See How They Are

OINGO See WhafThey Were BOINGO

Somewhere, a while ago in the heart of came on stage it was go go go, hit after hit of concert-planning land, someone more Pop Art. Andy Warhol would be proud of the knowledgeable than the listeners decided purity of Oingo Boingo’s plasticity. that they would create a show of not one, but Remember, Pop Art, like Rococo, takes a two headlining bands. Brilliant! What a reflection of society and exaggerates a fabulous idea! Oh. There’s only one minor feature of it. flaw. What about the Santa Barbara County ★ ★ ★ Bowl time limitations? Those neighbors need On stage, X feel like the children of the their beauty rest, so the opening band can Grateful Dead. They don’t look much like only play forty-five minutes. Eight songs, them — they dressed in partial uniform that’s an album’s worth. That’s enough for styles of red western wear. And they don’t ’em. sound much like the guitar improvisations of Perhaps the Oingo Boingo/X concert at the the Dead. But as the Dead are still a vison of county bowl last Saturday night was the hopes of San Fransico’s Haight-Ashbury, designed to be a “ two for the price of one” X is a mirror for the multi-faceted vision of value deal. Decidedly, Oingo Boingo fans left Los Angeles. the sale with their ears full, while X fans Watching them on stage I have a recurring were left with the drooling mouths of an feeling. I ’m on the Greyhound bus, heading appetizers-only lunch. And who could pair X out of downtown Los Angeles. It’s sunset and — a haystack rolling, black boot kicking, the smog-laden air burns a beautiful in­ L.A. punk group with a band that sings tensity of colors. Out the window I see the “ Nothing Bad Ever Happens To Me?” created smut of the human condition. In the Oingo Boingo. Plastic polyurethane. distance within the reach of a short, yet Bopping pulsating continuous white noise. endless stretch, high-rises gleam an eternal Smiles and urban happiness. Computerized wealthy blaze. Irony is no longer an English rhythm to a programmed lifestyle. Multi­ paper term; it’s an ugly way of life. colored and transparent, but still wearable, See How We Are. danceable, and accepted by many as The fans of X have fought a long blood freedom from a life of feeling. battle over the importance of the Los The opening of Danny Elfman’s show Angeles-based band. They’ve been through brought the crowds of the county bowl to punk, rock-a-billy, swinging country, and their feet — if not their knees — as the now these sbunds have fused on their lastest people were determined to dance faster than album See How We Are. As usual, ac­ the rebounding band on stage. But there’s cusations fly about the commercial sell- always interference in even the clearest of ability of a new album. Yea. It’s gonna sell. white noise. EVENT STAFF — big men in It’s going to sell because it has a butt-kicking big yellow jackets, just doing their jobs, single “ The Fourth of July” and a few acting as the border patrol making sure we minutes of this year’s best-penned lyrics on don’t get too close to the edge. Oh — but we the title track “ See How We Are.” understand the protection factor here. I wouldn’t want to be in a dangerous crowd. Most of X ’s set featured songs from this But come on, this is Santa Barbara and this latest album. A rousing version of the is safe and sane music. album’s opener “ I’m Lost” started Exene Excuse me, but if you in the red shirt Cervenka and John Doe off with screaming would sit down, we could all see what we harmonies. These harmonies are an in­ came to see and not your red back./This teresting phenomenon of the California man is breathing down my neck and he is sound. We had the Beach Boys, the Go-Go’s, not what I came to get close to./ This is not the unmentionable Bangles; X takes the fair. If God had wanted you to stand guard in pairing voices to make a sound that crosses front of me, he would have made me taller Siouxsie and the Banshees, The Doors and than five-foot-one so I could get a glimpse of some Janis Joplin. Throw in some rock-a- the happy people making this noise. billy guitar work by their newest member, I have a sister who adores the upbeat, Tony Gilkvson, and X creates a foot- unthinking attitude of Oingo Boingo. “ Who stomping feast of Los Angeles sound. wants to listen to depressing music in this After their raging version of “ Reckless,” world?” And who could argue that much of John Doe prodded the crowd with “ Some true popular music (as being the top-sellers) people have been asking us if we’ve is made for after-work Miller time. But this mellowed out,” then ripped into a X ’s ver­ concert was not for the elite of kick-back sion of “ Wild Thing,” with Cervenka’s re­ music. This was pure, unstoppable, plugged written melody. Regardless of EVENT in, let loose energy. STAFF, some of us aren’t afraid to be on the From the moment Elfman and his huge edge. entourage, including a large brass set-up, — Laurie L. McCullough I J 2A Thursday, July 30,1987 Daily Nexus Summer Edition

