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Caribbean Caribbean
The Association of Former Students of Texas A&M Treasures of the CCaribbeanaribbean cruising the Windward Islands Grenada u St. Vincent and the Grenadines u Martinique u Iles des Saintes u St. Lucia u Barbados aboard the Exclusively Chartered, Five-Star Le Champlain Feb. 22-29, 2020 Y JULY E B 2 V 5, R 2 E 0 S EARLY 1 E 9 BOOKING R N N N N S A SAVINGS ! E V L E P $ U 2 , O 000 P E R C Howdy, Ags! Elude the depths of winter in the idyllic Windward Islands, a remote archipelago of dramatic volcanic peaks, lush gardens and white-sand beaches, the southern most islands of the Caribbean. Enjoy the intimate atmosphere of the exclusively chartered, Five-Star, small ship Le Champlain, featuring only 92 Suites and Staterooms, each with a private balcony—and the extraordinary Blue Eye, the world’s first multisensory underwater Observation Lounge, for viewing the Caribbean’s abundant marine life through clear water. Experience exclusive access to small ports, picturesque islands and secluded bays and cays inaccessible to large ships—truly the best way to see the authentic Caribbean. Relax with warm tropical breezes amid turquoise waters and revel in the sublime charm of island life on Zodiac excursions to encounter the natural treasures of the Caribbean. This custom-designed, unique itinerary spans the boundlessly lush natural landscapes of the Windward Islands from Grenada to Martinique to Barbados. Visit Kingstown, home to the oldest botanic garden in the Western Hemisphere, and travel amid waving coconut palm trees alongside the Caribbean Sea on the most captivating isle of Bequia. -
Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology
Document généré le 1 oct. 2021 22:08 Canadian University Music Review Revue de musique des universités canadiennes Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1993. xxv, 279 pp., compact disc included. ISBN 0-226-31041-8 (hardcover), ISBN 0-226-31042-6 (paperback) Robert Witmer Numéro 15, 1995 URI : https://id.erudit.org/iderudit/1014408ar DOI : https://doi.org/10.7202/1014408ar Aller au sommaire du numéro Éditeur(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (imprimé) 2291-2436 (numérique) Découvrir la revue Citer ce compte rendu Witmer, R. (1995). Compte rendu de [Jocelyne Guilbault, with Gage Averill, Édouard Benoit, and Gregory Rabess. Zouk: World Music in the West Indies. Chicago Studies in Ethnomusicology. Chicago: University of Chicago Press, 1993. xxv, 279 pp., compact disc included. ISBN 0-226-31041-8 (hardcover), ISBN 0-226-31042-6 (paperback)]. Canadian University Music Review / Revue de musique des universités canadiennes, (15), 194–198. https://doi.org/10.7202/1014408ar All Rights Reserved © Canadian University Music Society / Société de musique Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des des universités canadiennes, 1995 services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. -
Lowrie, K., M. Friesen, D. Lowrie, and N. Collier. 2009. Year 1 Results Of
2009 Year 1 Results of Seabird Breeding Atlas of the Lesser Antilles Katharine Lowrie, Project Manager Megan Friesen, Research Assistant David Lowrie, Captain and Surveyor Natalia Collier, President Environmental Protection In the Caribbean 200 Dr. M.L. King Jr. Blvd. Riviera Beach, FL 33404 www.epicislands.org Contents INTRODUCTION ................................................................................................................................... 3 GENERAL METHODS ............................................................................................................................ 4 Field Work Overview ........................................................................................................................... 4 Water‐based Surveys ...................................................................................................................... 4 Data Recorded ................................................................................................................................. 5 Land‐based Surveys ......................................................................................................................... 5 Large Colonies ................................................................................................................................. 6 Audubon’s Shearwater .................................................................................................................... 7 Threats Survey Method ................................................................................................................. -
Treasuresof the Caribbean
