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The Trombone Sonatas of Richard A. Monaco Viii
3T7? No. THE TROMBONE SONATAS OF RICHARD A. MONACO DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By John A. Seidel, B.S., M.M. Denton, Texas December, 19 88 Seidel, John A., The Trombone Sonatas of Richard A. Monaco, A Lecture Recital, Together with Three Recitals of Selected Works by J.S. Bach, Paul Creston, G.F. Handel, Paul Hindemith, Vincent Persichetti, and Others. Doctor of Musical Arts in Trombone Performance, December, 1988, 43 pp., 24 musical examples, bibliography, 28 titles. This lecture-recital investigated the music of Richard A. Monaco, especially the two sonatas for trombone (1958 and 1985). Monaco (1930-1987) was a composer, trombonist and conductor whose instrumental works are largely unpublished and relatively little known. In the lecture, a fairly extensive biographical chapter is followed by an examination of some of Monaco's early influences, particularly those in the music of Hunter Johnson and Robert Palmer, professors of Monaco's at Cornell University. Later style characteristics are discussed in a chapter which examines the Divertimento for Brass Quintet (1977), the Duo for Trumpet and Piano (1982), and the Second Sonata for Trombone and Piano (1985). The two sonatas for trombone are compared stylistically and for their position of importance in the composer's total output. The program included a performance of both sonatas in their entirety. Tape recordings of all performances submitted as dissertation requirements are on deposit in the library of the University of North Texas. -
Religion and the Investiture of the Monarch: the European Context
Religion and the investiture of the Monarch: The European context NSS researcher Barry Thorpe has found no other investiture of a European monarch with such overt religious, far less sectarian, associations as in the UK. Denmark Last coronation: 1849 In 1660 the coronation ritual was replaced with a ceremony of anointing, where the new king would arrive at the coronation site already wearing the crown, where he was then anointed. This rite was in turn abolished with the introduction of the Danish Constitution in 1849. Today the crown of Denmark is only displayed at the monarch's funeral, when it sits atop their coffin. The present Queen, Margrethe II, did not have any formal enthronement service; a public announcement of her accession was made from the balcony of Christiansborg Palace, with the new sovereign being acclaimed by her Prime Minister at the time (1972), Jens Otto Krag, then cheered with a ninefold "hurrah" by the crowds below. Liechtenstein No coronation Liechtenstein does not use a coronation or enthronement ceremony, although Prince Hans Adam II did attend a mass by the Archbishop of Vaduz, followed by a choral event. Luxembourg No coronation The Grand Duke of Luxembourg is enthroned at a ceremony held in the nation's parliament at the beginning of his or her reign. The monarch takes an oath of loyalty to the state constitution, then attends a solemn mass at the Notre-Dame Cathedral. Netherlands No coronation. Inauguration With the absence of any religious hierarchy within the Dutch Reformed Church, there is no senior religious prelate to crown the new monarch, unlike in Great Britain under the Archbishop of Canterbury. -
The United Nations' Political Aversion to the European Microstates
UN-WELCOME: The United Nations’ Political Aversion to the European Microstates -- A Thesis -- Submitted to the University of Michigan, in partial fulfillment for the degree of HONORS BACHELOR OF ARTS Department Of Political Science Stephen R. Snyder MARCH 2010 “Elephants… hate the mouse worst of living creatures, and if they see one merely touch the fodder placed in their stall they refuse it with disgust.” -Pliny the Elder, Naturalis Historia, 77 AD Acknowledgments Though only one name can appear on the author’s line, there are many people whose support and help made this thesis possible and without whom, I would be nowhere. First, I must thank my family. As a child, my mother and father would try to stump me with a difficult math and geography question before tucking me into bed each night (and a few times they succeeded!). Thank you for giving birth to my fascination in all things international. Without you, none of this would have been possible. Second, I must thank a set of distinguished professors. Professor Mika LaVaque-Manty, thank you for giving me a chance to prove myself, even though I was a sophomore and studying abroad did not fit with the traditional path of thesis writers; thank you again for encouraging us all to think outside the box. My adviser, Professor Jenna Bednar, thank you for your enthusiastic interest in my thesis and having the vision to see what needed to be accentuated to pull a strong thesis out from the weeds. Professor Andrei Markovits, thank you for your commitment to your students’ work; I still believe in those words of the Moroccan scholar and will always appreciate your frank advice. -