F o o d to G o . _ Lunch • Dinner Dater: 'Working with Feeling' O p en 7 D a y s [ • 1 B a nqu et -at the SBM A- e s ilili/ The Santa Barbara course a feather duster, the camera, right at Dater, familiar — “ Dear Diary, I Museum of Art has done it and — you guessed it — a but they are not at all know I haven’t written in again! box of Clingfree. Yes, you stilted and seem to be you for a long time...” Their latest exhibition, have to see this one to posing from within. Their Dater explores the use of CHINA CASTLE Judy Dater: Twenty really appreciate it. Other expressions range from video stills in a sixteen Years, is a retrospective titles are “Scream,” pensive to flamboyant, but panel series entitled RESTAURANT view of her photographic “ Leopard Woman,” and all are unquestionably “Somewhere over the genuine and revealing. Rainbow Blues,” 1985. It AUTHENTIC MANDARIN SZECHUAN HUNAN CUISINE works from 1964-1985. It is “ Queen of the Night,” the most complete body of which include a cow head “Excerpts from a depicts a few days in a Mid- her works ever shown to Western school. The — HAPPY HOUR- images have that T.V. Free Hors D’Oeuvres * Well Drinks $ 1.50 the public, and en­ compasses all of her screen quality and the Long Island Ice Tea & Tropical Drinks $2.50 corresponding type is that 3 P.M. • 6 P.M.______changing values and ar­ tistic preferences, ex­ great glow-in-the-dark Open Sun-thurs 11:30 am to 10 pm computer green. The story Fri-Sat 11:30 am to 10:30 pm pressing an outlook that is uniquely Dater. line is subtle, yet dramatic 1202 Chapala St., S.B. and worth reading. 290 G Storte Rd„ Goleta Judy Dater is best known at the corner of Anapamu) for her radically revealing But, of course, what ‘(Next to K-Mart) 968-1 308 962-6602 & 965-9219 portraits, an achievement exhibition would be done through “ working complete without the with feeling.” She feels showing artist’s renditions that freedom from social, of other famous artists. political or sexual And Judy Dater is not left stereotyping is a most behind. She has portraits of critical need in society Minor White, Beaumont today, and these views Newhall, Ansel Adams and swim through her h e r very famous photographs. She doesn’t photograph of Imogene like to view her models as Cunningham with Twinka. men or women, but as, Again their expressions are Sizzler people, and the results are revealing, and probably portraits that concentrate only shown to Dater and Steak • Seafood • Salad on an inner emotion rather her camera. than the outer skin usually This is a retrospective captured on film. show and encompasses One of her most famous most that is Dater which gives you the perfect op­ series is the cibachrome Imogene Cunningham, 1971 self-portraits done in 1982. portunity to become 5555 Hollister Each is set up in front of carcass, a leopard skin Teenage Diary” is _an familiar with her work and O p en plain theatre-like back­ jumpsuit, and a boa. These emotional journey back in see a very worthwhile drops which perfectly you simply can’t miss. time. A diary floating in a show. Sunday-Thursday: 11 am - 9:30 pm offset her flowery, vibrant A large portion of the pool is left open to various Judy Dater: Twenty Friday & Saturday: 11 am - 10:30 pm costumes. In “Ms. show is a series of in­ pages, and each is Years is on exhibition at Clingfree,” she sports a dividual portraits of scrawled with that great the SBMA until August 30. pink terry-cloth mini people, some famous and “ teenage” handwriting Admission is free, and a something and totes a many unknown before their that changes style every wealth of talent lies within. broom, a dustpan, Cheer Dater encounter. The other letter. One of the Don’t miss it. detergent, an iron, of models look directly into passages was particularly — Jeannie Sprecher Breakfast with a View B u rk e a n d W ills On August 20, I860, for safety and supplies are at Robert Burke and William inadequate, and the way