Methodological Problems in the Study of Nation-Building: Behaviorism and Historicist Solutions in Political Science∗
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The Balkan Vlachs/Aromanians Awakening, National Policies, Assimilation Miroslav Ruzica Preface the Collapse of Communism, and E
The Balkan Vlachs/Aromanians Awakening, National Policies, Assimilation Miroslav Ruzica Preface The collapse of communism, and especially the EU human rights and minority policy programs, have recently re-opened the ‘Vlach/Aromanian question’ in the Balkans. The EC’s Report on Aromanians (ADOC 7728) and its separate Recommendation 1333 have become the framework for the Vlachs/Aromanians throughout the region and in the diaspora to start creating programs and networks, and to advocate and shape their ethnic, cultural, and linguistic identity and rights.1 The Vlach/Aromanian revival has brought a lot of new and reopened some old controversies. A increasing number of their leaders in Serbia, Macedonia, Bulgaria and Albania advocate that the Vlachs/Aromanians are actually Romanians and that Romania is their mother country, Romanian language and orthography their standard. Such a claim has been officially supported by the Romanian establishment and scholars. The opposite claim comes from Greece and argues that Vlachs/Aromanians are Greek and of the Greek culture. Both countries have their interpretations of the Vlach origin and history and directly apply pressure to the Balkan Vlachs to accept these identities on offer, and also seek their support and political patronage. Only a minority of the Vlachs, both in the Balkans and especially in the diaspora, believes in their own identity or that their specific vernaculars should be standardized, and that their culture has its own specific elements in which even their religious practice is somehow distinct. The recent wars for Yugoslav succession have renewed some old disputes. Parts of Croatian historiography claim that the Serbs in Croatia (and Bosnia) are mainly of Vlach origin, i.e. -
Essai Sur La Pratique Hellénique Du Droit Constitutionnel Intermédiaire Christoforos Matiatos
Essai sur la pratique hellénique du droit constitutionnel intermédiaire Christoforos Matiatos To cite this version: Christoforos Matiatos. Essai sur la pratique hellénique du droit constitutionnel intermédiaire. Droit. Université Panthéon-Sorbonne - Paris I, 2015. Français. NNT : 2015PA010284. tel-01911241 HAL Id: tel-01911241 https://tel.archives-ouvertes.fr/tel-01911241 Submitted on 2 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ESSAI SUR LA PRATIQUE HELLÉNIQUE DU DROIT CONSTITUTIONNEL INTERMÉDIAIRE UNIVERSITÉ de PARIS I (Panthéon-Sorbonne) THÈSE Pour l’obtention du grade de docteur en droit public (doctorat d’État) Présentée et soutenue publiquement par Christophoros C. Matiatos Le 13 mars 2015 ESSAI SUR LA PRATIQUE HELLÉNIQUE DU DROIT CONSTITUTIONNEL INTERMÉDIAIRE JURY : M. Pierre AVRIL, professeur émérite de l’Université de Paris II (Panthéon-Assas), président ; Mme Julie BENETTI, professeur à l’Université de Reims-Champagne-Ardenne, (rapporteur) ; M. Jean GICQUEL, professeur émérite de l’Université de Paris I (Panthéon-Sorbonne) (directeur de recherches) ; M. Philippe LAUVAUX, professeur à l’Université de Paris I (Panthéon-Assas) (rapporteur) ; M. Slobodan MILACIC, professeur émérite de l’Université de Bordeaux. 2 L’Université n’entend donner aucune approbation ni improbation aux opinions émises dans les thèses ; ces opinions doivent être considérées comme propres à leurs auteurs. -
93323765-Mack-Ridge-Language-And
Language and National Identity in Greece 1766–1976 This page intentionally left blank Language and National Identity in Greece 1766–1976 PETER MACKRIDGE 1 3 Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Peter Mackridge 2009 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging-in-Publication Data Mackridge, Peter. -
