Oingo Boingo’S Plasticity

Total Page:16

File Type:pdf, Size:1020Kb

Oingo Boingo’S Plasticity See How They Are OINGO See WhafThey Were BOINGO Somewhere, a while ago in the heart of came on stage it was go go go, hit after hit of concert-planning land, someone more Pop Art. Andy Warhol would be proud of the knowledgeable than the listeners decided purity of Oingo Boingo’s plasticity. that they would create a show of not one, but Remember, Pop Art, like Rococo, takes a two headlining bands. Brilliant! What a reflection of society and exaggerates a fabulous idea! Oh. There’s only one minor feature of it. flaw. What about the Santa Barbara County ★ ★ ★ Bowl time limitations? Those neighbors need On stage, X feel like the children of the their beauty rest, so the opening band can Grateful Dead. They don’t look much like only play forty-five minutes. Eight songs, them — they dressed in partial uniform that’s an album’s worth. That’s enough for styles of red western wear. And they don’t ’em. sound much like the guitar improvisations of Perhaps the Oingo Boingo/X concert at the the Dead. But as the Dead are still a vison of county bowl last Saturday night was the hopes of San Fransico’s Haight-Ashbury, designed to be a “ two for the price of one” X is a mirror for the multi-faceted vision of value deal. Decidedly, Oingo Boingo fans left Los Angeles. the sale with their ears full, while X fans Watching them on stage I have a recurring were left with the drooling mouths of an feeling. I ’m on the Greyhound bus, heading appetizers-only lunch. And who could pair X out of downtown Los Angeles. It’s sunset and — a haystack rolling, black boot kicking, the smog-laden air burns a beautiful in­ L.A. punk group with a band that sings tensity of colors. Out the window I see the “ Nothing Bad Ever Happens To Me?” created smut of the human condition. In the Oingo Boingo. Plastic polyurethane. distance within the reach of a short, yet Bopping pulsating continuous white noise. endless stretch, high-rises gleam an eternal Smiles and urban happiness. Computerized wealthy blaze. Irony is no longer an English rhythm to a programmed lifestyle. Multi­ paper term; it’s an ugly way of life. colored and transparent, but still wearable, See How We Are. danceable, and accepted by many as The fans of X have fought a long blood freedom from a life of feeling. battle over the importance of the Los The opening of Danny Elfman’s show Angeles-based band. They’ve been through brought the crowds of the county bowl to punk, rock-a-billy, swinging country, and their feet — if not their knees — as the now these sbunds have fused on their lastest people were determined to dance faster than album See How We Are. As usual, ac­ the rebounding band on stage. But there’s cusations fly about the commercial sell- always interference in even the clearest of ability of a new album. Yea. It’s gonna sell. white noise. EVENT STAFF — big men in It’s going to sell because it has a butt-kicking big yellow jackets, just doing their jobs, single “ The Fourth of July” and a few acting as the border patrol making sure we minutes of this year’s best-penned lyrics on don’t get too close to the edge. Oh — but we the title track “ See How We Are.” understand the protection factor here. I wouldn’t want to be in a dangerous crowd. Most of X ’s set featured songs from this But come on, this is Santa Barbara and this latest album. A rousing version of the is safe and sane music. album’s opener “ I’m Lost” started Exene Excuse me, but if you in the red shirt Cervenka and John Doe off with screaming would sit down, we could all see what we harmonies. These harmonies are an in­ came to see and not your red back./This teresting phenomenon of the California man is breathing down my neck and he is sound. We had the Beach Boys, the Go-Go’s, not what I came to get close to./ This is not the unmentionable Bangles; X takes the fair. If God had wanted you to stand guard in pairing voices to make a sound that crosses front of me, he would have made me taller Siouxsie and the Banshees, The Doors and than five-foot-one so I could get a glimpse of