Arabian Nights Miniseries Part One – Tuesday June 23Rd 7:00Pm

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Arabian Nights Miniseries Part One – Tuesday June 23rd 7:00pm Opener – Up All Night Master of Ceremonies – Miss Sue Overture – Main Character Credits Scene I - Agrabah Market Place Arabian Nights – Friday Night Acro 5/6 The Legend of the Lamp – Morgan May Buddies - Friday Musical Theatre Funky Monkeys – Monday Musical Theatre One Jump Ahead – Friday Acro 3/4 Street Urchins – Tuesday Petite Acro Spanish Gypsies – Monday Senior Ballet These Palace Wall – Wednesday Grade One Ballet Story Recap Babkak, Omar, Aladdin, Kassim Harvest Dreams – Monday Senior Ballet Speechless – Taylor Marnoch Proud of your Boy – Maddy Arsenault A Million Miles – Taylor Marnoch and Maddy Arsenault We are All in This Together – Part One Finale Ending Credits Arabian Nights Miniseries Part Two – Wednesday June 24th 7:00pm Opener – Up All Night Master of Ceremonies – Miss Sue The Genie and the Lamp A Whole New World – Wednesday Primary Ballet Diamond in the Ruff – Shea Cooper, Maddy Arsenault, Morgan May Friend Like Me – Friday Acro 1/2 Somebody’s Got Your Back - Genie, Lamp and Aladdin More Friends Like Me – Friday Junior Hip Hop Arabian Silks - Aerial Silk Presentation (15 minutes) Make Me a Prince - Maddy Arsenault and Andrea Hill One Jump Ahead Reprise – Maddy Arsenault We are in This Together – Part Two Finale Ending Credits Arabian Nights Miniseries Part Three – Thursday June 25th 7:00pm Opener – Up All Night Master of Ceremonies – Miss Sue Prince Ali There is a Party Tonight in Agrabah – The Genie Tarantella Towns People - Junior Ballet Company Another Abu Cha Cha - Petite Jazz Company Fabulous Feet - Wednesday Tap Get Low – Company Hip Hop Five Little monkeys – Monday Mini Company Ease on Down - Wednesday Jazz Through it Back - Friday Night Intermediate Hip Hop Dance with Some Jewels – Junior Jazz Company JuJu On That Beat Lamp- Friday Night Mini/Petite Hip Hop Arabian Nights Reprise – The Lamp Finale Ultimo - Character Finale Thursday Contemporary Improvisation Courage 2020 – Senior Lyrical Company We are All in This Together – Part Three Finale Ending Credits .

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Week 8 Grade 6 ELA Continued Learning
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BANBURY C7] MN The Baldwin Library University mB Florida wi Tae BANBURY CROSS SERIES PREPARED FOR CHILDREN BY Grace Ruys ALADDIN, OR THE WONDERFUL LAMP. ALADDIN. OR THE — WONDERFUL LAMP. ILLUSTRATED BY SINE eT Ele ne Ave LONDON © RUBLISHRD BY JM DENT & CO. AT ALDINE. HOUSE. IN G? BASTERN 87. 1595 To Leils aad Nor. [TF I had the Lamp of Aladdin of old, | I would bind my ‘book in silver and gold, And tie its leaves with a silken string! __ But now I think on ’t, I do not need it ; For, Leila and Nora, as you open and read it, _ Did you ever see a prettier thing ?- ; an a Aladdin, or — The Wonderful Lamp. — Wwe Ae was the son of Mustapha, a poor tailor in one of the rich provinces of China. When the boy was old enough to learn a trade, his father took him into his own workshop. But: Aladdin, being but an idle: fellow, loved - play-more than work, and spent his days ‘in playing in the public streets with other boys as idle as himself. : - His father died while he was yet very young; but he still continued his foolish ways, and his mother was forced’ to spin IO ALADDIN, OR THE WONDERFUL LAMP. cotton night and day in order to keep herself and him. When he was about fifteen years old, — he was one day playing in the streets with some of his companions. A stranger who was going by stopped and ‘looked at him. This stranger was a famous African Magician, who, having need of the help of some ignorant person, no sooner beheld Aladdin than he knew by his whole air, manner, and appearance, that he was a person of small prudence, and very fit to be made a tool of.
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{ M~djtrrrnnran .~ta ASIA •Jerusalem Cairo• EGYPT 0 \~ Medina t.,,."'\ ARABIA The Thousand ~"::-'- i \.Mecca V and One Nights AFRICA A.rttbiun ) .'i:L'd (c. 850-c. 1500) MEDIEVAL ARABIA ver since the writer Antoine Galland trans Scheherazade is a spellbinding storyteller Elated The Thousand and One Nights--or The and a clever woman besides. Each night she Arabian Nights' Entertainments-into French in entertains the sultan with a new tale, but she the early eighteenth century, this collection of delays revealing the ending until the following tales has been the best-known and most widely night. The captivated sultan keeps postponing read work of Arabic literature in the West. The her execution in order to hear the end of each often fantastic adventures of the characters Ali story. After one thousand and one nights of Baba, Aladdin, and Sindbad are known through tales, he abandons his plans to kill Schehera out the world today. zade, and the couple remains happily married. The original stories in The Thousand and One Nights came from many oral and written sources, including such collections as the In dian Panchatantra (see page 171) and tales brought by travelers from China, India, and every part of the Middle East. Scholars have identified sources for many of the stories, but the true origins of many others remain unknown because they exist in more than one version and in more than one language. The earliest references to The Thousand and One Nights appear in manuscripts from as early as the ninth century. Kept alive by Arab story tellers throughout the Middle Ages, the collec tion grew and changed.
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