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Slipknot Apresenta a Turnê "Prepare for Hell" Em São Paulo, Em Setembro
Slipknot apresenta a turnê "Prepare for Hell" em São Paulo, em setembro Famosos por seu som pesado e por seu figurino característico que inclui macacões e máscaras, banda anuncia show no dia 27 de setembro, na Arena Anhembi. Ingressos à venda no site da Livepass. Um dos maiores fenômenos internacionais do heavy metal, o Slipknot traz para o país a turnê “Prepare for Hell", que tem base em seu quinto e mais recente álbum de estúdio, .5: The Gray Chapter, lançado em 2014. A apresentação única em São Paulo acontece no dia 27 de setembro, na Arena Anhembi, dentro da plataforma Samsung Galaxy S6 Live Music Rocks. A banda promete um ambicioso show de rock pesado acompanhado por músicas que mostram o futuro doSlipknot, sem esquecer das raízes da banda, tudo isso em um novo palco, especialmente criado para a turnê de 2015. O grupo se apresenta ainda no Rock in Rio, no dia 25 de setembro. A apresentação de São Paulo contará com a participação especial da banda Mastodon. Apresentados por Samsung Galaxy S6 e com patrocínio da Sky e Budweiser, os shows são uma realização da Move Concerts e fazem parte da nova plataforma de música Samsung Galaxy S6 Live Music Rocks. Mais informações sobre venda de ingressos, abaixo, em “Serviço”. Famosos pelo figurino de seus shows, que inclui macacões e máscaras criados especialmente para a banda, o Slipknot promete apresentar no show de São Paulo um set list que reúne não só seus maioreshits, como “Wait and Bleed”, “Duality” e “Psychosocial”, mas também músicas do novo álbum: “The Devil in I”, “Custer” e “The Negative One”. -
Justin Bieber Featuring Slipknot
JUSTIN BIEBER FEATURING SLIPKNOT: Consumption as Mode of Production Ragnhild Brøvig-Hanssen A musical mash-up typically consists of two recognizable recordings that are synchronized such that the vocal(s) of one track are combined with an instrumental version of the other without significant edits.1 The ontological presence of a mash-up band is thus only to be found in the virtual domain––that is, the artists in question have never actually performed together. The virtual music collaborations enabled by mash-up producers invite us to encounter the musical result in ways that are very different from those we apply to non- virtual music collaborations, and, as scholars, we are therefore compelled to analyze the music in a different way as well. Moreover, mash-up music encourages us to rethink what musical authorship, creativity, and musicality means to us today. Because mash-ups often consist of nothing but macro-samples, and often simply of two full-length samples that have hardly been edited at all, mash-up producers have been criticized for lacking talent and creativity; for example, McLeod writes: “Despite my appreciation of them, I do not mean to idealise mash-ups because, as a form of creativity, they are quite limited and limiting.”2 This perspective might also help to explain why scholars usually approach the musical mash-up from a sociological or juridical orientation with a focus on its extramusical features, and, in 1 I am very grateful to Anne Danielsen, Hedda Høgåsen-Hallesby, Nils Nadeau, and Sheila Whiteley for their insightful comments on this chapter. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
Download Day of the Gusano Mp4 SLIPKNOT "Day of the Gusano" 01
download day of the gusano mp4 SLIPKNOT "Day Of The Gusano" 01. Sarcastrophe 02. Eeyore 03. Custer 04. (sic) 05. Me Inside 06. Psychosocial 07. Duality 08. Before I Forget 09. The Devil In I 10. Vermillion 11. Prosthetics 12. Metabolic / 742617000027 13. Spit It Out 14. The Heretic Anthem 15. Wait And Bleed 16. Surfacing / Til We Die. RATING: 7/10. It takes mucho cojones—18 of them, apparently—to stage a giant, carnival-like festival for your first live appearance in a foreign country, and that's exactly what SLIPKNOT did in December of 2015 when they held the seventh Knotfest in Toluca, Mexico (about an hour's drive west of Mexico City). The band's performance was captured on the just-released "Day Of The Gusano" , but instead of being advertised as a live DVD or concert film, "Gusano" (Spanish for "maggot", a word long ago appropriated by the band to describe its fans) has been described as a "documentary". Don't be misled, however, for around four-fifths of its 90-minute running time, "Gusano" , which was screened in select theaters around the world, shows SLIPKNOT performing a 16-song set before an enormous, passionate crowd. (For reasons unknown, the DVD and Blu-ray editions rearrange the track listing from the audio-only release. That version showcases the group's complete 17-song set in the same order in which it was performed, and omits "People = Shit" .) The remaining quarter-hour or so primarily features snippets of interviews with unmasked band members and a handful of unidentified Mexican fans, with both camps attempting to portray the group's arrival in town as a Really. -