Simon Thurley, ‘Kensington Palace: an Incident in Anglo-Dutch Architectural Collaboration?’, the Georgian Group Journal, Vol
Simon Thurley, ‘Kensington Palace: an incident in Anglo-Dutch architectural collaboration?’, The Georgian Group Journal, Vol. XVII, 2009, pp. 1–18 TEXT © THE AUTHORS 2009 KENSINGTON PALACE: AN INCIDENT IN ANGLO-DUTCH ARCHITECTURAL COLLABORATION? SIMON THURLEY illiam III was brought up in what is often The second was after the death of Charles II in Wtermed the ‘Golden Age’ of Dutch culture, in when William and Mary became next in line to the a country whose intellectual and artistic singularity throne of England after James II. In this period and creativity were recognised across Europe. William’s court, such as it was, was swelled by He came, as King, to a country that Voltaire saw as English visitors and his palaces were enlarged and having made, since , ‘greater progress in all the made more magnificent, both to entertain them, and arts than in all preceding ages’, and having the to reflect his increased status. These bursts of cultural influence to create in Europe the ‘Age of the architectural activity were triggered by the practical English’. The marriage of the two cultures in the requirements of a prince, rather than being the result person of King William was surely to hold great of a love of building and architectural display such as things for the state of English architecture. Yet, in that which drove his grandparents. In Jacob van reality, the English king who spent more on building der Does wrote of William’s grandfather, Frederik than any other in the seventeenth century led court Hendrik, that he was ‘possessed by such a passion architecture into a cul-de-sac. -
Monaco Statistics Pocket 2016 Format PDF, 5.00 MB
Visuel-Pocket.pdf 5 08/06/2016 15:11 English version English monaco Edition 2016 statistics pocket Principality of Monaco of Principality statistics pocket statistics monaco monaco statistics pocket Principauté de Monaco Edition 2016 Edition 2016 Edition Version française Visuel-Pocket.pdf 5 08/06/2016 15:11 08/06/2016 5 Visuel-Pocket.pdf www.imsee.mc www.federall.net [email protected] Printed by Imprimerie de Monaco, 1 rue du Gabian à Monaco à Gabian du rue 1 Monaco, de Imprimerie by Printed Tél. (+ 377) 98 98 98 88 98 98 98 377) (+ Tél. quarter 2015 quarter 2 deposit: Legal nd 98000 MONACO 98000 9 rue du Gabian du rue 9 ISSN-L 2311-3946 ISSN-L MINISTER OF STATE OF MINISTER MINISTÈRE D’ÉTAT ISSN-L 2311-3946 9 rue du Gabian 98000 MONACO Tél. (+ 377) 98 98 98 88 Dépot légal : 2ème trimestre 2016 [email protected] Imprimé par l’Imprimerie de Monaco, 1 rue du Gabian à Monaco www.imsee.mc www.federall.net Contents monaco statistics pocket Principality of Monaco 1. Territory and Population 1.1. Territory ..................................................................................... 02 1.2. Population ................................................................................ 05 2. Economy 2.1. Gross Domestic Product (GDP) ..................................... 09 2.2. Employment ............................................................................ 10 2.3. Turnover .................................................................................... 12 2.4. Financial Activities ............................................................. -
Schloss Neuschwanstein
Schloss Neuschwanstein Neuschwanstein Castle, which King Ludwig II built on a rugged hill against a backdrop of picturesque mountain scenery, was prompted by the idea of rebuilding an existing ruin "in the authentic style of the old German knights' castles", as he wrote in a letter to Richard Wagner. Seven weeks after the death of King Ludwig II in 1886, Neuschwanstein was opened to the public. The shy king had built the castle in order to withdraw from public life – now vast numbers of people came to view his private refuge. Today Neuschwanstein is one of the most popular of all the palaces and castles in Europe. Every year 1.3 million people visit "the castle of the fairy-tale king". In the summer around 6,000 visitors a day stream through rooms that were intended for a single inhabitant. Throne Room The Throne Room of Neuschwanstein resembles a Byzantine church. Ludwig II had actually given instructions for it "to be based on the Munich All Saints Church" as well as "St Sophia in Constantinople" (Hagia Sophia in Istanbul). The throne, which was to stand like an altar in the apse of the hall, was never built. Ludwig II had expectations of his kingly role that could scarcely be met; this is vividly illustrated by the Throne Hall's many pictures. The Throne Room in the form of a Byzantine church looks as if it is decorated with precious stones and mosaics. The pillars are however made of coloured stucco and the "mosaics" are paintings. Ludwig himself wrote: "The illustrations have been selected in accordance with the elevated purpose of the Throne Room, which is to proclaim that the Throne is the source of authoritative law-making". -
