Curriculum Vitae Burglind Jungmann

Education

May 1996 Habilitation (second doctorate) with a thesis on “Japanese Painters and Korean Envoys: Korean Inspiration in 18th Century Nanga”, School of History and Philosophy, . 1988 Ph. D. in East Asian Art History from Heidelberg University with a thesis on “Korean Landscape Painting under the Influence of the Chinese Zhe school”. 1984-88 Ph.D. candidate at the Department of East Asian Art History of Heidelberg University. 1983-84 Guest graduate student at Seoul National University. 1981 M.A. in at Heidelberg University. 1978-79 Language training at the Chinese Language School of Fu-Jen University in Hsinchu, Taiwan. 1977-80 Student at Heidelberg University in Sinology, East Asian Art History, and European Art History. 1974-77 Student at Göttingen University in Sinology and European Art History. 1973-74 Exchange student in Seoul, language training at , studies in ink painting and calligraphy at Ewha Women’s University.

Employment

Since 2006 Professor of History, Department of Art History, University of California Los Angeles. 2001-2006 Associate Professor of Korean Art History, Department of Art History, University of California Los Angeles. 1999-2001 Assistant Professor of Korean Art History, Department of Art History, University of California Los Angeles. July 7, 1999 Offer of a full, tenured professorship for East Asian Art History, Free University of Berlin. 1996-1999 Privatdozent at Heidelberg University, Department of East Asian Art. Winter 1996-97 Associate Professor for Chinese Art and Archaeology at University, Department of Chinese Studies. Winter 1995-96 Guest Professor at Heidelberg University. 1988-89 Lecturer at Heidelberg University, Department of East Asian Art History.

Research

2014 Beyond the Sea, two Women, two Cultures – a Comparison, supported by the 2013 Sin Saimdang: the reception of the life and work of a female painter in early modern, modern, and contemporary , supported by a field research grant from the

1 2011-2012 Korean contacts with Europeans in Beijing and Western inspiration in early modern Korean art, supported by a grant of the Council on Research (COR), Academic Senate, UCLA 2010-2011 Book knowledge as a matter of prestige and luxury: Screens of “Books and Scholarly Utensils” in Late Chosŏn Korea, supported by a COR grant, UCLA 2009-2010 “Black-and-white or color? Contesting perspectives on the works of Chosŏn period (1392-1910) court painters,” supported by a COR grant, UCLA 2008-2009 “Male Worlds – Female Worlds: Gender Specific Aspects of Early Chosŏn Painting,” supported by a COR grant, UCLA 2005-2009 Book project Korean Paintings of the Chosŏn Dynasty (1392-1910) - Pathways to Culture, Society and Politics, supported by a Frederick Burkhardt Residential Fellowship of the American Council of Learned Societies and an Advanced Research Grant by the Korea Foundation. 2003-2005 Research on Buddhist Art in a Confucian World – Chosŏn Buddhist painting between Court Patronage and Popular Belief and Documentary Painting at the Chosŏn Royal court, supported by COR grants, UCLA 1999-2005 Research on various aspects of Chosŏn dynasty painting history, including “The Royal Academy of Painting in Chosŏn dynasty Korea,” “Folk painting in Korea and its relationship with Court Painting,” “Korean art and politics of early Chosŏn,” and “Buddhist art in a Confucian world,” supported by COR grants, UCLA 1997-1999 Research on “true scenery” painting in Korea and Japan supported by a grant by Deutsche Forschungsgemeinschaft (DFG, German Research Association, “Heisenberg Stipendium”) 1993-95 Research Fellow at the International Research Center for Japanese Studies (Kokusai Nihon Bunka Kenkyū Senta). 1989-95 Research in Japan on the 18th century Korean embassies to Japan and their impact on Japanese literati painting, supported by DFG grants. Summer 1994 Research at Seoul National University. Summer 1993 Research at Seoul National University. 1983-84 Research at Seoul National University and The National Museum of Korea with a scholarship of Deutscher Akademischer Austauschdienst (DAAD, German Academic Exchange Service) 1984 Six-weeks stay in Japan for research at the Tōyō Bunko Institute of Tokyo University and the Yamato Bunkakan in Nara supported by a DAAD grant. 1978-79 Research at the and the Academia Sinica in .