Performances of Ancient Greek Tragedy and Hellenikotita: the Making O F a Greek Aesthetic Style of Performance 1919-1967
Performances of Ancient Greek Tragedy and Hellenikotita: The Making o f a Greek Aesthetic Style of Performance 1919-1967 Ioanna Roilou-Panagodimitrakopoulou M.A. in Theatre Strudies M.A. in Modem Drama Submitted for a Ph.D thesis Department of Theatre Studies Lancaster University March 2003 ProQuest Number: 11003681 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003681 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Performances o f Ancient Greek Tragedy and Hellenikotita: The Making o f a Greek Aesthetic Style o f Performance 1919-1967 Ioanna Roilou-Panagodimittakopoulou M.A. in Theatre Studies, M.A. in Modem Drama Submitted for a Ph.D thesis Department a Theatre Studies Lancaster University March 2003 Abstract This t hesis s tudies t he p henomenon o f t he p roduction o ft ragedy i n G reece d uring t he period 1919-1967 in relation to the constitution of Greek culture during this period and the ideologem of hellenikotita. It argues that theatre in Greece through the productions of tragedy proposed an aesthetic framework of performances of tragedy that could be recognised as ‘purely Greek’ within which the styles of productions moved. -
Download PDF Datastream
A Dividing Sea The Adriatic World from the Fourth to the First Centuries BC By Keith Robert Fairbank, Jr. B.A. Brigham Young University, 2010 M.A. Brigham Young University, 2012 Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Program in Ancient History at Brown University PROVIDENCE, RHODE ISLAND MAY 2018 © Copyright 2018 by Keith R. Fairbank, Jr. This dissertation by Keith R. Fairbank, Jr. is accepted in its present form by the Program in Ancient History as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date _______________ ____________________________________ Graham Oliver, Advisor Recommended to the Graduate Council Date _______________ ____________________________________ Peter van Dommelen, Reader Date _______________ ____________________________________ Lisa Mignone, Reader Approved by the Graduate Council Date _______________ ____________________________________ Andrew G. Campbell, Dean of the Graduate School iii CURRICULUM VITAE Keith Robert Fairbank, Jr. hails from the great states of New York and Montana. He grew up feeding cattle under the Big Sky, serving as senior class president and continuing on to Brigham Young University in Utah for his BA in Humanities and Classics (2010). Keith worked as a volunteer missionary for two years in Brazil, where he learned Portuguese (2004–2006). Keith furthered his education at Brigham Young University, earning an MA in Classics (2012). While there he developed a curriculum for accelerated first year Latin focused on competency- based learning. He matriculated at Brown University in fall 2012 in the Program in Ancient History. While at Brown, Keith published an appendix in The Landmark Caesar. He also co- directed a Mellon Graduate Student Workshop on colonial entanglements. -
ANNUAL REPORT 2004 Piraeusuk 1 26.Qxd 13/04/05 14:39 “ Æ1
Cover_UK.qxd 07/04/05 13:25 “ Æ2 ANNUAL REPORT 2004 PiraeusUK_1_26.qxd 13/04/05 14:39 “ Æ1 CONTENTS BRIEF OVERVIEW 2 PIRAEUS GROUP: A DYNAMIC GROWTH COURSE 3 CHAIRMAN’S REPORT 5 DEVELOPMENTS IN THE INTERNATIONAL AND GREEK ECONOMIES 9 CONSOLIDATED FIGURES OF PIRAEUS GROUP 10 FIGURES OF PIRAEUS BANK 11 ANALYSIS OF FIGURES AND RESULTS OF PIRAEUS GROUP 12 RETAIL BANKING 18 CORPORATE BANKING 23 E-BANKING (WINBANK, ATM) 29 INTERNATIONAL ACTIVITIES 30 INVESTMENT BANKING 35 ASSET MANAGEMENT 39 REAL ESTATE DEVELOPMENT AND MANAGEMENT 42 TECHNOLOGY AND INFRASTRUCTURES 44 RISK MANAGEMENT 47 