Overview of Characteristics of Traditional Schools
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Investigating the Patterns of Islamic Architecture in Architecture Design of Third Millennium Mosques
European Online Journal of Natural and Social Sciences 2014; www.european-science.com Vol.3, No.4 Special Issue on Architecture, Urbanism, and Civil Engineering ISSN 1805-3602 Investigating the Patterns of Islamic Architecture in Architecture Design of Third Millennium Mosques Parvin Farazmand1*, Hassan Satari Sarbangholi2 1Young Researchers and Elite Club, Tabriz Branch, Islamic Azad University, Tabriz, Iran; 2Architecture Group of Azad-e-Eslami University, Tabriz Branch *Email: [email protected] Abstract Islamic architecture, which is based on the Islamic school, has been shaped by the total awareness of architects’ of techniques of architecture and adherence to the principles of geometry and inspired by religious beliefs. Principles of geometry and religious beliefs caused certain patterns to take shape in Islamic architecture that were used in designing buildings including mosques. With the advancements in technology, architecture entered a new stage considering the form of construction and the buildings. Islamic architecture and mosque, which is the primary symbol of Islamic architecture, are not different and consequently went through changes in forms and patterns. In this paper, the purpose is to express the place of patterns of Islamic Architecture in the mosques of the third millennium. The method used is descriptive-analytic and the mosques of the third millennium are the statistical population and ten of them are the statistical sample. The tools used are the library studies and the data has been analyzed using chars obtained from Excel. The result indicated that in the architecture of the mosques of the third millennium, the patterns of Islamic architecture have been fixed and proposed, and yet do create different designs that would be novel. -
Iran Case File (April 2019)
IRAN CASE FILE March 2020 RASANAH International Institute for Iranian Studies, Al-Takhassusi St. Sahafah, Riyadh Kingdom of Saudi Arabia. P.O. Box: 12275 | Zip code: 11473 Contact us [email protected] +966112166696 The Executive Summary .............................................................4 Internal Affairs .........................................................................7 The Ideological File ......................................................................... 8 I. Closing Shrines and Tombs ................................................................ 8 II. Opposition to the Decision Taken by Some People ............................. 8 III. Reaction of Clerics ........................................................................... 9 IV. Affiliations of Protesters .................................................................. 11 The Political File ............................................................................12 I. Khamenei Politicizes the Epidemic and Accuses Enemies of Creating the Virus to Target the Iranian Genome ..............................12 II. President Hassan Rouhani’s Slow Response in Taking Precautions to Face the Crisis ..................................................................................13 The Economic File ..........................................................................16 I. Forcible Passage of the Budget ...........................................................16 II. Exceptional Financial Measures to Combat the Coronavirus ............. 17 III. The -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
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The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
Banal Nationalism in Iran: Daily Re-Production of National and Religious Identity
