THE ELEUSINIAN MYSTERIES of DEMETER and PERSEPHONE: Fertility, Sexuality, Ancl Rebirth Mara Lynn Keller
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Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011
Demeter and Dionysos: Connections in Literature, Cult and Iconography Kathryn Cook April 2011 Demeter and Dionysos are two gods among the Greek pantheon who are not often paired up by modern scholars; however, evidence from a number of sources alluding to myth, cult and iconography shows that there are similarities and connections observable from our present point of view, that were commented upon by contemporary authors. This paper attempts to examine the similarities and connections between Demeter and Dionysos up through the Classical period. These two deities were not always entwined in myth. Early evidence of gods in the Linear B tablets mention Dionysos as the name of a deity, but Demeter’s name does not appear in the records until later. Over the centuries (up to approximately the 6th century as mentioned in this paper), Demeter and Dionysos seem to have been depicted together in cult and in literature more and more often. In particular, the figure of Iacchos in the Eleusinian cult seems to form a bridging element between the two which grew from being a personification of the procession for Demeter, into being a Dionysos figure who participated in her cult. Literature: Demeter and Dionysos have some interesting parallels in literature. To begin with, they are both rarely mentioned in the Homeric poems, compared to other gods like Hera or Athena. In the Iliad, neither Demeter nor Dionysos plays a role as a main character. Instead they are mentioned in passing, as an example or as an element of an epic simile.1 These two divine figures are present even less often in the Odyssey, though this is perhaps a reflection of the fewer appearances of the gods overall, they are 1 Demeter: 2.696. -
Ancient Religions: Public Worship of the Greeks and Romans by E.M
Ancient Religions: Public worship of the Greeks and Romans By E.M. Berens, adapted by Newsela staff on 10.07.16 Word Count 1,250 Level 1190L TOP: The temple and oracle of Apollo, called the Didymaion in Didyma, an ancient Greek sanctuary on the coast of Ionia (now Turkey), Wikimedia Commons. MIDDLE: The copper statue of Zeus of Artemision in the National Archaeological Museum, Athens, Greece. BOTTOM: Engraving shows the Oracle of Delphi, bathed in shaft of light atop a pedestal and surrounded by cloaked figures, Delphi, Greece. Getty Images. Temples Long ago, the Greeks had no shrines or sanctuaries for public worship. They performed their devotions beneath the vast and boundless canopy of heaven, in the great temple of nature itself. Believing that their gods lived above in the clouds, worshippers naturally searched for the highest available points to place themselves in the closest communion possible with their gods. Therefore, the summits of high mountains were selected for devotional purposes. The inconvenience of worshipping outdoors gradually suggested the idea of building temples that would offer shelter from bad weather. These first temples were of the most simple form, without decoration. As the Greeks became a wealthy and powerful people, temples were built and adorned with great splendor and magnificence. So massively were they constructed that some of them have withstood the ravages of This article is available at 5 reading levels at https://newsela.com. time. The city of Athens especially contains numerous remains of these buildings of antiquity. These ruins are most valuable since they are sufficiently complete to enable archaeologists to study the plan and character of the original structures. -
Liquids in Temple Ritual
UCLA UCLA Encyclopedia of Egyptology Title Liquids in Temple Ritual Permalink https://escholarship.org/uc/item/7gh1n151 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Poo, Mu-Chou Publication Date 2010-09-25 Peer reviewed eScholarship.org Powered by the California Digital Library University of California LIQUIDS IN TEMPLE RITUAL السوائل بطقوس المعابد Mu-chou Poo EDITORS WILLEKE WENDRICH Editor-in-Chief Area Editor Material Culture University of California, Los Angeles JACCO DIELEMAN Editor University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Poo 2010, Liquids in Temple Ritual. UEE. Full Citation: Poo, Mu-chou, 2010, Liquids in Temple Ritual. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025dxbr 1088 Version 1, September 2010 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz0025dxbr LIQUIDS IN TEMPLE RITUAL السوائل بطقوس المعابد Mu-chou Poo Flüssigkeiten im Tempelritual Les liquides utilisés dans les rituels du temple In ancient Egypt the liquids most commonly used in temple rituals included wine, beer, milk, and water. The meaning of the ritual act was intimately related to the nature of the liquid employed, as well as to whatever religious and mythological associations the liquid was known to possess. With the exception of beer, all the ritual offerings of liquids were connected in some way with the idea of rejuvenation. كانت أكثر السوائل المستخدمة بالطقوس بالمعابد ھي النبيذ والجعة والحليب والماء، فكان مغزى الطقسه مرتبط بطبيعة السائل المستخدم وأيضاً متعلق باﻹرتباطات الدينية واﻷسطورية المعروفة عن ھذا السائل. -
Beyond Mysteries
The Hybrid History of Ancient Eleusis Cluster of Excellence “Religion and Politics” International Conference of the Cluster of Excellence Situated at the crossroads of ancient Greek history, The Cluster of Excellence “Religion and Politics. Dynamics “Religion and Politics” Eleusis was subject to changing fortunes in the world. of Tradition and Innovation” has been investigating since From an Athenian perspective, Eleusis marked the 2007 the complex relationship between religion and fringes of their territory. From everybody else’s point of politics across eras and cultures. In the funding phase Beyond Mysteries view, it was either a destination or a gateway: to from 2019 to 2025, the 140 researchers from 20 Athens, the Saronic region and Aegean, Central Greece, disciplines in the humanities and social sciences analyze The Hybrid History of Ancient Eleusis or the Peloponnese. in transepochal studies ranging from antiquity to the present day the factors that make religion the motor of The conference explores this inherent status of in- political and social change. The research network is the September 30 to October 2, 2021| Conference betweenness. It invites approaches that appreciate the largest of its kind in Germany; and, of the Clusters of local horizon as a sphere where different vectors of Excellence, one of the oldest and the only one to deal with Center Stadthotel Münster and Zoom culture touch, both complementarily and conflictually, the issue of religion. It will receive funding of 31 million to shape a hybrid history of place; for instance, an euros from 2019 to 2025. amalgamation of diverse natural environments and different political entities; of boundedness and Contact entanglement; imaginaries of isolation and belonging; Cluster of Excellence „Religion and Politics“ material and immaterial expressions in culture that Johannisstraße 1, 48143 Münster were in themselves fused by local, regional, and [email protected] universal practices. -
Dionysus, Wine, and Tragic Poetry: a Metatheatrical Reading of P.Koln VI 242A=Trgf II F646a Anton Bierl
BIERL, ANTON, Dionysus, Wine, and Tragic Poetry: A Metatheatrical Reading of a New Dramatic Papyrus , Greek, Roman and Byzantine Studies, 31:4 (1990:Winter) p.353 Dionysus, Wine, and Tragic Poetry: A Metatheatrical Reading of P.Koln VI 242A=TrGF II F646a Anton Bierl EW DRAMATIC PAPYRUS1 confronts interpreters with many ~puzzling questions. In this paper I shall try to solve some of these by applying a new perspective to the text. I believe that this fragment is connected with a specific literary feature of drama especially prominent in the bnal decades of the bfth century B.C., viz. theatrical self-consciousness and the use of Dionysus, the god of Athenian drama, as a basic symbol for this tendency. 2 The History of the Papyrus Among the most important papyri brought to light by Anton Fackelmann is an anthology of Greek prose and poetry, which includes 19 verses of a dramatic text in catalectic anapestic tetrameters. Dr Fackelmann entrusted the publication of this papyrus to Barbel Kramer of the University of Cologne. Her editio princeps appeared in 1979 as P. Fackelmann 5. 3 Two years later the verses were edited a second time by Richard Kannicht and Bruno Snell and integrated into the Fragmenta Adespota in 1 This papyrus has already been treated by the author in Dionysos und die griechische Trag odie. Politische und 'metatheatralische' Aspekte im Text (Tiibingen 1991: hereafter 'Bieri') 248-53. The interpretation offered here is an expansion of my earlier provisional comments in the Appendix, presenting fragments of tragedy dealing with Dionysus. 2 See C. -
Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
INSCRIPTIONS from ATTICA 27 Inscriptions
INSCRIPTIONSFROM ATTICA (PLATE 15: b, c, d) JTN THE course of the years 1947, 1948, and 1949 the undersignedhave made a series of excursions in Attica, as time and their other duties permitted, for the purpose of making squeezes of inscriptions in the outlying areaS-for the collection at the Institute for Advanced Study. Among the many inscriptions already known, a few new pieces turned up which we publish below. We add also a few comments on some previously published texts. 1. Dedication to Pythian Apollo (Plate 15, b) Church of the Panagia, Merenda, southeast of Markopoulo, site of the ancient deme of Myrrhinous. Found in June 1948 lying in front of the church where it had probably been at least since 1929 to judge by the graffito on the face. Probably dis- covered somewhere in the immediate neighborhood. Brought to the Epigraphical Museum, Athens, March 1949; now E.M. 13,120. The stone is a rectangular pillar of Hymettian marble which tapers slightly towards the top. It is broken below and it has been re-worked above at the back to a rough curving surface as if someone had started to make it into a capital for the window column of a church. The sides are dressed with a toothed chisel at the edges and are smooth picked at the center. The back is rough picked. The letters run vertically from top to bottom. The inscription is complete at the right (lower) end, and only a little is missing at the left (top) as the meter shows. The inscribed face is marred by a modern graffito consisting of the name Stelios Katroulis, the date 1929, a cross and a steamboat. -
Resounding Mysteries: Sound and Silence in the Eleusinian Soundscape
Body bar (print) issn 2057–5823 and bar (online) issn 2057–5831 Religion Article Resounding mysteries: sound and silence in the Eleusinian soundscape Georgia Petridou Abstract The term ‘soundscape’, as coined by the Canadian composer R. Murray Schafer at the end of the 1960s, refers to the part of the acoustic environment that is per- ceivable by humans. This study attempts to reconstruct roughly the Eleusinian ‘soundscape’ (the words and the sounds made and heard, and those others who remained unheard) as participants in the Great Mysteries of the two Goddesses may have perceived it in the Classical and post-Classical periods. Unlike other mystery cults (e.g. the Cult of Cybele and Attis) whose soundscapes have been meticulously investigated, the soundscape of Eleusis has received relatively little attention, since the visual aspect of the Megala Mysteria of Demeter and Kore has for decades monopolised the scholarly attention. This study aims at putting things right on this front, and simultaneously look closely at the relational dynamic of the acoustic segment of Eleusis as it can be surmised from the work of well-known orators and philosophers of the first and second centuries ce. Keywords: Demeter; Eleusis; Kore; mysteries; silence; sound; soundscape Affiliation University of Liverpool, UK. email: [email protected] bar vol 2.1 2018 68–87 doi: https://doi.org/10.1558/bar.36485 ©2018, equinox publishing RESOUNDING MYSTERIES: SOUND AND SILENCE IN THE ELEUSINIAN SOUNDSCAPE 69 Sound, like breath, is experienced as a movement of coming and going, inspiration and expiration. If that is so, then we should say of the body, as it sings, hums, whistles or speaks, that it is ensounded. -
Ave Developed a General Understanding That the Origins of Sports Activitieslie Rooted in the Cults of Antiquity
ge. DOCUMENT RESUME ED 129 827 SP 010 544 AUTHOR Eisen, George TITLE The Role of Women in Ancient Fertility Cults andthe Origin of Sports. PUB DATE Jun 76 NOTE 11p.; Paper presented to the Annual Conventionof North American Society for Sport History (4th, Eugene, Oregon, June 16-19, 1976) EDRS PRICE MF-$0.83 HC-$1.67 Plus Postage. DESCRIPTORS Ancient History; *Athletics; Dance; *Mythology; *Religious Factors; Social History; Wouens Athletics; *Womens Studies IDENTIFIERS Agricultural Cults; *Fertility Cults; Sport History ABSTRACT Sports historians have developed a general understanding that the origins of sports activitieslie rooted in the cults of antiquity. More specifically, it can be seenthat ancient religious customs and festivals in honor of fertilitygoddesses were transformed into sports activities in which womenfigured prominently. Throughout the Mediterranean basin, cultsof the