DOCSLIB.ORG

MFSB MFSB Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MFSB MFSB Mp3, Flac, Wma MFSB MFSB mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: MFSB Country: Peru Style: Funk, Disco MP3 version RAR size: 1275 mb FLAC version RAR size: 1712 mb WMA version RAR size: 1381 mb Rating: 4.8 Votes: 879 Other Formats: WMA DTS VOC ADX AAC ASF WAV Tracklist Hide Credits Freddie's Dead A1 7:13 Arranged By [Strings, Horns] – Bobby MartinWritten-By – C. Mayfield* Family Affair A2 4:23 Written-By – S. Stewart* Something For Nothing A3 3:00 Arranged By [Strings, Horns] – Thom BellWritten-By – K. Gamble*, R. Chambers*, T. Bell* Back Stabbers B1 Arranged By [Strings, Horns] – Lenny PakulaWritten-By – G. McFadden*, J. Whitehead*, L. 6:32 Huff* Lay In Low B2 3:45 Arranged By [Strings, Horns] – Norman HarrisWritten By – C. GilbertWritten-By – L. Huff* Poinciana B3 5:54 Arranged By [Strings, Horns] – Vince Montana*Written By – B. Bernier, N. Simon Companies, etc. Recorded At – Sigma Sound Studios Mastered At – Frankford/Wayne Recording Labs Manufactured By – Industrial Sono-Radio S.A. Credits Engineer – Joe Tarsia Liner Notes – G. Fitz Bartley Musician, Alto Saxophone, Soloist – Zach Zachary Musician, Bass – Anthony Jackson, Ronnie Baker* Musician, Congas, Bongos – Larry Washington Musician, Drums – Earl Young, Karl Chambers, Norman Farrington Musician, Electric Piano – Leon Huff Musician, Guitar – Bobby Eli, Norman Harris, Reginald Lucas*, Roland Chambers, T.J. Tindall* Musician, Organ – Lenny Pakula Musician, Piano – Eddie Green , Harold Williams* Musician, Vibraphone [Vibes] – Vince Montana* Producer – Gamble-Huff* Saxophone, Flute – Tony Williams Strings, Horns – Don Renaldo And His String & Horn Sections* Notes Eddie Green Courtesy of Cobblestone Records Recorded at Sigma Sound Studios, Philadelphia, Pennsylvania Mastered at Frankford/Wayne Recording Labs, Philadelphia, Pennsylvania Barcode and Other Identifiers Rights Society (Tracks: A1 to B2): BMI Rights Society (Track: B3): ASCAP Other (Industria Peruana): R.I. 5731 Other (Industria Peruana): R. I. 7128 Other versions Category Artist Title (Format) Label Category Country Year Philadelphia International KZ 32046 MFSB MFSB (LP, Album) KZ 32046 US 1973 Records MFSB (CD, Album, EICP 7067 MFSB Epic/Sony Records EICP 7067 Japan 2002 Promo) Philadelphia International PIR 65903 MFSB MFSB (LP, Album) PIR 65903 Italy 1974 Records Philadelphia International S PIR 65903 MFSB MFSB (LP, Album) S PIR 65903 UK 1973 Records MFSB (CD, Album, Epic, Legacy, Philadelphia CL 03272 8 MFSB CL 03272 8 Europe 2002 RE) International Records Related Music albums to MFSB by MFSB Patti Labelle - Patti Lou Rawls - Let Me Be Good To You David & The Giants - David & The Giants MFSB - Philadelphia Freedom The O'Jays - Love And More MFSB - Summertime Harold Melvin & The Blue Notes - Black & Blue O'Jays - Back Stabbers The O'Jays - Back Stabbers Gloria Gaynor - Love Tracks Teddy Pendergrass - Teddy MFSB Featuring The Three Degrees - Love Is The Message.
Load more

Recommended publications
  • Jerry Williams Jr. Discography
    SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968.