Other Professional Activities

Since 2014 Member, Editorial Board of Seoul Journal of Korean Studies, Seoul National University Member, Editorial Board of Misulsahak yŏn'gu, Art History Association of Korea Since 2013 Member, Editorial Board of Journal of Korean Art and Archaeology, National Museum of Korea

2 Since 2010 Member, Advisory Board, Arts Asiatiques, Annals du musée national du Arts asiatique Guimet et du musée Cernuschi, Cahier de L’École Française d’Extrême Orient, September 2013 Moderator, East Asian Gardens as Social Spaces, symposium at The Huntington Library, Art Collections, and Botanical Gardens, San Marino 2006-2013 Ph.D. committee member for three doctoral candidates at the University of Kansas, Lawrence Sept. 2012 Peer reviewer for Arts Asiatiques July 2012 Peer reviewer for The Art Bulletin April 2012 Discussant of a panel of Power, Status and Space in East Asian Art, workshop on East Asian Art History, Harvard Yenching Institute February 2012 Discussant, Harvard Korean Art Workshop 2012: New Directions 2011 Peer reviewer for the American Council of Learned Societies Fellowship Program 2008-2011 Guest Curator of Life in Ceramics – Five Contemporary Korean Artists, exhibition at the UCLA Fowler Museum (Aug. 2010 – Feb. 2011) and the Michigan University Museum of Art (Apr. – June 2011) 2010 Peer reviewer for the American Council of Learned Societies Fellowship Program July 2010 Peer reviewer for The Art Bulletin October 2009 Evaluator of translation of Korean art historical literature for the Korea Literature Translation Institute May 2009 Contributor, workshop A Scholars’ Day: Art of the Korean Renaissance, 1400– 1600 Metropolitan Museum, New York March 2009 Organizer and discussant of a panel on Marginalized Social Groups of the Chosŏn Period and their Role in the Production, Promotion, and Consumption of Painting for the annual meeting of the Association of Asian Studies, Chicago 2009 Reviewer for Acta Koreana 2008-2009 Member of Faculty Advisory Committee of the Office of International Affairs of , Seoul June 2008 Reviewer for The Getty Research Journal April 2008 Research on Korean painting at the Musée Guimet, Paris May 2006 Contributor, Workshop on Antiquarianism in East Asia, , May 2006 February 2006 Contributor, Korea Foundation Workshop on the State of the Field of Korean Studies in the US, , New York July 2005 Contributor, The Sixth Annual International Workshop on Globalization of Korean Studies, organized by BK21, The Education and Research Group for Korean Studies, Korea University, Seoul, together with The UCLA Center for Korean Studies, and The Center of Korean Studies, University of Hawai’i, Honolulu 2004-2009 Adjunct Professor of the Institute of International Education at Korea University, Seoul July 2004 Contributor, The Fifth Annual International Workshop on Globalization of Korean Studies, organized by BK21, The Education and Research Group for Korean Studies, Korea University, The UCLA Center for Korean Studies, and The Center of Korean Studies, University of Hawai’i, Honolulu December 2003 Discussant, The Fourth Annual International Workshop on Globalization of

3 Korean Studies, organized by BK21, The Education and Research Group for Korean Studies, Korea University, The UCLA Center for Korean Studies, and The Center of Korean Studies, University of Hawai’i, Honolulu 1999-2003 Adjunct Associate Curator of Korean Art, Los Angeles County Museum of Art March 2003 Organizer of a panel on “Individual and Institution: How Korean Paintings Reflect Social and Political Circumstances” for the annual meeting of the Association of Asian Studies, New York September 2002 Reviewer for Reaktion Books, London December 2001 Discussant, The Second Annual International Workshop on Globalization of Korean Studies, organized by BK21, The Education and Research Group for Korean Studies, Korea University and The UCLA Center for Korean Studies, UCLA Dec. 2001 September 2001 Korea Foundation Workshop for Curators, “Korean Ceramics,” Seoul March 2001 Co-organizer of “Establishing a Discipline: The Past, Present and Future of Korean Art History,” international bilingual conference, Los Angeles County Museum of Art. January 2001 Reviewer of essays on painting for Encyclopedia of Korea, to be published by The Academy of Korean Studies and the Publication and Translation Service of the Korea Foundation. 1999/2000 Organizer of a panel on “True Scenery in China, Korea and Japan” for the annual meeting of the Association of Asian Studies, San Diego, March 2000. Spring 1999 Convenor for Korean Art and Archaeology for the biannual meeting of the Association of Korean Studies in Europe.

