The World Factbook Europe :: Monaco Introduction :: Monaco Background
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The Trombone Sonatas of Richard A. Monaco Viii
3T7? No. THE TROMBONE SONATAS OF RICHARD A. MONACO DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By John A. Seidel, B.S., M.M. Denton, Texas December, 19 88 Seidel, John A., The Trombone Sonatas of Richard A. Monaco, A Lecture Recital, Together with Three Recitals of Selected Works by J.S. Bach, Paul Creston, G.F. Handel, Paul Hindemith, Vincent Persichetti, and Others. Doctor of Musical Arts in Trombone Performance, December, 1988, 43 pp., 24 musical examples, bibliography, 28 titles. This lecture-recital investigated the music of Richard A. Monaco, especially the two sonatas for trombone (1958 and 1985). Monaco (1930-1987) was a composer, trombonist and conductor whose instrumental works are largely unpublished and relatively little known. In the lecture, a fairly extensive biographical chapter is followed by an examination of some of Monaco's early influences, particularly those in the music of Hunter Johnson and Robert Palmer, professors of Monaco's at Cornell University. Later style characteristics are discussed in a chapter which examines the Divertimento for Brass Quintet (1977), the Duo for Trumpet and Piano (1982), and the Second Sonata for Trombone and Piano (1985). The two sonatas for trombone are compared stylistically and for their position of importance in the composer's total output. The program included a performance of both sonatas in their entirety. Tape recordings of all performances submitted as dissertation requirements are on deposit in the library of the University of North Texas. -
Turbofolk Reconsidered
Alexander Praetz und Matthias Thaden – Turbofolk reconsidered Matthias Thaden und Alexander Praetz Turbofolk reconsidered Some thoughts on migration and the appropriation of music in early 1990s Berlin Abstract This paper’s aim is to shed a light on the emergence, meanings and contexts of early 1990s turbofolk. While this music-style has been exhaustively investigated with regard to Yugoslavia and Serbia, its appropriation by Yugoslav labour migrants has hitherto been no subject of particular interest. Departing from this research gap this paper focuses on “Ex-Yugoslav” evening entertainment and music venues in Berlin and the role turbofolk possessed. We hope to contribute to the ongoing research on this music relying on insights we gained from our fieldwork and the interviews conducted in early and mid-2013. After criticizing some suggestions that have been made regarding the construction of group belongings by applying a dichotomous logic with turbofolk representing the supposedly “inferior”, this approach could serve to investigate the interplay between music and the making of everyday social boundaries. Drawing on the gathered interview material we, beyond merely confirming ethnic and national segmentations, suggest the emergence of new actors and the increase of private initiatives and regional solidarity to be of major importance for negotiating belongings. In that regard, turbofolk events – far from being an unambiguous signifier of group loyalty – were indeed capable to serve as a context that bridged both national as well as social cleavages. Introduction The cultural life of migrants from the former Yugoslavia is a subject area that so far has remained to be widely under-researched. -
Picture This: Musical Imagery
NASHVILLE SYMPHONY YOUNG PEOPLE’S CONCERTS PICTURE THIS: MUSICAL IMAGERY GRADES 5-8 TABLETABLE OFOF CONTENTSCONTENTS 3 Letter from the Conductor 4 Concert Program 5 Standard Equivalencies 6 Music Resources 7-9 Lesson Plan #1 10-11 Lesson Plan #2 12-13 Lesson Plan #3 14-26 Teacher Resources 27 Pre-Concert Survey 28 Post-Concert Survey 29 Contact Information 30 Sponsor Recognition LETTER FROM THE CONDUCTOR Dear teachers and parents, Welcome to the Nashville Symphony’s Young People’s Concert: Picture Tis! Music has the power to evoke powerful imagery. It has the power to stir our imaginations, express beautiful landscapes, and create thrilling stories. Tis concert will explore images created by some of the world’s greatest composers including Rossini, Grieg, Stravinsky, Prokofev, and Ravel. Te Education and Community Engagement department has put together these lesson plans to help you prepare your students for the concert. We have carefully designed activities and lessons that will coincide with the concepts we will be exploring during the performance. I encourage you to use this guide before or afer the concert to enhance your students’ musical experience. Trough a partnership with NAXOS, we are also able to ofer free online streaming of music that will be featured in the concert. We hope you enjoy! We look forward to seeing you at the Schermerhorn Symphony Center to hear Nashville’s biggest band! Sincerely, Vinay Parameswaran 3 CONCERTCONCERT PROGRAMPROGRAM YOUNG PEOPLE’S CONCERTS PICTURE THIS: MUSICAL IMAGERY GRADES 5-8 October 20th at 10:15am and 11:45am Concert Program Edvard Grieg | “Morning Mood” from Peer Gynt Suite Gioachino Rossini | “Overture” from Barber of Seville Sergei Prokofev | “Tröika” from Lt. -
