First Choice the Player Mp3, Flac, Wma

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First Choice The Player mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: The Player Country: UK Released: 2000 Style: House, Disco MP3 version RAR size: 1378 mb FLAC version RAR size: 1394 mb WMA version RAR size: 1779 mb Rating: 4.3 Votes: 794 Other Formats: TTA VQF MPC AIFF ASF APE ADX Tracklist Hide Credits The Player A1 7:10 Written-By – Allan Felder, Norman Harris Guilty A2 4:51 Written-By – G. Shury*, R. Roker* You Took The Words Right Out Of My Mouth A3 4:44 Written-By – A. Felder*, B. Sigler*, N. Harris* You've Been Doin' Wrong For So Long A4 3:56 Written-By – Frank Johnson, Terry Woodford Hustler Bill B1 5:28 Written-By – Bunny Sigler, Jean Lang All I Need Is Time B2 4:42 Written-By – Bob Reneu Guess What Mary Jones Did B3 4:59 Written-By – Allan Felder, Norman Harris Guilty (Instrumental) B4 4:51 Written-By – G. Shury*, R. Roker* Companies, etc. Phonographic Copyright (p) – Bell Records Copyright (c) – Bell Records Recorded At – Sigma Sound Studios Recorded At – Future Gold Studios Mastered At – Frankford/Wayne Recording Labs Pressed By – Bestway Products Inc. Credits Alto Saxophone – Leno Zachery Arranged By – John Davis (tracks: B2), Norman Harris (tracks: A1, A3, B1, B3), Prime Cut (tracks: A4), Ron Kersey (tracks: A4), Vince Montana* (tracks: A2, B4) Bass – Barry Gibson, Ronnie Baker* Bass Trombone – Edward Casceralle*, Fred Linge, Ricci Genovese* Cello – Romeo DiStefano* Congas, Bongos – Larry Washington Design [Album] – The Music Agency Drums – Earl Young, Jerry Goldsmith Engineer – Don Murray, Mike Hutchinson* French Horn – Danny Williams Guitar – Bobby Eli, Herbert Smith*, Norman Harris, Ron Louis Smith* Horns, Trumpet – Robert Hartzell, Rocco Bene Illustration [Front Cover] – John A. McKinzie Music By – The Sound Of Philadelphia Performer [Rhythm By] – Prime Cut (tracks: A2, B2, B4) Photography By [Back Liner] – Elijah Petteway Piano, Organ – Ron Kersey Producer – Norman Harris, Stan Watson Strings – Don Renaldo & The Sound Of Philadelphia Strings* Trombone [Tenor] – Fredrick Janier* Viola – Angelo Petrella, Davis Barnett Notes BW in label matrix = Bestway pressing Recorded at Sigma Sound Studios B2 Recorded at Future Gold Studios Mastered at Frankford/Wayne Recording Labs, Philadelphia, Pa. ℗ © 1974 Bell Records, A Division of Columbia Pictures Industries, Inc. Other versions Category Artist Title (Format) Label Category Country Year First The Player (LP, Philly Groove PG 1502 PG 1502 US 1974 Choice Album) Records Philly Groove PG 1502, First The Player (LP, PG 1502, Records, Philly US 1974 PG-1502 Choice Album) PG-1502 Groove Records First The Player (LP, 2308 111 Bell Records 2308 111 Brazil 1975 Choice Album) Philly Groove PG 1502, R First The Player (LP, PG 1502, R Records, Philly US 1974 120263 Choice Album) 120263 Groove Records Philly Groove First The Player (LP, PG 1502 Records, Bell PG 1502 Canada 1974 Choice Album) Records Related Music albums to The Player by First Choice Double Exposure - My Love Is Free / Every Man (Has To Carry His Own Weight) Bunny Sigler - Keep Smilin' / Somebody Free Loleatta Holloway - Loleatta Blue Magic - Blue Magic First Choice - Breakaway The Temptations - Hear To Tempt You Love Committee - Law And Order Blue Magic - Thirteen Blue Magic Lane First Choice - Delusions New York City - I'm Doin' Fine Now First Choice - Newsy Neighbors First Choice - Doctor Love.