Wills set out of Melbourne the movie expedition back becomes a trial of the with 17 men, 28 horses, 26 courage as horses, camels camels, and six wagons of battle against the seemingly watch and mark and a man die and water supplies, to become the elements, both physical their movements supplies run out. egghead first white men to cross and human, in the 19th throughout the entire Mixed in with this is a We're located Australia south to north. century pioneering spirit of expedition. love story with a pretty in Isla Vista the west — going where no Burke (Jack Thompson) Melbourne actress (Greta 2nd Story Burke, of the movie man has gone before. is one of those bull-headed Scacchi), as well as flash expedition Burke and Of course, the aborigines types who sees a goal and backs and flash forwards to Corner on Wills, is an Irish policeman have been there all the heads for it regardless of a life away from the Emb. del Mar employed to win a com­ time, and see these ex­ cost. The goal is attained grueling journey. These petition by being the first to plorers with a mixture of but because the goal was include a political scandal fit Pardall traverse the Australian amazement, curiosity, not only to get to the coast, as the ‘backers’ forget to continent from south to disbelief and eventually but to be the first to get send money and are ac- THE 50 * oir north. It is a story about a sympathy as they there, the arrangements (See BURKE, p.4A) OMELETTES &aaM WEEKDAYS ONLY w/Coupon Good Jul. 30-Aug. 4 OPEN WEEKDAYS 7 am -1 pm WEEKENDS 7:30 am - 2 pm BLUES, REGGAE 1 HEATRE /ARTISTS G rOUP ROCK & JAZZ

PRESENTS MAYHEM ON THE BOIUJER.' CHECK OUT THE BEST SELECTION OF COMPACT DISCS. RECORDS. AND JESSE AND THE BANDIT QUEEN CASSETTES IN THE AREA A WILD WEST FANTASY BY DAVID FREEMAN - THOUSANDS OF TITLES/ DIRECTED BY ROBERT G. EGAN JULY 17, 18, 24, 25, 31, AUGUST 1 8 PM - UCSB STUDIO THEATRE (NO LATE SEATING) (NOT RECOMMENDED FOR YOUNG AUDIENCES) AT MORNINGLORY MUSIC YOU'LL FIND: • Unique selection of hard-to-find domestic and imported compact discs • Large stock of used compact discs, VICTORIAN SCANDAL! records and cassettes — all are guaranteed! MRS. WARREN’S • Import Records and Rock Posters BOWLING PROFESSION • Guitar strings and accessories A WICKED COMEDY BY GEORGE BERNARD SHAW DIRECTED BY STANLEY GLENN • Blank Tapes • Music Periodicals OPEN 24 HRS JULY 24, 25, 31, AUGUST 1 8 PM - UCSB MAIN THEATRE / • Fast Special Orders at no extra charge Relax, Unwind - Have Fun! CASH PAID FOR USED CDs LPs AND CASSETTES Let Loose - Go Bowling! TICKET INFORMATION Billiards and Videos SINGLE PERFORMANCES: $8.00 General, $7.00 Student OPEN LANES SPECIAL SEASON TICKET SAVINGS morninglory (BOTH PI AY S ): $13.00 General, $11.50 Student ORCHID BOWL Opon 10-10 Daily • 12-8 Sun d a ys • 968-4665 GOLETA 910 Embarcadero da! Norte • Isla Vista FOR INFORMATION AND CHARGK-BY-PHONK CAM. 5925 Call« Real ARTS & LECTURES - 981-3535 (9 AM - 5 PM). OR Tickets fór Senta Berbere near Fairview - 967^)128 IIOX OFFICE (EVENINGS OK PERFORMANCE O NLY) - 981-3021 B Southern CeHfom le E ven ts Daily Nexus Summer Edition Thursday, July 30,1967 3A — Icicle and Echo, Echo, Echo,

T h e long-awaited Sing His Song becomes a releases of Echo and the bit redundant as each Bunnymen and If You song’s focus is a basic Want To Defeat Your reflection of an optimistic Enemy Sing His Song, by longing for what was lost, Icicle Works, should be but the musicianship reason to celebrate. But doesn’t allow the cuts to because of one important become boring. The most arresting cut on the album It’s true. Because “ muscular dystro­ reason, it isn’t much of a phy” is the term for a group o f is th e opener, party. twelve diseases—and no one disor­ “Evangeline,” whose Though the Bunnymen der goes by that name. are the veterans of these aggressive guitar, Other facts about muscular two acclaimed British suggestive lyrics and dystrophy might surprise you, too. bands, the sound of the new winding keyboards make it For one thing, the diseases aren’t Echo record and Sing His their usual brands of can hardly blame the a real pumper. restricted to children. Anyone can Song are strikingly similar. originality. Bunnymen for utilizing Icicle Works does have a be stricken, at any time. In the Icicle Works record, The message behind both sixties hero Ray Manzarek bit of fun with “ Who Do For another thing, the it’s easy to spot the releases is an optimistic as a hook to attract You Want For Your Love,” Muscular