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Music for a New Day Artist Bio
Music for a New Day Artist bio Fariba Davody: Fariba Davody is a musician, vocalist, and teacher who first captured public eye performing classical Persian songs in Iran, and donating her proceeds from her show. She performed a lot of concerts and festivals such as the concert in Agha khan museum in 2016 in Toronto , concerts with Kiya Tabassian in Halifax and Montreal, and Tirgan festival in 2017, 2018, 2019, and 2021 in Toronto. Fariba opened a Canadian branch of Avaye Mehr music and art school where she continues to teach. Raphael Weinroth-Browne: Canadian cellist and composer Raphael Weinroth- Browne has forged a uniQue career and international reputation as a result of his musical creativity and versatility. Not confined to a single genre or project, his musical activities encompass a multitude of styles and combine influences from contemporary classical, Middle Eastern, and progressive metal music. His groundbreaking duo, The Visit, has played major festivals such as Wave Gotik Treffen (Germany), 21C (Canada), and the Cello Biennale Amsterdam (Netherlands). As one half of East-meets-West ensemble Kamancello, he composed “Convergence Suite,” a double concerto which the duo performed with the Windsor Symphony Orchestra to a sold out audience. Raphael's cello is featured prominently on the latest two albums from Norwegian progressive metal band Leprous; he has played over 150 shows with them in Europe, North America, and the Middle East. Raphael has played on over 100 studio albums including the Juno Award-winning Woods 5: Grey Skies & Electric Light (Woods of Ypres) and Juno-nominated UpfRONt (Ron Davis’ SymphRONica) - both of which feature his own compositions/arrangements - as well as the Juno-nominated Ayre Live (Miriam Khalil & Against The Grain Ensemble). -
Mėnuo Juodaragis
MĖNUO JUODARAGIS independent annual festival of post-folklore, alternative music and contemporary heathen culture in wild Lithuania FESTIVAL PRESENTATION “Mėnuo Juodaragis” (Blackhorned Moon) is an outstanding cul- ture event in the Baltics, and one of the biggest Summer festivals in Lithuania. This independent three-day open air is dedicated to evoke contemporary Baltic culture, revive ancient traditions and present most interesting post-folk and alternative music art- ists from various European lands. unique event Uniting the past and the future, MJR presents a wide live concert programme, involving various musical styles - authentic folklore and contemporary post-folk, world, neo-folk, rock, metal, experimental, electronic, ambient, industrial, acous- tic, medieval and other art forms. This original vital connection and friendly atmosphere make the festival so remarkable and at- tract 4000 people from many countries every year. uniting past and future Solid festival programme is also involving ancient crafts, lectures, exhibitions, land art, films, dance parties, archaic rituals, creative workshops and tours exploring ethnic traditions, history, ecology and many magical subjects. It’s diverse, living and inflaming! in the heathen heart of europe Archaic ethnic heritage in modernity is the key point at MJR. Where else could it be more alive than in Lithuania - the last country in Europe which pre- served pagan Fire and still speaks the most ancient tongue on the continent! MJR began in 1995 and took place in various impressive wild localities, moving to a new one every 3 years. Since 2007 the Festival found a true home in North-Eastern Lithuania - a fantas- tic Great island by Zarasai town - the real jewel of Nature! wonderful green island in zarasai lake Zarasai allures with the purest colours of wildness and peaceful dew of lakes. -
Film & Video Reviews