some Janis Joplin. Throw in some rock-a- the happy people making this noise. billy guitar work by their newest member, I have a sister who adores the upbeat, Tony Gilkvson, and X creates a foot- unthinking attitude of Oingo Boingo. “ Who stomping feast of Los Angeles sound. wants to listen to depressing music in this After their raging version of “ Reckless,” world?” And who could argue that much of John Doe prodded the crowd with “ Some true popular music (as being the top-sellers) people have been asking us if we’ve is made for after-work Miller time. But this mellowed out,” then ripped into a X ’s ver­ concert was not for the elite of kick-back sion of “ Wild Thing,” with Cervenka’s re­ music. This was pure, unstoppable, plugged written melody. Regardless of EVENT in, let loose energy. STAFF, some of us aren’t afraid to be on the From the moment Elfman and his huge edge. entourage, including a large brass set-up, — Laurie L. McCullough I J 2A Thursday, July 30,1987 Daily Nexus Summer Edition F o o d to G o . _ Lunch • Dinner Dater: 'Working with Feeling' O p en 7 D a y s [ • 1 B a nqu et -at the SBM A- e s ilili/ The Santa Barbara course a feather duster, the camera, right at Dater, familiar — “ Dear Diary, I Museum of Art has done it and — you guessed it — a but they are not at all know I haven’t written in again! box of Clingfree. Yes, you stilted and seem to be you for a long time...” Their latest exhibition, have to see this one to posing from within. Their Dater explores the use of CHINA CASTLE Judy Dater: Twenty really appreciate it. Other expressions range from video stills in a sixteen Years, is a retrospective titles are “Scream,” pensive to flamboyant, but panel series entitled RESTAURANT view of her photographic “ Leopard Woman,” and all are unquestionably “Somewhere over the genuine and revealing. Rainbow Blues,” 1985. It AUTHENTIC MANDARIN SZECHUAN HUNAN CUISINE works from 1964-1985. It is “ Queen of the Night,” the most complete body of which include a cow head “Excerpts from a depicts a few days in a Mid- her works ever shown to Western school. The — HAPPY HOUR- images have that T.V. Free Hors D’Oeuvres * Well Drinks $ 1.50 the public, and en­ compasses all of her screen quality and the Long Island Ice Tea & Tropical Drinks $2.50 corresponding type is that 3 P.M. • 6 P.M.__________ _____________ changing values and ar­ tistic preferences, ex­ great glow-in-the-dark Open Sun-thurs 11:30 am to 10 pm computer green. The story Fri-Sat 11:30 am to 10:30 pm pressing an outlook that is uniquely Dater. line is subtle, yet dramatic 1202 Chapala St., S.B. and worth reading. 290 G Storte Rd„ Goleta Judy Dater is best known at the corner of Anapamu) for her radically revealing But, of course, what ‘(Next to K-Mart) 968-1 308 962-6602 & 965-9219 portraits, an achievement exhibition would be done through “ working complete without the with feeling.” She feels showing artist’s renditions that freedom from social, of other famous artists. political or sexual And Judy Dater is not left stereotyping is a most behind. She has portraits of critical need in society Minor White, Beaumont today, and these views Newhall, Ansel Adams and swim through her h e r very famous photographs. She doesn’t photograph of Imogene like to view her models as Cunningham with Twinka. men or women, but as, Again their expressions are Sizzler people, and the results are revealing, and probably portraits that concentrate only shown to Dater and Steak • Seafood • Salad on an inner emotion rather her camera. than the outer skin usually This is a retrospective captured on film. show and encompasses One of her most famous most that is Dater which gives you the perfect op­ series is the cibachrome Imogene Cunningham, 1971 self-portraits done in 1982. portunity to become 5555 Hollister Each is set up in front of carcass, a leopard skin Teenage Diary” is _an familiar with her work and O p en plain theatre-like back­ jumpsuit, and a boa. These emotional journey back in see a very worthwhile drops which perfectly you simply can’t miss. time. A diary floating in a show. Sunday-Thursday: 11 am - 9:30 pm offset her flowery, vibrant A large portion of the pool is left open to various Judy Dater: Twenty Friday & Saturday: 11 am - 10:30 pm costumes. In “Ms. show is a series of in­ pages, and each is Years is on exhibition at Clingfree,” she sports a dividual portraits of scrawled with that great the SBMA until August 30. pink terry-cloth mini people, some famous and “ teenage” handwriting Admission is free, and a something and totes a many unknown before their that changes style every wealth of talent lies within. broom, a dustpan, Cheer Dater encounter.