Representative LIST of the Intangible Cultural Heritage of Humanity 2010 2011
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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
Liste Représentative Du Patrimoine Culturel Immatériel De L'humanité
Liste représentative du patrimoine culturel immatériel de l’humanité Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Al-Ayyala, un art traditionnel du Oman - Émirats spectacle dans le Sultanat d’Oman et 2014 2014 01012 arabes unis aux Émirats arabes unis Al-Zajal, poésie déclamée ou chantée Liban 2014 2014 01000 L’art et le symbolisme traditionnels du kelaghayi, fabrication et port de foulards Azerbaïdjan 2014 2014 00669 en soie pour les femmes L’art traditionnel kazakh du dombra kuï Kazakhstan 2014 2014 00011 L’askiya, l’art de la plaisanterie Ouzbékistan 2014 2014 00011 Le baile chino Chili 2014 2014 00988 Bosnie- La broderie de Zmijanje 2014 2014 00990 Herzégovine Le cante alentejano, chant polyphonique Portugal 2014 2014 01007 de l’Alentejo (sud du Portugal) Le cercle de capoeira Brésil 2014 2014 00892 Le chant traditionnel Arirang dans la République 2014 2014 00914 République populaire démocratique de populaire Date de Date récente proclamation Intitulé officiel Pays d’inscriptio Référence ou première n inscription Corée démocratique de Corée Les chants populaires ví et giặm de Viet Nam 2014 2014 01008 Nghệ Tĩnh Connaissances et savoir-faire traditionnels liés à la fabrication des Kazakhstan - 2014 2014 00998 yourtes kirghizes et kazakhes (habitat Kirghizistan nomade des peuples turciques) La danse rituelle au tambour royal Burundi 2014 2014 00989 Ebru, l’art turc du papier marbré Turquie 2014 2014 00644 La fabrication artisanale traditionnelle d’ustensiles en laiton et en -
©Studentsavvy Music Around the World Unit I Thank You For
©studentsavvy Music Around the World Unit I thank you for StudentSavvy © 2016 downloading! Thank you for downloading StudentSavvy’s Music Around the World Unit! If you have any questions regarding this product, please email me at [email protected] Be sure to stay updated and follow for the latest freebies and giveaways! studentsavvyontpt.blogspot.com www.facebook.com/studentsavvy www.pinterest.com/studentsavvy wwww.teacherspayteachers.com/store/studentsavvy clipart by EduClips and IROM BOOK http://www.hm.h555.net/~irom/musical_instruments/ Don’t have a QR Code Reader? That’s okay! Here are the URL links to all the video clips in the unit! Music of Spain: https://www.youtube.com/watch?v=_7C8MdtnIHg Music of Japan: https://www.youtube.com/watch?v=5OA8HFUNfIk Music of Africa: https://www.youtube.com/watch?v=4g19eRur0v0 Music of Italy: https://www.youtube.com/watch?v=U3FOjDnNPHw Music of India: https://www.youtube.com/watch?v=qQ2Yr14Y2e0 Music of Russia: https://www.youtube.com/watch?v=EEiujug_Zcs Music of France: https://www.youtube.com/watch?v=Ge46oJju-JE Music of Brazil: https://www.youtube.com/watch?v=jQLvGghaDbE ©StudentSavvy2016 Don’t leave out these countries in your music study! Click here to study the music of Mexico, China, the Netherlands, Germany, Australia, USA, Hawaii, and the U.K. You may also enjoy these related resources: Music Around the WorLd Table Of Contents Overview of Musical Instrument Categories…………………6 Music of Japan – Read and Learn……………………………………7 Music of Japan – What I learned – Recall.……………………..8 Explore -
Gamelan Gender Wayang of Bali: Form and Style
..................~~.~.~.. ~------------------ WESLEYAN UNIVERSITY Gamelan Gender Wayang of Bali: Form and Style by Kalafya Brown A thesis submitted to the facuIty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts in Music May, 2000 Middletown, Connecticut My teacher, Kak Luweng, and myself playing gender (above) and just sitting (below), 2 Introduction and Acknowledgements I began studying gamelan music in 1994 while I was an undergraduate at the Massachusetts Institute of Technology. No one tends offhand to associate gamelan with MIT. but there it is. Professor Evan Ziporyn has been directing the gong kebyar ensemble Gamelan Galak Tika at MIT since 1993, and I was an active member from 1994 until 1997. Unfortunately