CIRCUS October 1971
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WORDS—A Collection of Poems and Song Lyrics by Paul F
WORDS— A Collection of Poems and Song Lyrics By P.F Uhlir Preface This volume contains the poems and songs I have written over the past four decades. There is a critical mass at his point, so I am self-publishing it online for others to see. It is still a work in progress and I will be adding to them as time goes on. The collections of both the poems and songs were written in different places with divergent topics and genres. It has been a sporadic effort, sometimes going for a decade without an inspiration and then several works in a matter of months. Although I have presented each collection chronologically, the pieces also could be arranged by themes. They are about love and sex, religion, drinking, and social topics—you know, the stuff to stay away from at the holiday table. In addition, although the songs only have lyrics, they can be grouped into genres such as blues, ballads, and songs that would be appropriate in musicals. Some of the songs defy categorization. I have titled the collection “Words”, after my favorite poem, which is somewhere in the middle. Most of them tell a story about a particular person, or event, or place that is meaningful to me. It is of personal significance and perhaps not interesting or understandable to the reader. To that extent, it can be described as a self-indulgence or an introspection; but most of them are likely to have a broader meaning that can be readily discerned. I’m sure I will add to them as time goes on, but I felt it was time to put them out. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Jerry Williams Jr. Discography
SWAMP DOGG - JERRY WILLIAMS, JR. DISCOGRAPHY Updated 2016.January.5 Compiled, researched and annotated by David E. Chance: [email protected] Special thanks to: Swamp Dogg, Ray Ellis, Tom DeJong, Steve Bardsley, Pete Morgan, Stuart Heap, Harry Grundy, Clive Richardson, Andy Schwartz, my loving wife Asma and my little boy Jonah. News, Info, Interviews & Articles Audio & Video Discography Singles & EPs Albums (CDs & LPs) Various Artists Compilations Production & Arrangement Covers & Samples Miscellaneous Movies & Television Song Credits Lyrics ================================= NEWS, INFO, INTERVIEWS & ARTICLES: ================================= The Swamp Dogg Times: http://www.swampdogg.net/ Facebook: https://www.facebook.com/SwampDogg Twitter: https://twitter.com/TheSwampDogg Swamp Dogg's Record Store: http://swampdogg.bandcamp.com/ http://store.fastcommerce.com/render.cz?method=index&store=sdeg&refresh=true LIVING BLUES INTERVIEW The April 2014 issue of Living Blues (issue #230, vol. 45 #2) has a lengthy interview and front cover article on Swamp Dogg by Gene Tomko. "There's a Lot of Freedom in My Albums", front cover + pages 10-19. The article includes a few never-before-seen vintage photos, including Jerry at age 2 and a picture of him talking with Bobby "Blue" Bland. The issue can be purchased from the Living Blues website, which also includes a nod to this online discography you're now viewing: http://www.livingblues.com/ SWAMP DOGG WRITES A BOOK PROLOGUE Swamp Dogg has written the prologue to a new book, Espiritus en la Oscuridad: Viaje a la era soul, written by Andreu Cunill Clares and soon to be published in Spain by 66 rpm Edicions: http://66-rpm.com/ The jacket's front cover is a photo of Swamp Dogg in the studio with Tommy Hunt circa 1968. -
Summary Recital Schedule
Studio One Dance Center Summary Recital Schedule Print Date: 3/1/2020 Page 1 of 5 Session: 2019-20 School Year (Aug-May) RECITAL: SODC 2020 Recital #1 9AM Song Number Class and Song Information Time 1 PROLOGUE: A COVER IS NOT THE BOOK (MUSICAL THEATER) 00:00 PROD - - - JR 1-3, INT 1-4, TPP CO MT PROD - Teacher: Jennifer Brast Thr at 5:45pm to 6:30pm in Room E 2 THE SECRET GARDEN: SONG FROM A SECRET GARDEN (BALLET) 00:00 9 & UP - 1/2 - 9 YR & UP BALLET LEVEL 1/2 - Teacher: Ashlee Gilchrist Mon at 4:30pm to 5:45pm in Room D 3 PHOEBE THE PHOTOGRAPHER: SNAP A PICTURE (TAP) 00:00 5-8 TBJ - - - 5-8 YR TBJ KIDS DANCE 2 - Teacher: Leedonna Haynes Mon at 5:45pm to 7:15pm in Room C 4 THE GIVING TREE: EVERY SEASON (BALLET) 00:00 5-8 YR - - - 5-8 YR TBJ KIDS DANCE 1 - Teacher: Elizabeth (Libby) Smith Mon at 4:30pm to 6:00pm in Room A 5 THE INVISIBLE STRING: ANGEL'S LULLABY (CONTEMPORARY) 00:00 S/D/T - CO. - MELODY SOLO - Teacher: Kari Schmuck Fri at 5:30pm to 6:00pm in Room D 6 NOAH'S ARK: NOAH'S ARK (TAP) 00:00 4-5 TBT - - - 4-5 YR TBT TAPS AND TWIRLS - Teacher: Kari Schmuck Mon at 10:30am to 11:30am in Room B 7 THE GOSPEL TRAIN: THE GOSPEL TRAIN (JAZZ) 00:00 M/P - - - MINI/PETITE CO TAP AND JAZZ - Teacher: Kari Schmuck Mon at 4:15pm to 5:00pm in Room B 8 THE TALE OF PETER RABBIT: THE TALE OF PETER RABBIT (BALLET) 00:00 MOM & ME - - - MOMMY AND ME 18 MO.