HUMAN RESOURCES 51 CORPORATE GOVERNANCE 55 SOCIETY AND ENVIRONMENT 59 CUSTOMER RELATIONS 65 SHARE PRICE DEVELOPMENT AND PERFORMANCE 67 ADOPTION OF THE INTERNATIONAL FINANCIAL REPORTING STANDARDS 70 GROWTH GOALS AND PROSPECTS OF PIRAEUS BANK GROUP 72 CONSOLIDATED FINANCIAL STATEMENTS AS AT 31 DECEMBER 2004 74 ANALYSIS OF FIGURES AND RESULTS OF PIRAEUS BANK 78 FINANCIAL STATEMENTS AS AT 31 DECEMBER 2004 82 DOMESTIC BRANCH NETWORK 86 DOMESTIC SUBSIDIARIES 93 NETWORK OF BRANCHES AND SUBSIDIARIES ABROAD 94 PiraeusUK_1_26.qxd 13/04/05 14:39 “ Æ2 BRIEF OVERVIEW 1916 ñ Establishment of Piraeus Bank 1918 ñ The shares of Piraeus Bank were listed in the Athens Stock Exchange 1963 ñ Piraeus Bank was integrated into Emporiki Bank Group in Greece 1975 ñ Piraeus Bank came under state control within Emporiki Bank Group 1991 ñ Privatisation of Piraeus Bank 1992 ñ Year of restructuring, reform and growth ñ Participation in Private Investment SA, which was renamed Piraeus Investment -
Regulating Political Parties European Democracies in Comparative Perspective
Regulating Political Parties European Democracies in Comparative Perspective REGULATING POLITICAL PARTIES European Democracies in Comparative Perspective Edited by Ingrid van Biezen & Hans-Martien ten Napel Leiden University Press Cover design: Suzan Beijer Layout: CO2 Premedia ISBN 978 90 8728 218 9 e-ISBN 978 94 0060 195 6 (e-pdf) e-ISBN 978 94 0060 196 3 (e-pub) NUR 754 © Ingrid van Biezen / Hans-Martien ten Napel /Leiden University Press, 2014 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Th is book is distributed in North America by the University of Chicago Press (www.press.uchicago.edu). Table of contents Introduction 7 Ingrid van Biezen & Hans-Martien ten Napel Chapter 1: Democracy and the Legal Regulation of Political Parties 17 Richard S. Katz Chapter 2: Dilemmas of Regulating Political Finance, with Special Reference to the Dutch Case 45 Ruud Koole Chapter 3: Lessons from the Past: Party Regulation in the Netherlands 71 Remco Nehmelman Chapter 4: Th e Constitutionalization of Political Parties in Post-war Europe 93 Ingrid van Biezen Chapter 5: Party Laws in Comparative Perspective 119 Fernando Casal Bértoa, Daniela R. Piccio & Ekaterina R. Rashkova Chapter 6: Explaining Legislative Confl ict over the Adoption of Political Financing Law in the European Union 149 Wojciech Gagatek Chapter 7: Th e SGP Case: Did it Really (Re)Launch the Debate on Party Regulation in the Netherlands 181 Hans-Martien ten Napel & Jaco van den Brink Chapter 8: Will it All End in Tears? What Really Happens when Democracies Use Law to Ban Political Parties 195 Tim Bale table of contents Chapter 9: Ethnic Party Regulation in Eastern Europe 225 Ekaterina R. -
Refiguring the Rebetika As Literature
Macalester College DigitalCommons@Macalester College English Honors Projects English Department 4-2020 Bodies in the Margins: Refiguring the Rebetika as Literature Sophia Schlesinger Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/english_honors Part of the English Language and Literature Commons, Ethnomusicology Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Schlesinger, Sophia, "Bodies in the Margins: Refiguring the Rebetika as Literature" (2020). English Honors Projects. 44. https://digitalcommons.macalester.edu/english_honors/44 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. BODIES IN THE MARGINS Refiguring the Rebetika as Literature Sophia Schlesinger Faculty Advisor: Andrea Kaston-Tange Macalester English Department Submitted April 25th, 2020 Abstract This thesis engages a literary analysis of a corpus of songs and recordings known as the rebetika (sing. rebetiko), which prospered in the port districts of major cities throughout the Aegean in the early 20th century. Engaging the rebetika as literary texts, I argue, helps us understand how they have functioned as a kind of pressure point on the borders between nation and Other. Without making unproveable biographical claims about the motives of the music progenitors, I examine why so many have reached for the rebetika as texts with which to articulate various political and cultural desires. Using a multidisciplinary theoretical framework that includes Elaine Scarry, Stuart Hall, Edward Said, Mark C. -