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1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
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MFSB MFSB Mp3, Flac, Wma
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The Heart of Rock and Soul 1 Marvin Gaye - I heard it through the grapevine Tamla 1968, written by Norman Whitfield & Barrett Strong 2 Chuck Berry - Johnny B. Goode Chess 1958, written by Chuck Berry 3 James Brown - Papa's got a brand new bag King 1965, written by James Brown 4 Four Tops - Reach out I'll be there Motown 1966, written by Brian Holland, Lamont Dozier & Eddie Holland 5 Righteous Brothers - You've lost that lovin' feelin' Philles 1964, written by Barry Mann, Cynthia Weill & Phil Spector 6 Rolling Stones - I can't get no satisfaction London 1965, written by Mick Jagger & Keith Richards 7 Bob Dylan - Like a rolling stone Columbia 1965, written by Bob Dylan 8 Aretha Franklin - Respect Atlantic 1967, written by Otis Redding 9 Little Richard - Tutti Frutti Specialty 1956, written by Dorothy LaBostrie, Richard Penniman & Joe Lubin 10 Martha and the Vandellas - Nowhere to run Gordy 1965, written by Brian Holland, Lamont Dozier & Eddie Holland 11 Kingsmen - Louie Louie Wand 1963, written by Richard Berry 12 Elvis Presley - Mystery train Sun 1955, written by Junior Parker 13 Big Joe Turner - Shake,rattle and roll Atlantic 1954, written by Charles Calhoun (= Jesse Stone) 14 Jerry Lee Lewis - Whole lotta shakin' goin' on Sun 1957, written by Dave Williams & Sunny David (= Roy Hall) 15 Otis Redding - (Sittin' on) The dock of the bay Volt 1968, written by Otis Redding & Steve Cropper 16 Sly and the family Stone - Everyday people Epic 1968, written by Sly Stone 17 Roy Orbison - Only the lonely Monument 1960, written by Roy Orbison & Joe Melson 18 Aretha Franklin - (You make me feel like) A natural woman Atlantic 1967, written by Gerry Goffin, Carole King & Jerry Wexler 19 Contours - Do you love me Gordy 1962, written by Berry Gordy jr.
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^HMT^RTEGjù^WARDn Kenny Gamble 5? Leon Huff SS BY BILLY ALYM AK here’s certainly a good ring - both lit' Jones,” “Love Train,” “For the Love of Money,” “Wake erally and figuratively - to the story Up Everybody,” “Rich Get Richer,” “Ain’t No Stoppin’ that Kenny Gamble and Leon H uff like Us Now,” “Do It Anyway You Wanna.” A s they - they to tell about meeting for the first time being Gamble and Huff themselves — would say: “The in a Schubert Building elevator on Message Is in the Music.” Philadelphia’s Broad Street in the summer of 1964. In Anyone familiar with New Orleans cooking will T tell you that regardless of where you want your dish to those days, the Schubert was Philly’s equivalent of New York’s Brill Building, its office space finish, you’d better start with that filled by virtually all o f the city’s key Holy Trinity foundation of onions, music'business movers and shak' These two distinctly celery, and bell peppers. Taste just ers. They were there because each different personalities about any Gamble and Huff musi' of these ambitious young African' quichjy discovered cal pot'au'feu from the more than American men - one (Gamble) a 1,000 entries in their songwriters’ singer, the other (Huff) a piano in each other cookbook, and you’ll invariably find player, and both aspiring songwrit' distinctly shared in the recipe another Holy Trinity ers — had gotten their feet in some musical roots base: blues, gospel, and jazz. When, newly opened doors of opportU' not long after that fateful elevator nity with established local writing/ ride, Philadelphia homeboy Gam' production companies hungry for a piece of the bub' ble (b.
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