Awards Getty Research Institute Scholar, January-July 2014 Korea Foundation Fellowship for Field Research, April-July 2013 UCLA, Academic Senate Faculty Research Grants, 2008-2012 Korea Foundation Advanced Research Grant, 2007-2008 UCLA, Academic Senate Faculty Research Grant, 2007-2008 Frederick Burckhart Residential Fellowship, ACLS, 2005-2006 Faculty Committee on Educational Technology (FCET), UCLA, Nomination for Copenhaver Award for Innovation in Teaching with Technology, 2005 Office of Instructional Development (OID), UCLA, Award for the digitization of slides of Nonwestern art, 2004-2005 UCLA, Academic Senate Faculty Research Grant, 2003 – 2005 Metropolitan Center for Far Eastern Art Studies, grant for the publication of Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga, March 2003 Korea Foundation, grant for the publication of Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga, January 2003 UCLA, Academic Senate Faculty Research Grant, 2000 – 2003 UCLA, Academic Senate Assistant Professor Initiative Grant, Spring 2000 – Winter 2001 Deutsche Forschungsgemeinschaft (DFG), “Heisenberg Stipendium” (research grant of the German Research Association for young scholars who received their second doctorate), 1997- 2000.

4 DFG, Habilitationsstipendium (scholarship of the German Research Association for gaining the second doctorate), 1993-95. DFG, Sonderforschungsprojekt (“Special Research Project” of the German Research Association), 1991-93. Evangelische Studienstiftung Villigst e.V., Promitionsstipendium (scholarship of the German Protestant Church for gaining a Ph. D. degree), 1985-88. Deutscher Akademischer Austauschdienst (DAAD), Auslandsstipendium (scholarship of the German Academic Exchange Service for research in Korea and Japan), 1983-84.

Membership in Professional Organizations

The Association for Asian Studies (AAS) Han’guk Misulsa Hakhoe (Art History Association of Korea) Misulsa Yŏn’guhoe (Association of Art History, Korea) Deutsche Gesellschaft für Ostasiatische Kunst (German Association for East Asian Art)

Invited Lectures and Research Presentations (since 2000) Book presentation: Pathways to Korean Culture: Paintings of the Joseon Dynasty, 1392-1910, London: Reaktion Books, 2014, The Kyujanggak Research Institute, Seoul National University, Seoul, November 2014

“Cultural Translations: The Confrontation of Chosŏn Painters with European Concepts of Illusionism,” School of Visual Arts, Korea National University of Arts, Seoul, November 2014

“Connecting Seas: Changing Notions of ‘Feminine Spaces,’ the Case of Sin Saimdang (1504- 1551)” Symposium: Connecting Seas: Cultural and Artistic Exchange, The Getty Research Institute, Los Angeles, April 2014

“Teaching Pre-modern Korea: Art and Visual Culture,” AAS Annual Meeting, Philadelphia, March 2014

“Cultural Translations: The Confrontation of Chosŏn Painters with European Concepts of Illusionism,” Workshop: Interactions in Art: East Asia and Europe, 1600-1800, Institute of Modern History, Academia Sinica, Taipei, December 16 and 17, 2013

“Cultural Translations: The Confrontation of Chosŏn Painters with European Concepts of Illusionism,” Department of Art History, Hongik University, Seoul, June 2013

“Sin Saimdang: the reception of the life and work of a female painter in early modern, modern, and contemporary Korea”, Korean Studies Forum for Korea Foundation Fellows, Seoul, June 2013

“Painting of the Joseon Dynasty, Trends and Styles,” Institute of International Education, Korea University, Seoul, May 2013

5 “Cultural Translations: The Confrontation of Chosŏn Painters with European Concepts of Illusionism,” Symposium on Crossing Borders, Drawing Boundaries: Contextualizing Rubens's Man in Korean Costume at The Getty Center, March 2013

“Korean Contacts with Europeans in Beijing and Western Inspiration in Early Modern Korean Art,” University of Oregon, Eugene, June 2012