-2 YR - Teacher: Kari Schmuck Mon at 9:00am to 9:45am in Room B 9 THE VERY HUNGRY CATIPILAR: HUNGRY CATIPILAR (TAP) 00:00 3-4 TBT - - - 3-4 YR TBT DANCIN' TOTS - Teacher: Leedonna Haynes Mon at 4:00pm -
Music Outside? the Making of the British Jazz Avant-Garde 1968-1973
Banks, M. and Toynbee, J. (2014) Race, consecration and the music outside? The making of the British jazz avant-garde 1968-1973. In: Toynbee, J., Tackley, C. and Doffman, M. (eds.) Black British Jazz. Ashgate: Farnham, pp. 91-110. ISBN 9781472417565 There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/222646/ Deposited on 28 August 2020 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Race, Consecration and the ‘Music Outside’? The making of the British Jazz Avant-Garde: 1968-1973 Introduction: Making British Jazz ... and Race In 1968 the Arts Council of Great Britain (ACGB), the quasi-governmental agency responsible for providing public support for the arts, formed its first ‘Jazz Sub-Committee’. Its main business was to allocate bursaries usually consisting of no more than a few hundred pounds to jazz composers and musicians. The principal stipulation was that awards be used to develop creative activity that might not otherwise attract commercial support. Bassist, composer and bandleader Graham Collier was the first recipient – he received £500 to support his work on what became the Workpoints composition. In the early years of the scheme, further beneficiaries included Ian Carr, Mike Gibbs, Tony Oxley, Keith Tippett, Mike Taylor, Evan Parker and Mike Westbrook – all prominent members of what was seen as a new, emergent and distinctively British avant-garde jazz scene. Our point of departure in this chapter is that what might otherwise be regarded as a bureaucratic footnote in the annals of the ACGB was actually a crucial moment in the history of British jazz. -
Recovery Happens
April 2019 –– Volume 11, Issue 4 RECOVERY HAPPENS Illuminating pathways toward opportunity, possibility, wellness and independence. Restoration Society, Inc., 66 Englewood Avenue, Buffalo, NY 14214 www.rsiwny.org (716) 832-2141 Fax (716) 832-0021 My Corner of the World. by Tim Malley In my corner of the world I have very few things to make me happy. I have my books, my CDs, and my DVD’s to make me happy, but other than that I really don't have much in my corner of the world. But what I do have is precious to me because even though I live at an institution such as Leroy Manor I have my little corner to call my own its my own so to speak because it’s my corner of the world. When You Read This, by Mary Adkins Restoration Society, Inc. is on AmazonSmile! Here is how you can help us! 1. Sign into smile.amazon.com with your Amazon login info. 2. Under "Your Account" select "Change Your Charity" 3. In the "Find Your Charity" search bar, type Restoration Society, Inc. and click "Search" When publicist Iris Massey is diagnosed 4.Click "Select" next to "Restoration Society, Inc." with terminal lung cancer at only 31 years old, she begins chronicling her life and final days online. 5. Shop until your heart is content! When her longtime business partner Smith and his new intern Carl discover Iris' blog months after her death, they set out to fulfill her last wish of turning her writings into a book. Mary Adkins' When You Read This is told in an epistolary style through emails, blog posts, travel bookings, texts, and more digital snippets (fans of Where'd You Go, Bernadette will love this) and is a bittersweet, often funny novel about hope, memory, and loose ends. -
CENTERS AROUND the WORLD Founder-Acarya: His Divine Grace A