Dystrophy Association overriding influence — the yearning for love — a love American buyers. „On the where the guitar break battles not just the twelve muscular Bunnymen. that has been lost or for­ lyrica lly rageful and yields a Nashville-sounding dystrophies, but twenty-eight other In the new releases, Echo bidden. Although not a new shuffling “ Bedbugs and solo. But such diversity neuromuscular diseases, too. (Ian McCulloch) and his concept for the bands, the Ballyhoo” — virtually the becomes watered down as At MDA, we're striving to put an end to all the devastating boys (Will Sergeant, Les manner in which it is ex­ only song in the collection typical rap-influenced disorders you used to think of as Pattinson and Pete pressed leaves little room not dealing with a percussion and synth open muscular dystrophy. to separate their styles. relationship — is a stage the dire “ Walking With A DeFreitas) and Icicle And one day—we’re deter­ But the bands acen’t for Manzarek’s trademark Mountain.” Works (Ian McNabb, Chris mined—this chair will be empty Doorsy piano and is about One can only hope Echo Layhe and Chris Sharrock) entirely to blame. Former for real. have focused their ap­ Bunnyman producer Ian the only track that really and the Bunnymen and proaches for the ears of the Broudie has taken the reins stands out. But in this case Icicle Works will achieve a American record-buying on Sing His Song for Icicle it isn’t enough to drag the greater popularity in the public. And the result is Works, and therein lies the album from its cell of United States. Not so much Muscular Dystrophy Association Jerry Lewis. National Chairman both a yes and a no for both very Echoesque guitar- sound-alike songs and because their latest albums. synth weave found on the troubled vocals. releases warrant it, but Slow to be granted album. Now missing from because of the possibility success in America (save Icicle Works is the Perhaps the best cut that they will embark, or for college radio and some hodgepodge and lack of from Echo is the jealous continue in the case of M TV), the Bunnymen and direction (found more so on “ Lips Like Sugar,” notable Echo and the Bunnymen, Icicle Works have ap­ their second album) of for its addictive beat and on the roads their parently been influenced to diverse psychedelia, guitar and tantalizing respective talents may MOVIE HOTLINE: 9 6 3 -9 5 0 3 release collections more Motown and straight-ahead lyrics. The poppish “ All in take them once having METROPOLITAN appealing to a broader rock found on earlier Your Mind” is another success and confidence audience. Although the releases. song about a relationship, with American record THEATRES albums are not disap­ As for Echo’s latest (all but Echo’s angry vocal is buyers. But that’s probably CORPORATION pointing, the bands are except for one cut produced nicely accentuated with just wishful thinking. by Laurie Latham), one — Patrick Whalen lacking ample doses of searing guitar. m a m m a LIVING DAYLIGHTS (MN « .. ,0 » SUNDAY S. 10:30 only; at Granada 12:16.2:46. 6:16 St, SJL La La La Bombawmim ______liiliMMM Ml

“ My dreams are pure rock-n-roll,” says Richie Valens in didn’t have much of a chance. 1. SUMMER SCHOOL (PG13) 1:90,3:46.6,0:16,10:26 Sunday 0:16,10:26 only this summer’s music hit La Bamba. This is an important, The one great performance goes to the part of Richie’s but flawed film. The documenting of the ambitious and mother, played by Rosana De Soto. She’s a tough woman 2. INNER SPACE (PG) 12,2:26,6.7:46,10:16 innocent rise of the first Mexican-American rock-n-roll who wants everything for her sons and family regardless of 3. LA BAMBA IPG13) 12:16.2:36.6.7:30.10 star, who died in the tragic 1959 plane crash with Buddy the hard position she is in. Older son Bob (Esai Morales) is ■ M | A ;. ' | *\*‘v - .6 916 State St., 5.B 963-0781 Holly and the Big Bopper, could have been a celebration of the black sheep of the family and his growing frustration BMWBM 4 I" m a m m and jealousy of his brother’s fame and her attention is well the cultural wealth of the Latino community. Instead, the 1. ROXANNE (PG) 1.3.8:16.7:30,6:46 body and structure of La Bamba is overflowing with naive developed through the film. 2. LOST BOYS (R) 2:16.4:16.6:16.6:16.10:16 dialogue and the drenching horror of symbolism. Morales’ performance is one of the binding elements of FRIDAY only at midnight also the Chicano family structure that director Valdez seems to The movie opens with a