Elhan / Banal Nationalism in Iran: Daily Re-Production of National and Religious Identity Banal Nationalism in Iran: Daily Re-Production of National and Religious Identity Nail Elhan* Öz: 1979 yılında yaşanan İran İslam Devrimi sonrasında İslamcı politikalar kurulan yeni rejimin hem iç hem de dış politikalarının temelini oluşturmuştur. Ancak milliyetçilik de göz ardı edilmemiş ve daha da ileri gidilerek Şii İslam ve İslam öncesi Pers kültürünün harmanlanması ile bir İranlılık kimliği yaratılmıştır. Bu kimlik devlet tarafından, Şii mitolojisi, İslam öncesi Pers kültürü, anti-emperyalizm, Üçüncü Dünyacılık ve anti-Siyonizm gibi ögelerle harmanlanmış ve çok etnikli İran toplumuna ortak bir aidiyet olarak sunulmuştur. Bu aidiyet olgusunun hem İran içinde hem de İran dışında cereyan eden olaylar üzerine inşa edildiği iddia edilebilir. Bunu yaparken, İran Devleti basılması kendi tekelinde olan banknotları, madeni paraları ve posta pullarını gündelik milliyeçiliğin aracı olarak kullanmış ve bu ‘banal’ yollar ile İranlılık duygusunun her gün yeniden üretilmesine katkı yapmıştır. Böylelikle, banknotlar, madeni paralar ve posta pulları gibi görsel semboller aracılığı ile devlet, kendi oluştur- duğu kimliği yine kendi içerisinde bulunan alt-ulusal kimliklerin bu resmi kimliğe saldırılarına karşı bir savunma aracı olarak banal milliyetçilik vasıtası ile kullanmış olmaktadır. Anahtar kelimeler: İran Devrimi, Banal Milliyetçilik, Şiilik, Fars Kimliği, Milli Kimlik. Abstract: After its 1979 revolution, Islamism became Iran’s main policy as regards its domestic and foreign affairs. However, nationalism continued to exist. After the revolution, the national identity of Iranianness based on Shii Islam and pre-Islamic Persian history was created. By merging Shii traditions, pre-Islamic Persian culture, anti-imperialism, Third Worldism, and anti-Zionism, this new identity was introduced as one of belonging. -
Standard Packages
IRANPERSIAN SIMORG TOURS STANDARD PACKAGES +61 (0)410 177766 | [email protected] | ABN: 69 379 045 424 Iran Persian Simorg Tours are smaller, boutique excursions created for both the first-time and the experienced traveller who is looking for more than a standard tour holiday. As Iran is known and famous for its hospitality the theme is to encourage greater interactions with locals, rather than being hemmed into a strict itinerary. Simorg Tours are designed to give you the experiences of both being a tourist and a local by including highlight attractions as well as “off-the-beaten-track” or local haunts that would normally be overlooked or require the local knowledge. PACKAGES 12 DAY(MAMOOLI) TOUR 20 DAY BIG (BOZORG) TOUR 15 DAY(SHOMALLI) TOUR 21 DAY COMBINED TOUR TEHRAN AND THE GOLDEN CITIES: TEHRAN AND CENTRAL IRAN: TEHRAN TO TABRIZ: NORTHWEST AND CENTRAL IRAN: SHIRAZ, ISFAHAN, AND KASHAN SHIRAZ, ISFAHAN, YAZD AND KASHAN QAZVIN, ZANJAN, RASHT, ARDABIL, TEHRAN,QAZVIN, ZANJAN, RASHT, ARDABIL, (including Persepolis, Pasargadae, Nash-e Rostam (including Chaharmahal va Bakhtiari, Persepolis, Pasargadae, Nash-e ASTARA, MASHAD AND TURKMENSAHRA TABRIZ, SHIRAZ, ISFAHAN, YAZD , AND KASHAN and Abeyaneh village). Rostam and Abeyaneh village). (including Kaylebar, Kandovan, Aras River Valley and Alumut Valley). (including Kaylebar, Kandovan, Aras River Valley and Alumut Valley). $AU3450 $AU5450 $AU3750 $AU5750 p/person. p/person. p/person. p/person. Includes: all internal transportation and airport transfers, hotel Includes: all internal transportation and airport transfers, hotel Includes: all internal transportation and airport transfers, hotel Includes: all internal transportation and airport transfers, hotel accommodation, entry site fees, and 2 daily meals. -
Architectural Analyses of Wooden Chehelsotun
Latest Trends on Cultural Heritage and Tourism Architectural Analyses of Wooden Chehelsotun (40 columns) of Molla Rostam and Moezzeddin Mosques in Maragheh and Their Effects on Chehelsotun Palace and Aali Qaapou in Isfahan ¹NEGAR KHAIYAT KOLKARI, ²ELNAZ ASHRAFI, ³FARROKH ABDOLLAHZADEH BINA, 4MAJID YAZDANI ¹,²,4 Department of Architecture 3Department of Civil Engineering ¹Islamic Azad University-Bostan Abad Branch, ²Islamic Azad University-Khamneh Branch ³Islamic Azad University-Ahar Branch, 4Islamic Azad University-Azarshahr Branch IRAN ¹[email protected], ²[email protected], ³[email protected], [email protected] Abstract: - The two mosques of Molla Rostam and Moezzeddin in Maragheh which belong to early years of Safavid Dynasty have important place among wooden architectural works of Iran not only for their old age but also for traditional masonry materials used in them and for the work done on them and art used in their creation as well. Wooden Chehelsotun (Forty Columns) of these mosques with their glorious and valuable decorations are among the first and well-known wooden veranda models of Safavid times it means Chehelsotun Palace and Aali Qaapou. Chehelsotun bedchambers such as Meidan and Mehrabad Mosques are built in Bonab after them. Original architectural space of these two mosques with their structural considerations and masonry materials such as grinder, shim/shingle and lost beam beside beautiful decoration of columns and dome interior in wooden head columns are collection of higher wood art elements, painting -