Dave Sherratt - Poems
Poetry Series dave sherratt - poems - Publication Date: 2008 Publisher: Poemhunter.com - The World's Poetry Archive dave sherratt(29 june 1965) caring cancerian. i love the english language, finding new words etc. the gothic style also fascinates me. some poetry is from passed experiences. bad relationship, friends passing away, suicide attempt in known as shaggy, very long story. i'm influenced by Freddie Mercury-Queen, Corey Taylor-Slipknot, Danii Filth- Cradle of Filth and Jonathan Davies-Korn. i enjoy reading others. down to earth kind of guy. easy ligently crazy! ! 42yrs old trapped in a teenage mind. dream is to be in a moshpit, when i'm 65, at slipknot gig. think i'm in touch with the many sides of me. dark, romantic, humorous and subliminal! ! www.PoemHunter.com - The World's Poetry Archive 1 A Piece Missing? Why can't I cry? Feeling alone and down satiated pain and a black cloud shroud Breathing is a chore Smiling is fake Cheerful is just an 8 letter word And tears, I want to make Someone send me a smile First class, delivered tonight Erase me and draw me out again in colour, not black and white But i know that isn't possible And I know why i want to let this hurting out But i cannot cry? dave sherratt www.PoemHunter.com - The World's Poetry Archive 2 All Fall Down? acquainted in life or adversary in disguise? communication failure what happened to wise? goodwill gone astray fallen out of grace so we run, so far away so automatic so out of my league have i become another pirate in another treasure chest siege? it's an enigma -
Slipknot – Iowa (2001)
Slipknot – Iowa (2001) Album named after the band's home state of Iowa Bio of the band: Slipknot is a heavy-metal band consisting of nine members, all of whom are male, who became popular because of its extreme music and dramatic stage performances. This group was first formed in the late 1995 in the unlikely locale of Des Moines, IA. It had 3 percussionists, 2 guitarists, 1 bassist, a DJ, a sampler and a lead singer. Aside from their real names, members of the band are also referred to by numbers 0 through 8 and each of them also wears a mask, which they said is part of their personality, like an extension of their body. To explain that, all the group members believe that wearing the masks shows more of what they are like inside and what the music does to them inside. Members include: #1 Joey Jordon- drums (1995-2013) # 2 Paul Gray- bass (1995-2010) #3 Chris Fehn- percussion (1998– present) #4 Jim Root – guitar (1999 – present) #5 Craig Jones - samples (1996 – present) #6 Shawn Crahan -percussion (1995 – present) #7 Mick Thompson -guitar (1996 – present) #8 Corey Taylor - vocals (1997 – present) #9 Sid Wilson - DJ (1998 – present) Iowa Biography: The state of Iowa is probably best known as "the middle of nowhere." Most non-residents consider it the corn-and-pig-state, a geographical black hole. After a couple years of relentless touring in support of their self-titled breakthrough album, Slipknot regrouped to record Iowa, an ode to their home state that consolidates and punctuates everything that had garnered the band its cultish following. -
Alice Cooper 2011.Pdf
® • • • I ’ M - I N - T HE - MIDDLE-WIT HOUT ANT PLANS - I’M A BOY AND I’M-A MAN - I.’ M EIGHTEEN- - ® w Q < o ¡a 2 Ó z s * Tt > o ALICE M > z o g «< COOPER s [ BY BRAD T O L I N S K I ] y a n y standards, short years before, in 1967, Alice Cooper 1973 was an had been scorned as “the most hated exceptional year band” in Los Angeles. The group members for rock & roll. weirded out the locals by being the first Its twelve months hoys that weren’t transvestites to dress as saw the release girls, and their wildly dissonant, fuzzed- of such gems as out psychedelia sent even the most liberal Pink Floyd s The Dark Side of the Moon, hippies fleeing for the door. Any rational H H Led Zeppelin s Houses of the Holy, the human would have said they were 0 o W ho’s Quadrophenia, Stevie Wonders committing professional suicide, but z Innervisions, Elton Johns Goodbye Yellow the band members thought otherwise. Brick Road, and debuts from Lynyrd Who cared if a bunch o f Hollywood squares Skynyrd, Aerosmith, Queen, and the New thought they were gay? At least they Y ork D olls. were being noticed. But the most T H E BAND Every time they provocative and heard somebody audacious treasure G R A B B E D y e ll “faggot;” they of that banner year H EA D LIN ES AND swished more, and was Alice Coopers overnight they found £ o masterpiece, B illio n MADE WAVES fame as the group z w Dollar Babies, a it was hip to hate H m brilliant lampoon of American excess. -
