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Thinking in Babel 2017
THINKING IN BABEL Christopher Damien Auretta THINKING IN BABEL Edições Colibri Biblioteca Nacional de Portugal – Catalogação na Publicação AURETTA, Christopher, 1955- Thinking in Babel. – 1ª ed. – (Extra-colecção) ISBN 978-989-689-634-8 CDU 821.111(73)-4”20” Título: Thinking in Babel Autor: Christopher Damien Auretta Editor: Fernando Mão de Ferro Capa: Raquel Fernandes Depósito legal n.º 420 264/17 Lisboa, Janeiro de 2017 CONTENTS A SMALL ATLAS OF EARTH IN RECOLLECTION OF LEGACIES AND PATTERNS OF GROWTH (I, II, III) I. LIVE FROM EARTH (2004) ..................................................................... 15 Preface .............................................................................................................. 17 Live from Earth (i) ............................................................................................ 25 Live from Earth (ii) ........................................................................................... 26 Eros, etc. ........................................................................................................... 27 Oedipus before Jocasta’s Tomb ........................................................................ 29 On Pedagogy ..................................................................................................... 30 Foreign Travel .................................................................................................. 31 Note to a Writer Momentarily Disabled ........................................................... 32 Gustave Flaubert Visits -
Joshua Redman Back East Mp3, Flac, Wma
Joshua Redman Back East mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Back East Country: US Released: 2007 Style: Contemporary Jazz MP3 version RAR size: 1700 mb FLAC version RAR size: 1585 mb WMA version RAR size: 1897 mb Rating: 4.4 Votes: 902 Other Formats: APE ADX AC3 MIDI VQF MP2 AAC Tracklist Hide Credits 1 The Surrey With The Fringe On Top 5:12 2 East Of The Sun (And West Of The Sun) 5:35 3 Zarafah 7:58 Indian Song 4 6:10 Saxophone – Joe Lovano 5 I'm An Old Cowhand 6:06 6 Wagon Wheels 5:58 7 Back East 6:40 Mantra #5 8 6:10 Saxophone – Chris Cheek 9 Indonesia 4:41 India 10 4:55 Saxophone – Dewey Redman 11 GJ 3:40 Companies, etc. Manufactured For – BMG Direct Marketing, Inc. – D171210 Credits Bass – Christian McBride (tracks: 3 to 4), Larry Grenadier (tracks: 1 to 2, 8 to 11), Reuben Rogers (tracks: 5 to 7) Drums – Ali Jackson (tracks: 1 to 2, 8 to 11), Brian Blade (tracks: 3 to 4), Eric Harland (tracks: 5 to 7) Producer – Joshua Redman Saxophone – Joshua Redman Other versions Category Artist Title (Format) Label Category Country Year Back East (CD, UK, Europe & 7559-79993-8 Joshua Redman Nonesuch 7559-79993-8 2007 Album) US Back East (CD, 7559-79993-8 Joshua Redman Nonesuch 7559-79993-8 Argentina 2007 Album) Back East (CD, 7559-79993-8 Joshua Redman Nonesuch 7559-79993-8 Europe 2007 Album) Related Music albums to Back East by Joshua Redman 1. The Music Of Don Redman Featuring George Kelly - The Music Of Don Redman 2. -
New Original Works Festival 2009 Program Two
NEW ORIGINAL WORKS FESTIVAL 2009 PROGRAM TWO July 30 – August 1, 2009 8:30pm presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts NOW FESTIVAL 2009: PROGRAM TWO NEW ORIGINAL WORKS FESTIVAL 2009 UPCOMING PERFORMANCES August 6 – August 8 : Program Three 1 CAROLE KIM W/ OGURI, ALEX CLINE AND DAN CLUCAS: N Zackary Drucker / Mariana Marroquin / Wu Ingrid Tsang: PIG direction and video installation: Carole Kim Meg Wolfe: Watch Her (Not Know It Now) dance: Oguri Lauren Weedman: Off percussion: Alex Cline winds: Dan Clucas live-feed video: Adam Levine and Moses Hacmon lighting design: Chris Kuhl I. Reflect --he vanishes Into the skin of water... ...And leaves me with my arms full of nothing But water and the memory of an image? ...The one I loved should be let live. He should live on after me, blameless.’ [Tales from Ovid, Hughes] II. Hall of Mirrors The black mirror is a surface, but this surface is also a depth. This specular catastrophe, prefigured by the myth of Narcissus, is inseparable from a process that renders the gaze opaque. [The Claude Glass: Use and Meaning of the Black Mirror in Western Art, Arnaud Maillet] III. Syphon IV. Shade This mirror creates, as it were, a hole in the wall, a door into the realm of the dead. But it also constitutes an epiphany, since the divinity is seen in all its glory and clarity. [Maillet] Improvising … hinges on one’s ability to synchronize intention and action and to maintain a keen awareness of, sensitivity to, and connection with the evolving group dynamics and experiences. -
Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
Full Biography
Gina Leishman – Full Biography Composer and multi-instrumentalist Gina Leishman was born in England, studied music at the Vienna Conservatory and Edinburgh University (B.Mus.Hons.), and made her home in the U.S., first on the west coast and since the early ‘90s in New York City. She has written for theater, opera, dance, film, TV and the concert stage. Ms. Leishman was composer-in-residence at the Akrai Residency Program in Sicily, 2014, and at Montalvo Arts Center, Saratoga CA, in 2009 and 2010; also Artist in Residence at Colgate University in 2012. She has been the recipient of grants from the NEA, Meet The Composer, Lila Wallace/Readers Digest Fund, Rockefeller Foundation, Arts International, Chamber Music America, Doris Duke Foundation, American Music Center, Duffy Institute for new Opera and the California Arts Council, amongst others. She is co-founder of the septet Kamikaze Ground Crew. Together for over 30 years, they celebrated their 20th anniversary with a commission from Chamber Music America’s New Works: Creation and Presentation Program. Portraits was premiered at the 2007 San Francisco Jazz Festival. Other performances include Earshot Jazz Festival (Seattle), Frankfurt Jazz Festival and Donaueschingen New Music Festival (Germany) (who also commissioned new work), Vossa Jazz Festival (Norway), Merkin Hall and Joe’s Pub (New York), as well as regular gigs in and around downtown New York and Brooklyn. She also co-leads the Mr. Wau-Wa band, a quintet dedicated to the songs of Bertolt Brecht, for which she is the chief arranger and lead singer. Her work as a singer/songwriter includes Geography (2018), Baseless Rumors (2011), In My Skin (2007) and Bed Time (2004), all explorations of the Leishman Songbook. -
Music for a New Day Artist Bio
Music for a New Day Artist bio Fariba Davody: Fariba Davody is a musician, vocalist, and teacher who first captured public eye performing classical Persian songs in Iran, and donating her proceeds from her show. She performed a lot of concerts and festivals such as the concert in Agha khan museum in 2016 in Toronto , concerts with Kiya Tabassian in Halifax and Montreal, and Tirgan festival in 2017, 2018, 2019, and 2021 in Toronto. Fariba opened a Canadian branch of Avaye Mehr music and art school where she continues to teach. Raphael Weinroth-Browne: Canadian cellist and composer Raphael Weinroth- Browne has forged a uniQue career and international reputation as a result of his musical creativity and versatility. Not confined to a single genre or project, his musical activities encompass a multitude of styles and combine influences from contemporary classical, Middle Eastern, and progressive metal music. His groundbreaking duo, The Visit, has played major festivals such as Wave Gotik Treffen (Germany), 21C (Canada), and the Cello Biennale Amsterdam (Netherlands). As one half of East-meets-West ensemble Kamancello, he composed “Convergence Suite,” a double concerto which the duo performed with the Windsor Symphony Orchestra to a sold out audience. Raphael's cello is featured prominently on the latest two albums from Norwegian progressive metal band Leprous; he has played over 150 shows with them in Europe, North America, and the Middle East. Raphael has played on over 100 studio albums including the Juno Award-winning Woods 5: Grey Skies & Electric Light (Woods of Ypres) and Juno-nominated UpfRONt (Ron Davis’ SymphRONica) - both of which feature his own compositions/arrangements - as well as the Juno-nominated Ayre Live (Miriam Khalil & Against The Grain Ensemble). -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Joshua Redman Bio
