice based studies. The Journal is peer reviewed and published twice in a year and welcomes contributions from academics, art connoisseurs, critics and art Entrepreneurs. UJFAAJ EDITORAL BOARD MEMBERS EDITOR – IN – CHIEF Dr. Yohanna C. Datiri Department of Fine and Applied Arts Faculty of Environmental Design University of Jos – Jos Plateau State. E-Mail: [email protected], [email protected] Phone: +234 (0) 8036206270 EDITOR Dr. Jacob E. Onoja Department of Fine and Applied Arts Faculty of Environmental Design University of Jos – Jos Plateau State. E-Mail: [email protected], [email protected] Phone: +234 (0) 8035984125 ASSOCIATE EDITORS Prof. Ema Ema Department of Fine and Applied Arts Faculty of Environmental Design University of Jos – Jos Plateau State. Prof. Habila Joel Gukas Department of Fine and Applied Arts Faculty of Environmental Design University of Jos – Jos Plateau State. Email: [email protected] Prof. Enoch G. Wuritka Department of Industrial Design i Faculty of Environmental Technology Abubakar Tafawa Balewa University Bauchi (ATBU) E-Mail: [email protected], [email protected] Prof. Abdullahi A. Umar Department of Industrial Design ATBU E-Mail: [email protected] Prof. Philip O. Gushem Department of Fine Arts Faculty of Environmental Design Ahmadu Bello University Zaria – Kaduna State E- Mail: [email protected] Prof. -
The Gbagyi of Nigeria the Gbagyi Are Widespread in Niger, Kaduna, and Plateau States and the Federal Capital Territory
Profile Year: 2015 People and Language Detail Profile Language Name: Gbagyi ISO Language Code: gbr The Gbagyi of Nigeria The Gbagyi are widespread in Niger, Kaduna, and Plateau states and the Federal Capital Territory. Some live in Kogi state. In Many places, particularly in FCT, Kogi and Kaduna states, they are interspersed with other people . They are divided into two main groups. The eastern groups are called Gbagyi-Ngenge or Gbagyi-Matai and they are more populous. The western groups are called Gbagyi-Nkwa or Gbagyi-Yamma. The western and eastern groups speak different languages, and within them, there are sub-groups and dialects. Not all Gbagyi agree on what the divisions are. Whereas the Gbagyi people living in towns and cities are quite modernized, the vast population of rural dwellers are little affected by modern ways Their attitude towards modern clothing and medical care is increasingly positive, but most rural Gbagyi, being farmers see education as a waste of time. The average literacy level is 27%. Primary schools and health facilities are not well distributed. In many places, roads are very poor or lacking. The most underdeveloped area of Gbagyi land is the representative photo by Mark Fischer CC northern part of Shiroro LGA, into southern Rafi LGA. The situation is only a little better in Chikun LGA or Kaduna State, especially around Primary Religion: Gwagwada and Godani. In northern Shiroro LGA, there are no motorable Traditional Religion roads in rainy season except the rpoor rad from Padogari to Alawa town. ____________________________________________________________ Some parts of Gutara LGA are very backward too. -
Native Craft and Tourism: a Study of Ushafa Pottery Emeafor, Obinna F.; Eze-Uzomaka, Pamela I
International journal of Rural Development, Environment and Health Research(IJREH) [Vol-2, Issue-3, May-Jun, 2018] https://dx.doi.org/10.22161/ijreh.2.3.1 ISSN: 2456-8678 Native Craft and Tourism: A Study of Ushafa Pottery Emeafor, Obinna F.; Eze-Uzomaka, Pamela I. Department of Archaeology and Tourism, University of Nigeria, Nsukka. Abstract— The main thrust of the paper was to discuss the produced. They also mention the people of Benin kingdom relationship between indigenous craft and tourism as high quality brass workers and the Nupe people as development using Ushafa pottery as the focus of inquiry. acclaimed glass ware producers. Adopting the qualitative approach to enquiry, the study Pottery is among the most enduring crafts known sought to, among other things, study the processes of to human race. pottery making, ascertain the challenges which confront In most places it is the oldest and most potters, and investigate the contributions of pottery to the widespread art; primitive peoples the world over development of