Year 7: Myths and Legends Home Pack
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Hellenic Saga Gaia (Earth)
The Hellenic Saga Gaia (Earth) Uranus (Heaven) Oceanus = Tethys Iapetus (Titan) = Clymene Themis Atlas Menoetius Prometheus Epimetheus = Pandora Prometheus • “Prometheus made humans out of earth and water, and he also gave them fire…” (Apollodorus Library 1.7.1) • … “and scatter-brained Epimetheus from the first was a mischief to men who eat bread; for it was he who first took of Zeus the woman, the maiden whom he had formed” (Hesiod Theogony ca. 509) Prometheus and Zeus • Zeus concealed the secret of life • Trick of the meat and fat • Zeus concealed fire • Prometheus stole it and gave it to man • Freidrich H. Fuger, 1751 - 1818 • Zeus ordered the creation of Pandora • Zeus chained Prometheus to a mountain • The accounts here are many and confused Maxfield Parish Prometheus 1919 Prometheus Chained Dirck van Baburen 1594 - 1624 Prometheus Nicolas-Sébastien Adam 1705 - 1778 Frankenstein: The Modern Prometheus • Novel by Mary Shelly • First published in 1818. • The first true Science Fiction novel • Victor Frankenstein is Prometheus • As with the story of Prometheus, the novel asks about cause and effect, and about responsibility. • Is man accountable for his creations? • Is God? • Are there moral, ethical constraints on man’s creative urges? Mary Shelly • “I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world” (Introduction to the 1831 edition) Did I request thee, from my clay To mould me man? Did I solicit thee From darkness to promote me? John Milton, Paradise Lost 10. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Robert Graves
Robert Graves Robert Graves The University of San Francisco aims “to cultivate the heart that it may love worthwhile things.” First editions with inscriptions and corrected galley proofs of such a writer as Robert Graves, Professor of Poetry at Oxford, have the magic to thrill the student, to give him a love of learning sufficient for a lifetime. Therefore, the University and the Gleeson Library Associates thank Mr. Walter Bartmann for adding to the cultivation of our students by the donation of his collection of first editions of Robert Graves. All titles of this collection are contained in the checklist except ephemera. Titles with asterisk are not in the collection but will be added. ANNUAL MEETING Gleeson Library Associates APRIL 29, 1962 A Checklist Robert Graves Section I Poetry, Novels and Essays 1916 Over the Brazier. David and Goliath. With author's book-plate. 1917 Fairies and Fusiliers. 1919 The White Cloud.* 1920 Treasure Box. Privately printed and signed. 1921 The Pier-Glass. 1922 On English Poetry. Robert Graves http://www.loc.gov/resource/rbpe.0020390s 1923 The Feather Bed. No. 82 of 250 signed. Whipperginny. 1924 Mock Beggar Hall. The Meaning of Dreams. 1925 Welchman's Hose. 525 copies. John Kemp's Wager: A Ballad Opera. My Head! My Head! Contemporary Techniques in Poetry: a Political Analogy. Poetical Unreason and Other Studies. 1926 Another Future of Poetry.* Impenetrability. 1927 Poems 1914–1926. No. 18 of 115 signed. The English Ballad. Lars Porsena or The Future of Swearing. Lawrence and the Arabs. 1928 Mrs. Fisher or The Future of Humour. -
THE ELEUSINIAN MYSTERIES of DEMETER and PERSEPHONE: Fertility, Sexuality, Ancl Rebirth Mara Lynn Keller
THE ELEUSINIAN MYSTERIES OF DEMETER AND PERSEPHONE: Fertility, Sexuality, ancl Rebirth Mara Lynn Keller The story of Demeter and Persephone, mother and daugher naturc goddesses, provides us with insights into the core beliefs by which earl) agrarian peoples of the Mediterranean related to “the creative forces of thc universe”-which some people call God, or Goddess.’ The rites of Demetei and Persephone speak to the experiences of life that remain through all time< the most mysterious-birth, sexuality, death-and also to the greatest niys tery of all, enduring love. In these ceremonies, women and inen expressec joy in the beauty and abundance of nature, especially the bountiful harvest in personal love, sexuality and procreation; and in the rebirth of the humail spirit, even through suffering and death. Cicero wrote of these rites: “Wc have been given a reason not only to live in joy, but also to die with bettei hope. ”2 The Mother Earth religion ceIebrated her children’s birth, enjoyment of life and loving return to her in death. The Earth both nourished the living and welcomed back into her body the dead. As Aeschylus wrote in TIic Libation Bearers: Yea, summon Earth, who brings all things to life and rears, and takes again into her womb.3 I wish to express my gratitude for the love and wisdom of my mother, hlary 1’. Keller, and of Dr. Muriel Chapman. They have been invaluable soiirces of insight and under- standing for me in these studies. So also have been the scholarship, vision atdot- friendship of Carol €! Christ, Charlene Spretnak, Deem Metzger, Carol Lee Saiichez, Ruby Rohrlich, Starhawk, Jane Ellen Harrison, Kiane Eisler, Alexis Masters, Richard Trapp, John Glanville, Judith Plaskow, Jim Syfers, Jim Moses, Bonnie blacCregor and Lil Moed. -
7 Butchering Girls