“Kim Hongdo’s ‘Album of Genre Paintings’ Revisited,” Power, Status and Space in East Asian Art, workshop on East Asian Art History, Harvard Yenching Institute, April 2012

“Collecting and Writing about Literati Painting during the Early Chosŏn Period,” International Symposium on Art and Literature in East Asia, National Folklore Museum of Korea, Seoul, November 2011

“Male worlds – female worlds: gender specific aspects of early Chosŏn painting,” Department of History, Songgyungwan University, Seoul, November 2011

“Male worlds – female worlds: gender specific aspects of early Chosŏn painting,” Department of Art History, Myongji University, Seoul, November 2011

“Early Chosŏn Painting, Social Reorganization, and the Knowledge of Chinese Literati Arts,” International Conference: Circulation of Knowledge and the Dynamics of Transformation, Ruhr- University Bochum, Faculty of , Department of Korean Studies, May 2011

“Male worlds – female worlds: gender specific aspects of early Chosŏn painting,” Department of Art History, , Ann Arbor, April 2011

“Life in ceramics - ceramics in life: five contemporary artists and Korean tradition,” University of Michigan Museum of Art, Ann Arbor, April 2011

“Male worlds –female worlds: gender specific aspects of early Chosŏn painting,” Wagner Special Lecture, Korea Institute, , March 2010

“Male worlds –female worlds: gender specific aspects of early Chosŏn painting,” The Henry M. Jackson School of International Studies, , Seattle, February 2010

“Male worlds –female worlds: gender specific aspects of early Chosŏn painting,” Murphy lecture, Department of Art History, Kansas University, Lawrence, November 2009

“Inscriptions on two bamboo paintings by Yi Chŏng (1554-1626) in the Burke Collection, New York, and the Museé Guimet, Paris - appreciation of early Chosŏn art by 18th century Korean collectors,” Workshop A Scholars’ Day: Art of the Korean Renaissance, 1400–1600, Metropolitan Museum, New York, May 2009

“Male worlds –female worlds: gender specific aspects of early Chosŏn painting,” Department of Art History, University of Chicago, June 2008

6 “Männliche Welten, weibliche Welten: gender-spezifische Aspekte früher Chosŏn-zeitlicher Malerei,“ Department of East Asian Art History, University of Zurich, Switzerland, April 2008

“Männliche Welten, weibliche Welten: gender-spezifische Aspekte früher Chosŏn-zeitlicher Malerei,“ Department of East Asian Art History, University of Heidelberg, Germany, April 2008

“Another Romantic View of Chinese Antiquity: Prince Anp’yŏng’s Collection of Song and Yuan Paintings,” Workshop on Antiquarianism in East Asia, University of Chicago, May 2006

“Chosŏn Art and Visual Culture,” The Sixth Annual International Workshop on Globalization of Korean Studies, organized by BK21, The Education and Research Group for Korean Studies, Korea University, The UCLA Center for Korean Studies, and The Center of Korean Studies, University of Hawai’i, Honolulu, Seoul, July 2005

“Documentary Record Versus Decorative Representation: A Queen’s Birthday Celebration at the Korean Court,” , New Haven, February 2005

“Chosŏn Art and Visual Culture,” The Fifth Annual International Workshop on Globalization of Korean Studies, organized by BK21, The Education and Research Group for Korean Studies, Korea University, The UCLA Center for Korean Studies, and The Center of Korean Studies, University of Hawai’i, Honolulu, Seoul, July 2004

“Dreaming of Seclusion in Times of Turmoil: Paintings by Kim Che (1524-1593),” Annual meeting of the Association of Asian Studies, New York, March 2003

“A Birthday Celebration at the Korean Court: Korean Creativity in the Adaptation of Chinese Visual Concepts,” Symposium on “Creativity in the Arts of East Asia and the West,” University of Heidelberg, July 2002

“Ceremonies of Togetherness: Feasts and Celebrations in Korean Painting,” University of California at Berkeley, May 2002

“Ceremonies of Togetherness: Feasts and Celebrations in Korean Painting,” University of Kansas, Spencer Museum of Art, March 2002

“Ceremonies of Togetherness: Feasts and Celebrations in Korean Painting,” Rhode Island School of Design, Providence, March 2002

“The Representation of Real Scenery in Eighteenth Century Korea and Japan,” Workshop on Realistic Observation in East Asia, Lake Arrowhead, March 30- April 1, 2001