Ushafa. Findings show that the processes have fashioned pots and bowls of baked clay for of pottery production include collection of clay, breaking their daily use. Prehistoric remains of pottery of clay into small particles, sun-drying and soaking of clay have proved of great importance in archaeology in water as well as sieving to produce fine clay. Other and have often supplied a means of dating and stages are kneading for plasticity, moulding, application of establishing an early chronology. Pottery has designs and finally, firing or baking of clay item. Pottery also been of value as historical and literary which leads tourism growth in Ushafa has made the records, for instance, ancient Assyrian and following contributions such as improvement in local Babylonian writings were inscribed on clay economy, provision of basic amenities and self-esteem tablets (The Columbia Encyclopedia, 6th (Ed.) among community members. -
Gbagyi People
Gbagyi people Gbagyi (also spelled Gwarri and Gbari) are an ethnic group in central Nigeria. They are predominantly found in the Niger and Kaduna States[citation needed] and the Federal Capital Territory. They are also found in Nasarawa and Kogi States in central Nigerian Area.Gbagyi is the most populated ethnic Group and indigenous in the Federal Capital Territory of Nigeria and their major occupation is farming.[1][2] The Gbagyi people are known to be peace-loving, transparent and accommodating people. Northerners are fond of saying in Hausa language “muyi shi Gwari Gwari” (meaning let’s do it like the Gbagyi or in the Gbagyi way). In addition the Gbagyi people have emerged as a unique breed of people among Nigerians, their culture shows how much they have come to terms with the universe. Daily they aspire to give life a meaning no matter the situation they find themselves.[3] Gbagyi people were often enslaved by some of the nearby Hausa-Fulani emirates.[4] One famous Gbagyi is General and former President of Nigeria Ibrahim Babangida.[5] References 1. ^ Chigudu Tanko Theophilus (2008), A brief History of the Gbagyi Speaking People, an unpublished Article 2. ^ Mefor, Law (16 December 2008). "Is FCT truly a federal zone?". Daily Independent (Nigeria: Independent Newspapers Limited (Lagos), via odili.net). http://odili.net/news/source/2008/dec/16/708.html. Retrieved 2009-12-20.[dead link] 3. ^ Chigudu Tanko T, (2008:2, The Impact Of Urbanization on the Gbagyi People in Abuja 4. ^ Curtin, Philip D.; Lovejoy, Paul E. "Africans in bondage : studies in slavery and the slave trade : essays in honor of Philip D. -
Es Ah Etsu Saba: a Bronze Stool from Nupeland
Rev. do Museu de Arqueologia e Etnologia, São Paulo, 4\ 141-151, 1994. ES AH ETSU SABA: A BRONZE STOOL FROM NUPELAND R. O, R. Rom Kalilu* ROM KALILU, R.O. Esah Etsu Saba: a bronze stool from Nupeland. Rev. do Museu de Arqueologia e Etnologia, São Paulo, 4\ 141-151, 1994. RESUMO: Este estudo visa enfatizar a iconografia, iconologia, proveniên- cia idade e significância na História da Arte Nupe e nigeriana de um banco de bronze de valor de antiguidade encontrado em Nupeland, Nigéria. São feitas comparações a objetos de arte similares, yoruba e do Benin, bem como a fontes escritas e orais relevantes. Evidências indicam que o banco pertenceu a Etsu Saba, que governou Nupeland entre 1591 e 1600.0 banco é relacionado estilística e morfológicamente a alguns objetos de bronze em Nupeland, Ile-Ife e Benin. Consequentemente, é localizado, tentativamente, no período do séc. XIV ao séc. XVI, no qual aqueles objetos a que está relacionado têm sido datados. Era, pro vavelmente, uma mercadoria yoruba ou do reino Edo do Benin, destinada a Nupeland. UNITERMOS: Arte Africana - Bronze - Nigéria - Nupe - Metalurgia. Introduction: brass workers. In the 1820s, the brothers Lander noted their good skill in wood carving (Hallet, 1965:198) while Leo Frobenius in 1911 marvelled The Nupe, who regard themselves as at their intricate skill, especially in metal work Nupecizi and who have been described as the (Frobenius, 1913:643). This explains the reason Black Byzantines (Nadel, 1942) occupy Kin Nupe, for the scholarly attention so far given to their ar their homeland of about 11,200 square kilometres1 tistic culture. -
