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LÚR Festival
Háskóli Íslands Hugvísindasvið Hagnýt menningarmiðlun LÚR festival Greinagerð um menningarviðburðinn LÚR festival: Listahátíð Lengst Útí Rassgati Greinagerð til MA-prófs í Hagnýtri menningarmiðlun Ólöf Dómhildur Jóhannsdóttir Kt.: 170281-4119 Leiðbeinandi: Sigurjón B. Hafsteinsson September 2015 ÁGRIP Greinargerð þessi er hluti af af lokaverkefni mínu í hagnýtri menningarmiðlun við Háskóla Íslands og fjallar um vinnsluferli miðlunarhluta verkefnisins og fræðilegra þátta. Miðlunarleiðin sem valin var er listahátíð sem ber nafnið „LÚR-festival“ með undirtitilinn „Listahátíð lengst útí rassgati“. Hátíðin er menningarhátíð ungmenna haldin í fyrsta sinn sumarið 2014 og í annað sinn sumarið 2015. Undirbúningur hátíðarinnar er stór hluti verkefnisins og er greint frá vinnuferlinu frá upphafi til enda og eru bæði verklegir og fræðilegir þættir teknir fyrir. Ég vil tileinka verkefnið öllum þeim ungmennum sem hafa áhuga á listum og menningu sem nær út fyrir hátíðarhöld sautjánda júní og annarra hefðbundinna hátíða. 1 Efnisyfirlit 1 Inngangur .................................................................................................................... 4 2 Farvegur lista og menningar ......................................................................................... 5 3 Samhengið ................................................................................................................... 7 3.1 Hvað er hátíð? .................................................................................................................. 7 3.2 Fyrir -
Open'er Festival
SHORTLISTED NOMINEES FOR THE EUROPEAN FESTIVAL AWARDS 2019 UNVEILED GET YOUR TICKET NOW With the 11th edition of the European Festival Awards set to take place on January 15th in Groningen, The Netherlands, we’re announcing the shortlists for 14 of the ceremony’s categories. Over 350’000 votes have been cast for the 2019 European Festival Awards in the main public categories. We’d like to extend a huge thank you to all of those who applied, voted, and otherwise participated in the Awards this year. Tickets for the Award Ceremony at De Oosterpoort in Groningen, The Netherlands are already going fast. There are two different ticket options: Premium tickets are priced at €100, and include: • Access to the cocktail hour with drinks from 06.00pm – 06.45pm • Three-course sit down Dinner with drinks at 07.00pm – 09.00pm • A seat at a table at the EFA awards show at 09.30pm – 11.15pm • Access to the after-show party at 00.00am – 02.00am – Venue TBD Tribune tickets are priced at €30 and include access to the EFA awards show at 09.30pm – 11.15pm (no meal or extras included). Buy Tickets Now without further ado, here are the shortlists: The Brand Activation Award Presented by: EMAC Lowlands (The Netherlands) & Rabobank (Brasserie 2050) Open’er Festival (Poland) & Netflix (Stranger Things) Øya Festivalen (Norway) & Fortum (The Green Rider) Sziget Festival (Hungary) & IBIS (IBIS Music) Untold (Romania) & KFC (Haunted Camping) We Love Green (France) & Back Market (Back Market x We Love Green Circular) European Festival Awards, c/o YOUROPE, Heiligkreuzstr. -
Music for a New Day Artist Bio
Music for a New Day Artist bio Fariba Davody: Fariba Davody is a musician, vocalist, and teacher who first captured public eye performing classical Persian songs in Iran, and donating her proceeds from her show. She performed a lot of concerts and festivals such as the concert in Agha khan museum in 2016 in Toronto , concerts with Kiya Tabassian in Halifax and Montreal, and Tirgan festival in 2017, 2018, 2019, and 2021 in Toronto. Fariba opened a Canadian branch of Avaye Mehr music and art school where she continues to teach. Raphael Weinroth-Browne: Canadian cellist and composer Raphael Weinroth- Browne