Yearbook for Traditional Music (2019), 51, 307–324 Film & Video Reviews Crossing over the Arirang Pass. 2018. Directedby Ko Jeongja and Terada Yoshitaka. DVD. The National Museum of Ethnology. Crossing over the Arirang Pass, directed by Ko Jeongja and Terada Yoshitaka, unveils a culturally complex post-colonial existence of Koreans in Japan known as “Zainichi Koreans.” Zainichi Koreans, sometimes simply referred to as “Zainichi” (“residing in Japan”), are ethnic Koreans who migrated or were forcefully brought to Japan during the colonial period (1910–1945) as well as their descendants. While the exact number is unknown, over 322,000 Zainichi Koreans with special permanent resident status live in Japan today. They are one of the largest ethnic minority groups in Japan. Throughout their history, Zainichi Koreans have suffered systemic discrimination and social marginalisation. To name a few examples, they are excluded from certain civil service positions, disenfranchised from the right to vote, and face harsh racial prejudice. Furthermore, the division of their homeland after WWII has fissured the Zainichi Korean community into a pro-North Korea group (Chongryon) and a pro-South Korea group (Mindan), obstructing the path toward Zainichi Korean coalition and advocacy. Across the generations, the lives and identities of Zainichi Koreans have been greatly affected by the constant interstate frictions between Japan, South Korea, and North Korea. Focusing on their personal narratives and music-making, Crossing over the Arirang Pass sheds light on the plight of this little-known community and uncovers the lived experiences and identity struggles of second and third generation Zainichi Korean performers who are caught between their birthland and divided homeland. -
Constructing Musical Associations
Constructing Musical Associations through Instruments: The Role of the Instrument Maker in the Maker-Instrument-Player Network within the Neo-Medievalist Gothic Music Scene William Klugh Connor, III Royal Holloway University of London Department of Music This thesis is submitted to partially fulfill the requirements for the degree of Doctorate of Philosophy in Ethnomusicology. 2011 1 Declaration of Authorship I, William Klugh Connor, III, hereby declare that this thesis and the work presented within it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ___________________________________________ Date: _____________________________________________ 2 Abstract Constructing Musical Associations through Instruments: The Role of the Instrument Maker in the Maker-Instrument-Player Network within the Neo-Medievalist Gothic Music Scene Many studies of musical instruments have shown the ways in which instruments embody and negotiate cultural and social significance and meaning, but little of this work has focused on the makers of those instruments. According to Alfred Gell, artisans infuse “intentionalities” into their wares that embody the agency of the artisan. In this thesis, I address the agency of makers of musical instruments to gain a better understanding of the roles they play in defining how instruments acquire their social and cultural meanings. These meanings are constantly in flux and, in turn, inform the maker’s decisions and assist in formulating a maker’s role within a musical community. Makers interact with community members primarily through the construction of their instruments as part of what I have called a Maker-Instrument-Player network. Drawing on Actor-Network Theory, I outline some of the ways in which musical instruments afford associations and engender exchanges within a musical community, and I unpack the complexities of the maker’s role. -
ABLAYE CISSOKO (Senegal) & VOLKER GOETZE