JOSHUA REDMAN BIO Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. He was exposed at an early age to a variety of musics (jazz, classical, rock, soul, Indian, Indonesian, Middle-Eastern, African) and instruments (recorder, piano, guitar, gatham, gamelan), and began playing clarinet at age nine before switching to what became his primary instrument, the tenor saxophone, one year later. The early influences of John Coltrane, Ornette Coleman, Cannonball Adderley and his father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, The Police and Led Zeppelin drew Joshua more deeply into music. But although Joshua loved playing the saxophone and was a dedicated member of the award-winning Berkeley High School Jazz Ensemble and Combo from 1983-86, academics were always his first priority, and he never seriously considered becoming a professional musician. In 1991 Redman graduated from Harvard College summa cum laude, Phi Beta Kappa with a B.A. in Social Studies. He had already been accepted by Yale Law School, but deferred entrance for what he believed was only going to be one year. Some of his friends (former students at the Berklee College of Music whom Joshua had met while in Boston) had recently relocated to Brooklyn, and they were looking for another housemate to help with the rent. Redman accepted their invitation to move in, and almost immediately he found himself immersed in the New York jazz scene. -
ELI STUDENT VOICES Volume 15, Issue 3 Fall, 2011
ELI STUDENT VOICES Volume 15, Issue 3 Fall, 2011 Happily Never After… (1st Place) and her parents stayed together the last time. Mariah's parents wanted to run away, but she did not want to see them beaten by Lan Phung the henchmen of the squire. She said to them: “No father, R/W 43 mother. Necessity knows no laws. This is my choice, I reap as I sow.” A long time ago, there was a beautiful girl named “We do not want to lose you forever. Blood is thicker “Mariah”. Mariah has a pure beauty like an wonderful smelling than water. You are our only daughter. How can we live without flower that can make any man's heart go round and round just you?” Mariah's parents said. concentrically. She has curly golden hair, azure eyes, coral lips “So much to do, so much has been done. We have no and a dimple on her face. She has soft skin like a baby and choice. Please do not worry for me. I will be happy.” Mariah always is odoriferous. Mariah not only has these about her. told them. Mariah's silky words and her beautiful smile are like aqua fresh They stayed together to enjoy their last time before she air and could make anyone's day. She was the only daughter of left. her parents. They live on a small farm with a happy life. The next day, the henchmen came to pick her up by But a happy life was not enough to live. They were just carriage. -
Fmqautumn 2016 3 FMQ :: Autumn 2016
Olavi Louhivuori Physical and Gender equality : : p. 6 cultural in music environments – unfinished of music business? : : p. 12–43 : : p. 44–53 Finnish Music Quarterly FMQAutumn 2016 Contents :: EditorialBY ANU AHOLA Autumn 2016 3 3 Editorial 4 News :: FMQ 6 Beyond genre BY Wif Stenger on Olavi Louhivuori Aural landscapes, sonic mindscapes AUTUMN 12 The voice of freedom BY Andrew Mellor on Outi Tarkiainen 2016 14 Collective resonance BY Merja Hottinen on Nathan Riki Thomson The foundation of every culture consists of the natural environment and the customs and beliefs of the community living in it. These basic elements 18 Spaces and pigeonholes BY Hanna Isolammi shape each other constantly, sometimes in surprising ways. In this issue Jussi Puikkonen on Susanna Mälkki we explore the relationship between music and environment, both natural and cultural. What traces, influences and meanings of the environment do 20 The North in music BY Andrew Mellor the people who create, consume and study music find in it today? 24 Natural born preachers BY Janne Flinkkilä This question prompted further questions: How does a language envi- on Radiopuhelimet ronment manifest itself in music? Why does performing a concert in the natural environment seem to enhance the experience? And what about 26 10 Finnish songs about and inspired by nature BY Matti Nives the evolution of music: is music essential for human beings, biologically speaking? 28 Taking Note: Naturally good music BY Juha Torvinen Although definitive answers cannot be found for all these questions, 30 Nature’s concert halls BY Heidi Horila it is obvious that creating and experiencing music are always affected by on the force of nature in Finnish music events nature, by nurture and by the culture we live in. -
DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.