Scientific Report of Doctoral Research
Investeşte în oameni ! FONDUL SOCIAL EUROPEAN Programul Operaţional Sectorial pentru Dezvoltarea Resurselor Umane 2007 – 2013 Axa prioritară nr.1 „Educaţia şi formarea profesională în sprijinul creşterii economice şi dezvoltării societăţii bazate pe cunoaştere” Domeniul major de intervenţie 1.5 “Programe doctorale şi post-doctorale în sprijinul cercetării” Titlul proiectului: “Cultura română şi modele culturale europene: cercetare, sincronizare, durabilitate” Beneficiar: Academia Română Numărul de identificare al contractului: POSDRU/159/1.5/S/136077 Scientific Report of Doctoral Research Supervising Mentor: Professor Nicolae-Şerban TANAŞOCA, PhD Phd Candidate: Vladimir CREŢULESCU Bucharest, 2015 The Romanian Discourse on the Macedonian Aromanians (1860-1902): the Construction of a National Identity Supervising Mentor: Professor Nicolae-Şerban TANAŞOCA, PhD PhD Candidate: Vladimir CREŢULESCU This paper is supported by the Sectorial Operational Programme Human Resources Development (SOP HRD), financed from the European Social Fund and by the Romanian Government under the contract number SOP HRD/159/1.5/S/136077 Bucharest, 2015 SUMMARY INTRODUCTION.........................................................................................................................................................3 1. AROMANIAN IDENTITY AND THE FOREIGN TRAVELERS (1800 – 1860)..............................................6 1.1. FOREIGN TRAVELER,TRAVEL LITERATURE:CONCEPTS AND METHODOLOGY............................................6 1.2. THE TESTIMONY OF FRANÇOIS-CHARLES-HUGUES-LAURENT -
1 Introduction: Taking Testimony, Making Archives
Notes 1 Introduction: Taking Testimony, Making Archives Notes to Pages 2–5 1. K. Gavroglou, “Sweet Memories from Tzimbali.” To Vima, August 29, 1999. 2. I am indebted for the use of the term personal archive to a panel organized by colleagues Laura Kunreuther and Carole McGranahan at the American Anthropological Association Meetings in San Francisco in November 2000, entitled “Personal Archives: Collections, Selves, Histories.” On the historian’s “personal archives,” see LaCapra (1985b). 3. On the history and theory of collecting and collections, see, for instance, Benjamin (1955), Stewart (1993), Crane (2000), Chow (2001). 4. The interdisciplinary literature on memory is voluminous, including studies on the “art of memory” from antiquity to modernity (Yates 1966; Matsuda 1996); monuments, public commemoration, and “lieux de mémoire” (Nora 1989; Young 1993; Gillis 1994; Sider and Smith 1997); photography, film, and other kinds of “screen memories” (Kuhn 1995; Hirsch 1997; Sturken 1997; Davis 2000; Strassler 2003); public history and national her- itage (Wright 1985; Hewison 1987; Samuel 1994); and trauma, testimony, and the “sci- ences of memory,” such as psychoanalysis (Langer 1991; Felman and Laub 1992; Caruth 1995, 1996; Hacking 1995; Antze and Lambek 1996); as well as many theoretical analy- ses, review articles, and comparative cultural studies (Connerton 1989; Hutton 1993; Olick and Robbins 1998; Bal, Crewe, and Spitzer 1999; Ben-Amos and Weissberg 1999; Stoler and Strassler 2000). 5. For commentaries on the “memory boom” as a “postmodern” phenomenon, see Fischer (1986), Huyssen (1995). James Faubion has argued that anthropological interest in history and memory might be ascribed to astute “participant observation” of a world in which the past has become the “privileged ground of individual and collective identity, entitlements, of la condition humaine,” but charges nonetheless that “anthropologists have been more likely to reflect this transformation than reflect upon it” (1993b: 44). -