the pressure of my studies at Wesleyan has not allowed me to play with Galak Tika as much as I would like in the past few years. For the three years of my tenure with Galak Tika we were blessed with the artistry of the Balinese husband and wife team of I Nyoman Catra and Desak Made Suarti Laksmi. The magnificent teaching and performance prowess of Evan, Catra and Desak formed the basis of my introduction to gamelan music. In 1997 I came to Wesleyan University to study for the degree of Master of Arts in Music, of which this thesis is a part. Here at Wesleyan I have had the great honor of studying with I. M. Harjito and Sumarsam, two Javanese artists. I sincerely thank them for broadening my awareness of the multifaceted natures of Indonesian music and for sharing with me the great beauty of the central Javanese court gamelan. -
2018 Fanny Ekaterina Montes Guzman
Programa de doctorado en Estudios Feministas y de Género Tesis doctoral Katoü: la mochila wayuu como tejido de relaciones. Doctoranda: Fanny Ekaterina Montes Guzman Directora: Margaret Bullen Universidad del País Vasco/Euskal Herriko Unibertsitatea (EHU/UPV). Facultad de Educación, Filosofía y Antropología. Departamento de Filosofía de los Valores y Antropología Social. 2018 (c)2018 FANNY EKATERINA MONTES GUZMAN Agradecimientos. Antes que nada, debo agradecer a mi madre; aunque no la cito como autora, su voz, su sensibilidad y su fuerza la percibo en cada página que acá presento. A Andrés Illanes, que me ha acompañado y apoyado en mi formación desde mi pregrado hasta hoy. Debo agradecer a las familias Siosi y Cotes quienes me aceptaron en su cotidianidad y cuyos miembros me dieron la fuerza para terminar este proyecto. A Fannys, Adriana, Mabelis, Doña Doris, Doña María, Elva, Luzday y Patricia que más que informantes fueron mi fortaleza, mis maestras y mis amigas. No puedo expresar en palabras el cariño y respeto que siento por ellas. A Maggie, mi tutora y espíritu guía que con paciencia me acompañó en este viaje. A todos y a todas, gracias. Contenido Introducción .................................................................................................................. 5 ¿Por qué la mochila wayuu? .................................................................................... 5 EL VIAJE ..................................................................................................................... 8 La casa Siosi y mi -
The Blending of Thai- Muslim Musical
THE BLENDING OF THAI- Phleng Na and Phleng Tak. Those of the MUSLIM MUSICAL Muslim groups are: Rong Ngeng, Ma’yong, Dikia, Li Ke Hulu and Sila. PERFORMANCES IN SOUTHERN THAILAND This article will present information only about the music and performances of the Bussakorn Sumrongthong1 Muslim social group as the Buddhist related research is covered in a separate article. This report will focus on the key Abstract elements and characteristics, succession of musical knowledge, rituals and beliefs, Introduction including the knowledge succession of each musical performance. This paper is a research report of investigative fieldwork on the musical Musical culture of southern culture of the southern provinces of Thailand Thailand. The research was conducted by interviewing prominent musicians from each of the following provinces: Chumphon, Krabi, Nakhon Si Thammarat, Phang-Nga, Phatthalung, Phuket, Satun, Songkhla, Surat Thani and Trang. The current political instability in the provinces of Pattani, Yala and Narativas prevented conducting research in these locales. The process of this qualitative research consisted of direct observation, in-depth interviews of well-known artists, a survey of musical instruments and related performance or ritual materials /documents. The research found that the culturally significant music and Figure 1: Map of Southern Thailand performances in this region can be divided into 2 socio-religious groups delineated by Historically, the South of Thailand has the Buddhist and Muslim faiths. been a commercial trading center of South-east Asia. It served as a hub The core songs and performances of the between the two great nations of India and Buddhists are: Ka Lo, Nang Talung, Nora, China and as a result, facilitated the Phon and Li Ke Pa, while the key classical dissemination of both Brahmanism and Thai songs are Phleng Ruea, Phleng Bok, Buddhism in this region. -