“Visuality in 15th Century Korea: Prince Anp’yŏng’s Collection and Its Reflection of Chinese Antiquity,” Symposium on “Writing and Visuality in Traditional China”, UCLA, Dec. 8-9, 2000

“Reflections of Antiquity: Prince Anp’yŏng as Patron of An Kyŏn,” Workshop of the Association of Korean Studies in Europe, London, July 2000

“The Creation of the Term ‘True Scenery’ in China and Korea and its Spread to Japan,”

7 Annual Meeting of the Association of Asian Studies, San Diego, March 2000

Public lectures (since 2005)

“Documentation, Decoration and Display: Late Joseon Court Painting,” Scholar’s Day for the special exhibition Treasures from Korea: Arts and Culture from the Joseon Dynasty, LACMA, September 2014

“Life in Ceramics - Ceramics in Life: Korean Traditions as Inspiration for Contemporary Artists,” Los Angeles County Museum of Art, March 2013

“Life in ceramics - ceramics in life: five contemporary artists and Korean tradition,” University of Michigan Museum of Art, Ann Arbor, April 2011

“Korean ceramic tradition as inspiration for contemporary Korean artists,” Pacific Asia Museum, Pasadena, March 2011

“Male worlds –female worlds: gender specific aspects of early Chosŏn painting,” Asian Art Museum, San Francisco, Arts of Asia Lecture Series, October 2010

“Korean ‘True Scenery’ Painting and Its Impact on Japan,” Asian Art Museum, San Francisco, Arts of Asia Lecture Series, September 2006

„Buddhistische Kunst in einer konfuzianischen Welt – die buddhistische Malerei am Chosŏn- zeitlichen Königshof zwischen Religiosität und philosophischem Anspruch,“ Museum für Kunsthandwerk, Frankfurt, Oktober 2005

“Birthday Banquet for an Invisible Queen – A Korean Screen at the Los Angeles County Museum of Art,” UCLA, 14th Annual Patricia McCarron McGinn Lecture for the Friends of Art History, March 2005

Selected Publications

Books and Catalogues Pathways to Korean Culture: Paintings of the Joseon Dynasty, 1392-1910, London: Reaktion Books, 2014

(Co-editor, with Melanie Trede and Adele Schlomps) Shifting Paradigms in East Asian Visual Culture: A Festschrift for Lothar Ledderose, Stuttgart: Reimer Verlag 2012.

Life in Ceramics – Five Contemporary Korean Artists, exhibition catalog, Los Angeles: UCLA Fowler Museum, 2010

Painters as Envoys: Korean Inspiration in Eighteenth-Century Japanese Nanga, Princeton: Press, 2004

8 Die koreanische Landschaftsmalerei und die chinesische Che-Schule [Korean Landscape Painting and the Chinese Zhe School], Münchner Ostasiatische Studien, Sonderreihe, vol. 4, Stuttgart 1992

Research Papers “Munhwa pŏnyŏk: Sŏgu ŭi illujŏnijŭm (hwanyŏng chuŭi) e taehan Chosŏn sidae hwagadŭl ŭi taeŭng [Cultural Translations: The Confrontation of Joseon Painters with European Concepts of Illusionism],” in Misulsa nondan (2014) pp. 59-98

“Early Chosŏn Painting, Social Reorganization, and the Knowledge of Chinese Literati Arts,” in conference volume on Circulation of Knowledge and the Dynamics of Transformation, Ruhr- University Bochum, Faculty of East Asian Studies, Department of Korean Studies Bochum, 2014

“Sin Sukchu’s Records on the Painting Collection of Prince Anpyeong and Early Joseon Antiquarianism,” republished in Archaism and Antiquarianism in Korean and Japanese Art, ed. by Elizabeth Lillehoj, Chicago: Art Media Resources, 2013, pp. 86-117

“Korean Contacts with Europeans in Beijing and European Inspiration in Early Modern Korean Art,” in: Looking East: Rubens's Encounter with Asia, ed. Stephanie Schrader, Los Angeles: The J. Paul Getty Museum, 2013, pp. 67-87

“Literati ideals and social reorganization in the early Chosŏn period,” in Shifting Paradigms in East Asian Visual Culture: A Festschrift for Lothar Ledderose, Stuttgart, Reimer Verlag 2012, pp. 313-329