The Print Media As a Tool for Evangelisation in Auchi Diocese, Nigeria
Peter Eshioke Egielewa THE PRINT MEDIA AS A TOOL FOR EVANGELISATION IN AUCHI DIOCESE, NIGERIA: CONTEXTUALISATION AND CHALLENGES Table of Contents Table of Contents………………………………………………………………………...……..i Dedication……………………………………………………………………………………...x Acknowledgements………………………………………………………………………..…..xi Abstract……………………………………………………………………………………….xii Chapter One GENERAL INTRODUCTION 1.0 Introduction………………………………………………………………………….…1 1.1 Why this study?...............................................................................................................1 1.2 Area of research………………………………………………………………………..8 1.3 Methodology……………………………………………………………………….…10 1.4 Organisation………………………………………………………………………..…11 1.5 Limitations of Study………………………………………………………………..…16 Part I Chapter Two CONTEXT: AUCHI DIOCESE v 2.0 Introduction……………………………………………………………………...……18 2.1 History……………………………………………………………………………...…18 2.2 Geography, Population and Peoples…………………………………………………..20 2.2.1 Auchi Weltanschauung (Worldview)……………………..…………………………..22 2.2.2 The Person in Auchi…………………………………………………………………..23 2.2.3 The Body……………………………………………………………………………...23 2.2.4 The Soul………………………………………………………………………………24 2.3 Religion……………………………………………………………………………….24 i 2.3.1 Auchi idea of God………………………………………………………………….…25 2.3.2 Monotheistic God of Auchi………………………………………………………...…26 2.3.3 Intermediaries…………………………………………………………………………27 2.3.3.1 Divinities and Spirits………………………………………………………………….27 2.3.3.2 Ancestors…………………………………………………………………………...…28 2.4 Social Life………………………………………………………………………….…29 2.4.1 The Individual……………………………………………………………………...…30 -
Gst201 Nigerian Peoples and Culture
COURSE GUIDE GST201 NIGERIAN PEOPLES AND CULTURE Course Team Dr. Cyrille D. Ngamen Kouassi (Developer/ Writer) - IGBINEDION Prof. Bertram A. Okolo (Course Editor) - UNIBEN Prof. A.R. Yesufu (Programme Leader) - NOUN Prof. A.R. Yesufu (Course Coordinator) - NOUN NATIONAL OPEN UNIVERSITY OF NIGERIA GST201 COURSE GUIDE National Open University of Nigeria Headquarters University Village Plot 91, Cadastral Zone Nnamdi Azikiwe Expressway Jabi, Abuja Lagos Office 14/16 Ahmadu Bello Way Victoria Island, Lagos e-mail: [email protected] website: www.nouedu.net Printed by: NOUN Press Printed 2017, 2019, 2021 ISBN: 978-058-425-0 All Rights Reserved ii GST201 COURSE GUIDE CONTENTS PAGE Introduction......................................................................................... iv What You Will Learn in This Course……………..………………… iv Course Aims....................................................................................... iv Course Objectives............................................................................... v Working through This Course............................................................. v Course Materials…………………………………………………….. v Study Units.......................................................................................... vi Textbooks and References…………………………………………... vii The Assignment File……………………………..………………….. vii The Presentation Schedule………………………………………….. vii Assessment......................................................................................... vii Tutor-Marked Assignment………………………………………….. -
An Exploratory Demographic Study of the Nupe of Niger State: the Case of Sakpe Village
AN EXPLORATORY DEMOGRAPHIC STUDY OF THE NUPE OF NIGER STATE: THE CASE OF SAKPE VILLAGE by Abubakar Katcha Thesis submitted in partial fulfilment for the Degree of Master of Arts in Demography in the Australian National University Canberra, January 1978 ACKNOWLEDGEMENTS I wish to express my profound thanks to Dr. D.W. Lucas, my supervisor, for the keen interest shown in the study as well as the guidance he has given me so kindly. It is with a sense of deepest gratitude that I acknowledge the encouragement given me by Professor J.C. Caldwell who also placed at my disposal some of his papers on Nigeria. I also wish to thank Dr. P.F. McDonald and Dr. S.K. Jain for sparing some of their valuable time to attend to some of the problems posed in the course of the study. I sincerely appreciate the help of Mr. 1.0. Orubuloye who made valuable comments and suggestions on specific points. Mrs. B. Ballard went through the draft and practically other staff and colleagues of the Department of Demography gave real help of one type or another. I am grateful to all of them. Secretarial assistance by Mrs. P. Ashman is very gratefully acknowledged. I also wish to thank Ms. N. Chin who expertly typed the thesis. Finally, it is a pleasure to express my gratitude to my wife, Fatima, who later joined me thereby making my last stay in Australia so interesting. iii ABSTRACT This pioneer survey, conducted in Sakpe Village in April 1977, obtained data on the basic demographic characteristics of a selected typical Nupe Village. -