distinguished travel for more than 35 years Treasures OF THE Caribbean Sailing THE Windward Islands NORTH AMERICA Îles des Saintes UNESCO World Heritage Site Windward Cruise Itinerary Islands Air Routing SOUTH AMERICA Fort-de-France Martinique ST. VINCENT Rodney Bay AND THE Soufrière GRENADINES St. Lucia Kingstown St. Vincent Bequia Bridgetown Barbados St. George’s Tobago Cays Caribbean Sea Grenada February 26 to March 5, 2022 Barbados u St. Lucia u Îles des Saintes u Martinique Experience seafaring in its most timeless form on this St. Vincent and the Grenadines u Grenada custom-designed, seven-night cruise of the Caribbean’s 1 Depart the U.S. or Canada/ Arrive Bridgetown, Barbados/Embark Wind Star tropical Windward Islands aboard the exclusively 2 Rodney Bay, St. Lucia/Soufrière chartered Wind Star. This Five-Star, four-masted small sailing ship features all ocean-view accommodations. 3 Terre-de-Haut, Îles des Saintes Sail into secluded harbors inaccessible to larger vessels, 4 Fort-de-France, Martinique exploring the Windward Islands’ natural, cultural and 5 Kingstown, St. Vincent and the Grenadines/ Admiralty Bay, Port Elizabeth, Bequia historical treasures. Visit Grenada, the “Spice Island,” replete with historical landmarks and rare herbs; 6 St. George’s, Grenada Martinique’s rum distillery and Balata Gardens; St. Lucia’s 7 St. Vincent and the Grenadines/Tobago Cays majestic waterfall and volcanic Sulphur Springs; and 8 Bridgetown, Barbados/Disembark ship/ Return to the U.S. or Canada St. Vincent and the Grenadines, including Tobago Cays Itinerary is subject to change. Marine Park. Barbados Pre-Program Option is offered. Exclusively Chartered Five-Star Sailing Ship Wind Star Treasures of the Caribbean Included Features* On Board the Exclusively Chartered, Five-Star reserve early! Approximate Early Booking pricing from $3995 per person, Small Sailing Ship Wind Star double occupancy for land/cruise program. -
Creolizing Contradance in the Caribbean
Peter Manuel 1 / Introduction Contradance and Quadrille Culture in the Caribbean region as linguistically, ethnically, and culturally diverse as the Carib- bean has never lent itself to being epitomized by a single music or dance A genre, be it rumba or reggae. Nevertheless, in the nineteenth century a set of contradance and quadrille variants flourished so extensively throughout the Caribbean Basin that they enjoyed a kind of predominance, as a common cultural medium through which melodies, rhythms, dance figures, and per- formers all circulated, both between islands and between social groups within a given island. Hence, if the latter twentieth century in the region came to be the age of Afro-Caribbean popular music and dance, the nineteenth century can in many respects be characterized as the era of the contradance and qua- drille. Further, the quadrille retains much vigor in the Caribbean, and many aspects of modern Latin popular dance and music can be traced ultimately to the Cuban contradanza and Puerto Rican danza. Caribbean scholars, recognizing the importance of the contradance and quadrille complex, have produced several erudite studies of some of these genres, especially as flourishing in the Spanish Caribbean. However, these have tended to be narrowly focused in scope, and, even taken collectively, they fail to provide the panregional perspective that is so clearly needed even to comprehend a single genre in its broader context. Further, most of these pub- lications are scattered in diverse obscure and ephemeral journals or consist of limited-edition books that are scarcely available in their country of origin, not to mention elsewhere.1 Some of the most outstanding studies of individual genres or regions display what might seem to be a surprising lack of familiar- ity with relevant publications produced elsewhere, due not to any incuriosity on the part of authors but to the poor dissemination of works within (as well as 2 Peter Manuel outside) the Caribbean. -
Redalyc.Some Remarks on Mangroves in the Lesser Antilles
Revista de Gestão Costeira Integrada - Journal of Integrated Coastal Zone Management E-ISSN: 1646-8872 [email protected] Associação Portuguesa dos Recursos Hídricos Portugal Angelelli, Pierre; Saffache, Pascal Some remarks on Mangroves in the Lesser Antilles Revista de Gestão Costeira Integrada - Journal of Integrated Coastal Zone Management, vol. 13, núm. 4, 2013, pp. 473-489 Associação Portuguesa dos Recursos Hídricos Lisboa, Portugal Available in: http://www.redalyc.org/articulo.oa?id=388340143006 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Revista da Gestão Costeira Integrada 13(4):473-489 (2013) Journal of Integrated Coastal Zone Management 13(4):473-489 (2013) http://www.aprh.pt/rgci/pdf/rgci-407_Angelelli.pdf | DOI:10.5894/rgci407 Some remarks on Mangroves in the Lesser Antilles * Algumas reflexões sobre manguezais nas Pequenas Antilhas ** Pierre Angelelli @, 1, Pascal Saffache 2 ABSTRACT During the past thirty years the surface of mangrove swamps in the Lesser Antilles has globally decreased over twenty percent. The phenomenon is worldwide spread but the Lesser Antilles’ issues remain noteworthy because, due to the small size of these islands, prejudices on the mangrove swamps may have significant impacts. This paper starts to address some methodological remarks about statistics concerning mangroves (before the nineties, long-term data are incomplete and they impede a good estimate of the evolution of this ecosystem) and is mainly divided in two parts. In the first part, we briefly recall the importance of mangrove swamps in the Lesser Antilles. -