“Introduction by the Editors” (co-authored by Melanie Trede and Adele Schlombs) for Shifting Paradigms in East Asian Visual Culture: A Festschrift for Lothar Ledderose, Stuttgart: Reimer Verlag 2012, pp. 15-20

“Collecting and Writing about Literati Painting during the Early Chosŏn Period,” in: Proceedings of the International Symposium on Art and Literature in East Asia, Association of Asian Art History and National Folklore Museum of Korea, Seoul, November 2011, pp. 1-13

“Sin Sukchu’s Records on the Painting Collection of Prince Anpyeong and Early Joseon Antiquarianism,” Archives of Asian Art, vol. 61 (2011)

(Co-author, with Liangren Zhang), “Kang Sehwang’s Scenes of Puan Prefecture – describing actual landscape through literati ideals,” Arts Asiatiques, vol. 64 (December 2010) pp. 75-94

“Two Screens of the Elegant Gathering in the Western Garden in Western Collections,” Orientations, vol. 39, no. 4 (May 2008) pp. 58-67.

“Documentary Record versus Decorative Representation: a Queen’s Birthday Celebration at the Korean Court,” Arts Asiatiques, vol. 62 (December 2007) pp. 95-111.

“Kumi pangmulgwan sojang ŭi ‘Sŏwŏn ajipto’ 2-chŏm e taehan sogo [Two Screens of the ‚Elegant Gathering in the Western Garden’ in Western Collections]” in Hangsan An Hwijun kyosu

9 chŏngnyŏn t’oeim kinyŏm nonmunjip [Festschrift in Honor of Professor Ahn Hwi-joon’s Retirement] Seoul: Sahoe pyŏngnon, 2006, vol. 1, pp. 334-353

“Die koreanische buddhistische Kunst im Wandel internationaler Beziehungen und innenpolitischer Ideologien [Korean Buddhist Art in the Context of Changes of International Relations and State Ideologies]“ in Seelen auf Wanderschaft, Meisterwerke Buddhistischer Kunst der Joseon-Dynastie aus dem National Museum of Korea, [Wandering Souls, Buddhist Masterworks of the Joseon Dynasty from the National Museum of Korea] Museum für Kunsthandwerk Frankfurt and The National Museum of Korea, 2005.

„LA County Misulgwan sojang "Mujin chinch'an tobyŏng“ e kwanhan yŏn’gu – kirok charyu wa changsikjŏk p’yohyŏn“ [Research on a ‚Banquet Screen of the Year Mujin“ at the LA County Museum of Art – Documentary Record versus Decorative Representation] in Misulsa Nondan no 19 (2004): 187-223

„Kunst und Kultur : Eine Einführung“ [An Introduction to the Art and ], in Korea, Die Alten Königreiche, Ausstellungskatalog, Kulturstiftung Ruhr Essen, Villa Hügel, 1999

“Nihon Nanga no keisei ni okeru Chōsen tsūshinshi no yakuwari – Gion Nankai wo chūshin ni“ [The Role Played by Korean Envoys in the Formation of Japanese Literati Painting – Centering on Gion Nankai], in Kokka 1240 (February 1999)

“Ike Taiga’s Letter to Kim Yusŏng and his Approach to Korean Painting”, in Review of Korean Studies, The Academy of Korean Studies, Songnam, , October 1998

“Openness of Korean Culture in the 18th Century: the Korean Link in East Asian Literati Painting” in Selected Papers of the 10th International Conference on Korean Studies, Korean Studies in the Information Age of the 21st Century, Songnam: The Academy of Korean Studies 1998

“Japanische Photographie der Gegenwart: Kunst, Erkenntnis, Design?” [Modern Japanese Photography: Art, Perception, Design?], in Deutsche Gesellschaft für Ostasiatische Kunst, Mitteilungen [Journal of the German Association for East Asian Art], no. 25 (October 1998)

“Korea zwischen China und Japan” [Korea between China and Japan], in Brockhaus: Die Bibliothek- Kunst und Kultur [Brockhaus: The Library - Art and Culture], vol. 2, Mannheim 1997

"Confusing Traditions: Elements of the Korean An Kyŏn School in Early Nanga Landscape Painting" in Artibus Asiae, vol. 55, no. 3/4 (1995)