Jaca Club de Jazz marzo 2015 Sábado 07 • 20:30 h • Palacio de Congresos (Entrada 9 €. Anticipada 7 €. Con descuento 6 €) Concierto: ABLAYE CISSOKO & VOLKER GOETZE Martes 10 • 19:30 h • Sala de Cine de la Biblioteca Municipal (entrada libre) Cine: UNA CABAÑA EN EL CIELO (Vincente Minnelli 1943) Sábado 14 • 20:30 h • Palacio de Congresos (Entrada 9 €. Anticipada 7 €. Con descuento 6 €) Concierto: IVAN “MELON” LEWIS 4 TET Martes 17 • 19:30 h • Sala de Cine de la Biblioteca Municipal (entrada libre) Homenaje a FRANK SINATRA 1915-2015. Proyección videográfica y tertulia con el dramaturgo Raúl Herrero Sábado 21 • 20:30 h • Palacio de Congresos (Entrada 9 €. Anticipada 7 €. Con descuento 6 €) Concierto: LAS HERMANAS CARONNI Domingo 22 • Palacio de Congresos (entrada libre) 12:00 h • Cafetería Palacio de Congresos “Poesía Jazz” Música y recitación de poemas 12:30 h Auditorio • Concierto: COMBO JAZZ de la Escuela Municipal de Música de Jaca Martes 24 • 19:30 h • Sala de Cine de la Biblioteca Municipal (entrada libre) Cine: REBELDES DEL SWING (Thomas Carter 1993) Sábado 28 • 20:30 h • Palacio de Congresos (Entrada 10 €. Anticipada 8 € Con descuento 7 €) Concierto: ABE RÁBADE Entradas con descuento para pensionistas, desempleados, carnet joven, estudiantes, familia numerosa y socios tarjeta RAEE previa presentación de documento acreditativo. Taquilla en Palacio de Congresos: 90´antes de los conciertos. • Anticipada de lunes a viernes de 10 a 14 h. Sábado 07 / Palacio de Congresos / 20:30 h ABLAYE CISSOKO (Senegal) & VOLKER GOETZE (USA) Ablaye Cissoko: kora, voz Volker Goetze: trompeta, flugelhorn “Djaliya” Dos instrumentos de sonoridades evocadoras música africana occidental facilitaron en encuen- y una voz genuina, dos mundos que dialogan y tro y el inicio de un fascinante y maravillosamen- que se complementan en sorprendente armonía, te complementario dialogo musical. -
Retail Banking
2013 Annual Report Serving our clients in a changing world Coworking session at NUMA, the digital innovation centre in Paris. 01 The Group’s profile A RESPONSIBLE 02 Interview with the Chairman and the Chief Executive Officer 04 AND INNOVATIVE BANK Corporate Social Responsibility 08 2013 Key figures 10 SERVING ITS CLIENTS The Executive Committee 11 The Board of Directors BNP Paribas is a leading bank in the eurozone and a 13 major global bank. The Group is active in 75 countries employees Compensation table with nearly 185,000 employees(1), more than 140,000 185,000 16 of whom are in Europe. BNP Paribas has key positions in Retail Banking in its three main areas of activity: 75 countries 42 Investment Solutions RETAIL BANKING 54 INVESTMENT SOLUTIONS Europe CORPORATE & INVESTMENT BANKING 141,500 Corporate employees, including & Investment Banking 56,800 in France (including overseas territories) In Europe, the Group has four domestic markets 66 —Belgium, France, Italy and Luxembourg—and BNP Paribas 18,200 in Italy Human Resources Personal Finance is the leader in consumer finance. 17,400 in Belgium in Luxembourg 71 BNP Paribas is also developing its integrated retail 3,950 Partnerships banking model in countries around the Mediterranean 74 basin, in Turkey and in Eastern Europe, and has a large Americas Corporate philanthropy network in the Western United States. 18,670 78 Its Investment Solutions and Corporate & Investment employees, including BNP Paribas and its shareholders Banking businesses are among the leaders in Europe 15,160 in North America and boast a solid foothold in the Americas, as well as 3,510 in South America Interviews a robust and rapidly-growing presence in Asia-Pacific. -
International Newsletter
International Newsletter Number 21 | OctOber 2009 Content 3 Introduction 4 Member meeting 2009 in Corsica 6 Les Etats Généraux 7 PAMS 8 Vidor Festival 1 9 EFWMF memberslist 2009-2010 13 2 Roskilde festival world music Award 14 Africa-Caribbean-Pacific 15 Indian Ocean Music Network 16 Euromed Music Festival II 17 4 Events to come 19 Colophon 1 Théâtre Antique - Suds à Arles © Florent Gardin 3 2 3-gong Myoung - Førde Folk Music Festival © Knut Utler 3 Kasai Allstars - Roskilde Festival © Nanna Kreutzmann 4 Ngoni-player Mamah Diabate during interview& small set at Music Meeting ‘09 5 Dub Colossus-Festival of World Cultures ‘09 2 5 Introduction A clear head and a warm heart.... The majority of festival organizers are now planning No doubt, it is important to reach out towards as for next year’s event having to make choices with many as possible and to make the most out of the reference to artists, program