fifties-style film sequence of a 3. R0B0C0P (R) 1:16.3:30.5:46.8.10:10 young, chubby Mexican boy on a grammar school gym be portraying. The viewer can’t decide if his alcoholic FRIDAY only at midnight also playground. The film is blurred and ominous as the boy endeavors are funny or sick, but in the end it is Bob who 4. JAWS, THE REVENGE (PQ13) 1:30.3:30,6:30,7:30.0:30 looks into the air to see a mid-air plane collision ...P O O F ... must take Richie’s place as caretaker of the family. When SATURDAY only 1:30,3:30,6:30,9:46; Pravtaw "Staka Out" at 6 and we’re waking up in Richie’s bedroom, sweating from Richie’s manager says he’s got to make a decision between ^ s .b . his recurring nightmare. These nightmares turn into friends or his music, he stomps down the stairs to say, “ My Valens’ fear of flying, and it’s a big symbolic circle of family’s more important.” Where he pulled the line from, MY LIFE AS A DOG 6:10.7:16.6:30: SatfrSun 1:10.3:10.5:10.7:16.6:20 medicine men and protective charm necklaces from there. we don’t know, but Valdez’ point is clear. Whether or not Valens had a true fear of airplanes, What saves La Bamba is the creation of the rock-n-roll 3498. Hitchcock m g , MM. writer/director Luis Valdez’ attempt to give some sort of world of the fifties. As the radio will tell you, Los Lobos’ PLAZA D U ORO 682-4936 symbolic meaning to this tragic death leaves La Bamba as adaptations of Valens’ music is just exquisite. The audience 1. FULL METAL JACKET (r, 7 i6. . 46 stilted as its dialogue. “ I ’m gonna be a star and stars don’t was dancing in the aisle to the title track. In the end, SatCrSun 2:16.4:36.7:16. *:25 Marshall Crenshaw’s portrayal of Buddy Holly gives the fall out of the sky, do they?” Richie says to Donna, his 2. MAID TO ORDER IPG) 6,6,10; SatCrSun 2.4,0,0,10 young love. Granted, a good actor cannot do much about the film a sentimentality that documents the tragic demise of deliverance of a poor script, but the cast of La Bamba these three great rock-n-roll heroes. 320 S. Kellogg Ave., Goleta —Laurie L. McCullough GOLETA M A M 683-2265

DRAGNET (PG13) 7:30.8:46; SatCrSun 1:16.3:16.6:16.7:30.0:46 6050 Mottistar Ave., Goleta 967 9447

1. SUPERMAN IV (PG) 2:30.4:16.6.8.8:46 Grandm a SatCrSun 12:48.2:30.4:16.6.8.6:46 2. LIVING DAYLIGHTS (PG) 2:30.4:00.7:40.10:10 SatfrSun 12:10.2:30,4:60.7:40,10:10

Has Burgers! 251N. Fatrvtew, Goleta FAIRYIEW TWIN 967-0744 1. SNOW WHITE & THE SEVEN DWARFS Spaceballs is the latest the film. I found his mere film by Melvin Kaminsky, profile extremely funny: that gentleman from the the huge helmet engulfing Williamsburg, Brooklyn his imperial shortness ghetto better known as Mel likened him more to a cute Brooks. An apprentice of toy than to anything Sid Caesar, he has claimed menacing. Far removed, in fame with his brilliant my eyes, from the rest of parody-homages to the actors who were traditional film genres depending on funny such as his tribute to the dialogue in order to be old Hollywood western, funny, the mere presence Blazing Saddles and classic of Moranis was a laugh. horror film Young Mel Brooks played both Frankenstein. (peeeaceful: pleasant with resurface again in the film. the president of Spaceball (Continued from p.2A) The famous George no vibrato on the letter They included a and his conception of Yoda, cused of leaving the men to die. They deny everything and Lucas Star Wars trilogy is, “ e” ) nearby planet of Skywalker-Solo-Chewbacca the wise old Yogurt, instead evoke feelings for the heroic act, and for God and without parallel, the Druidia. The catch is that dingus performed by “ ...just plain Yogurt!” country, which is, as we know, the way of all politicians. foundation of the general, Druidia is protected by a characters named Lone Speaking of food, by the In the style of The Jewel in the Crown and Chariots of' contemporary science-fic­ defense shield, so the Starr (Bill Pullman), a way, in this movie, the Fire the film stars Jack Thompson as Burke, the rugged tion American film naughty leaders of bland Han Solo-Luke familiar Jabba the Hutt of macho, Ned Kelly type, and Nigel Havers (last seen by me audiences have grown used Spaceball plan to kidnap Sky walker interpretation; Lucasfilm Ltd. was in the Royal Shakespeare Company’s production of to — and this is obviously the princess of Druidia, the and Lone’s sidekick (and replaced by Pizza the Hutt Nicholas Nickleby) as Wills. Mel Brooks’ latest target. pretty Vespa (no special the Brooks answer to of