Evaluation Report on Monaco on Transparency Of
Strasbourg, 23 March 2012 Public Greco Eval III Rep (2011) 5E Theme II Third Evaluation Round Evaluation Report on Monaco Transparency of Party Funding (Theme II) Adopted by GRECO at its 54 th Plenary Meeting (Strasbourg, 20-23 March 2012) Directorate General I GRECO Secretariat F-67075 Strasbourg Cedex Human Rights and Rule of Law Council of Europe +33 3 88 41 20 00 Information Society and Action against www.coe.int/greco Fax +33 3 88 41 39 55 Crime Directorate I. INTRODUCTION 1. Monaco joined GRECO in 2007. GRECO adopted the Joint First and Second Evaluation report on Monaco (Greco Eval I/II Rep (2008) 1E) at its 39th Plenary Meeting (10 October 2008). The aforementioned evaluation report and the corresponding compliance report are available on GRECO’s homepage ( http://www.coe.int/greco ). 2. GRECO’s current Third Evaluation Round (launched on 1 January 2007) deals with the following themes: - Theme I – Incriminations : Articles 1a and 1b, 2-12, 15-17, 19 paragraph 1 of the Criminal Law Convention on Corruption (EST 173), Articles 1-6 of its Additional Protocol (ETS 191) and Guiding Principle 2 (criminalisation of corruption). - Theme II – Transparency of party funding: Articles 8, 11, 12, 13b, 14 and 16 of Recommendation Rec(2003)4 on Common Rules against Corruption in the Funding of Political Parties and Electoral Campaigns, and - more generally - Guiding Principle 15 (financing of political parties and election campaigns). 3. The GRECO Evaluation Team (hereafter referred to as the “GET”) carried out an on-site visit to Monaco from 12 to 16 September 2011 . -
Rapport Du Groupe D'experts Du 12 Février 2015-GB
Expert group responsible for establishing the list of Jewish people in Monaco arrested and deported during the Second World War Report Delivered to H.S.H. the Sovereign Prince on 12 February 2015 1 In a letter dated 17 October 1991, Mr Serge Klarsfeld drew the attention of Prince Rainier III to the "memory of Jewish people in Monaco arrested and deported during the Second World War." In his response dated 7 November, the Sovereign Prince expressed that "remembering past atrocities" was "essential". He approved the "installation of a commemorative plaque in Monaco, at a location to be determined – which could be the Jewish cemetery". This plaque, which details the historical context surrounding the arrests in Monaco and subsequent deportations, was placed at the entrance to the Jewish section of the cemetery on 27 October 1993. H.S.H. Prince Albert II expressed his desire to go further in honouring this duty of remembrance. Less than one year after his accession, he set up a "Commission responsible for examining compensation claims from individuals on behalf of victims, or their heirs or assigns, of material or consequential financial loss as a result of the expropriation of assets occurring in Monaco during the Second World War". Following on from the creation of the commission which offers assistance to victims whose property was plundered in Monaco during the Second World War (Commission pour l’Assistance aux Victimes de Spoliations, CAVS) by Sovereign Ordinance no. 461 of 23 March 2006, the Sovereign Prince asked his Government to form an Expert Group. On 10 June 2011, the Minister of State charged this Expert Group with establishing and submitting a list of Jewish people in Monaco who were arrested and deported during the Second World War. -
The Bulletin
THE BULLETIN This special edition of the Bulletin on Constitutional Case-Law is dedicated to the descrip- tions of Constitutional Courts and equivalent bodies (Constitutional Councils, Supreme Courts with constitutional powers). These descriptions will enable readers to place the case-law of these courts, published in the Bulletin and the CODICES database, into their context. It sets out descriptions of a whole range of Constitutional Courts in a standard layout (Introduction – Fundamental texts – Composition and organisation – Jurisdiction – Nature and effects of judgments – Conclusion) so as to provide a quick overview and facilitate comparisons of courts. Descriptions of 60 Constitutional Courts or equivalent bodies in the Venice Commission’s member, associate member and observer states are brought together in this Special Edition, in which Europe, Africa, Asia and the Americas are all represented. All the contributions were either supplied or updated by the liaison officers, whom I should like to thank most sincerely for their work, as the preparation of this document would have been much more difficult without their active involvement. In our fast-moving world, courts and equivalent bodies, like all living things, evolve, adapt and change. It is therefore difficult to give a description of all the courts in this volume, and it is even more difficult to guarantee that the information provided will remain completely accurate over time. I therefore invite you to refer to CODICES, the Venice Commission’s database on constitu- tional case-law, which – alongside the descriptions of the courts – includes some 8 000 précis and the full texts of court judgments, constitutions and legislation on constitutional courts, and is updated regularly (www.CODICES.coe.int). -
