Ave Developed a General Understanding That the Origins of Sports Activitieslie Rooted in the Cults of Antiquity
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Athenians and Eleusinians in the West Pediment of the Parthenon
ATHENIANS AND ELEUSINIANS IN THE WEST PEDIMENT OF THE PARTHENON (PLATE 95) T HE IDENTIFICATION of the figuresin the west pedimentof the Parthenonhas long been problematic.I The evidencereadily enables us to reconstructthe composition of the pedimentand to identify its central figures.The subsidiaryfigures, however, are rath- er more difficult to interpret. I propose that those on the left side of the pediment may be identifiedas membersof the Athenian royal family, associatedwith the goddessAthena, and those on the right as membersof the Eleusinian royal family, associatedwith the god Posei- don. This alignment reflects the strife of the two gods on a heroic level, by referringto the legendary war between Athens and Eleusis. The recognition of the disjunctionbetween Athenians and Eleusinians and of parallelism and contrastbetween individualsand groups of figures on the pedimentpermits the identificationof each figure. The referenceto Eleusis in the pediment,moreover, indicates the importanceof that city and its majorcult, the Eleu- sinian Mysteries, to the Athenians. The referencereflects the developmentand exploitation of Athenian control of the Mysteries during the Archaic and Classical periods. This new proposalfor the identificationof the subsidiaryfigures of the west pedimentthus has critical I This article has its origins in a paper I wrote in a graduateseminar directedby ProfessorJohn Pollini at The Johns Hopkins University in 1979. I returned to this paper to revise and expand its ideas during 1986/1987, when I held the Jacob Hirsch Fellowship at the American School of Classical Studies at Athens. In the summer of 1988, I was given a grant by the Committeeon Research of Tulane University to conduct furtherresearch for the article. -
Aspects of the Demeter/Persephone Myth in Modern Fiction
Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed. -
Bollingen Series, –
Bollingen Series, – Bollingen Series, named for the small village in Switzerland where Carl Gustav Jung had a private retreat, was originated by the phi- lanthropist Paul Mellon and his first wife, Mary Conover Mellon, in . Both Mellons were analysands of Jung in Switzerland in the s and had been welcomed into his personal circle, which included the eclectic group of scholars who had recently inaugu- rated the prestigious conferences known as the Eranos Lectures, held annually in Ascona, Switzerland. In the couple established Bollingen Foundation as a source of fellowships and subventions related to humanistic scholarship and institutions, but its grounding mission came to be the Bollin- gen book series. The original inspiration for the series had been Mary Mellon’s wish to publish a comprehensive English-language translation of the works of Jung. In Paul Mellon’s words,“The idea of the Collected Works of Jung might be considered the central core, the binding factor, not only of the Foundation’s general direction but also of the intellectual temper of Bollingen Series as a whole.” In his famous Bollingen Tower, Jung pursued studies in the reli- gions and cultures of the world (both ancient and modern), sym- bolism, mysticism, the occult (especially alchemy), and, of course, psychology. The breadth of Jung’s interests allowed the Bollingen editors to attract scholars, artists, and poets from among the brightest lights in midcentury Europe and America, whether or not their work was “Jungian” in orientation. In the end, the series was remarkably eclectic and wide-ranging, with fewer than half of its titles written by Jung or his followers. -
Chthonic Aspects of Macdonald's Phantastes: from the Rising of The
Chthonic Aspects of MacDonald’s Phantastes: From the Rising of the Goddess to the Anodos of Anodos Fernando Soto The Herios was a woman’s festival. Plutarch of course could not be present at the secret ceremonies of the Thyaiades, but his friend Thyia, their president, would tell him all a man might know . From the rites known to him he promptly conjectured that it was a “Bringing up of Semele.” Semele, it is acknowledged, is but a Thraco-Phrygian form of Gaia, The “Bringing up of Semele” is but the Anodos of Gala or of Kore the Earth Maiden. It is the Return of the vegetation or Year-Spirit in the spring. (Jane Harrison, Themis 416) 1. Introduction and General Backgrounds hantastes is one of the most mysterious books George MacDonald wrote andP one of the least understood books in the English tradition. Since its publication in 1858, reviewers, readers and researchers have