Lyings in State
Lyings in state Standard Note: SN/PC/1735 Last updated: 12 April 2002 Author: Chris Pond Parliament and Constitution Centre On Friday 5 April 2002, the coffin of Queen Elizabeth the Queen Mother was carried in a ceremonial procession to Westminster Hall, where it lay in state from the Friday afternoon until 6 a.m. on Tuesday 9 April. This Standard Note gives a history of lying in state from antiquity, and looks at occasions where people have lain in state in the last 200 years. Contents A. History of lying in state 2 B. Lyings in state in Westminster Hall 2 1. Gladstone 3 2. King Edward VII 3 3. Queen Alexandra 5 4. Victims of the R101 Airship Disaster, 1930 5 5. King George V 6 6. King George VI 6 7. Queen Mary 6 8. Sir Winston Churchill 7 9. Queen Elizabeth the Queen Mother 7 C. The pattern 8 Annex 1: Lyings in state in Westminster Hall – Summary 9 Standard Notes are compiled for the benefit of Members of Parliament and their personal staff. Authors are available to discuss the contents of these papers with Members and their staff but cannot advise others. A. History of lying in state The concept of lying in state has been known from antiquity. In England in historical times, dead bodies of people of all classes “lay” – that is, were prepared and dressed (or “laid out”) and, placed in the open coffin, would lie in a downstairs room of the family house for two or three days whilst the burial was arranged.1 Friends and relations of the deceased could then visit to pay their respects. -
Turbofolk Reconsidered
Alexander Praetz und Matthias Thaden – Turbofolk reconsidered Matthias Thaden und Alexander Praetz Turbofolk reconsidered Some thoughts on migration and the appropriation of music in early 1990s Berlin Abstract This paper’s aim is to shed a light on the emergence, meanings and contexts of early 1990s turbofolk. While this music-style has been exhaustively investigated with regard to Yugoslavia and Serbia, its appropriation by Yugoslav labour migrants has hitherto been no subject of particular interest. Departing from this research gap this paper focuses on “Ex-Yugoslav” evening entertainment and music venues in Berlin and the role turbofolk possessed. We hope to contribute to the ongoing research on this music relying on insights we gained from our fieldwork and the interviews conducted in early and mid-2013. After criticizing some suggestions that have been made regarding the construction of group belongings by applying a dichotomous logic with turbofolk representing the supposedly “inferior”, this approach could serve to investigate the interplay between music and the making of everyday social boundaries. Drawing on the gathered interview material we, beyond merely confirming ethnic and national segmentations, suggest the emergence of new actors and the increase of private initiatives and regional solidarity to be of major importance for negotiating belongings. In that regard, turbofolk events – far from being an unambiguous signifier of group loyalty – were indeed capable to serve as a context that bridged both national as well as social cleavages. Introduction The cultural life of migrants from the former Yugoslavia is a subject area that so far has remained to be widely under-researched. -
Picture This: Musical Imagery
NASHVILLE SYMPHONY YOUNG PEOPLE’S CONCERTS PICTURE THIS: MUSICAL IMAGERY GRADES 5-8 TABLETABLE OFOF CONTENTSCONTENTS 3 Letter from the Conductor 4 Concert Program 5 Standard Equivalencies 6 Music Resources 7-9 Lesson Plan #1 10-11 Lesson Plan #2 12-13 Lesson Plan #3 14-26 Teacher Resources 27 Pre-Concert Survey 28 Post-Concert Survey 29 Contact Information 30 Sponsor Recognition LETTER FROM THE CONDUCTOR Dear teachers and parents, Welcome to the Nashville Symphony’s Young People’s Concert: Picture Tis! Music has the power to evoke powerful imagery. It has the power to stir our imaginations, express beautiful landscapes, and create thrilling stories. Tis concert will explore images created by some of the world’s greatest composers including Rossini, Grieg, Stravinsky, Prokofev, and Ravel. Te Education and Community Engagement department has put together these lesson plans to help you prepare your students for the concert. We have carefully designed activities and lessons that will coincide with the concepts we will be exploring during the performance. I encourage you to use this guide before or afer the concert to enhance your students’ musical experience. Trough a partnership with NAXOS, we are also able to ofer free online streaming of music that will be featured in the concert. We hope you enjoy! We look forward to seeing you at the Schermerhorn Symphony Center to hear Nashville’s biggest band! Sincerely, Vinay Parameswaran 3 CONCERTCONCERT PROGRAMPROGRAM YOUNG PEOPLE’S CONCERTS PICTURE THIS: MUSICAL IMAGERY GRADES 5-8 October 20th at 10:15am and 11:45am Concert Program Edvard Grieg | “Morning Mood” from Peer Gynt Suite Gioachino Rossini | “Overture” from Barber of Seville Sergei Prokofev | “Tröika” from Lt. -