ideas, venues and new means one has available. However a major task is also productions. This is an exciting and important time to measure quality, memories and experience. How do of the year. How to peak last year’s program? How we quantify the significance of the experiences that the to expand and develop in a way that makes people audience have, experiences that make them come back curious and eager to attend our festival once again? every year? And how do we measure the square meters of goose bombs on people’s arms or the numbers of During this phase we need to consider offers and sparkling eyes after a concert? demands coming from many directions. -
O Cante Alentejano Sónia Isabel Moreira Cabeça E José Rodrigues Dos Santos
Proceedings of the International Conference on Oral Tradition Orality and Cultural Heritage Direction - Coordination / Dirección - Coordinación Santiago Prado Conde Actas da Conferencia Internacional da Tradición Oral Oralidade e Patrimonio Cultural Proceedings of the International Conference on Oral Tradition Orality and Cultural Heritage Ourense, November 11th, 12th, 13th, 2010 Actas da Conferencia Internacional da Tradición Oral Oralidade e Patrimonio Cultural Ourense, 11, 12 e 13 de novembro de 2010 VOLUME II Direction - Coordination / Dirección - Coordinación Santiago Prado Conde Secretary / Secretaría Mónica Fernández Valencia Editing / Edición: Deseño e Realización: Visualq. Printing / Imprenta: CA Gráfica All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Todos os dereitos de reprodución, adaptación, tradución ou representación dos textos, ilustracións e fotografías están reservados, e só poderán ser exercidos por terceiros previa solicitude e correspondente permiso dos editores ou dos autores. © Papers and Photographies / Textos e fotografías: os autores. © Editing / Edición: Concello de Ourense Dep. Legal: OU 179-2010 PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON ORAL TRADITION ORALITY AND CULTURAL HERITAGE Ourense, November 11th, 12th, 13th, 2010 ACTAS DA CONFERENCIA -
2018 Artists Listed by Year/Festival 2018
WOMADELAIDE 1992 – 2018 ARTISTS LISTED BY YEAR/FESTIVAL As at 11 April 2018 2018 a Bit na Ta (PNG) Abbey Howlett (SA) Adrian Sherwood (UK) Anoushka Shankar (India/UK) Avalanches, the (Australia) Baker Boy (Australia) Bashka (Turkey/Australia) Bedouine (USA/Syria) Bixiga 70 (Brazil) Blick Bassy (Cameroon/France) Chico Trujillo (Chile) Constantinople & Ablaye Cissoko (Canada/Iran/Senegal) Dan Sultan (Australia) Daymé Arocena (Cuba) Deborah Conway & Willy Zygier (Australia) Didirri (Australia) DJ Marky (Brazil) Dustyesky (Australia) Elephant Sessions (Scotland) Eva Quartet (Bulgaria) Ghada Shbeir (Lebanon) Gogol Bordello (USA) Hana & Jessie-Lee's Bad Habits (SA) Hartway (SA) Hat Fitz and Cara (Ireland/Australia) Havana Meets Kingston (Cuba/Jamaica) Hypnotic Brass Ensemble (USA) Jazz Party (Australia) Jojo Abot (Ghana) Kamasi Washington (USA) Kings & Associates (SA) Le Vent du Nord (Canada) Lonelyspeck (SA) Lura (Cape Verde) Mama Kin Spender (Australia) Manganiyar Seduction, The (India) Mission Songs Project (Australia) Moussa Diakite & Wassado (Mali/Australia) My Bubba (Iceland/Sweden) Nai Palm (Australia) Nano Stern (Chile) Naomi Keyte (Australia) Nickodemus (USA) Noura Mint Seymali (Mauritania) Pat Thomas & Kwashibu Area Band (Ghana) Peanut Butter Wolf (USA) – CANCELLED Pin, the (live panel discussion - Remi & N'fa Jones) (Australia) POW! Negro (Australia) Rahim AlHaj Trio (Iraq) Rajab Suleiman & Kithara (Zanzibar) Remi x Sampa (Australia) Rodrigo y Gabriela (Mexico) San Lazaro (Australia) Soul Capoeira w/s (SA) Tank and The Bangas (USA) -
Orquestra Sinfónica Do Porto-Casa Da Música