experienced great difficulties understanding the meaning of this complex work.The perceived impediments have been so great that some scholars remain unsure whether Phantastes contains a coherent plot or structure (Reis 87, 89, 93-94; Robb 85, 97; etc.). Other critics appear adamant that it contains neither (Wolff 50; Manlove, Modern 55, 71, 77, 79; England 65, 93, 122). Even those scholars who sense a structure or perceive a plot differ not only regarding the types of structure(s) and/or plot(s) they acknowledge (Docherty 17-22; McGillis “Community” 51-63; Gunther “First Two” 32-42), but in deciding into what, if any, genres or traditions Phantastes belongs (Prickett, “Bildungsroman” 109-23; Docherty 19, 23, 30, McGillis, “Femininity” 31-45; etc.). -
On the Months (De Mensibus) (Lewiston, 2013)
John Lydus On the Months (De mensibus) Translated with introduction and annotations by Mischa Hooker 2nd edition (2017) ii TABLE OF CONTENTS Abbreviations .......................................................................................... iv Introduction .............................................................................................. v On the Months: Book 1 ............................................................................... 1 On the Months: Book 2 ............................................................................ 17 On the Months: Book 3 ............................................................................ 33 On the Months: Book 4 January ......................................................................................... 55 February ....................................................................................... 76 March ............................................................................................. 85 April ............................................................................................ 109 May ............................................................................................. 123 June ............................................................................................ 134 July ............................................................................................. 140 August ........................................................................................ 147 September ................................................................................ -
THE ELEUSINIAN MYSTERIES of DEMETER and PERSEPHONE: Fertility, Sexuality, Ancl Rebirth Mara Lynn Keller
THE ELEUSINIAN MYSTERIES OF DEMETER AND PERSEPHONE: Fertility, Sexuality, ancl Rebirth Mara Lynn Keller The story of Demeter and Persephone, mother and daugher naturc goddesses, provides us with insights into the core beliefs by which earl) agrarian peoples of the Mediterranean related to “the creative forces of thc universe”-which some people call God, or Goddess.’ The rites of Demetei and Persephone speak to the experiences of life that remain through all time< the most mysterious-birth, sexuality, death-and also to the greatest niys tery of all, enduring love. In these ceremonies, women and inen expressec joy in the beauty and abundance of nature, especially the bountiful harvest in personal love, sexuality and procreation; and in the rebirth of the humail spirit, even through suffering and death. Cicero wrote of these rites: “Wc have been given a reason not only to live in joy, but also to die with bettei hope. ”2 The Mother Earth religion ceIebrated her children’s birth, enjoyment of life and loving return to her in death. The Earth both nourished the living and welcomed back into her body the dead. As Aeschylus wrote in TIic Libation Bearers: Yea, summon Earth, who brings all things to life and rears, and takes again into her womb.3 I wish to express my gratitude for the love and wisdom of my mother, hlary 1’. Keller, and of Dr. Muriel Chapman. They have been invaluable soiirces of insight and under- standing for me in these studies. So also have been the scholarship, vision atdot- friendship of Carol €! Christ, Charlene Spretnak, Deem Metzger, Carol Lee Saiichez, Ruby Rohrlich, Starhawk, Jane Ellen Harrison, Kiane Eisler, Alexis Masters, Richard Trapp, John Glanville, Judith Plaskow, Jim Syfers, Jim Moses, Bonnie blacCregor and Lil Moed. -
Hermes, Ecopsychology, and Complexity Theory