Inzerce Mgr. Ludmila Bílková
pondělí, 7. ledna 2008 číslo 1 / 08 Lead-in Jaké předměty učíte? Jaké své přednosti byste vyzdvihla? V současné době pouze angličtinu, nikdy Máme tu nový rok 2008 a celá redakce Vám Jsem spolehlivá a čestná, dokážu se zastat jsem zde jiný předmět neučila. přeje mnoho úspěchů ve studiu i mimo něj. lidí, kterým bylo ukřivděno. Jaká jste na žáky? Čeho si na Vás cení Vaši kolegové? Asi hnusná. Inzerce Myslím si, že kolegové si nejvíc cení Od příštího čísla začíná na všeobecné přání humanizujícího přístupu k řešení Jaký druh kultury máte nejraději (kino, nová rubrika – Inzerce. Náměty a inzeráty problémů. divadlo...)? posílejte na [email protected] . Uzávěrka pro Hudební koncerty a divadlo. každé číslo je vždy 21. v měsíci, abychom A naopak – čeho si u kolegů ceníte Vy? měli dostatek času vaše inzeráty zpracovat. Vážím si na kolezích takové otevřenosti, Jaký si v divadle vybíráte žánr? Inzeráty doručené později vyjdou příští upřímnosti a férového jednání. Vztahy na Nejraději mám opery a koncerty vážné měsíc. této škole jsou korektní mezi kolegy. hudby. Vzpomenete si na nějakou operu, která se Naši (m)učitelé Co jste studovala po ZŠ? A kde? Studovala jsem Střední všeobecně Vám líbila? vzdělávací školu v Liberci a potom Verdiho Nabucco. Mgr. Ludmila Bílková pedagogickou fakultu UK v Praze. Váš nejoblíbenější literární autor či dílo, hudební styl a film? Z jakého důvodu jste zvolila učitelské povolání? Z hudebního stylu preferuji nezávislou Na učitelku jsem si hrála už odmalička. Byl hudbu. Mým nejoblíbenějším autorem je to nejlepší způsob, jak si prosazovat své Kinsley Amis a milovaná kniha Šťastný vlastní názory a realizovat své představy o džin. -
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: a Cultural and Literary Analysis
J Med Humanit DOI 10.1007/s10912-014-9274-8 Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis Charley Baker & Brian Brown # Springer Science+Business Media New York 2014 Abstract This paper seeks to think creatively about the body of research which claims there is a link between heavy metal music and adolescent alienation, self-destructive behaviours, self- harm and suicide. Such research has been criticised, often by people who belong to heavy metal subcultures, as systematically neglecting to explore, in a meaningful manner, the psychosocial benefits for individuals who both listen to contemporary heavy metal music and socialize in associated groups. We argue that notions of survival, strength, community, and rebellion are key themes in contemporary heavy metal music. Through literary-lyrical analysis of a selection of heavy metal tracks, this paper aims to redress the balance of risk and benefit. We argue that listening to this type of music, the accompanying social relationships, sense of solidarity and even the type of dancing can ameliorate tumultuous and difficult emotions. Songs which could be read as negative can induce feelings of relief through the sense that someone else has felt a particular way and recovered enough to transform these emotions into a creative outlet. This genre of music may therefore not increase the risk of untoward outcomes in any simple sense but rather represent a valuable resource for young people in difficulty. Keywords Self-harm . Suicide . Heavy metal music . Subcultures . Adolescence . Alienation This paper sets out to address the oft-cited relationship between heavy metal music and adolescent self-harm. -
Iowa State Daily, May 2010 Iowa State Daily, 2010
Iowa State Daily, May 2010 Iowa State Daily, 2010 5-25-2010 Iowa State Daily (May 25, 2010) Iowa State Daily Follow this and additional works at: http://lib.dr.iastate.edu/iowastatedaily_2010-05 Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Iowa State Daily, "Iowa State Daily (May 25, 2010)" (2010). Iowa State Daily, May 2010. 3. http://lib.dr.iastate.edu/iowastatedaily_2010-05/3 This Book is brought to you for free and open access by the Iowa State Daily, 2010 at Iowa State University Digital Repository. It has been accepted for inclusion in Iowa State Daily, May 2010 by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. 