6 Day Mashhad & Neyshabur
6 DAY MASHHAD & NEYSHABUR 6 Day – 5 Night Type: Historical/Caltural/Discovery HIGHLIGHTS The holy shrine of Imam Reza, and Goharshad mosque a great sample of Islamic architecture Neyshabur city, visiting Attar and Kamal-ol-molk tomb and buying Turquoise Tous city and Ferdowsi tomb, the poet of Shahnameh Shandiz and Torghabeh, the country sides and experiencing delicious Shishlik kebab Special souveniers of Mashhad like: Saffron and Barberry Visit Mashhad the city of Ferdowsi, the famous Iranian poet of "Shah Nameh" and Imam Reza the eight Imam of Shia Muslims. Visit ancient places like museums, domes, mausoleums and the shrine. Bargain in the bazaars and take a wide variety of traditional hand crafts, precious stones and Saffron as souvenirs. Savor flavorful and delicious Persian cuisine. Go to the northeast of Iran, A major oasis along the ancient Silk Road, where Kashmar rug a type of Persian rug is indigenous to this region. Visit the city of Ferdowsi, the Iranian poet of "Shah Nameh", which is considered to be the national epic of Iran. The hometown of some of the most significant Iranian literary figures and artists, Mohammadreza Shajarian and Akhavan sales. The city is most famous and revered for housing the tomb of Imam Reza the eighth Imam of Shia. Benefit from the proximity of the mountains, cool winters, pleasant springs, mild summers, and beautiful autumns. Rich in souvenir; dry fruits, salted nuts, Saffron, Iranian sweets like "Gaz" and "Sohaan", precious stones like agates, turquoise, intricately designed silver jewelry studded with rubies and emeralds, eighteen carat gold jewelry, perfumes, religious souvenirs, Trench coats, Scarves, Termeh, carpets and Rugs. -
Explaining the Role of Light in Quality of the Architectural Spaces in Iranian Mosques
Explaining the Role of Light in Quality of the Architectural Spaces in Iranian Mosques a b c Fariba Alborzi , Farah Habib *, Iraj Etessam a Ph.D., Department of Art and Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran b Professor, Department of Art and Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran c Professor, Department of Art and Architecture, Science and Research Branch, Islamic Azad University, Tehran, Iran Received: 06. June. 2016 - Accepted: 26. July. 2016 Abstract The research analyses the essence and relationships between the variables in the context of light and architecture, and aims to develop the knowledge and design based on the light and recognition of the space, an effort was made to analyze the role of light in quality of the Iranian architecture and three samples of the most precious mosques were selected as the instances of this phenomenon, eg., Nasir-Al-Molk Mosque in Shiraz, Sheikh Lotf-Allah Mosque in Isfahan and Vakil Mosque in Shiraz. Light processing has different specifications in each of the mentioned mosques, as it is applied in a specific way which deserves consideration and it represented a number of considerable beautiful aspects. According to the valuable role of light on definition and interpretation of the space, it is assumed that: light has a great value in the quality of the spaces in the architecture of Iranian mosques and the fact it plays an effective role in enhancing the “quality” of the architectural space and to improve the “spatial -
No Individual Is Lost and No Nation Is