Members by Order of Accession 13.5.2014
FULL MEMBERS DATE VENUE COURT OF ACCESSION OF THE CON- FERENCE The Federal Constitutional Court of Germany 1972 Dubrovnik The Constitutional Court of Austria 1972 Dubrovnik The Constitutional Court of Italy 1972 Dubrovnik The Swiss Federal Supreme Court 1978 Vienna The Constitutional Tribunal of Spain 1981 Lausanne The Portuguese Constitutional Court 1984 Madrid The Constitutional Council of France 1987 Lisbon The Constitutional Court of Turkey 1987 Lisbon The Constitutional Court of Belgium 1990 Ankara The Constitutional Tribunal of Poland 1990 Ankara The Constitutional Court of Hungary 1992 Paris The Supreme Court of Cyprus 1994 Budapest The Constitutional Court of Croatia 1994 Budapest The Constitutional Court of Romania 1994 Budapest The Constitutional Court of Slovenia 1994 Budapest The Constitutional Tribunal of Andorra 1996 Budapest The Constitutional Court of the Russian Federation 1996 Budapest The Constitutional Court of Bulgaria 1997 Warsaw The State Court of Liechtenstein 1997 Warsaw The Constitutional Court of Lithuania 1997 Warsaw The Constitutional Court of Macedonia 1997 Warsaw The Constitutional Court of Malta 1997 Warsaw The Constitutional Court of Slovakia 1997 Warsaw The Constitutional Court of the Czech Republic 1997 Warsaw The Constitutional Court of Albania 2000 Brussels The Constitutional Court of Armenia 2000 Brussels The Constitutional Court of Azerbaijan 2000 Brussels The Constitutional Court of Bosnia and Herzegovina 2000 Brussels The Constitutional Court of Georgia 2000 Brussels The Constitutional Court of -
2017 Annual Report
Conseil constitutionnel annual report 2017 i Proclamation of the results of the election of the President of the Republic, 10 May 2017 Conseil constitutionnel Annual Report 2017 2 INTERVIEW Laurent Fabius President of the Conseil constitutionnel 2017, an intense year 4 THE YEAR AT contents THE CONSEIL CONSTITUTIONNEL 8 2017, ELECTION YEAR 11 3 Conseil constitutionnel - Annual Report 2017 CONSTITUTIONAL DECISIONS REVIEW EX ANTE 17 2016-2017 PRIORITY PRELIMINARY RULINGS ON THE ISSUE OF CONSTITUTIONALITY 39 THE WOMEN AND MEN OF THE CONSEIL 58 INTERNATIONAL ACTIVITY 65 A FEW OF THIS YEAR’S EVENTS 71 4 INTERVIEW Laurent Fabius President of the Conseil constitutionnel 2017, an intense year 5 Conseil constitutionnel - Annual Report 2017 2017 was a very busy year for elections. What impact did this have on the schedule of the Conseil constitutionnel? Laurent Fabius: For the first time since 1958, the presidential, legislative and sen- atorial elections were held the same year. For these three elections, the Conseil con- stitutionnel has important duties. Article 58 the organic law dated 25 April 2016. of the Constitution states that “The Conseil Firstly, to avoid certain disadvantages of constitutionnel shall ensure the proper past procedures, sponsorships were to conduct of the election of the President of be sent by post only; no hand deliveries the Republic”. This mission covers duties to to the Conseil headquarters were allowed. be carried out before, during and after the Secondly, we had to publish the sponsor- vote: an opinion on the preparatory texts ships as they arrived, twice weekly. We did issued by various authorities in charge of this on a dedicated website specifically organising and monitoring elections; re- designed for the election period. -
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL
BULLETIN of the INTERNATIONAL FOLK MUSIC COUNCIL No. XXIII April, 1963 NEWSLETTER AND RADIO NOTES No. 7 INTERNATIONAL FOLK MUSIC COUNCIL 35, PRINCESS COURT, QUEENSWAY, LONDON, W.2 CONTENTS PAGE ZOLTAN K O D A L Y ................................................................................................... 1 M a r iu s B a r b e a u ...................................................................................................2 ZOLTAN KODALY D e a t h s ............................................................................................................................ 2 The following tribute to our President, Professor Dr. Zoltan A nnouncements : Kodaly, was published in Hungarian in a special number of the Sixteenth Annual Conference, Israel....................................... 3 musicological journal Magyar Zene (December, 1962): The Folk Dance Com m ission.................................................3 On behalf of its members throughout the world, the Executive Board of the Directory of Folk Music Organizations 4 International Folk Music Council offers homage to Zoltan Kodaly on his eightieth birthday. We cannot speak for our President, because happily it is I nternational O rganizations : our President whom we are addressing and to whom, through the channel of International Music C o u n c il.................................................5 this journal, we would convey our reverence, affection and gratitude. Inter-American Music Council.................................................5 * * * * International -
Music Therapy Training Courses in Europe