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • “West Yard” at Terminal 91 for the Port of Seattle November 2, 2011
    PHASE I ENVIRONMENTAL SITE ASSESSMENT PORT OF SEATTLE “WEST YARD” AT TERMINAL 91 FOR THE PORT OF SEATTLE NOVEMBER 2, 2011 PREPARED BY PINNACLE GEOSCIENCES, INC. TABLE OF CONTENTS 1.0 EXECUTIVE SUMMARY ............................................................. 1 2.0 INTRODUCTION ........................................................................ 2 2.1 Purpose ........................................................................................................ 2 2.2 Scope of Services .......................................................................................... 2 2.3 Significant Assumptions ................................................................................ 5 2.4 Limitations and Exceptions ........................................................................... 5 2.5 Special Terms and Conditions ....................................................................... 5 2.6 User Reliance ................................................................................................ 5 3.0 SITE AND VICINITY DESCRIPTION ........................................ 6 3.1 Location and Legal Description ..................................................................... 6 3.2 Site and Vicinity General Characteristics ....................................................... 6 3.3 Current Use of the Property .......................................................................... 6 3.4 Site Structures, Utilities, and Other Improvements ......................................... 6 3.5 Current Use of Adjoining
    [Show full text]
  • PDF Download Danny Elfman: the Nightmare Before
    DANNY ELFMAN: THE NIGHTMARE BEFORE CHRISTMAS (EASY PIANO) PDF, EPUB, EBOOK Tim Burton, Danny Elfman | 80 pages | 23 Apr 2007 | Hal Leonard Corporation | 9781423424949 | English | Milwaukee, United States Danny Elfman: The Nightmare Before Christmas (Easy Piano) PDF Book In the balconies on the sides, a small musical ensemble surrounds us, and performs live to accompany the pre-recorded musical material. Theme music only Score composed by J. Music Theory. Choir Publishers. Arranged by Alan Billingsley. Ludwig van Beethoven. View All. A Cappella. This Is Halloween, melody line. Piano-Vocal-Guitar Songbook. Record Players. A-Z by Series. Views Read Edit View history. Cole, Nat King. November 27, Einaudi, Ludovico. Swing through the checkout with Afterpay. Johann Sebastian Bach. Includes full lyrics and chord symbols. Add to cart. Interest free, with no additional fees if you pay on time. Retrieved May 5, View All Arrangements. Brass Ensemble. Danny Elfman: The Nightmare Before Christmas (Easy Piano) Writer The Related Products tab shows you other products that you may also like, if you like This Is Halloween. Classical Collections. The Nightmare Before Christmas - Part 2. Tom Stanford. Reprise, for voice and piano or guitar. Sign In. Top Composers. Alan Billingsley. Brass Band. Published by Hal Leonard. Bert Appermont. Autry, Gene. Brass Tuition. Nominated- Saturn Award for Best Music. More Sacred Composers. Home Recording. Jan de Haan. Otto M. Sally's Song, for piano. Band Music. Added on July 07, First film score Film released in [1] though Elfman has said he wrote the music in [2] In addition to composing the score and songs with the Mystic Knights of the Oingo Boingo , Elfman arranged and performed Cab Calloway 's " Minnie the Moocher " with new lyrics as the character Satan [3].