1 TUESDAY May 25, 2010, Volume 205 >> Number 3 >> 40 cents >> iowastatedaily.com >> An independent newspaper serving Iowa State since 1890 Swimming against the odds Special Olympian Ben Schnable strives to overcome the current in the sport he loves Conservation Station Your eating directory Burritos on Welch Traveling, learning platform Looking for a new place to dine Fighting Burrito is moving 3 teaches Ames children at? Check AmesEats.com 4 to Welch Avenue 2 PAGE 2 | Iowa State Daily | Tuesday, May 25, 2010 A look at Iowa State The information in the log comes from the ISU and the City of Ames police departments’ Only at iowastatedaily.com Police Blotter : ISU, Ames Police Departments records. All those accused of violating the law are innocent until proven guilty in a court of law. at 10:20 a.m.) (reported at 3:21 p.m.) possession of alcohol under May Full coverage of Benjamin Yeager, 7304 Rachel Winterbottom re- the legal age. -
Co W „34” Piszczy? Julia Marek, 5A Wielka Orkiestra Świątecznej Pomocy
MIESIĘCZNIK SZKOŁY PODSTAWOWEJ NR 34 im. WOJSKA POLSKIEGO w Poznaniu na osiedlu Bolesława Śmiałego 107 Nr 3 ( 196 ) grudzień/styczeń 2020 Marzę, aby ludzie więcej robili dla własnego zdrowia – rozmowa z panią Agnieszką Wielgosik, szkolną Detektyw pielęgniarką. Piórko zanotował „Szkolniaczek”: Co robi szkolna pielęgniarka? Agnieszka Wielgosik: Główną rolą pielęgniarki szkolnej jest Ósmoklasiści zmagali wykonywanie działań profilaktycznych mających za zadanie zapobieganie i wczesne wykrywanie chorób (np. badania bilansowe, się z egzaminem próbnym. badania przesiewowe, nadzorowane szczotkowanie zębów preparatem fluorkowym ), promocja zdrowia, a w niej edukacja Okazaliśmy jak zwykle zdrowotna oraz udzielanie pomocy medycznej w urazach i nagłych dużo serca, włączając zachorowaniach. się w akcje charytatywne. „Szk.”: Czy praca w szkole jest trudna? Lubi Pani swoją pracę? Kiermasz świąteczny A.W.: Pielęgniarka szkolna w całości sama odpowiada za świadczone i wspólne kolędowanie usługi, ich jakość, terminy realizacji, współpracę z personelem wprowadziły nas w placówki, opiekunami uczniów, instytucjami pozaszkolnymi oraz świąteczny nastrój. udzielaną pomoc medyczną, co wymaga stałego doszkalania na A po świętach wielu płaszczyznach. najtrudniejszy czas dla Lubię swojąCo pracę w i„34” z przyjemnością piszczy codziennie? przychodzę do uczniów i nauczycieli – gabinetu w Zespole Szkolno -Przedszkolnym nr 8. wystawianie ocen. Po raz kolejny „34” zagrała razem z Wielką Orkiestrą Świątecznej Pomocy. Już wkrótce ferie zimowe! 1 „Szk.”: Z jakimi dolegliwościami przychodzą najczęściej uczniowie do gabinetu? A.W.: Do szkolnego gabinetu przychodzą uczniowie z bardzo różnymi dolegliwościami, więc indywidualnie podchodzę do każdego przypadku. Najczęściej udaje się udzielić porady w gabinecie szkolnym, ale zdarzają się sytuacje, gdy potrzebna jest interwencja pogotowia ratunkowego. „Szk.”: Gdzie jeszcze może pracować pielęgniarka? A.W.: Każda pielęgniarka może również pracować w placówkach medycznych (np. -
The Discursive Construction of Ideal Heavy Metal
1 Vulgar Discourses of Power: The Discursive Construction of Ideal Heavy Metal Subjectivity and the Erasure of Black, Indigenous, and Women of Colour in Heavy Metal Music Culture By Michelle Bona A Thesis Submitted to Saint Mary’s University, Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Women and Gender Studies April 2021, Halifax, Nova Scotia Copyright Michelle Bona, 2021 Approved: Dr. Tatjana Takševa Supervisor Approved: Dr. Jacqueline Warwick Examiner Approved: Dr. Tracy Moniz Reader Date: 23 April 2021 2 Abstract Vulgar Discourses of Power: The Discursive Construction of Ideal Heavy Metal Subjectivity and the Erasure of Black, Indigenous, and Women of Colour in Heavy Metal Music Culture By Michelle Bona Heavy metal music culture has been a bastion of working-class white masculinity since its beginnings in the early 1970s. Through canonization and Historical documentation, white male dominance has been ensured, obscuring contributions made by white female performers and erasing black, Indigenous, and women of colour (BIWoC) from the genre. Utilizing feminist critical discourse analysis (feminist CDA) to examine texts by canonized male bands reveals the discursive parameters of ideal heavy metal subjectivity (IHMS). Exploration of texts created by white female performers, including a case study of Arch Enemy vocalist Alissa White-Gluz, isolates the necessity for white female performers to reproduce the discourses of IHMS in order to secure their participation in the culture, further contributing to the erasure of BIWoC performers. However, feminist CDA also reveals transformative potential within these texts to de-centre IHMS as the default subject position and shows white women’s agency and resiliency as performers.