Earth Mother (Magna Mater, Gain, Isis, Demeter) wereclosely associated with fertility and agriculture. Festivals heldin honor of these goddesses involved singing, acrobatic dancing,and racing. Women, as devotees of these deities, were the majorparticipants in bare-foot fertility races, ball games, and cult rituals,which later developed into nonreligious folk games. It wouldthus seem that women's contributions to the development of sports and games were more important than previously acknowledged by scholars. (NB) *********************************************************************** * Documents acquired by ERIC include manyinformal unpublished * * materials not available-from othersources.,ERIC makes every effort * * to obtain-tte-best copyavailable:,Neverthelesm..iteisof murginal * * reproducibility are.often encounterdd andthistffectsc,tthe quality .*'. * of the:microfiche andhardcopy'reproductionstEiIUkei'-available_ * * via the:ERIC Document Reproduction-Service'.1EDR$W:168S%is not * responsible for the-quality ofthe:originak:do00entReproductions:, * supplfed by EDRS-are the .best-that canbelaide2ficin'the,original.;_. -
Greek Characters
Amphitrite - Wife to Poseidon and a water nymph. Poseidon - God of the sea and son to Cronos and Rhea. The Trident is his symbol. Arachne - Lost a weaving contest to Athene and was turned into a spider. Father was a dyer of wool. Athene - Goddess of wisdom. Daughter of Zeus who came out of Zeus’s head. Eros - Son of Aphrodite who’s Roman name is Cupid; Shoots arrows to make people fall in love. Demeter - Goddess of the harvest and fertility. Daughter of Cronos and Rhea. Hades - Ruler of the underworld, Tartaros. Son of Cronos and Rhea. Brother to Zeus and Poseidon. Hermes - God of commerce, patron of liars, thieves, gamblers, and travelers. The messenger god. Persephone - Daughter of Demeter. Painted the flowers of the field and was taken to the underworld by Hades. Daedalus - Greece’s greatest inventor and architect. Built the Labyrinth to house the Minotaur. Created wings to fly off the island of Crete. Icarus - Flew too high to the sun after being warned and died in the sea which was named after him. Son of Daedalus. Oranos - Titan of the Sky. Son of Gaia and father to Cronos. Aphrodite - Born from the foam of Oceanus and the blood of Oranos. She’s the goddess of Love and beauty. Prometheus - Known as mankind’s first friend. Was tied to a Mountain and liver eaten forever. Son of Oranos and Gaia. Gave fire and taught men how to hunt. Apollo - God of the sun and also medicine, gold, and music. Son of Zeus and Leto. Baucis - Old peasant woman entertained Zeus and Hermes. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
We, the Undersigned Organizations and Individuals, Working In
We, the undersigned organizations and individuals, working in collaboration with the NGO Coalition to End Violence and Harassment in the World of Work, applaud the historic adoption of the International Labour Organization’s (ILO) Convention 190 (2019), concerning the elimination of violence and harassment in the world of work. Further, we call upon all Member States of the United Nations to ratify C190, and to move resolutely towards effective implementation without delay. The NGO Coalition is an initiative of four substantive committees of the Conference of NGOs in Consultative Relationship with the United Nations (CoNGO) which have come together to assure ratification and implementation of ILO C 190: the NGO Committee on Financing for Development, the NGO Committee on the Status of Women (NY), the NGO Committee on Social Development and the NGO Committee on Migration, in partnership with the NGO Committee to Stop Trafficking in Persons. The Coalition was created to advance ratification of ILO C 190 and to promote its long-term goal of ending violence and harassment in the world of work. Numerous reports1 have highlighted the pervasiveness of violence and harassment in the world of work, and their negative impacts on the physical, mental, emotional, social, and economic well-being of those affected. The UN Secretary General's Report on Violence against Women Migrant Workers (July 2019)2, urges Member States to ratify and implement ILO C 190, and to protect migrant women from violence in the world of work, while the UN General Assembly Resolution A/Res/74/1273 notes the Convention, and urges Member States to adopt effective measures to combat violence and harassment impacting migrant women workers.