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Page 1 ED 333 726 AUTHOR TITLE INSTITUTION SPONS AGENCY
    DOCUXENT REM= ED 333 726 FL 019 215 AUTHOR Weiser, Ernest V., Ed.; And Others TITLE Foreign Languages: Improving and Expanding Instruction. A Compendium of Teacher-Authored Activities for Foreign Language Classes. INSTITUTION Florida Atlantic Univ., Boca Raton. SPONS AGENCY Department of Education,Washington, DC. PUB DATE May 90 NOTE 295p. PUB TYPE Guides - Classroom Use -Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC12 Plus Postage. DESCRIPTORS Audiovisual Aids; *Classroom Communication; Classroom Techniques; *Communicative Competence (Languages); Inservice Teacher Education; Instructional Improvement; Intermediate Grades; *Lesson Plans; Secondary Education; *Second Lenguage Instruction; *Teacher Developed Materials ABSTRACT This collection of 98 lesson plans for foreign language instruction is the result of a series of eight Saturday workshops focusing on ways that language teachers can develop their own communicative activities for application in the classroom. The ).essons wert produced by 30 foreign language teachers, each of whom was required to write a brief report on how techniques and methods of instruction covered in each workshop session could be incorporated into lesson planning, and to create an actual lesson plan based on the report. Most were successfully implemented before inclusion in the collection. While the reports and plans are language-specific, the activities can be adapted for any modern language. Strategies on which the lessons are built include confidence-building, student-centered communication, use of audio-visual materials, development of oral/aural skills, increasing motivation, introducing and stimulating cultural awareness and appreciation, and evaluating skill development. Some lesson plans are illust.rated or contain reproducible materials. (MSE) illeft*********************A*********************************************** Reproductions supplied by EDRS are the best that can be made from the original document.
    [Show full text]
  • 10 11 1983 OCR.Pdf
    2 THE STUDENT Thursday, 10th November 1983 News · · , Move for Deputy President blocked because of C. of M. vote Who rules the rulers -Students? has some still more worrying Last Thursday the Committee of representatives on the Com­ ideas, namely that "a General Management made the shock mittee of Management. Ewan Meeting is no place to finalise a decision not to allow constitu­ Hawthorne, this year's Teviot Row motion like this, as it would tional amendments regarding the House Chairman, explained their probably agree with whatever the creation of a Deputy Presidency to reluctance to accept the plan. be presented to the Annual "This plan would reduce respect Executive proposed. A General General Meeting later this month. fat the union house committees Meeting is good as a forum but not Even though the committee voted and concentrate everything on the for detailed discussion - I think 9-7 in favour of the p)an, a two­ Deputy President, and I would like that should be left to a smaller thirds majority was required ii the to call for a more effective way of forum who are fully aware of all the plan was to be ratified. Yet the improving the Association. This arguments." need for these changes has been was very much Tony Miles· pet What Mr Hawthorne suggests 1s accepted within the student project - he decided what was nothing less than a complete community for the last two years, Heather Lamont in conflict with Ewan Hawthorne. wrong and the best way to deal abrogation of the democratic with it." process by which our Students' and both the current Union over to this year - only to be The most dramatic of the Mr Hawthorne's statement Association is run, and setting up President Heather Lamont and her stopped in their tracks by a mere proposals is that the post of Union reveals the union houses· worries predecessor Tony Miles were handful of people on the new President should be scrapped, and yet another working party does that the creation of a Union elected by landslide majorities, Committee of Management.
    [Show full text]
  • Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
    Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print ..........
    [Show full text]
  • THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
    ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d.
    [Show full text]
  • 'The Majorettes Are Back in Town'
    MENAS REAL ESTATE opens in spanish fort, PAGE 35 Girl Scouts receive Bronze award PAGE 5 What’s on? Local TV listings The Courier PAGE 16 INSIDE NOVEMBER 22, 2017 | GulfCoastNewsToday.com | 75¢ Building a better Baldwin Eastern Shore Art Center announces renovations Changes are coming to the Eastern Shore Art Center after the groundbreaking on its new renovations and improvements. To find out more, PHOTO BY CLIFF MCCOLLUM turn to Page 4. The Baldwin County Public School System held a groundbreaking on Nov. 15 at Spanish Fort High School for a new classroom addition and gymnasium as a part of the system’s “Pay As You Go” building program. ‘The Majorettes are Back in Town’ Fairhope pushes budget Bayside seniors sign letters of intent passage Two Bayside seniors have signed national letters of intent for again their college choices. To see who is going By CLIFF MCCOLLUM where, head to Page [email protected] 13. The Fairhope City Council voted unani- Library closures mously on Nov. 13 to ex- for Thanksgiving tend the 2017 Fiscal Year holiday budget again in order to allow the council mem- Libraries across bers to study and make the county have an- suggestions on the 2018 FY nounced their holiday SUBMITTED PHOTO budget. hours. To learn more, Mayor Karin Wilson visit Page 7. proposed her FY 2018 Fairhope writer Leslie Anne Tarabella releases new book budget several months ago, saying the focus for Special TO THE COURIER She currently lives in Fairhope you, which I was dreading,” Tara- the coming year’s budget with her husband and two sons.