Greek Language Questions
Journal of Greek Linguistics 11 (2011) 249–257 brill.nl/jgl Review Article Doing without the Fez: Greek Language Questions Christopher Gerard Brown Th e Ohio State University [email protected] Abstract Th is defi nitive history of the Greek Language Controversy shows how Greek’s status as a prestige language galvanized a national movement attracting various ethnicities of the Millet-i rum . Th e status of classical Greek resonant in Adamantios Korais’s katharévousa helped consolidate the Greek state. An alternate demoticist programme, anticipated by Katartzis, developed in the Ionian Islands, and formulated by Psycharis, took hold through the eff orts of the Educational Demoticists. Standard Modern Greek is a synthesis of the two programmes—neither the phono- logically puristic Romaika of Psycharis nor an archaizing Schriftsprache, it retains elements of both. Keywords Diglossia , katharévousa , purism , Korais , Psycharis , sociolinguistics , Language Question , Language Controversy Peter Mackridge. Language and National Identity in Greece , 1766–1976 . Oxford: Oxford University Press. 2009. Since 1976 the Language Question that agitated the Greek-speaking world for some two hundred years is history, and in Peter Mackridge it has found its historian. Th e Language Controversy, as Mackridge translates the Greek το γλωσσικό ζήτημα, was a debate about nature of the Greek language, its historicity and perennity. Both sides wanted a standard national language to symbolize the continuity of Hellenism, a patent of succession to the prestige and authority of classical antiquity. Partisans of the puristic Schriftsprache sought to teach and improve a fallen people, to restore lost continuity and make them worthy of their heritage. -
Press Release
PRESS RELEASE THE NATIONAL GALLERY – ALEXANDROS SOUTZOS MUSEUM HOSTS THE EXHIBITION “TECHNI GROUP” 100 YEARS The first Greek Modernists And Eleftherios Venizelos 2017 marks the 100th anniversary since the creation of the famous “Techni Group”, which has been identified—in the consciousness of those who deal with the history of modern Greek art—with the birth of modernism in Greece. Was the role of the “Techni Group” so crucial, in the few years that it was active? Did it truly revitalize the art scene in the capital, which was oversaturated with the long-standing dominance of the Munich School? What was the Group’s relationship with Venizelos’ policy, which embraced the young artists’ initiative from the very first moment? The anniversary of the centenary offers an opportunity for a fresh look on the “Techni Group” through a showcasing of the works themselves. The “Techni Group” (Omada Tehni / “Art Group”) was created on the initiative of Nikolaos Lytras (1883-1927), son of the famous Munich School painter Nikiforos Lytras. Nikolaos was thirty-four years old and was already established as a painter with bold innovations in his work. Most of the artists in the Group were friends and peers of Lytras. They were all born in and around the 1880s, except for Odysseus Fokas (1857-1946) and the younger Perikles Vyzantios (1893-1974). Among them, we find notable names such as the Alexandrian, Konstantinos Parthenis (1878-1967) or the Constantinopolitan, Konstantinos Maleas (1879- 1928), admirable painters with less featured work, such as Theofrastos Triantafyllidis (1881- 1955), Lykourgos Kogevinas from Corfu (1887-1940), Nikolaos Othonaios (1877-1950), and Othon (Otto) Pervolarakis (1887-1974).