Brooksfilm. Brooks Based on historical fact the story is a part of Australian If the design of the printed pronounciation of the letter Chewbacca), a half-man, expresses his unending mythology as much the cowboy west is a part of American. advertisement does not “ e,” in neither “ pretty” half-dog, three quarters ethnic,'Jewish humor in the It is a film without special effects (if one doesn’t count the show where the Brooks nor “ Vespa” ). badger person called a characters he plays and in camels) and firmly places us in the 19th century. The at­ sights are set, the opening In a word, ladies and “Mawg,” named Barf others such as Princess mosphere is of propriety and straight-laced ladies, the of the film, with that all- gentlemen, the villians (John Candy). Besides the Vespa of Druidia, referred moral unscrupulousness of their businessmen husbands, too-familiar prelude-capt­ mean to hold the young, disposable comments and to as a “ Druish and the moralistic self-righteousness of an avenging press. ion, clearly indicates spoiled princess captive in wise-cracks, the most (American) Princess.” If you’re interested at all in the pioneering spirit of the where the film is going: order to force the king of humorous thing about Barf This film on the whole, in American West, the film gives an idea of what real rough Mel Brooks is about to Druidia (played by Dick is his name and imagining view of its lavishness and- living can be like. There are camp fires and periodic mock science Action with van Patten) to give up the how he was conceived. lightweight approach, does killings of prairie rats, but also boredom and fatigue as Star Wars in particular. combination to the defense The Princess Leia of the not reflect the intensity and much as adventure. The aborigines are depicted The prelude-caption enSed shield passage. After a Lucas imagination went economy of the early realistically (as they are today), completely at home in with the short paragraph, good deal of this was ex­ almost unrepresented. Brooks films, which had their environment. “ If you can read this you plained in that single line of Only her hairstyle smashing comedy, and As the intrepid explorers wade through a crocodile in­ don’t need glasses. ” dialogue, the character remained, worn by a dominating actors and fested swamp, the aborigines walk from branch to floating The plot of the film was speaking turned to the character called Princess actresses throughout. I see branch and don’t even get wet; as the explorers stagger explained in a single line of camera, addressed the Vespa (Daphne Zuniga). it not only as a science- through the burning sun collapsing every few yards, the dialogue much due to the viewer directly and said, The familiar Leia braids, fiction parody which aborigines quietly sit together collecting food and share a humor in the script. The “ You got that!” according to the Brooks sacrificed a lot of joke about them. sum of it involves the The Mel Brooks-George humor, turned out to be character development The long struggle (against the elements) comes to a dreaded, evil (eeevil: Lucas renditions were stereo headphones. and plot for the sake of its stirring and dramatic conclusion as the survivors return to pronounce the vibrato in funny, but the humor was Rick Moranis did most of humorous endeavors, but Melbourne and we hear the full details of the story. the letter “ e” ) rulers of short-lived. I believe most the role-dominating as the also as a celebration of Mel It’s a movie of slow intensity. One gets the feeling of a Planet Spaceball, of the funny things were parody of Darth Vader. His Brooks, the man, and his slower pace and greater isolation from civilization than “ ...having foolishly meant to live for the character, Dark Helmet, style of humor that has had would be possible today, although in the making of the film, squandered their precious moment in which they were was the funniest — and it America laughing for the film crew itself was cut off from civilization and was in atmosphere,” plan to suck conceived and quickly to was one of the few funny decades. danger of running out of water. all the air off the peaceful fade away never to bits which lived throughout — Brian Wilhite Burke and Wills was directed by Graeme Clifford and is showing at the Victoria Street Theatre from July 31 to August 13. It’s a film that at least one friend of mine has gone back to see again. — Anthony Emerton 36mm

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