PSYCHOLOGY / JUNGIAN / ECOPSYCHOLOGY “Man today is painfully aware of the fact that neither his great religions nor his various philosophies seem to provide him with those powerful ideas that would give him the certainty and security he needs in face of the present condition of the world.” —C.G. Jung An exegesis of the myth of Hermes stealing Apollo’s cattle and the story of Hephaestus trapping Aphrodite and Ares in the act are used in The Dairy Farmer’s Guide to the Universe Volume III to set a mythic foundation for Jungian ecopsychology. Hermes, Ecopsychology, and Complexity Theory HERMES, ECOPSYCHOLOGY, AND illustrates Hermes as the archetypal link to our bodies, sexuality, the phallus, the feminine, and the earth. Hermes’ wand is presented as a symbol for COMPLEXITY THEORY ecopsychology. The appendices of this volume develop the argument for the application of complexity theory to key Jungian concepts, displacing classical Jungian constructs problematic to the scientific and academic community. Hermes is described as the god of complexity theory. The front cover is taken from an original photograph by the author of an ancient vase painting depicting Hermes and his wand. DENNIS L. MERRITT, Ph.D., is a Jungian psychoanalyst and ecopsychologist in private practice in Madison and Milwaukee, Wisconsin. A Diplomate of the C.G. Jung Institute of Analytical Psychology, Zurich, Switzerland, he also holds the following degrees: M.A. Humanistic Psychology-Clinical, Sonoma State University, California, Ph.D. Insect Pathology, University of California- Berkeley, M.S. and B.S. in Entomology, University of Wisconsin-Madison. He has participated in Lakota Sioux ceremonies for over twenty-five years which have strongly influenced his worldview. -
The Gods in a Time of Corona
First published 2020 by Carlavanlaar.com 27 Wilson Avenue, Brunswick, Victoria 3056, Australia. Copyright 2020 Bernie Neville All rights reserved. No part of this book may be reproduced or transmitted in any Form or by any means, electronic or mechanical, including photocopy, recording or any other information storage or retrieval system, without prior permission in writing from the author. ISBN 978-0-6487679-3-0 THE GODS IN A TIME OF CORONA BERNIE NEVILLE THE GODS IN A TIME OF CORONA The glorious gifts of the gods are not to be cast aside. Homer The use of the Greco-Roman gods as metaphors for different perspectives on life, different patterns of behavior, different constellations of values, needs, instincts and habits, has been conventional in most of European history. When Jung developed his archetypal theory, he continued in this poetic tradition, finding the manifestations of the gods in personal and collective behavior and convinced that the archetypal images are most powerfully and resonantly manifested in the great myths. Contemporary archetypal psychologists continue to use the same language and share the same conviction. They concentrate their attention on the patterns they find in our ways of apprehending the universe and of acting in it. They are fascinated by the recurring patterns in our ways of imagining the world, in our cultural movements, in our architecture, in our scientific paradigms, in our dreams, in our diseases, in our obsessions, in our relationships, in our organizations, in our yearnings, in our political ideologies. They © Bernie Neville. [email protected] 30 June 2020 find that mythical or metaphorical thinking offers a fruitful way of exploring them. -
On Kekulé's Insight
On Kekulé’s insight Giuseppe Iurato E-mail: [email protected] Abstract. In this paper, we would like to retake a historical controversy on the alleged discovery of Kekulé’s Benzene structure formula from other possible epistemological viewpoints which might perhaps put into a more right historical perspective this apparent and unmotivated riddle, also with the aid of some elementary psychoanalytic considerations. Moreover, one of the purposes of this paper is also that of understanding some possible, general aspects underlying a creative process. 1. Introduction This paper is centered on the vexata quæstio concerning the so-called Kekulé’s insight, namely, the alleged question inherent the discovery of the Benzene structure1. The Benzene, as chemical substance, was isolated by Michael Faraday in 1825 and the qualitative chemical analysis detected only carbon and hydrogen in it, so that its empirical formula is CH. Subsequent repeated analyses and molecular weight determinations2 (mainly made by Eilhard Mitscherlich in 1834) have determined to be C6H6 its molecular formula. The chemical properties of this substance show a high unsaturation degree (due to its low hydrogen-carbon ratio equal to 1:1) but it is no subject to those typical chemical reactions which characterize the other already known organic compounds, whence it follows that such a substance did should fall into another, new class of organic compounds: indeed, it will be the simplest chemical substance of the so-called aromatic compounds class. Thereafter, one of the main theoretical task was to determine, according to the new Dalton’s atomic theory, the possible geometrical configurations related to the disposition of the carbon and hydrogen atoms. -