Creolization on the Move in Francophone Caribbean Literature
Georgia State University ScholarWorks @ Georgia State University World Languages and Cultures Faculty Publications Department of World Languages and Cultures 1-2015 Creolization on the Move in Francophone Caribbean Literature Gladys M. Francis Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/mcl_facpub Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Francis, Gladys M. "Creolization on the Move in Francophone Caribbean Literature." The Oxford Diasporas Programme. Oxford: The University of Oxford (2015): 1-15. http://www.migration.ox.ac.uk/odp/pdfs/ Francis,%20G,%202015%20Creolization%20on%20the%20Move-1.pdf This Working Paper is brought to you for free and open access by the Department of World Languages and Cultures at ScholarWorks @ Georgia State University. It has been accepted for inclusion in World Languages and Cultures Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. Working Papers Paper 01, January 2015 Creolization on the Move in Francophone Caribbean Literature Dr Gladys M. Francis This paper is published as part of the Oxford Diasporas Programme (www.migration.ox.ac.uk/odp). The Oxford Diasporas Programme (ODP) is funded by the Leverhulme Trust. ODP does not have an institutional view and does not aim to present one. The views expressed in this document are those of its independent author. Abstract In this paper I explore the particular use of dance and music observed in the writings of Maryse Condé, Ina Césaire, and Gerty Dambury. I examine how their use of orality, oral literature, and the body in movement create complex levels of textuality, meaning, and reading. -
Cape Verde and Brazil Musical Connections
Cape Verde and Brazil Musical Connections Juliana Braz Dias Universidade de Brasília / University of Pretoria Introduction The insertion of Brazilian music in contexts outside of the country is no lon- ger a novelty. Indeed, the media often reports on these musical flows. For instance, newspapers and specialized magazines have played a crucial role in highlighting the presence of Brazil on the international stage through reports on Grammy Awards won by Brazilian musicians (namely, Sérgio Mendes, Milton Nascimento, Gilberto Gil, Caetano Veloso e João Gilberto). Another example is the increased visibility of concerts featuring Brazilian artists in other countries, such as the Brazilian Day in New York, which attracts more than a million people to the streets of that city – above all Brazilians, but also North-Americans and migrants from other countries. However, it should be noted that the presence of Brazilian music outside of the country’s borders is not necessarily related to the global cultural indus- try, neither to the impact of recent migration processes. Musical exchanges involving Brazilian musicians have been going on for some time, in multiple ways, following diverse routes and movements of people. In this article, I focus on a particular trajectory that some forms of Brazilian music have taken. I refer to the Atlantic flows that allowed for the arrival of music and musicians from Brazil to Cape Verde, deeply influencing musical productions in the archipelago. Adopting an anthropological ap- proach, I seek to engage with discourses articulated by Cape Verdeans on the role of “Brazilian music” (as they understand it) and its relationship to the music produced in Cape Verde. -
Treasures of Caribbean: Cruising the Windward Islands
distinguished travel for more than 35 years EMY ALUMN D I A CA S A S L O A C V IA A T N I O . S N OF THE . Treasures Caribbean U YEARS ALUMNI TRAVEL • THE E • X 2 Sailing Windward Islands PL 97 50O E 1 RING SINC NORTH AMERICA Îles des Saintes UNESCO World Heritage Site Windward Cruise Itinerary Islands Air Routing SOUTH AMERICA Fort-de-France Martinique ST. VINCENT Rodney Bay AND THE Soufrière GRENADINES St. Lucia Kingstown St. Vincent Bequia Bridgetown Barbados Saline Bay Mayreau St. George’s Tobago Cays Caribbean Sea Grenada February 26 to March 5, 2022 Barbados u St. Lucia u Îles des Saintes u Martinique Experience seafaring in its most timeless form on this St. Vincent and the Grenadines u Grenada custom-designed, seven-night cruise of the Caribbean’s 1 Depart the U.S. or Canada/ Arrive Bridgetown, Barbados/ tropical Windward Islands aboard the exclusively Embark Wind Star chartered Wind Star. This Five-Star, four-masted small 2 Rodney Bay, St. Lucia/Soufrière sailing ship features all ocean-view accommodations. 3 Terre-de-Haut, Îles des Saintes Sail into secluded harbors inaccessible to larger vessels, 4 Fort-de-France, Martinique exploring the Windward Islands’ natural, cultural and 5 Kingstown, St. Vincent and the Grenadines/ historical treasures. Visit Grenada, the “Spice Island,” Admiralty Bay, Port Elizabeth, Bequia replete with historical landmarks and rare herbs; 6 St. George’s, Grenada 7 Saline Bay, Mayreau, St. Vincent and the Grenadines/ Martinique’s rum distillery and Balata Gardens; St. Lucia’s Tobago Cays majestic waterfall and volcanic Sulphur Springs; and 8 Bridgetown, Barbados/Disembark ship/ St. -