7 BUTCHERING GIRLS Red Riding Hood and Bluebeard For heroines of the ‘innocent slandered maiden’ type we can expect a murder attempt, but the tale does not really centre on the murder episode as such, and the heroine for her part does not do a great deal to avert her fate, although she may show considerable initiative in variants where she is disguised as a man. Other tale-plots are, however, considerably more inclined to indulge an appetite for ghoulish horror, at times apparently for its own sake, and the ‘compassionate executioner’ is not likely to be on standby either. Tales of plucky young girls who elude being devoured or murdered by an animal or human predator are well entrenched in the modern repertoire. The best known are Little Red Riding Hood (Little Redcap) and Bluebeard; both are often felt to be tales of relatively limited distribution and obscure early history. Once more there is a great deal of further exploration still to be done. Red Riding Hood (AT Type 333)1 The Perrault version of Little Red Riding Hood is the first available example of the modern tale, and also the best known: The girl in the red cape has to cross the wood on an errand to her grandmother. In conversation the wolf elicits details of her errand, comes to the grandmother’s house by a different route, and swallows both. Not until the Grimms does there appear to be a happy ending, in which the wolf is forced to disgorge the victims still alive and is then himself killed by having his belly weighted with stones; a second wolf in a clumsy doublet attack is then drowned in a water butt. -
Amphitrite - Wiktionary
Amphitrite - Wiktionary https://en.wiktionary.org/wiki/Amphitrite Amphitrite Definition from Wiktionary, the free dictionary See also: amphitrite Contents 1 Translingual 1.1 Etymology 1.2 Proper noun 1.2.1 Hypernyms 1.3 External links 2 English 2.1 Etymology 2.2 Pronunciation 2.3 Proper noun 2.3.1 Translations Translingual Etymology New Latin , from Ancient Greek Ἀµφιτρίτη ( Amphitrít ē, “mother of Poseidon”), also "three times around", perhaps for the coiled forms specimens take. Amphitrite , unidentified Amphitrite ornata species Proper noun Amphitrite f 1. A taxonomic genus within the family Terebellidae — spaghetti worms, sea-floor-dwelling polychetes. 1 of 2 10/11/2014 5:32 PM Amphitrite - Wiktionary https://en.wiktionary.org/wiki/Amphitrite Hypernyms (genus ): Animalia - kingdom; Annelida - phylum; Polychaeta - classis; Palpata - subclass; Canalipalpata - order; Terebellida - suborder; Terebellidae - family; Amphitritinae - subfamily External links Terebellidae on Wikipedia. Amphitritinae on Wikispecies. Amphitrite (Terebellidae) on Wikimedia Commons. English Etymology From Ancient Greek Ἀµφιτρίτη ( Amphitrít ē) Pronunciation Amphitrite astronomical (US ) IPA (key): /ˌæm.fɪˈtɹaɪ.ti/ symbol Proper noun Amphitrite 1. (Greek mythology ) A nymph, the wife of Poseidon. 2. (astronomy ) Short for 29 Amphitrite, a main belt asteroid. Translations ±Greek goddess [show ▼] Retrieved from "http://en.wiktionary.org/w/index.php?title=Amphitrite&oldid=28879262" Categories: Translingual terms derived from New Latin Translingual terms derived from Ancient Greek Translingual lemmas Translingual proper nouns mul:Taxonomic names (genus) English terms derived from Ancient Greek English lemmas English proper nouns en:Greek deities en:Astronomy en:Asteroids This page was last modified on 27 August 2014, at 03:08. Text is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply. -
Hera – Reading Group Guide
HERA – READING GROUP GUIDE About the Book: Hera: the Goddess and Her Glory is the third book in Olympians, a new graphic novel series from First Second that retells the Greek myths. It recounts the story of Hera, from her marriage to Zeus and ascendance as the Queen of the Gods, to her patronage of many of the heroes of Ancient Greek. For Discussion: Hera is the goddess of marriage, yet her own marriage to Zeus is full of fights. Who do you think is to blame for that, Zeus or Hera? (Watch out for lightning bolts and giant snakes when answering this question.) When Jerry Siegel and Joe Shuster created Superman in the 1930’s, they consciously modeled him on Heracles. What are some aspects that Superman and Heracles have in common? Heracles and Jason are two of the greatest heroes of Ancient Greece, and are both closely connected to Hera. But their respective relationships with her are quite different. Why do you think that is? Many of the names in this book will be very familiar to modern readers, like Atlas and Heracles. What are some modern things that have names taken from Green mythology? Do you think it’s fair that Hera punishes the children and girlfriends of Zeus? Is it fair that Zeus keeps cheating on Hera? The number twelve comes up often in the Greek myths. Heracles performs twelve labors; there are twelve Olympians, and twelve Titans before them. Why is the number twelve so important? What other numbers come up a lot in the Greek myths? Heracles is given a choice between a hard life, in which he would have to work for everything but would be remembered forever, and an easy life, in which where everything would be given to him. -
What Is Greek About Greek Mythology?