has forged a uniQue career and international reputation as a result of his musical creativity and versatility. Not confined to a single genre or project, his musical activities encompass a multitude of styles and combine influences from contemporary classical, Middle Eastern, and progressive metal music. His groundbreaking duo, The Visit, has played major festivals such as Wave Gotik Treffen (Germany), 21C (Canada), and the Cello Biennale Amsterdam (Netherlands). As one half of East-meets-West ensemble Kamancello, he composed “Convergence Suite,” a double concerto which the duo performed with the Windsor Symphony Orchestra to a sold out audience. Raphael's cello is featured prominently on the latest two albums from Norwegian progressive metal band Leprous; he has played over 150 shows with them in Europe, North America, and the Middle East. Raphael has played on over 100 studio albums including the Juno Award-winning Woods 5: Grey Skies & Electric Light (Woods of Ypres) and Juno-nominated UpfRONt (Ron Davis’ SymphRONica) - both of which feature his own compositions/arrangements - as well as the Juno-nominated Ayre Live (Miriam Khalil & Against The Grain Ensemble). -
Music Reading Read the Passage, the E-Mail and the Festival Guide. the Glastonbury Festival Is an Unforgettable Sight. for Three
Music Reading Read the passage, the e-mail and the festival guide. The Glastonbury Festival is an unforgettable sight. For three days, 280 hectares of peaceful farm country in the beautiful Somerset Valley become a vast, colourful tent city. The Glastonbury Festival is Britain's largest outdoor rock concert, and it attracts crowds of more than 100,000 people. It has six separate stages for musicians to play on. It has eighteen markets where fans can buy things. It has its own daily newspaper and is even broadcast live on television. It also raises large amounts of money for several charities, including Greenpeace and the Campaign for Nuclear Disarmament. Glastonbury is just one of many events on the international music festival calendar each year. For dance music fans, there's Creamfields, the Essential Festival and Homelands - all in the UK. Rock fans have Roskilde Festival in Denmark, Fuji Rock and Summer Sonic in Japan, and the Livid Festival and the Big Day Out in Australia. And the crowds just keep getting bigger. In fact, the size of some of these festivals is causing problems. Since the deaths of nine people at Roskiide in 2000 and the death of a young woman at the 2001 Big Day Out, festival organisers and local police have been working together to make sure festival-goers stay safe. Despite these tragic events, festivals are more popular than ever. And it's not just about the music. It's about making new friends and partying non-stop for days at a time. It's about dancing till you can't stand up anymore and then crashing in someone else's tent. -
Visualization of Crowd Trajectory, Geospatial Sets, and Audience Prediction at Roskilde Festival 2018 Benjamin Flesch
Association for Information Systems AIS Electronic Library (AISeL) Special Interest Group on Geographic Information ICIS 2018 Pre-Conference Workshop Proceedings Systems 2018 Visualization of Crowd Trajectory, Geospatial Sets, and Audience Prediction at Roskilde Festival 2018 Benjamin Flesch Ravi Vatrapu Raghava Mukkamala Rene Madsen Follow this and additional works at: https://aisel.aisnet.org/siggis2018 This material is brought to you by the Special Interest Group on Geographic Information Systems at AIS Electronic Library (AISeL). It has been accepted for inclusion in ICIS 2018 Pre-Conference Workshop Proceedings by an authorized administrator of AIS Electronic Library (AISeL). For more information, please contact [email protected]. Geospatial Big Data Analytics at Roskilde Festival 2018 Visualization of Crowd Trajectory, Geospatial