SAINT LUCIA: a Case Study
UNCTAD National Workshop Saint Lucia 24 – 26 May 2017, Rodney Bay, Saint Lucia “Climate Change Impacts and Adaptation for Coastal Transport Infrastructure in Caribbean SIDS” SAINT LUCIA: A Case study By Isavela Monioudi University of the Aegean, Greece Vasantha Chase Chase Consulting Ltd., Saint Lucia This expert paper is reproduced by the UNCTAD secretariat in the form and language in which it has been received. The views expressed are those of the author and do not necessarily reflect the views of the UNCTAD. Climate Change Impacts on Coastal Transportation Infrastructure in the Caribbean: Enhancing the Adaptive Capacity of Small Island Developing States (SIDS) SAINT LUCIA: A Case study Isavela Monioudi, Vasantha Chase Synopsis 1. Introduction 1.1 SIDS vulnerability to CV & C 1.2 CV & C impacts on transport/tourism 2. St Lucia country overview 2.1 Socio-economic profile 2.2 Climate projections 3. Transport infrastructure: Criticality 4. Description of major assets 5. Climate Variability and Change Impacts 5.1 Historical impacts/disruptions 5.2 Future impacts/disruptions 5.2.1 Methodology 5.2.2 Direct Impacts 5.2.3 Indirect Impacts 6. Conclusions 1 Scope of the study • SIDS are sea-locked and rely on the transport sector (especially airports & seaports). • Transport infrastructure is vulnerable to CV & C, especially in Caribbean SIDS. The scope of the present study is the assessment of the criticality of the major transportation assets of Saint Lucia and their potential vulnerabilities to Climate Variability and Change. SIDS vulnerability -
Table of Contents
José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course José N’dongala Kizombalove Methodology Teachers Course KIZOMBA TEACHERS1 COURSE José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course José N’dongala Kizombalove Methodology Teachers Course Syllabus « José N’dongala Kizombalove Methodology » teachers course by José Garcia N’dongala. Copyright © First edition, January 2012 by José Garcia N’dongala President Zouk Style vzw/asbl (Kizombalove Academy) KIZOMBA TEACHERS COURSE 2 José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course “Vision without action is a daydream. Action without vision is a nightmare” Japanese proverb “Do not dance because you feel like it. Dance because the music wants you to dance” Kizombalove proverb Kizombalove, where sensuality comes from… 3 José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course All rights reserved. No part of this syllabus may be stored or reproduced in any way, electronically, mechanically or otherwise without prior written permission from the Author. 4 José N’dongala Kizombalove Methodology – teachers course Kizomba teachers course Table of contents 1 INTRODUCTION ......................................................................................................... 9 2 DANCE AND MUSIC ................................................................................................. 12 2.1 DANCING A HUMAN PHENOMENON ......................................................................... -
Music, Mas, and the Film and Video Segments
Entertainment Services with Special Reference to MUSIC, MAS, AND THE FILM AND VIDEO SEGMENTS Submitted to: MR. HENRY S. GILL Communications Director/Team Leader CARICOM Trade Project Caribbean Regional Negotiating Machinery (RNM) "Windmark", First Avenue, Harts Gap Hastings, Christ Church Barbados Submitted by: MS. ALLISON DEMAS AND DR. RALPH HENRY December 2001 Entertainment Services with Special Reference to Music, Mas, and the Film & Video Segments i Contents EXECUTIVE SUMMARY........................................................................................................VI SECTION I 1.0 INTRODUCTION .......................................................................................................... 1 1.1 Objectives of Study........................................................................................................ 2 1.2 Delimitations and Limitations....................................................................................... 2 1.3 Outline of Study............................................................................................................. 3 1.4 Intellectual Property Rights.......................................................................................... 4 1.5 Industrial Organisation ................................................................................................ 7 1.6 Music........................................................................................................................... 11 1.7 Street Festivals...........................................................................................................