    [Show full text]
  • Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
    DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
    [Show full text]
  • 1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
    "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
    [Show full text]
  • ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
    DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • MFSB MFSB Mp3, Flac, Wma
    MFSB MFSB mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: MFSB Country: Europe Released: 2002 Style: Funk, Disco MP3 version RAR size: 1523 mb FLAC version RAR size: 1896 mb WMA version RAR size: 1442 mb Rating: 4.8 Votes: 814 Other Formats: MP2 VOX TTA AUD AAC VOC AC3 Tracklist Hide Credits Freddie's Dead 1 7:13 Arranged By – Bobby MartinWritten-By – C. Mayfield* Family Affair 2 4:23 Arranged By – The Family Written-By – S. Stewart* Something For Nothing 3 3:00 Arranged By – Thom BellWritten-By – K. Gamble*, R. Chambers*, T. Bell* Back Stabbers 4 6:32 Arranged By – Lenny PakulaWritten-By – G. McFadden*, J. Whitehead*, L. Huff* Lay In Low 5 3:45 Arranged By – Norman HarrisWritten-By – C. Gilbert*, L. Huff* Poinciana 6 5:54 Arranged By – Vince Montana*Written-By – B. Bernier*, N. Simon* Bonus Track: T.S.O.P. (The Sound Of Philadelphia) (Live) 7 3:53 Featuring – The Three DegreesWritten-By – K. Gamble; L. Huff* Companies, etc. Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Pressed By – Sony Music Credits Alto Saxophone – Zach Zachary Arranged By [String & Horn Arrangements] – Bobby Martin, Lenny Pakula, Norman Harris, Thom Bell, Vince Montana* Bass – Anthony Jackson, Ronnie Baker* Congas, Bongos – Larry Washington Drums – Earl Young, Karl Chambers, Norman Farrington Electric Piano – Leon Huff Engineer – Joe Tarsia Guitar – Bobby Eli, Norman Harris, Reginald Lucas*, Roland Chambers, T.J. Tindall* Mastered By – Joseph M. Palmaccio Organ – Lenny Pakula Piano – Eddie
    [Show full text]
  • The Temptations Hear to Tempt You Mp3, Flac, Wma
    The Temptations Hear To Tempt You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Hear To Tempt You Country: Canada Released: 1977 Style: Soul, Disco MP3 version RAR size: 1554 mb FLAC version RAR size: 1809 mb WMA version RAR size: 1631 mb Rating: 4.1 Votes: 495 Other Formats: VQF AU WAV ASF AHX AC3 APE Tracklist Hide Credits Think For Yourself A1 4:55 Written-By – Allan Felder, Norman Harris, Ron Tyson In A Lifetime A2 3:14 Written-By – Ron Baker, Ron Tyson Can We Come And Share In Love A3 6:10 Written-By – Bruce Gray, T.G. Conway She's All I've Got A4 4:52 Written-By – Ron Baker, Ron Tyson Snake In The Grass B1 5:26 Written-By – Allan Felder, Ron Tyson, T.G. Conway It's Time For Love B2 4:26 Written-By – Allan Felder, Norman Harris, Ron Tyson Let's Live In Peace B3 4:13 Written-By – Benjamin Wright, The Temptations Read Between The Lines B4 3:17 Written-By – Allan Felder, Ron Tyson, T.G. Conway I Could Never Stop Loving You B5 3:20 Written-By – Allan Felder, Norman Harris, Ron Tyson Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Credits Arranged By – Norman Harris (tracks: A1, B5), Roland Chambers (tracks: B3), Ron Baker (tracks: A2, A4), Ron (Have Mercy) Kersey* (tracks: B2, B4), T.G. Conway (tracks: A3, B1) Art Direction – Bob Defrin Bass – Michael Foreman, Ron Baker Congas – Larry Washington Drums – Earl Young, Keith Benson Engineer – Bobby Warner, Carl Paruolo, Dirk Devlin Guitar – Bobby Eli, Norman Harris, T.J.
    [Show full text]
  • Pre-Owned 1970S Sheet Music
    Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny
    [Show full text]
  • Keeping the Recording Copyr't (Ed)
    Keeping The Recording Copyr't (Ed) Changing Trends: 10 Years: Then & Now ABC Singles Going $1.29 BM! Performance Awards Reno's Midland Via RCA Crossover; 'Boutique' - Feel www.americanradiohistory.com Produced by David Anderle Krîstofferson!s Smokin. He's written some of the outstanding songs of our time and he's just struck gold on his own with "Why M e" Now, Kris Kristofferson has a new single, "I May Smoke Too Much; ZS7 8618 a rousing ode to the hedonistic life. It's from his "Spooky Lady's Sideshow"a I bu m. On Monument Records o Distributed by Columbia/Epic Records Also available on tape www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY BOX CASHXXXVI --NUMBER 5-June 15, 1974 VOLUME President and Publisher MARTY OSTROW Executive Vice President IRV LICHTMAN Vice President and Director of Editorial PHIL JAFFE alhboxeditorial Vice President and Director of Advertising West Coast ED ADLUM Managing Editor Keeping The Copyr't Editorial New York On Recordings ARTY GOODMAN DON DROSSELL MICHAEL DAVID Hollywood It is evident from a virtual weekly reading of Cash Box that tremendous strides RON BARON ELIOT SEKULER have been made over the past few years in the battle against unauthorized BEAU EURELL prosecution and continuous raids of pirate DAVID BUDGE duplication of recordings. Successful Research operations are largely the result of greater industry diligence - spurred on by MIKE MARTUCCI Research Manager various trade associations and unions - enactment of state -sponsored Art Director legislation (found last year to be constitutional through the U.S. Supreme Court) WOODY HARDING and, of course, the amendment to the Copyright Act that put recordings made Coin Machine ED ADLUM - Manager after Feb.