Dionysiac Imagery in Archaic Etruria Dimitris Paleothodoros University of Thessaly
Etruscan Studies Journal of the Etruscan Foundation Volume 10 Article 15 2007 Dionysiac Imagery in Archaic Etruria Dimitris Paleothodoros University of Thessaly Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Paleothodoros, Dimitris (2007) "Dionysiac Imagery in Archaic Etruria," Etruscan Studies: Vol. 10 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol10/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Dionysiac Imagery in Archaic Etruria by Dimitris Paleothodoros he emergence of Etruscan Dionysiac iconography was made possibLe by the adop - tion and imitation of prototypes found on imported Attic vases 1. The first TDionysiac images produced by Etruscan craftsmen date to 550 BC and are found on bLacK-figured vases by the Paris Painter, and the painters of the Ivy-Leaf and the La ToLfa Groups. Between the mid 6th and mid 5th centuries BC, Etruscan artists decorate aLmost 170 bLacK-figured and added-red vases with Dionysiac images, 13% of the totaL pro - duction of figured vases. 2 This group of images, suppLemented by other pieces of evidence, such as mirror engravings and bronze statuettes, forms the basis of the present study, which is the preLiminary report of a thorough investigation of Dionysus in archaic Etruria. In the recent past, schoLars have deveLoped the concept of “Dionysism without Dionysus,” to account for the paradox of the scarcity of Dionysus’ images in archaic Etruria, in contrast to the great popuLarity of images of his foLLowers, i.e. -
The Golden Bough (Vol. 1 of 2) by James George Frazer
The Project Gutenberg EBook of The Golden Bough (Vol. 1 of 2) by James George Frazer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: The Golden Bough (Vol. 1 of 2) Author: James George Frazer Release Date: October 16, 2012 [Ebook 41082] Language: English ***START OF THE PROJECT GUTENBERG EBOOK THE GOLDEN BOUGH (VOL. 1 OF 2)*** The Golden Bough A Study in Comparative Religion By James George Frazer, M.A. Fellow of Trinity College, Cambridge In Two Volumes. Vol. I. New York and London MacMillan and Co. 1894 Contents Dedication. .2 Preface. .3 Chapter I. The King Of The Wood. .8 § 1.—The Arician Grove. .8 § 2.—Primitive man and the supernatural. 13 § 3.—Incarnate gods. 35 § 4.—Tree-worship. 57 § 5.—Tree-worship in antiquity. 96 Chapter II. The Perils Of The Soul. 105 § 1.—Royal and priestly taboos. 105 § 2.—The nature of the soul. 115 § 3.—Royal and priestly taboos (continued). 141 Chapter III. Killing The God. 198 § 1.—Killing the divine king. 198 § 2.—Killing the tree-spirit. 221 § 3.—Carrying out Death. 233 § 4.—Adonis. 255 § 5.—Attis. 271 § 6.—Osiris. 276 § 7.—Dionysus. 295 § 8.—Demeter and Proserpine. 304 § 9.—Lityerses. 334 Footnotes . 377 [Transcriber's Note: The above cover image was produced by the submitter at Distributed Proofreaders, and is being placed into the public domain.] [v] Dedication. -
Eros and the Shattering Gaze
PSYCHOLOGY / MOVEMENTS / JUNGIAN This is the book for those who fear that Jungian efforts to gaze deeply into the Self are simply carrying coals to the Newcastle of Narcissistic Personality Disorder. Its author, Ken Kimmel, certainly shows us the egoistic pitfalls that can attend such an enterprise, but he also makes us see why he believes that in- ner work really does hold the power to shake the foundations of someone’s inability to see the face of the Other. One comes away from reading Eros and the Shattering Gaze with renewed understanding as to why brave patients have subjected themselves to this very deep form of scrutiny and why fine therapists like Kimmel have been willing to see them through it. Attempting the rescue of authentic eros from its fear-driven shadow of predation is a work that will engage most of us at some point in our relational lives. We should be grateful for the insights with which this book is studded, for they can enlighten the labors of learning to love. —John Beebe, Jungian analyst, author of Integrity in Depth A skilful and articulate interweave of the best of traditional views on ‘relationality’ and more contempo- rary critique. The vivid clinical vignettes bring the arguments alive and the result is a stimulating and fresh take on this ever-timely topic. The sections on the ‘split feminine’ in contemporary men are especially fine, EROS AND THE SHATTERING GAZE eschewing sentimentality without abandoning hope. —Professor Andrew Samuels, Centre for Psychoanalytic Studies, University of Essex. The author is an extremely sensitive and experienced specialist who possesses a broad perspective and profound historical psychological knowledge.