The International Society for Krishna Consciousness CENTERS AROUND THE WORLD Founder-Acarya: His Divine Grace A. C. Bhaktivedanta Swami Prabhupada Madurai, TN — 37 Maninagaram Main Road, 625 001/ Tel. (452) 274-6472 ASIA Mangalore, Karnataka — ISKCON Sri Jagannath Mandir, near Hotel Woodlands, Bunts Hostel Rd., INDIA 575 003/ Tel. (824) 2423326 or 2442756, or 9844325616 Agartala, Tripura — Radha Govinda Temple, Matchowmohani, 799 001/ Tel. (381) 2327053 ◆ Mayapur, WB — ISKCON, Shree Mayapur Chandrodaya Mandir, Mayapur Dham, Dist. Nadia, 741313/ or 9436167045/ [email protected] Tel. (3472) 245620, 245240 or 245355/ [email protected] Ahmedabad, Gujarat — Satellite Rd., Sarkhej Gandhinagar Highway, Bopal Crossing, 380 059/ Moirang, Manipur — Nongban Enkhol, Tidim Rd./ Tel. (3879) 795133 Tel. (79) 2686-1945, -1644, or -2350/ [email protected] ◆ Mumbai, Maharashtra — Hare Krishna Land, Juhu 400 049/ Tel. (22) 26206860/ [email protected]; (Guesthouse: [email protected]) [email protected] Allahabad, UP — Hare Krishna Dham, 161 Kashi Raj Nagar, Baluaghat 211 003/ ◆ Mumbai, Maharashtra — 7 K. M. Munshi Marg, Chowpatty 400 007/ Tel. (22) 23665500/ [email protected] Tel. (532) 2416718/ [email protected] Mumbai, Maharashtra — Bhaktivedanta Swami Marg, Hare Krishna Dham, Shristi, Sector 1, Near Royal College, Amravati, Maharashtra — Saraswati Colony, Rathi Nagar 444 603/ Tel. (721) 2666849 Mira Rd. (East), Thane 401 107/ Tel. (22) 28453562 or 9223183023/ [email protected] or 9421805105/ [email protected] Mysore, Karnataka — #31, 18th Cross, Jayanagar, 570 014/ Tel. (821) 2500582 or 6567333/ [email protected] Amritsar, Punjab — Chowk Moni Bazar, Laxmansar, 143 001/ Tel. (183) 2540177 Nagpur, Maharashtra — Bharatwada Road, Near Golmohar Nagar, Ramanuja Nagar, Kalamana Market, Aravade, Maharashtra — Hare Krishna Gram, Tal. -
Krishna-Avanti: History in the Making
June - July 2008 Dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, Founder-Acharya of the International Society for Krishna Consciousness Krishna-Avanti: History in the Making Srila Prabhupada: “Increasing one's love for God is a gradual process, and the first ingredient is faith. Without faith, there is no question of progress Hailing the Krishna-Avanti school as At the site, politicians, community a milestone in British history and an leaders and project donors joined in Krishna consciousness. That asset to Harrow, council leader David priests from Bhaktivedanta Manor. Led faith is created after reading Ashton participated in a landmark by His Holiness Atmanivedana Swami, Bhagavad-gita carefully and ceremony on Saturday 7th June. The the priests, assisted by community actually understanding it as it William Ellis playing fields, soon to be children, poured offerings of clarified home to the country’s first state-funded butter into a large sacred fire. is.... One must have faith in the Hindu school, hosted a traditional The Krishna-Avanti Primary School is words of Krishna, particularly ‘Bhumi Puja’ ceremony prior to the result of years of careful planning when Krishna says, ‘Abandon all commencement of building works. and discussion with the local authority dharmas and surrender to Me. I Christine Gilbert, Her Majesty's Chief and government. It will be UK’s first will give you all protection.’” Inspector of Ofsted was chief guest Hindu Voluntary Aided state school, at the Bhumi Puja. “I look forward and as such will not charge fees. It to the Krishna Avanti School being will open in September 2008 with a Teachings of Lord Kapila, 15.36, a centre of excellence and a very Reception class, and intake of pupils purport positive contribution to the Harrow will increase one year at a time. -
Re-Issues Reviews