Bulletin Quotidien De L'onu Est Préparé Par La Section Des Services De L’Information Sur Internet Du Département De L’Information De L’ONU
Mises à jour et alertes emails sur le Bulletin quotidien de l’ONU Centre d'actualités de l'ONU: www.un.org/french/news Numéro PPQ/5682 mardi 16 novembre 2010 ACTUALITES EN BREF DU MARDI • Haïti : la MINUSTAH déplore des violences contre • Le repas gastronomique des Français sur la Liste les Casques bleus du patrimoine culturel immatériel • La Corée du Nord bientôt confrontée à un grave • Bénin : l'appel de fonds humanitaire financé à déficit alimentaire, selon l'ONU hauteur de 10% • UNESCO : une Pakistanaise lauréate d'un prix sur • Ban Ki-moon rappelle les vertus de la tolérance les droits de l'homme face aux politiques de polarisation • Le HCR réinstalle des réfugiés du Darfour dans une • L'actrice américaine Monique Coleman nommée zone plus sûre en Centrafrique championne de la jeunesse • Soudan : le Conseil de sécurité appelle à des • Eruption du Mont Mont Merapi en Indonésie : le référendums crédibles FNUAP assiste les femmes enceintes • BIT : cruciale pendant la crise, la sécurité sociale • Helen Clark salue les progrès du Bangladesh dans est absente dans beaucoup de pays la réalisation des Objectifs du millénaire • Myanmar : le cyclone Giri a fait plus de 100.000 • L'Ambassadeur de l'UNICEF Roger Moore plaide la sans abris cause des enfants handicapés au Kazakhstan Haïti : la MINUSTAH déplore des violences contre les Casques bleus 16 novembre - La Mission des Nations Unies pour la Stabilisation en Haïti (MINUSTAH) a déploré les actes de violence contre les forces de l'ordre haïtienne et onusienne survenus au cours des manifestations violentes au Cap-Haitien et à Hinche dans la journée de lundi et a appelé la population « à ne pas se laisser manipuler ». -
Three Millennia of Tonewood Knowledge in Chinese Guqin Tradition: Science, Culture, Value, and Relevance for Western Lutherie
Savart Journal Article 1 Three millennia of tonewood knowledge in Chinese guqin tradition: science, culture, value, and relevance for Western lutherie WENJIE CAI1,2 AND HWAN-CHING TAI3 Abstract—The qin, also called guqin, is the most highly valued musical instrument in the culture of Chinese literati. Chinese people have been making guqin for over three thousand years, accumulating much lutherie knowledge under this uninterrupted tradition. In addition to being rare antiques and symbolic cultural objects, it is also widely believed that the sound of Chinese guqin improves gradually with age, maturing over hundreds of years. As such, the status and value of antique guqin in Chinese culture are comparable to those of antique Italian violins in Western culture. For guqin, the supposed acoustic improvement is generally attributed to the effects of wood aging. Ancient Chinese scholars have long discussed how and why aging improves the tone. When aged tonewood was not available, they resorted to various artificial means to accelerate wood aging, including chemical treatments. The cumulative experience of Chinese guqin makers represent a valuable source of tonewood knowledge, because they give us important clues on how to investigate long-term wood changes using modern research tools. In this review, we translated and annotated tonewood knowledge in ancient Chinese books, comparing them with conventional tonewood knowledge in Europe and recent scientific research. This retrospective analysis hopes to highlight the practical value of Chinese lutherie knowledge for 21st-century instrument makers. I. INTRODUCTION In Western musical tradition, the most valuable musical instruments belong to the violin family, especially antique instruments made in Cremona, Italy. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
What Is the Purpose of a Day of the Dead Altar? 2