"Ilbon Namjonghwa e mich'in An-Kyŏn-p'a ŭi yŏnghyang" [On the Influence of the An Kyǒn School on Japanese Southern School Painting], in Misulsahak Yǒn'gu, no. 202 (June 1994)

"Frühe japanische Photographie" [Early Japanese Photography], in Japan und Europa, 1543- 1929, Essays [Japan and Europe: 1543-1929, Essays], ed. by Berliner Festspiele GmbH, Berlin 1993

"Some Immortals and Eccentrics in Yi Dynasty Painting" in Korean Culture, vol. 11, no. 2 (Summer 1990)

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"Kunst für die Könige" [Art for the Kings], in Merian: Süd-Korea, vol. 41, no. 5 (, May 1988)

"An Album of Figure and Landscape Paintings Attributed to Yi Kyŏngyun (1545-1611)" in Sambul Kim Wŏllyong kyosu chŏngnyŏn t'oeim kinyŏm nonch'ŏng (Festschrift for Professor Kim Wonyong on the Occasion of his Retirement), vol. 2, Seoul National University 1987

"Minjung mokp'anhwa – Tong- Sŏyang chŏnt'ong ǔi paegyŏng e taehan chŏpkǔnjŏk siron" [The Minjung Woodcut – An Approach from the Background of Western and Eastern Traditions] in Minjok Misul, no. 4 (July 1987)

"Der Minjung-Holzschnitt - Versuch einer Annäherung vor dem Hintergrund westlicher und östlicher Traditionen" [The Minjung Woodcut – An Approach from the Background of Western and Eastern Traditions], in Malttugi - Texte und Bilder aus der Minjung-Kulturbewegung in Süd- Korea [Malttugi – Texts and Pictures from the Minjung Cultural Movement in South Korea], exhibition catalogue, Kunstverein Heidelberg 1986

"Der koreanische Maler Kim Che und sein Bild im Hoam-Museum in Yongin" [The Korean Painter Kim Che and his Painting at the Hoam Art Museum in Yongin], in Korea, Kulturmagazin, No. 6 (Bonn 1984)

Reviews

Review of Korean Buncheong Ceramics from Leeum, Samsung Museum of Art by Soyoung Lee and Jeon Seung-chang, The Metropolitan Museum of Art/Yale University, 2011,” for The Journal of Korean Studies (June 2012)

Review of Art of the Korean Renaissance, 1400-1600 by Soyoung Lee with essays by JaHyun Kim Haboush, Sunpyo Hong and Chin-Sung Chang, New York: The Metropolitan Museum, 2009 for Journal of Asian Studies (May 2012)

Review of Korean Art from the Gompertz and Other Collections in the Fitzwilliam Museum, Cambridge, A Complete Catalogue by Yun Yong-i, edited by Regina Krahl, translated by Youngsook Pak and Roderick Whitfield, Cambridge: Cambridge University Press, 2005 for Arts Asiatiques, vol. 63 (2008)

Review of Arts of Korea, coordinating editor: Judith Smith, New York: Metropolitan Museum of Art 1998, for The Journal of Asian Studies, v. 60, no. 1 (Feb. 2001)

Contributions to Catalogues and Encyclopedias

Co-authored by Kyu-hee Wahlen, “Ostasiatische Kunst, Korea,” in Enzyklopädie der Neuzeit, vol. 9, Stuttgart: Metzler’sche Verlagsbuchhandlung, 2009, pp. 633-636.

Entries on Korean art for Los Angeles County Museum of Art, London: Thames and Hudson 2003

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Biographies of nineteen Korean painters in The Dictionary of Art, London 1996

"Kunst. Korea" [Art, Korea], entry for Lexikon Alter Kulturen, [Encyclopedia of Ancient Cultures], ed. by H. Brunner et al., Mannheim 1990

Entries for the exhibition catalogue Europa und die Kaiser von China [Europe and the Emperors of China], ed. by Berliner Festspiele GmbH, Berlin 1985

Entries for the exhibition catalogue Im Schatten hoher Bäume - Malerei der Ming- und Qing- Dynastien (1368-1911) aus der Volksrepublik China [In the Shadow of High Trees – Painting of the Ming and Qing Dynasties from the People’s Republic of China], ed. by L. Ledderose, Baden- Baden 1985

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