Death and the Textile Industry in Nigeria
Death and the Textile Industry in Nigeria This book draws upon thinking about the work of the dead in the context of deindustrialization—specifically, the decline of the textile industry in Kaduna, Nigeria—and its consequences for deceased workers’ families. The author shows how the dead work in various ways for Christians and Muslims who worked in KTL mill in Kaduna, not only for their families who still hope to receive termination remittances, but also as connections to extended family members in other parts of Nigeria and as claims to land and houses in Kaduna. Building upon their actions as a way of thinking about the ways that the dead work for the living, the author focuses on three major themes. The first considers the growth of the city of Kaduna as a colonial construct which, as the capital of the Protectorate of Northern Nigeria, was organized by neighborhoods, by public cemeteries, and by industrial areas. The second theme examines the establishment of textile mills in the industrial area and new ways of thinking about work and labor organization, time regi- mens, and health, particularly occupational ailments documented in mill clinic records. The third theme discusses the consequences of KTL mill workers’ deaths for the lives of their widows and children. This book will be of interest to scholars of African studies, development studies, anthropology of work, and the history of industrialization. Elisha P. Renne is Professor Emerita in the Departments of Anthropology and of Afroamerican and African Studies, University of Michigan-Ann Arbor, USA. Routledge Contemporary Africa Series Corporate Social Responsibility and Law in Africa Theories, Issues and Practices Nojeem A. -
An Appraisal of Kabulu Folk Music As an Approach Tocommunicating Development Among Gbagyi People
AN APPRAISAL OF KABULU FOLK MUSIC AS AN APPROACH TOCOMMUNICATING DEVELOPMENT AMONG GBAGYI PEOPLE By GADO, VALIYA NYACHESA DEPARTMENT OF THEATRE AND PERFORMING ARTS, FACULTY OF ARTS AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA. JANUARY, 2017 AN APPRAISAL OF KABULU FOLK MUSIC AS AN APPROACH TOCOMMUNICATING DEVELOPMENT AMONG GBAGYI PEOPLE By GADO, VALIYA NYACHESA MA/ARTS/25192/2012-2013 BEING A DISSERTATION SUBMITTED TO THE SCHOOL OF POSTGRADUATE STUDIES,AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA,IN PARTIALFULFILLMENT OF THE REQUIREMENTSFOR THE AWARD OF A MASTER OF ARTS DEGREE (M.A.)IN DEVELOPMENT COMMUNICATION DEPARTMENT OF THEATRE AND PERFORMING ARTS, FACULTY OF ARTS AHMADU BELLO UNIVERSITY, ZARIA, NIGERIA JANUARY, 2017 ii DECLARATION I,GADO, VALIYA NYACHESAdeclare that the work in this dissertation entitled „An Appraisal of Kabulu Folk Music as an Approach toCommunicating Development among Gbgagyi people‟has been carried out by me in the Department of Theatre and Performing Arts. The information derived from the literature has been duly acknowledged in the text and a list of references provided. No part of this dissertation was previously presented for another degree or diploma at this or any other Institution. GADO, VALIYA NYACHESA Name of Student Signature Date iii CERTIFICATION This dissertation entitled „AN APPRAISAL OF KABULU FOLK MUSIC AS AN APPROACH TOCOMMUNICATING DEVELOPMENT AMONG GBAGYI PEOPLE‟byGADO, VALIYA NYACHESA meets the regulations governing the award of the degree of Master of Arts (M.A) in Development Communication of the Ahmadu Bello University, and is approved for its contribution to knowledge and literary presentation. Dr. Emmanuel Jegede _ Chairman, Supervisory committee Signature Date Dr. (Mrs.) Rasheedah Liman _ Member, Supervisory committee Signature Date Prof.