Planning for Accession and Coronation
DEPARTMENT OF POLITICAL SCIENCE INAUGURATING A NEW REIGN: PLANNING FOR ACCESSION AND CORONATION BOB MORRIS INAUGURATING A NEW REIGN: PLANNING FOR ACCESSION AND CORONATION Dr Bob Morris The Constitution Unit University College London May 2018 i ISBN: 978-1-903903-82-7 Published by: The Constitution Unit School of Public Policy University College London 29-31 Tavistock Square London WC1H 9QU United Kingdom Tel: 020 7679 4977 Email: [email protected] Web: www.ucl.ac.uk/constitution-unit © The Constitution Unit, UCL, 2018 This report is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. First published May 2018 Front cover image: Nathan Hughes Hamilton; licenced under Creative Commons, https://creativecommons.org/licenses/by/2.0/legalcode ii CONTENTS Preface……………………………………………………………………………….v Executive summary………………………………………………………………….vi 1.1-1.25 Conceptual changes since 1952……………………………………………...1 1.1-1.5 Social…………………………………………………………..1 1.6-1.8 Religion……...………………………………………………....1 1.9-1.10 Political…………………………………………………….....2 1.11-1.14 Geopolitics and security……………………………………..2 1.15-1.23 Constitutional……………………………………………….3 1.24-1.25 Machinery of government…………………………………...5 2.1-2.22 Accession…………………………………………………………………....6 2.1 Demise…………………………………………………………….6 2.2-2.4 -
Republic of Moldova Health System Review
Health Systems in Transition Vol. 14 No. 7 2012 Republic of Moldova Health system review Ghenadie Turcanu • Silviu Domente Mircea Buga • Erica Richardson Erica Richardson (Editor) and Martin McKee (Series editor) were responsible for this HiT Editorial Board Editor in chief Elias Mossialos, London School of Economics and Political Science, United Kingdom Series editors Reinhard Busse, Berlin University of Technology, Germany Josep Figueras, European Observatory on Health Systems and Policies Martin McKee, London School of Hygiene & Tropical Medicine, United Kingdom Richard Saltman, Emory University, United States Editorial team Jonathan Cylus, European Observatory on Health Systems and Policies Cristina Hernández-Quevedo, European Observatory on Health Systems and Policies Marina Karanikolos, European Observatory on Health Systems and Policies Anna Maresso, European Observatory on Health Systems and Policies David McDaid, European Observatory on Health Systems and Policies Sherry Merkur, European Observatory on Health Systems and Policies Philipa Mladovsky, European Observatory on Health Systems and Policies Dimitra Panteli, Berlin University of Technology, Germany Wilm Quentin, Berlin University of Technology, Germany Bernd Rechel, European Observatory on Health Systems and Policies Erica Richardson, European Observatory on Health Systems and Policies Anna Sagan, European Observatory on Health Systems and Policies Sarah Thomson, European Observatory on Health Systems and Policies Ewout van Ginneken, Berlin University of Technology, Germany -
Ratification
READY FOR RATIFICATION Vol. 1 Early compliance of non-States Parties with the European Charter for Regional or Minority Languages A Handbook with twenty proposed instruments of ratification Volume 1: Regional or Minority Languages in non-States Parties Compliance of National Legislation with the ECRML Ewa Chylinski Mahulena Hofmannová (eds.) Proposals for Instruments of Ratification READY FOR RATIFICATION Vol. 1 Imprint Preface Publisher: European Centre for Minority Issues (ECMI) For a number of years, the European Centre for Minority Issues (ECMI) and the Council of Europe co-operated on the © ECMI 2011 publication of a handbook series on various minority issues. The topical areas were legal provisions for the protection and promotion of minority rights under the Framework Convention for the Protection of National Minorities (FCNM), Editors: Ewa Chylinski/Mahulena Hofmannová power sharing arrangements and examples of good practice in minority governance. The present Handbook concerns the other Council of Europe convention dealing with minorities: the European Charter for Regional or Minority Languages (ECRML). The ECRML represents the European legal frame of reference for the The opinions expressed in this work are the responsibility protection and promotion of languages used by persons belonging to traditional minorities. of the authors and do not necessarily reflect the position of the ECMI. Regrettably, the importance of the ECRML is not reflected by the number of ratifications. While the FCNM has 39 States Parties, the ECRML has so far been ratified by 25 member States of the Council of Europe and signed by Any person who does any unauthorized act in relation a further eight member States.