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 4 | 1991 Varia What is Greek about Greek Mythology? David Konstan Electronic version URL: http://journals.openedition.org/kernos/280 DOI: 10.4000/kernos.280 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1991 Number of pages: 11-30 ISSN: 0776-3824 Electronic reference David Konstan, « What is Greek about Greek Mythology? », Kernos [Online], 4 | 1991, Online since 11 March 2011, connection on 01 May 2019. URL : http://journals.openedition.org/kernos/280 ; DOI : 10.4000/kernos.280 Kernos Kernos, 4 (1991), p. 11-30. WHAT IS GREEK ABOUT GREEK MYTHOLOGY? The paper that follows began as a lecture, in which 1 attempted to set out for a group of college teachers what was specifie to Greek mythology, as opposed to the mythologies of other peoples1. Of course, there is no single trait that is unique to Greek myths. But there are several characteristics of Greek mythology that are, despite the intense attention it has received for decades and even centuries, still not commonly noticed in the scholarly literature, and which, taken together, contribute to its particular nature. By the device of contrasting with Greek myths a single narrative from a very different society, 1 thought that 1 might set in relief certain features that have by and large been overlooked, in part precisely because they are so familiar as to seem perfectly natural. My survey of the characteristics of Greek mythology, needless to say, makes no pretense to being exhaustive. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Opening Pandora's
Opening Pandora’s Box: From Ancient Sacrifice to Family Secrets April 12, 2008 2:30 PM The Philoctetes Center Levy: Francis Levy Nersessian: Edward Nersessian Blum: Harold Blum Branham: Joan Branham Braverman: Lois Braverman Harrison: Kathryn Harrison Pedrick: Victoria Pedrick A: Speaker from audience Levy: I’m Francis Levy. I’m co-director of the Philoctetes Center. Ed Nersessian is the other co- director. And welcome to Opening Pandora’s Box. The art you see on the walls here is from a show called Self-Reflection: The True Mirror that was curated by Hallie Cohen, who is the Chairman of the Art Department at Marymount Manhattan College. The title of this show refers actually to a true mirror which exists in the annex outside. This is an object where if you look into it you see yourself the way others see you. I’ve said this before, but I just have to say it again: I looked into it and I just wasn’t happy with what I saw. I promise I won’t say that again. I’m now pleased to introduce Harold Blum. Harold Blum is a Clinical Professor of Psychiatry and a training analyst at the New York University School of Medicine. Currently, he serves as Executive Director of the Sigmund Freud Archives and is a distinguished fellow at the American Psychiatric Association. He is past President of the Psychoanalytic Research and Development fund, past Vice President of the International Psychoanalytical Association, and former editor-in- chief of the Journal of the American Psychoanalytic Association. He is the author of several books and more than 150 psychoanalytic papers, so watch out. -
Scriptie Korai Zonder Naam
Korai zonder naam De mythologische context binnen het Perikleïsche bouwprogramma Leonore Poldervaart 3745368 [email protected] Scriptie BA Geschiedenis Heilige Plaatsen Dr. Floris van den Eijnde 19 juni 2015 7963 woorden Inhoudsopgave Inleiding ................................................................................................................................................... 3 Een beknopte voorgeschiedenis ............................................................................................................ 6 Het heiligdom als verhalenverteller ..................................................................................................... 10 De korai krijgen een naam ................................................................................................................... 15 Conclusie ............................................................................................................................................... 19 De conclusie gevisualiseerd .................................................................................................................. 21 Bibliografie ............................................................................................................................................ 23 2 Inleiding De enigmatische vrouwelijke sculpturen van het Erechtheion vormen naast het Parthenon een van de meest opvallende kenmerken van de Akropolis in Athene en al vele jaren vormen zij een punt van discussie. Waarom staan juist op deze plaats dergelijke beelden, -
Bulfinch's Mythology
Bulfinch's Mythology Thomas Bulfinch Bulfinch's Mythology Table of Contents Bulfinch's Mythology..........................................................................................................................................1 Thomas Bulfinch......................................................................................................................................1 PUBLISHERS' PREFACE......................................................................................................................3 AUTHOR'S PREFACE...........................................................................................................................4 STORIES OF GODS AND HEROES..................................................................................................................7 CHAPTER I. INTRODUCTION.............................................................................................................7 CHAPTER II. PROMETHEUS AND PANDORA...............................................................................13 CHAPTER III. APOLLO AND DAPHNEPYRAMUS AND THISBE CEPHALUS AND PROCRIS7 CHAPTER IV. JUNO AND HER RIVALS, IO AND CALLISTODIANA AND ACTAEONLATONA2 AND THE RUSTICS CHAPTER V. PHAETON.....................................................................................................................27 CHAPTER VI. MIDASBAUCIS AND PHILEMON........................................................................31 CHAPTER VII. PROSERPINEGLAUCUS AND SCYLLA............................................................34