Happy 40Th Birthday BBC Radio
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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
April, May & June 2016 Monthly Performance Pack
Monthly Performance Pack April, May & June 2016 Mimmi Andersson, BBC iPlayer BBC Communications 07725641207 | [email protected] Monthly summary – June 2016 • Major events in the sporting calendar began in June, including Wimbledon and the UEFA Euro 2016 football tournament. BBC iPlayer saw an excellent start to the ‘Summer of Sport’ season, with 290 million requests across TV and radio. This was an increase of +6% on May, and higher than June 2015 by +39m requests. TV requests increased +9% month-on-month to 229 million, BBC iPlayer’s highest-ever performance for the month of June. • Live viewing grew to 11% of all TV requests, the highest level since mid-2014. And BBC iPlayer (TV and BBC iPlayer Radio) saw the highest ‘unique browser’ reach on record, with an average of 19.9 million unique browsers weekly across June. • The appeal of a ‘Home Nations’ football match, played during office hours. proved a winning combination for BBC iPlayer, with the England v Wales match for UEFA Euro 2016 being, by far, the most requested programme in June, delivering 2.8 million requests. Top Gear continued to be popular as usual, and new dramas Versailles and New Blood rounded out the top 5 most-requested programmes (along with EastEnders), all delivering well over 1m requests. • In a similar story for radio in June, the England v Wales match in UEFA Euro 2016 was also the most popular programme (coverage from BBC Radio 5 live Sport, which delivered 263k requests for BBC iPlayer Radio). • Note: we have included the top 20 episode tables for April and May in this report as well as June’s. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Drama and the Politics of Professionalism in England C. 1600
Drama and the Politics of Professionalism in England c.1600-1640 Martin Steward Ph.D. University College London University of London “And Pharaoh said unto Joseph, Forasmuch as God hath shewed thee all this, there is none so discreet and wise as thou art: Thou shalt be over my house, and according unto thy word shall all my people be ruled: only in the throne shall I be greater than thou.” Genesis 41:39-40 ProQuest Number: U642701 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642701 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The project was conceived as a cultural-studies contribution to the debate around the “causes of the English Civil War”. The “silences of conciliation” emphasized by “revisionist” historians concealed an unwillingness to entertain a theory of sovereignty, despite Tudor administrative centralization. Understanding this unwilhngness helps explain how conciliation could be a preface to civil war. The answer lies partly in the way professional constituencies divided up the action of government. This did not prevent dissension, because these competing claims upon power perpetuated precisely those divisions which concepts of sovereignty were designed to overcome. -
Radio 4 Extra Listings for 6 – 12 June 2020 Page 1 of 9 SATURDAY 06 JUNE 2020 Lady Lettice Melland
Radio 4 Extra Listings for 6 – 12 June 2020 Page 1 of 9 SATURDAY 06 JUNE 2020 Lady Lettice Melland ...... Helen Ryan The Garage ...... James Bryce Anne Artingstall ...... June Barry Pansy the Dog ...... Percy Edwards SAT 00:00 Schalken the Painter by Sheridan Le Fanu Lizzie Lightowler ...... Rosalie Crutchley Alfred ...... Henry Stamper (b007sw35) Arnold Ryerson ...... Andrew Jackson Dramatised and directed by Peter King 2. The Deal Pen Muff ...... Vida Paterson First broadcast on BBC Radio 4 in December 1983. The ghoulish Vanderhausen seals his deal with Rose's uncle who Harry Liskeard ...... Peter Guinness SAT 07:30 Great Lives (b04vdzyh) is unaware that his pupil Godfrey Schalken is in love with her... Jimmy Newboult ...... John Baldwin Series 35 Ian McDiarmid concludes the unabridged reading of Sheridan Ellen Stansfield ...... Rosalie Williams Brian Eno on Lord Young of Dartington Le Fanu's supernatural tale. Edith Ryerson ...... Ann Rye Brian Eno has worked with David Bowie, David Byrne and U2 Producer: Lawrence Jackson Nell Richards ...... Nina Holloway but his choice of Great Life is not a rock star but the sociologist Made for BBC 7 by BBC Northern Ireland. Marsden ...... Herbert Smith Lord Young of Dartington. First broadcast in June 2005. Carrickfergus ...... James Tomlinson Michael Young wrote the Labour Party's 1945 election SAT 00:30 Off the Page (b0076x93) Evan Vaughan ...... Richard Clay-Jones manifesto, researched slum clearance in the East End of Are We Alone? Gallery Assistant ...... Rory Scase London, set up the Consumers' Association, coined the word Victoria Coren on paranormal beliefs with Charlie Skelton, Director: Trevor Hill "meritocracy", co-founded the Open University and planned the Nick Pope and Christopher French. -
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14