Call for Altars!!! We would be honored to have you participate in our Dia de los Muertos Celebration this coming November 6th. We are asking you to bring your own tables and items to set up an altar at the Westside Community Center on 1250 Isleta SW. The setting up of altars will take place from 12pm to 2pm in the gym of the community center on Sun., Nov. 6. The assembly of the Marigold parade will begin about 1pm and will process at 2pm en route to the community center. We hope that you will be able to participate in displaying an altar to the many individuals that come to our celebration. If you are interested in displaying an altar please e-mail or mail back the following information to: Karen Cathey 420 Indiana St. SE, Alb., NM 87108 or [email protected] Name of group displaying altar e-mail address or mailing address to receive updates phone number and name of contact person Theme of altar or who it is dedicated to We ask that you do not light candles or incense or display any alcoholic beverages due to the rules of the community center. Altars will be taken down towards the end of the event around 6pm. Thanks for your time and consideration! We look forward to your participation! Sincerely, Karen Cathey (For any questions you may have (505)301-6622.) 1. pictures of saints What is the purpose of a Day of the Dead altar? 2. papel picado 3. sugar skulls 4. books The ritual of Dia De Los Muertos once was strictly a ritual celebrated by the 5. -
Land- En Volkenkunde
Music of the Baduy People of Western Java Verhandelingen van het Koninklijk Instituut voor Taal- , Land- en Volkenkunde Edited by Rosemarijn Hoefte (kitlv, Leiden) Henk Schulte Nordholt (kitlv, Leiden) Editorial Board Michael Laffan (Princeton University) Adrian Vickers (The University of Sydney) Anna Tsing (University of California Santa Cruz) volume 313 The titles published in this series are listed at brill.com/ vki Music of the Baduy People of Western Java Singing is a Medicine By Wim van Zanten LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY- NC- ND 4.0 license, which permits any non- commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https:// creativecommons.org/ licenses/ by- nc- nd/ 4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: Front: angklung players in Kadujangkung, Kanékés village, 15 October 1992. Back: players of gongs and xylophone in keromong ensemble at circumcision festivities in Cicakal Leuwi Buleud, Kanékés, 5 July 2016. Translations from Indonesian, Sundanese, Dutch, French and German were made by the author, unless stated otherwise. The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://lccn.loc.gov/2020045251 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Euroradio Folk Festival RÄTTVIK 28–30 JUNI
P2 sveriges radio presenterar Euroradio folk festival RÄTTVIK 28–30 JUNI 2014 AN ILJ S ID V IK S U M V A L E 29 JUNI – 5 JULI D LEKSAND • MORA SID 1 Euroradio folk festival N MED RESERVATION FÖR& ÄNDRINGAR RÄTTVIK E FOTO: MICKE GRÖNBERG/ SVERIGES RADIO Welcome! The Swedish Radio is both proud and happy to be able to present a part of Sweden which is famous for its blue hills, its flowery mead- ows, its magical lakes and its music. Folk musicians in the beautiful national cos- tumes of the province of Dalecarlia are a common feature at Swedish weddings, re- Välkommen! gardless of where in the country the wedding Vi från Sveriges Radio är stolta och glada över takes place, and when Swedes celebrate att få visa upp en del av Sverige som är känt midsummer and erect a maypole decorated för sina blåa kullar, sina blommande ängar, with summer flowers and green birch leaves, sina trollska sjöar och sin musik. nowhere in Sweden are people more eager to dance round the maypole to the accom- Spelmän i vackra folkdräkter från Dalarna paniment of accordion and fiddles than in är ett vanligt inslag på svenska bröllop oav- Dalecarlia. sett var i landet bröllopet står och att resa en midsommarstång klädd med sommarens Never before have tradition and innovation blommor och gröna björkris som man dansar been as intimately linked as they are in the kring till dragspel och fiol gör man ingenstans folk music of today, and therefore we are es- så gärna som här.