Sets, and Audience Prediction at Roskilde Festival 2018 Case Study for SIGGIS 2018 pre-ICIS Workshop Location Analytics and Location of Things: Connectedness and Collaboration Benjamin Flesch, Ravi Vatrapu, Raghava Rao Mukkamala, René Madsen Centre for Business Data Analytics (CBDA) Department for Digitalization Copenhagen Business School {bf,rv,rrm,rema}[email protected] Abstract We present a large-scale study on Geospatial Big Data Analytics in a festival management and crowd safety scenario based on our volunteer work at the largest music festival in Northern Europe, the 2017 and 2018 Roskilde music festival. As large crowds move between concerts, campsites, private parties and public viewing of the FIFA world cup soccer matches across the vast festival area, previously available visualization solutions for the crowd safety staff at Roskilde Festival lack a real-time visualization of crowd trajectory for monitoring of previously known chokepoints and the discovery of potential future chokepoints. -
Music Festivals
Core units: Exemplars – Year 9 Illustration 3: Where is the music? Where is the music? An inquiry approach Activity 1 This is a directed Internet research inquiry, to be completed as individuals, in pairs or in small groups. 1. Name some of Australia's and the World's Music Festivals. For example, Woodstock, Glastonbury, Pyramid, Falls, Sunbury, Meredith, Kangaroo Island Surf Music. 2. Where are these music festivals held? 3. Which ones are based around a town or a small village? Which ones are city based? 4. When are they held? 5. Which time of the year? Possible or actual dates. 6. Why are they held at this time? 7. What type of environment is popular for these festivals? 8. How long do they go for? 9. How popular are they? How many people attend? 10. What facilities are required for these festivals to cope with the large numbers who attend? Permanent or temporary? 11. What other requirements might there be? 12. Who is involved? 13. What potential conflicts are there with local people and festival goers? 14. What are some of the problems or issues that might be created by music festivals? 15. What provisions should be made by organisers to help manage the environment? 16. Which towns are nearby some of these festivals? 17. What might the impact be on the local community and businesses? 18. Create a table which looks at the advantages and disadvantages of music festivals for local communities. 19. How might the organisers ensure the physical environment is left in a pristine state after the event? 20. -
Brug for En Hjem Efter Festival?
Har du prøvet at pisse pink? Vi tester, om pigepissoirer er bedre end en tur i hegnet side 18 | Mandag 1. juli 2019 Årgang 12 · Nr. 2 Sarte og sårbare festivaldrømme Arrene fortæller hendes historie side 4-6 Det er ikke nok at sige, at man ikke har lyst. Man skal altid komme med en grund til ikke at drikke side 20 Foto: Cecilie Olsen Brug for en hjem efter festival? Hent TAXA 4x35 app’en eller ring 35 35 35 35 og kom godt hjem! 2 Mandag 1. juli 2019 NON-PROFIT SINCE 1972 Fem nnere i en saunabus »Er der ere parkerings- pladser for busser?« Det ville fem nnere gerne vide. De skulle på Roskilde Festival for første gang og ville gerne ha- ve en plads på Sleep-in Buses. Problemet er bare, at der er udsolgt, og at de ikke havde en plads, men stod på venteli- ste. Det er en detalje, der kun- ne have været rar at opdage, inden de kørte hele vejen fra Finland – rundt om Østersøen – til Roskilde Festival i en 12 meter lang saunabus. Historien melder desværre ikke noget om, hvordan sådan en bus ser ud. Men hvis du spotter en saunabus, der kører i ring om festivalen, så ved du nu hvorfor. Hver dag bringer Orange Press den bedste historie fra det forgangne døgn hos Roskilde Festivals infocenter, som hvert år får opkald fra hundred vis af bekym- rede, vrede eller spørgende festival gæster – eller deres forældre. Dag Aen Morgen 21° 20° 14° Illustration: Mikkel Mainz VEJRET I DAG Flere skyer i dag og temperaturen bliver mere udholdelig. -