Radio 4 Listings for 2 – 8 May 2020 Page 1 of 14 SATURDAY 02 MAY 2020 Professor Martin Ashley, Consultant in Restorative Dentistry at panel of culinary experts from their kitchens at home - Tim the University Dental Hospital of Manchester, is on hand to Anderson, Andi Oliver, Jeremy Pang and Dr Zoe Laughlin SAT 00:00 Midnight News (m000hq2x) separate the science fact from the science fiction. answer questions sent in via email and social media. The latest news and weather forecast from BBC Radio 4. Presenter: Greg Foot This week, the panellists discuss the perfect fry-up, including Producer: Beth Eastwood whether or not the tomato has a place on the plate, and SAT 00:30 Intrigue (m0009t2b) recommend uses for tinned tuna (that aren't a pasta bake). Tunnel 29 SAT 06:00 News and Papers (m000htmx) Producer: Hannah Newton 10: The Shoes The latest news headlines. Including the weather and a look at Assistant Producer: Rosie Merotra the papers. “I started dancing with Eveline.” A final twist in the final A Somethin' Else production for BBC Radio 4 chapter. SAT 06:07 Open Country (m000hpdg) Thirty years after the fall of the Berlin Wall, Helena Merriman Closed Country: A Spring Audio-Diary with Brett Westwood SAT 11:00 The Week in Westminster (m000j0kg) tells the extraordinary true story of a man who dug a tunnel into Radio 4's assessment of developments at Westminster the East, right under the feet of border guards, to help friends, It seems hard to believe, when so many of us are coping with family and strangers escape. -
The Andrew Marr Show Interview: William Hague, Mp
PLEASE NOTE “THE ANDREW MARR SHOW” MUST BE CREDITED IF ANY PART OF THIS TRANSCRIPT IS USED THE ANDREW MARR SHOW INTERVIEW: (Presented by Jeremy Vine) WILLIAM HAGUE, MP FOREIGN SECRETARY JANUARY 20th 2012 JEREMY VINE: Now the hostage crisis in Algeria was brought to an end yesterday, but further loss of life has been confirmed. The Prime Minister told reporters this morning that three British nationals have died. A further three are feared to have died and a British resident was also killed. And I’m joined now to talk further by the Foreign Secretary, William Hague. Good afternoon. So you have some precision now about the numbers on the British side? WILLIAM HAGUE: Well the numbers have got clearer of course with the end of the military operations there, the numbers that the Prime Minister gave. There are three British nationals who have died and three who we fear, three who we believe to have died, in addition to one person who’s not a British national but was resident in the United Kingdom. There were twenty-two other British nationals caught up in this terrible ordeal. They are now back in the United Kingdom, I’m pleased to say. We brought them back and BP brought others back on chartered flights during the night. So they are being reunited with their loved ones. So apart from the people who have died, everybody is 1 now accounted for, apart from those six people plus one UK residents who we think have died or fear have died. JEREMY VINE: There are conflicting accounts in the papers today of whether those who died in the last 24, 48 hours were killed before the final assault and triggered the final assault or whether they were killed during it. -
Media: Industry Overview
MEDIA: INDUSTRY OVERVIEW 7 This document is published by Practical Law and can be found at: uk.practicallaw.com/w-022-5168 Get more information on Practical Law and request a free trial at: www.practicallaw.com This note provides an overview of the sub-sectors within the UK media industry. RESOURCE INFORMATION by Lisbeth Savill, Clare Hardwick, Rachael Astin and Emma Pianta, Latham & Watkins, LLP RESOURCE ID w-022-5168 CONTENTS RESOURCE TYPE • Scope of this note • Publishing and the press Sector note • Film • Podcasts and digital audiobooks CREATED ON – Production • Advertising 13 November 2019 – Financing and distribution • Recorded music JURISDICTION • Television • Video games United Kingdom – Production • Radio – Linear and catch-up television • Social media – Video on-demand and video-sharing services • Media sector litigation SCOPE OF THIS NOTE This note provides an overview of the sub-sectors within the UK media industry. Although the note is broken down by sub-sector, in practice, many of these areas overlap in the converged media landscape. For more detailed notes on media industry sub-sectors, see: • Sector note, Recorded music industry overview. • Sector note, TV and fi lm industry overview. • Practice note, Video games industry overview. FILM Production Total UK spend on feature fi lms in 2017 was £2 billion (up 17% on 2016) (see British Film Institute (BFI): Statistical Yearbook 2018). Film production activity in the UK is driven by various factors, including infrastructure, facilities, availability of skills and creative talent and the incentive of fi lm tax relief (for further information, see Practice note, Film tax relief). UK-produced fi lms can broadly be sub-divided into independent fi lms, UK studio-backed fi lms and non-UK fi lms made in the UK. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Versailles: French TV Goes Global Brexit: Who Benefits? with K5 You Can