DESFRUTE. A MAGIA DA MÚSICA CLÁSSICA NUM CENÁRIO DE SONHO. ENJOY. MAGICAL CLASSICAL MUSIC IN A DREAMLIKE SCENARIO. FESTIVAL INTERNACIONAL DE MÚSICA DE MARVÃO MARVÃO INTERNATIONAL MUSIC FESTIVAL Desde o primeiro momento, venho tentando contribuir para que Marvão se torne um lugar em que a música possa efectivamente unir as pessoas: os artistas ao público, os habitantes locais aos visitantes, os portugueses aos espanhóis e a outros povos europeus, e os europeus aos povos de outros continentes. Um lugar onde a música ajude a forjar novas amizades e a promover a paz. Neste nosso mundo tão acelerado, encontrar um refúgio onde possamos redescobrir e partilhar silêncio e espiritualidade, bem longe daquilo que diariamente nos agita, torna-se um bem sempre mais precioso. Deixa-me muito feliz que tantos corações batam em uníssono por Marvão e por um maravilhoso Festival que somente existe porque um largo número de idealistas, voluntários e apoiantes, em Marvão e no resto do mundo, vêm investindo nele um tempo infindo e uma imensa energia ao longo de todo o ano. Estamos profundamente gratos à Câmara Municipal de Marvão, à Entidade Regional de Turismo (ERT) e à Agência Regional de Promoção Turística do Alentejo (ARPTA) pelo seu crescente envolvimento com o Festival, assim como agradecemos sinceramente o apoio financeiro de um número sempre crescente de parceiros e patrocinadores nacionais e internacionais, quer institucionais/privados, quer simples particulares. Espero que o elevado nível artístico da programação deste Festival vos restitua bem mais do que tudo quanto investiram! Por fim, a nossa gratidão mais sentida vai para os tantos artistas maravilhosos que vêm de todos os pontos do mundo até Marvão por pura paixão e nas condições mais comedidas. -
Rencontres Musicales
Bibliothèques d’Amiens Métropole MUSIQUE ET METISSAGES RENCONTRES MUSICALES Sélection dans les collections des bibliothèques A l’occasion du cycle de conférences Musique et métissages , organisées de mars à mai 2014 par les Bibliothèques et le Conservatoire à rayonnement régional d’Amiens Métropole, l’Espace Image et son vous propose une sélection documentaire illustrant des parcours atypiques, des démarches artistiques innovantes, des échanges improbables où des musiciens ont mis en commun leurs expériences de la vie, leurs histoires, leur histoire pour exprimer l’espace d’un album, la force créatrice de la rencontre ou affirmer de véritables « fusions » musicales nouvelles et enrichissantes pour le public et les musiciens. « En musique, l’innovation est aussi vitale que la tradition. Nos sociétés changeantes, bouillonnantes, exigent de notre imaginaire des hypothèses, des défis permanents. Impétueuses, corrosives, constructives, ces prouesses de la création ponctuent notre évolution, pré-colorent notre avenir. » Alain Billy, directeur du centre culturel français de Yogvakarta (Indonésie), 1995. « Nous démontrons que les personnes venant de cultures et de croyances différentes se rapprochent. Comme d’habitude, ce sont les artistes qui montrent l’exemple. La dissonance n’existe pas, sinon de façon intentionnelle et positive. » Joachim Kühn, producteur, pianiste, saxophoniste à propos du CD « Kalimba » Conférence musicale « Musique et métissages : les rencontres musicales » Mardi 13 mai 2014 Bibliothèques et CRR d’Amiens Métropole ABSOLUTE ENSEMBLE/KHALIFE Marcel ABSOLUTE ENSEMBLE et Marcel KHALIFE (oud, voix), Bachar KHALIFE (oud, voix), Bassam SABA (nay, oud) sous la direction de Kristjan JARVI (chef d’orchestre CD Arabian nights : live at Town Hall NYC. – Enja records, 2011 (1.3 ABS 7) Cet album est une excursion sonore axée sur le jazz, emmenant l'auditeur dans un voyage extraordinaire des racines du jazz de l'Amérique, en passant par l’Europe mais avec un clin d’œil à son passé classique, et au cœur de la musique moyen-orientale. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
DB0209_001_COVER1.qxd 12/10/08 3:35 PM Page 1 DOWNBEAT 75 GREAT GUITARISTS JACK BRUCE DAVID BINNEY JAZZ CLUB GUIDE BRUCE DAVID JACK GUITARISTS 75 GREAT DownBeat.com $4.99 02 FEBRUARY 2009 FEBRUARY 0 09281 01493 5 FEBRUARY 2009 U.K. £3.50 DB0209_02-05_MAST.qxd 12/13/08 1:35 PM Page 2 DB0209_02-05_MAST.qxd 12/15/08 1:12 PM Page 3 DB0209_02-05_MAST.qxd 12/13/08 1:41 PM Page 4 February 2009 VOLUME 76 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.