WMCE Year 2012 Top-150.Pdf (31.5 Kib)
World Music Charts Europe YEAR 2012 Compiled by Johannes Theurer on behalf of the World Music Workshop of the European Broadcasting Union (EBU) copyright by Giftmusic 2012 The top 150 of 1009 nominated records 1 BOUGER LE MONDE Staff Benda Bilili DR Congo Crammed 2 EL AAIUN AGDAT Mariem Hassan Western Sahara/SpainNubenegra 3 BROTHERS IN BAMAKO Habib Koite - Eric Bibb Mali/USA Contre-Jour 4 BBC 3 - WORLD ROUTES: ON THE ROAD Various Artists various Nascente 5 FATOU Fatoumata Diawara Mali World Circuit 6 HORA KOTA Bonga Angola Lusafrica 7 A CURVA DA CINTURA Arnaldo Antunes, Edgar Scandurra & Toumani Diabate Brazil/Mali Mais Um Discos 8 UTU Värttinä Finland Rockadillo Records 9 RADIO SALONE Sierra Leone's Refugee All Stars Sierra Leone Cumbancha 10 GREEKADELIA Kristi Stassinopoulou & Stathis Kalyviotis Greece Riverboat/WMN 11 RISING TIDE Mokoomba Zimbabwe Zigzagworld 12 MAVRA FROUDIA Petrakis, Lopez, Chemirani Greece/Spain/Iran Musiepoca 13 KINSHASA SUCCURSALE Baloji Belgium Crammed Discs 14 JAVA Sambasunda Quintet Indonesia Riverboat/WMN 15 NORD Warsaw Village Band Poland/Sweden JARO/Karrot Komando 16 NO NA ORELHA Criolo Brazil Sterns 17 UNIVERSITY OF GNAWA Aziz Sahmaoui France/Morocco Naive 18 TWINKLINGS OF HOPE Mahsa & Marjan Vahdat Iran Kirkelig Kulturverksted 19 MADREPERLA Riccardo Tesi & Banditaliana Italy Visage 20 CUMBIA CUMBIA 1&2 Various Artists Colombia World Circuit 21 MUSIC OF CENTRAL ASIA #10 Wu Man and Master Musicians from the Silk Route China/Central Asia Smithsonian Folkways 22 THE ORIGINAL SOUND OF CUMBIA Various Artists Colombia Soundway Records 23 LA CANTIGA DEL FUEGO Ana Alcaide Spain ARC 24 ONDATROPICA Ondatropica Colombia Soundway Records 25 SONGS FOR DESERT REFUGEES Various Artists Various Glitterhouse Records 26 THE UNBROKEN SURFACE OF SNOW Andrew Cronshaw UK Cloud Valley 27 O DEUS QUE DEVASTA MAS TAMBEM CURA / THE GOD.. -
GO Group Workshop 2020 in Roskilde How Can Festivals Make a Difference?
Program: GO Group Workshop 2020 in Roskilde How can festivals make a difference? As organizers of festivals and cultural events we have a possibility to use these as platforms to create a better future. By engaging an audience and testing new sustainable innovations for the next generations, we experiment with changes that can have an impact in the world. We want to investigate and share innovative ideas, new methods and key insights in making festivals a driver of a sustainable future. This is why Roskilde Festival is co-hosting this year’s GO Group Workshop. The workshop is in Roskilde on March 30th and 31st 2020. And this is our program. Opening speech: How can we use our festivals to make a difference? By: Signe Lopdrup | CEO, Roskilde Festival (DK) With over 15 years of experience in the culture, music and festival industry on CEO and board level, Signe Lopdrup is one of the industry’s most experienced figures. Her knowledge about and passion for music, culture and festivals brings high ambitions as well as a strong believe that attraction is best secured through curiosity, changeability and challenges – from both within and outside a cultural organization. Signe’s efforts have resulted in strong attitudes towards Roskilde Festivals non-profit profile and have given strength to a community that exist all year round and culminates at the festival once a year. Workshop: Jumpstart of the most civic engaged generation ever seen! How can festivals give young people a voice in the world? How can festivals encourage and inspire to engagement and change? How do we create more engagement, WOW and diversity? Which elements can we implement to create a platform for civic engagement? Let us make the world a better place! At Ungdommens Folkemøde (Youth Democracy Festival), we give young people a democratic jumpstart. -