July/August 2016 Versailles: French TV goes global Brexit: Who benefits? With K5 you can The trusted cloud service helping you serve the digital age. 3384-RTS_Television_Advert_v01.indd 3 29/06/2016 13:52:47 Journal of The Royal Television Society July/August 2016 l Volume 53/7 From the CEO It’s not often that I Huw and Graeme for all their dedica- this month. Don’t miss Tara Conlan’s can say this but, com- tion and hard work. piece on the gender pay gap in TV or pared with what’s Our energetic digital editor, Tim Raymond Snoddy’s look at how Brexit happening in politics, Dickens, is off to work in a new sector. is likely to affect the broadcasting and the television sector Good luck and thank you for a mas- production sectors. Somehow, I’ve got looks relatively calm. sive contribution to the RTS. And a feeling that this won’t be the last At the RTS, however, congratulations to Tim’s successor, word on Brexit. there have been a few changes. Pippa Shawley, who started with us Advance bookings for September’s I am very pleased to welcome Lynn two years ago as one of our talented RTS London Conference are ahead of Barlow to the Board of Trustees as the digital interns. our expectations. To secure your place new English regions representative. It may be high summer, but RTS please go to our website. She is taking over from the wonderful Futures held a truly brilliant event in Finally, I’d like to take this opportu- Graeme Thompson. -
Simonelli on Hendy, 'Life on Air: a History of Radio Four'
H-Albion Simonelli on Hendy, 'Life on Air: A History of Radio Four' Review published on Friday, January 28, 2011 David Hendy. Life on Air: A History of Radio Four. Oxford: Oxford University Press, 2007. Illustrations. ix + 518 pp. $55.00 (cloth), ISBN 978-0-19-924881-0. Reviewed by David Simonelli (Youngstown State University) Published on H-Albion (January, 2011) Commissioned by Thomas Hajkowski David Hendy’s introduction opens with a pair of extreme vignettes that aptly capture the nature of the Radio Four audience. In May 1988, an elderly woman strode into Broadcasting House and opened fire with a pistol full of blanks when she could not receive Radio Four in Blackpool; more tragically, a vicar in Surrey beat his wife to death with his radio when he objected to someone’s musical tastes as broadcast on the program Desert Island Discs. As a loyal National Public Radio (NPR) listener, one sniffs at the idea that NPR could elicit the same response, no matter how demented the listener might be. To my knowledge, there is no true equivalent in any other Western nation-state’s culture to match the role that Radio Four plays in Britain. The founder of the British Broadcasting Corporation (BBC), Sir John Reith, declared that the entire service had a mission “to inform, to educate, and to entertain” (p. 400). In post-Victorian terms, Reith’s idea was to improve people through listening and get them to like the effort. While other branches of BBC radio and television have drifted off to serve each single aspect of that mandate, only Radio Four has kept a true balance between information, education, and entertainment. -
Summer 2021 Module Catalogue
LONDON INTERNATIONAL SUMMER PROGRAMME MODULE CATALOGUE 2021 Introduction Welcome to the London International Summer Programme Module Catalogue 2021. The international summer programme offers students the option of studying modules from an introductory level to a more advanced level, in a given subject area. Students opting to study for the entire six-week session will take two modules in total, whilst students participating on only the three week session will take one module. Module Credits All credits obtained during the international summer school will be awarded via an official academic transcript from the University of Westminster with each module being worth 20 UK credits, which normally equates to 4 US or 10 ECTS credits. All modules must be taken on a credit-bearing basis and students will not have the option to audit any module on offer. Module Levels At the University of Westminster, modules are validated at a level corresponding to a particular year of study. The levels used are: • Level 4, which is equivalent to the 1st year of an undergraduate degree • Level 5, which is equivalent to the 2nd year of an undergraduate degree • Level 6, which is equivalent to the 3rd year of an undergraduate degree The levels used at the University of Westminster may be different to the overseas systems that you are used to. This should be taken into consideration when making module choices. Some overseas institutions (e.g. US and Japanese universities) consider the first year of their undergraduate degrees to be the equivalent to a foundation year of UK university undergraduate degree. Therefore, University of Westminster modules at Level 4 may be considered to be equivalent to modules taken in the second year of undergraduate degrees in the US and Japan.