Re-issues Reviews Home To the reviews index News A healthy nihilism goes all bellicose for the poet who turns his pen into a sword. Interviews In the most Orwellian of years Joseph Smalkowski, or Copernicus, decided it was time Reviews for his verses to not only produce a verbal music but also put some external sound to the words - and got himself a kindred-minded band. "Let the musicians declare war!!" goes Index "I Know What I Think", and they do so, indeed, with a full-blown aural onslaught onto DVD which the leader lays his punky stentorian chant. Deranged delight! - unlike the mournful Magazines recital of "Let Me Rest" clocking at 11.11. Books But the opener "I Won't Hurt You" delivers on its sweet, slithery, soulful promise that Specials either skanks or slides to form the most romantic song Copernicus could offer. Still, COPERNICUS - being himself he couldn't help but break such an innocence in the sonic terror of Photo Nothing Exists "Nagasaki", hung on an urgent, oscillating and scintillating rock 'n' roll guitar riff. It's here that the poet denies the existence of everything, him included, so "Atomic Nevermore" Links Nevermore 1984 spreads its spoken word over the emotional desert which somehow makes the listener MoonJune 2010 explore the album's dry landscape again. DME/Personal ***1/2 Guestbook Mail me The original angularity seeps away for guitar to feed on - and feedback - on a honeysuckle vine. Having tapped into the fusion fad of the day with "Bundles", the machinists might have thought they arrived at the right station, yet the restless passenger in Allan Holdsworth knew better. -
Exclusive Behind the Scenes Video of Martin Cohen’S 76Th
Exclusive Behind The Scenes Video Of Martin Cohen’s 76th Birthday Party 2015 Definitely one of the best parties anywhere, every year, I’m always honored to attend and sometimes perform with the band. Here’s some exclusive video. Sadly, I had to leave early, to perform with The Mambo Legends Orch and Tito Nieves at West Gate, which is fortunate for me. Check out the videos as I give a little tour and talk to some special people in attendance including the birthday boy. By Pete Nater Harvey Averne, Producer, Musician and Living Legend Harvey Averne is an American record producer, and the founder of CoCo Records, as well as its many subsidiaries. Established in 1972, CoCo was a label specializing in Afro-Cuban and Latin American Popular music, with special emphasis on the “New York Sound”, commonly referred to as “Salsa”. Averne’s gift for identifying and bringing together new and established musical talent, along with the careful management of his artists’ public image, initially made CoCo Records a major label nationally, and subsequently an international success. Over the next decade, he signed internationally known artists and was instrumental in bringing Latin American music into the American cultural mainstream. Averne personally ran the label from 1972 until 1979. His only rival was Fania Records, the leading Latin music label at the time and for whom Averne had previously been employed. He incorporated his new company (in partnership with Sam Goff, previously of Scepter/Wand Records) and quickly became one of the leading record producers in the Latin music field. -
US Apple LP Releases
Apple by the Numbers U.S. album releases From the collection of Andre Gardner of NY, NY SWBO‐101 The Beatles The Beatles Released: 22 Nov. 1968 (nicknamed "The White Album") In stark contrast to the cover to Sgt. Pepper's LHCB, the cover to this two record set was plain white, with writing only on the spine and in the upper right hand corner of the back cover (indicating that the album was in stereo). This was the first Beatles US album release which was not available in mono. The mono mix, available in the UK, Australia, and several other countries, sounds quite different from the stereo mix. The album title was embossed on the front cover. Inserts included a poster and four glossy pictures (one of each Beatle). The pictures were smaller in size than those issued with the UK album. A tissue paper separator was placed between the pictures and the record. Finally, as in every EMI country, the albums were numbered. In the USA, approximately 3,200,000 copies of the album were numbered. These albums were numbered at the different Capitol factories, and there are differences in the precise nature of the stamping used on the covers. Allegedly, twelve copies with east‐coast covers were made that number "A 0000001". SI = 2 ST 3350 Wonderwall Music George Harrison Released: 03 Dec. 1968 issued with an insert bearing a large Apple on one side. Normal Copy: SI = 2 "Left opening" US copy or copy with Capitol logo: SI = 7 T‐5001 Two Virgins John Lennon & Yoko Ono Released: January, 1969 (a.k.a.