1990 Summer Festival Tour of Europe
1990 SUMMER FESTIVAL TOUR OF EUROPE JUNE 27 Reykjavik, Iceland Laugardalshöll 29 Roskilde, Denmark Roskilde Rock Festival, Dyrskuepladsen 30 Kalvøya, Sandvika, Norway Kalvøya-Festivalen JULY 1 Turku, Finland Ruisrock, Ruissalon Kansanpuisto 3 Hamburg, Germany Stadtpark 5 Berlin, Germany Internationales Congress Centrum 7 Torhout, Belgium Torhout-Werchter Rock Festival 8 Werchter, Belgium Torhout-Werchter Rock Festival 9 Montreux, Switzerland Montreux Jazz Festival, Casino de Montreuz Bob Dylan 1990: Summer Festival Tour of Europe 11210 Laugardalshöll Reykjavik, Iceland 27 June 1990 1. Subterranean Homesick Blues 2. Ballad Of A Thin Man 3. Stuck Inside Of Mobile With The Memphis Blues Again 4. Just Like A Woman 5. Masters Of War 6. Gotta Serve Somebody 7. It's Alright, Ma (I'm Only Bleeding) 8. It's All Over Now, Baby Blue 9. Girl From The North Country 10. A Hard Rain's A-Gonna Fall 11. Don't Think Twice, It's All Right 12. Everything Is Broken 13. Political World 14. All Along The Watchtower 15. Shooting Star 16. I Shall Be Released 17. Like A Rolling Stone — 18. Blowin' In The Wind 19. Highway 61 Revisited Concert # 202 of The Never-Ending Tour. First concert of the 1990 Summer Festival Tour Of Europe. 1990 concert # 32. Concert # 124 with the second Never-Ending Tour band: Bob Dylan (vocal & guitar), G. E. Smith (guitar), Tony Garnier (bass), Christopher Parker (drums). 7-11, 18 acoustic with the band. 2, 4, 8, 9, 11, 15, 18 Bob Dylan harmonica. 19 G.E. Smith (electric slide guitar). Note. First acoustic Hard Rain with the band. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
12 Large Festivals
Large Festivals – Great 12 Struggles János Zoltán Szabó Introduction Contemporary music festivals in late modern European culture have different histories, focuses, missions and geographical conditions. This chapter calls for deeper analysis of the development of festivals that is rooted in cultural anthro- pology, sociology and the sciences – a multidisciplinary approach. Without this, festivals will simply be known as recurring celebrations, thematic ritual events reflecting the basic values and the worldview shared by the participants that are the basis of their social identity. However, nowadays, the economic importance of festivals has become even more rigorously evaluated, whilst complicated ways to measure cultural impact are often left out, even from detailed reports. Most studies emphasise the difference between Eastern and Western European festivals (Newbold et al. 2015), however, the life cycle of a festival is influenced by factors that are similar wherever they take place: marketing, promotions, sales, audience development and quality, improvement challenges etc. As the size of the festival market has grown, new questions are being asked about eco- nomic efficiency. In this study I will search for similarities in the development of five major Eastern and Western European festivals, namely Glastonbury Festival (United Kingdom), Roskilde Festival (Denmark), Sziget Festival (Hungary), Exit Festival (Serbia), and Woodstock Festival Poland (Poland). I will also analyse the Sziget Festival’s life cycle in detail in order to go deeper into the issues and discuss ways to further research music festivals. In analysing these festivals, the main selection criterion was what they have in common: they attract more than 100,000 visitors yearly, but readers might also recognise that all of them follow the message of the original Woodstock Music and Art Fair – commonly called Woodstock Festival and labelled as ‘An Aquarian Expo- sition: 3 Days of Peace and Music’, in Bethel, New York, 15 – 18 August, 1969.