    [Show full text]
  • Queen Padmé Tales: the Fifth Sith
    Queen Padmé Tales: The Fifth Sith About this screenplay Objective [ An illustrated screenplay crossing Star Wars Ep. I, the Selinaverse (itself crossing Star Trek TNG/DS9, Buffy, Judaism, Israel, Objectivism, etc.) the real world online/offline life in 2010s/2020s, and Spaceballs. This screenplay is not written in the Hollywood blessed format because good hackers (= resourceful and rule bending heroes) who include the talented actors and actresses in this film, can withstand reading a raw and non-CSS- styled XHTML5 file. That - and hackers like me do not have the time to massage a screenplay into Hollywood's whimsical format only to be rejected, rinse and repeat. ] Licence [ Emblem: This text is Copyright by Shlomi Fish , 2021 and is made available under the Creative Commons Attribution 4.0 Unported Licence (CC-by) (or at your option - any later version). ] Dedication [ The Dedication: ] Main Scene Anakin quitting jedi school Criticising Anakin [ Padmé is sitting in her office in the morning using a desktop Linux system. A male cat is lying above the keyboard. ] Padmé: [in an E-mail] Anakin, to be frank, I am tired of you being so occupied with finishing that wretched Jedi school, that you seem oblivious to yourself and everybody else in a truly self-harming way. Were you aware of the attempt to assassinate me? Or the Naboo's crown's takeover attempt? Padmé: They did suggest I give you an ultimatum so here it is: either you give me enough attention or we'll part ways. I may record a heartache song or two ( Tiffany published her share of them so it won't surprise too many ), but I'll survive.
    [Show full text]
  • Wonderful Wacky Water Critters
    Wonderful, Wacky, Water Critters WONDERFUL WACKY WATER CRITTERS HOW TO USE THIS BOOK 1. The “KEY TO MACROINVERTEBRATE LIFE IN THE RIVER” or “KEY TO LIFE IN THE POND” identification sheets will help you ‘unlock’ the name of your animal. 2. Look up the animal’s name in the index in the back of this book and turn to the appropriate page. 3. Try to find out: a. What your animal eats. b. What tools it has to get food. c. How it is adapted to the water current or how it gets oxygen. d. How it protects itself. 4. Draw your animal’s adaptations in the circles on your adaptation worksheet on the following page. GWQ023 Wonderful Wacky Water Critters DNR: WT-513-98 This publication is available from county UW-Extension offices or from Extension Publications, 45 N. Charter St., Madison, WI 53715. (608) 262-3346, or toll-free 877-947-7827 Lead author: Suzanne Wade, University of Wisconsin–Extension Contributing scientists: Phil Emmling, Stan Nichols, Kris Stepenuck (University of Wisconsin–Extension) and Mike Miller, Mike Sorge (Wisconsin Department of Natural Resources) Adapted with permission from a booklet originally published by Riveredge Nature Center, Newburg, WI, Phone 414/675-6888 Printed on Recycled Paper Illustrations by Carolyn Pochert and Lynne Bergschultz Page 1 CRITTER ADAPTATION CHART How does it get its food? How does it get away What is its food? from enemies? Draw your “critter” here NAME OF “CRITTER” How does it get oxygen? Other unique adaptations. Page 2 TWO COMMON LIFE CYCLES: WHICH METHOD OF GROWING UP DOES YOUR ANIMAL HAVE? egg larva adult larva - older (mayfly) WITHOUT A PUPAL STAGE? THESE ANIMALS GROW GRADUALLY, CHANGING ONLY SLIGHTLY AS THEY GROW UP.
    [Show full text]
  • Mahogany Rush, Seattle Center Coliseum
    CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle
    [Show full text]