    [Show full text]
  • Transcript Index
    KENNETH GAMBLE WITH GAMBLE & HUFF TRANSCRIPT INDEX If you are interested in viewing the full length video interview or transcript, please email [email protected] A AD LIBS ................................................. 28 AFRICAN-AMERICAN .................................. 3-6 ALAN FREED .............................................. 7 ALWAYS LOVE MY MAMMA .............................. 15 AMERICA ..................................... 5-6, 15-16 ANGIE STONE ........................................... 30 APOLLO THEATER ........................................ 21 ARCHIE BELL ............................................ 24 ARCTIC RECORDS ........................................ 10 ATLANTIC ....................................... 9, 16, 24 ATLANTIC RECORDS ...................................... 9 B C B. CAN'T ............................................... 19 CAMDEN HIGH ...................................... 20-21 BABY WORK OUT ........................................ 31 CAMEO PARK WAY RECORDS .............................. 3 BACK STABBER ..................................... 13, 24 CANDY AND THE KISSES ............................ 9, 22 BARRY GORDY ..................................... 4-5, 31 CAPITOL RECORDS ...................................... 34 BARRY WHITE ........................................... 31 CARL CHAMBERS .......................................... 2 BB KING ................................................. 7 CARL CHANG ............................................ 23 BEATLES ................................................
    [Show full text]
  • Cash Box,- Insight&Sound
    cash box,- insight&sound The `First Choice' In Anybody's Book: EdgarWinter:FrankensteintoBadfinger Rochelle Flemming, Annette Guest and Joyce Jones are the three young ladies Edgar Winter, white -blond hair framing a pale face, scratches his right knee and ex- from Philadelphia calling themselves, First Choice. And, when it comes to sultry pounds upon his recent commercial success. "'They Only Come Out At Night' was sounds, heartbeat tempos and dynamic performances, First Choice has to be con- flatly a commercial attempt, and it worked. It was different than anything I'd done sidered a number one performing trio. Lead singer Rochelle has a full lusty sound before. I started out heavily influenced by Cannonball Adderly and John Coltrane, and which is beautifully supported by Annette and Joyce. Their recording performances recorded 'Entrance,' which is still my favorite album. It was too weird for people and are works of art; all on Philly Groove Records. Georgie Woods (WDAS, Philadelphia), didn't sell. Next came White Trash (which featured Jerry LaCroix on vocals and Rick brought the group to the attention of producer Stan Watson, Philly Groove president Derringer on guitar) who were into Texas R&B funky stuff. I wanted to expand and and co -producer with Norman Harris. The gals worked the local clubs to get their they didn't, so I left." Although "Roadwork," released in 1972, was a fairly big seller thing together. They had one release on Scepter, "The House Where Love Died." for Edgar and the band, when Winter departed, he was in debt. But, it was with the smash single, "Armed And Extremely Dangerous" which served "The thing was," continues Edgar, his eyes darting from side to side, "I was turned as the springboard to national acclaim.
    [Show full text]
  • From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2010 From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs. Ambrose Colombo Claremont McKenna College Recommended Citation Colombo, Ambrose, "From Disco to Electronic Music: Following the Evolution of Dance Culture Through Music Genres, Venues, Laws, and Drugs." (2010). CMC Senior Theses. Paper 83. http://scholarship.claremont.edu/cmc_theses/83 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Table of Contents I. Introduction 1 II. Disco: New York, Philadelphia, Chicago, and Detroit in the 1970s 3 III. Sound and Technology 13 IV. Chicago House 17 V. Drugs and the UK Acid House Scene 24 VI. Acid house parties: the precursor to raves 32 VII. New genres and exportation to the US 44 VIII. Middle America and Large Festivals 52 IX. Conclusion 57 I. Introduction There are many beginnings to the history of Electronic Dance Music (EDM). It would be a mistake to exclude the impact that disco had upon house, techno, acid house, and dance music in general. While disco evolved mostly in the dance capital of America (New York), it proposed the idea that danceable songs could be mixed smoothly together, allowing for long term dancing to previously recorded music. Prior to the disco era, nightlife dancing was restricted to bands or jukeboxes, which limited variety and options of songs and genres. The selections of the DJs mattered more than their technical excellence at mixing.
    [Show full text]