————————————————— Attorneys inspired by the Ahlul Bayt —————————————————— “No individual is lost and no nation is refused prosperity and success, if the bases of their thoughts and actions rest upon piety and godliness, and upon truth and justice.” —Imam Ali ibn Abi Talib (pbuh), Nahjul Balagha, Sermon 21 Monday, June 21, 2021 Joseph R. Biden, Jr. President of the United States The White House 1600 Pennsylvania Avenue NW Washington, DC 20500 Dear President Biden, The American Muslim Bar Association and the undersigned organizations join together to urge your administration to repeal the specific sets of sanctions on the Islamic Republic of Iran that, as unintended consequences, are violating the religious freedom of American citizens. The United States is built on the promise of religious freedom. Famously, many early colonists in the Americas had fled England for fear of subjugation based on religion.i At the very outset of this nation, the Founders enshrined religious freedom in the First Amendment to the Constitution: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof.”ii Yet, centuries later, the foreign policy actions of the US government are infringing on the religious rights of minorities in this country, further marginalizing an already marginalized Shi’a Muslim community. Background In 2019, the Trump Administration began issuing a slew of sanctions on entities in Iran that had previously been terminated under the 2015 Iran nuclear deal.iii Since then, these sanctions and the civil and criminal penalties violations they carry, have served to intimidate and persecute minority Muslim Americans, specifically Shi’a Muslim Americans. -
See the Document
IN THE NAME OF GOD IRAN NAMA RAILWAY TOURISM GUIDE OF IRAN List of Content Preamble ....................................................................... 6 History ............................................................................. 7 Tehran Station ................................................................ 8 Tehran - Mashhad Route .............................................. 12 IRAN NRAILWAYAMA TOURISM GUIDE OF IRAN Tehran - Jolfa Route ..................................................... 32 Collection and Edition: Public Relations (RAI) Tourism Content Collection: Abdollah Abbaszadeh Design and Graphics: Reza Hozzar Moghaddam Photos: Siamak Iman Pour, Benyamin Tehran - Bandarabbas Route 48 Khodadadi, Hatef Homaei, Saeed Mahmoodi Aznaveh, javad Najaf ...................................... Alizadeh, Caspian Makak, Ocean Zakarian, Davood Vakilzadeh, Arash Simaei, Abbas Jafari, Mohammadreza Baharnaz, Homayoun Amir yeganeh, Kianush Jafari Producer: Public Relations (RAI) Tehran - Goragn Route 64 Translation: Seyed Ebrahim Fazli Zenooz - ................................................ International Affairs Bureau (RAI) Address: Public Relations, Central Building of Railways, Africa Blvd., Argentina Sq., Tehran- Iran. www.rai.ir Tehran - Shiraz Route................................................... 80 First Edition January 2016 All rights reserved. Tehran - Khorramshahr Route .................................... 96 Tehran - Kerman Route .............................................114 Islamic Republic of Iran The Railways -
Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd)
Modern Applied Science; Vol. 10, No. 2; 2016 ISSN 1913-1844 E-ISSN 1913-1852 Published by Canadian Center of Science and Education Studying the Effect of Continent on Three Important Mosque of Timurid Period (Blue Mosque of Tabriz, Goharshadjame Mosque, Jame Mosque of Yazd) Davoud Saremi Naeeni1 & Kobra Hasangholinejad Yasoori2 1 Assistant professor, art and archtecture faculty, university of kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran 2 Phd student of architecture, univer sity of sistan and baluchestan, Zahedan, Iran Correspondence: Davoud Saremi Naeeni, Assistant professor, art and archtecture faculty, University of Kharazmi, tehran, Iran and Sistan and Baluchestan University, Zahedan, Iran. E-mail: [email protected]/ [email protected] Received: November 25, 2015 Accepted: December 7, 2015 Online Published: January 15, 2016 doi:10.5539/mas.v10n2p205 URL: http://dx.doi.org/10.5539/mas.v10n2p205 Abstract Mosques’ architecture is one of the monuments in the history of Iranian architecture that has alwaysbeen of interest andimportance and in the Timurid period was also welcomed by many architects and artists and examples were built that were used as a perfect model for the architects of the next periods. The architecture of this period is known as a good example of harmony with the environment, which is a result of various climatic, historical, economic, cultural and political factors and have had the greatest impact and benefit fromthe continental and social and politicalconditions of Ilkhani and Seljuk periods. Timurid mosques of Iran are from the important elements of Islamic architecture in terms of architectural form and decorations that need to be reviewed in these two factors.