! Mag.a Johanna SCHMID Music Therapy Training Courses in Europe DIPLOMARBEIT zur Erlangung des akademischen Grades Magistra artium Studium: Diplomstudium Musiktherapie Institut für Musik- und Bewegungserziehung sowie Musiktherapie Universität für Musik und darstellende Kunst Wien Betreuer: Univ.-Prof. Dr.med. Dr.sc.mus. Thomas Stegemann Wien, 2014 ! ! Table!of!Contents! ! ! TABLE!OF!CONTENTS! Abstract!....................................................................................................................................!5! 1.!Introduction!.......................................................................................................................!6! 1.1.!Definition!..................................................................................................................................!6! 1.2.!Motivation!................................................................................................................................!8! 1.3.!Literature!report!....................................................................................................................!8! 1.4.!Methods!.....................................................................................................................................!9! 2.!Comparison!of!training!courses!in!the!years!1970!and!2013/2014!............!12! 2.1.!Austria!....................................................................................................................................!12! 2.2.!Germany!.................................................................................................................................!13! -
Constitution of the Principality of December 17, 1962 (As Amended
CONSTITUTION OF THE PRINCIPALITY DECEMBER 17TH 1962 (as amended by Law n° Section 1.249 dated April 2nd 2002) Considering that the institutions of the Principality need to be improved, not only to meet the requirements of a Country’s good governance but also to satisfy the new needs emerged from the population's social evolution. We have decided to endow the State with a new Constitution, which, under Our Sovereign Will, shall henceforth be considered as the State’s basic law and shall not be subject to amendment but with the wording that We have settled. CHAPTER I THE PRINCIPALITY - PUBLIC POWERS Art.1.- The Principality of Monaco is a sovereign and independent State within the framework of the general principles of international law and the particular conventions with France. The territory of the Principality is unalienable. Art.2.- The principle of government is a hereditary and constitutional monarchy. The Principality is a State under the rule of law, committed to fundamental freedoms and rights. Art.3.- The executive power is exercised by the highest authority of the Prince. The Prince’s persona is inviolable. Art.4.- The legislative power is jointly exercised by the Prince and the National Council. Art.5.- The judiciary power is exercised by the courts and tribunals. Art.6.- The separation of the administrative, legislative and judiciary functions is guaranteed. Art.7.- The Prince's Standard consists of the coat or arms of the House of Grimaldi upon a white ground. The National Flag consists of two equal stripes, red and white, arranged horizontally, the red in the upper part, the white in the lower part. -
THE Gender Performativity of Female Yugoslav Singers in the Sixties1
The Gender Performativity of Female Yugoslav Singers in the Sixties “SHE WAS AFRAID THAT SOMEBODY WOULD SEE”: THE GENDER PERFORMATIVITY OF FEMALE YUGOSLAV SINGERS IN THE SIXTIEs1 Adriana Sabo (Belgrade) Abstract: This paper focuses on female singers of so-called light music active during the 1960s in Yugoslavia, and on the status of what can be called Mediterranean music in their work. The goal is to explore how the concept of gender performativity, as defined by Judith Butler, can be applied to the performance of music, and to shed some light on the way Mediterranean music has affected gender performativity. Several important aspects of Yugoslav culture at that time will be examined, including the importance of Western influences and the ideological use of popular music, as well as the status of women in the former Yugoslavia and the question of gender (in)equality. The aim of the paper will also be to reveal the norms of femininity that were prevalent in the music industry at that time. *** One important characteristic of cultural life in the Socialist Federal Republic of Yugoslavia from the 1950s onward was its openness to the Western influences that strongly shaped the lives especially of those who lived in large cities.2 Among the most important of these Western influences was the development of the rock music scene and that of the so-called light music that was very popular in Yugoslavia. The assimilation of ‘artifacts’ from Western consumer cultures – from Western Europe as well as Britain and the United States – was used by the government to shape the idea of Yugoslavia’s ‘progressiveness’ and to distance the regime from the ideologies of the other communist countries that formed the Eastern Bloc.