DOCSLIB.ORG

Art and the World After This

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art and the World After This Art and the World After This JUNE 2021 by David Maggs PERFORMING ARTS Metcalf Foundation The Metcalf Foundation helps Canadians imagine and build a just, healthy, and creative society by supporting dynamic leaders who are strengthening their communities, nurturing innovative approaches to persistent problems, and encouraging dialogue and learning to inform action. Metcalf Innovation Fellowship The purpose of the Metcalf Innovation Fellowship is to give people of vision the opportunity to investigate ideas, models, and practices that have the potential to lead to transformational change. David Maggs David Maggs carries on an active career as an interdisciplinary artist, and arts and sustainability researcher. A former student of Jane Coop, André Laplante, and Marc Durand, he is the founder and pianist for Dark by Five, has written works for the stage, and collaborated on large augmented reality projects. David is the artistic director of the rural Canadian interarts organization Gros Morne Summer Music (gmsm.ca), and founder and co-director of the Graham Academy, a youth training academy founded in honour of his teacher and mentor, Dr. Gary Graham. He initiated and co-produced the CBC documentary Channel film The Country, exploring the Canadian government’s handling of Indigenous identity in Newfoundland. As a fellow at the University of Toronto’s Munk School for Global Affairs, David co-authored Sustainability in an Imaginary World (Routledge Press, 2020) with mentor and long-time collaborator John Robinson, which explores the relationship between art and sustainability. David is now a senior fellow at the Institute for Advanced Studies in Sustainability in Potsdam, Germany, working on culture and climate change, and a Metcalf Foundation Innovation Fellow working on disruption and transformation in Canada’s non-profit arts sector. David has co-developed national arts gatherings in collaboration with the Banff Centre of Arts and Creativity is a regular collaborator with Mass Culture, and has been a featured speaker at the Canadian Arts Summit, the International Transdisciplinarity Conference, the National Valuing Nature Conference, the American Association for the Advancement of Science, Swiss Federal Institute of Technology, the Sustainability Through Art conference in Geneva, the Narratives of Transformation conference of the International Association for Analytical Psychology (Berlin/Kyoto), and elsewhere. CONTENTS FOREWORD ....................................................................................................... 6 EXECUTIVE SUMMARY .................................................................................... 7 INTRODUCTION .............................................................................................. 11 Who pushed the button? .................................................................................................... 11 Background and context .................................................................................................... 12 Speaking for the sector ...................................................................................................... 13 Acknowledgements ............................................................................................................. 14 PART ONE FOUR DISRUPTIONS ....................................................................................... 16 The Disruption of Activity .......................................................................... 17 The pandemic and the flood ............................................................................................... 17 Town halls and new social networks .............................................................................. 18 Always right, always wronged? ....................................................................................... 19 Roots of defensiveness ....................................................................................................... 20 The Disruption of Society .......................................................................... 21 The promise of pluralism ................................................................................................... 21 The perishing of pluralism? ............................................................................................... 22 Twin toxicities ...................................................................................................................... 23 The Disruption of Industry ......................................................................... 25 Curtains: The non-profit business model in the digital age ........................................ 25 The creative economy: an ace up our sleeve? ............................................................... 26 The Disruption of World ............................................................................. 29 Transformation at every turn ............................................................................................ 29 Making and un-making the Western, Modernist world ................................................ 30 Art in the Anthropocene ..................................................................................................... 32 The Complexity Economy .......................................................................... 33 Integrating the disruptions ............................................................................................... 33 The innovation paradigm we need .................................................................................... 34 PART TWO THREE QUESTIONS ........................................................................................ 38 What Are We Doing Here, Anyway? .......................................................... 40 Finding the baby in the bathwater .................................................................................... 40 The critical paradox of creative practice ......................................................................... 41 The work of art in the world ............................................................................................... 43 Art as the power of attention ............................................................................................ 44 The meat or the mast? ........................................................................................................ 45 Aesthetic value or social value? ........................................................................................ 46 Is This an Ecosystem or a Zoo? ................................................................ 48 Transformation, innovation, and systems ....................................................................... 48 How ecological is our culture? .......................................................................................... 48 Apex and keystone species ................................................................................................ 49 Rewilding the arts ................................................................................................................ 53 Loss aversion ......................................................................................................................... 55 Can We Learn Our Way Out? ..................................................................... 57 Innovation and learning ...................................................................................................... 57 Predictive forecasting vs. strategic foresight ................................................................ 57 Motorboats, sailboats, and our four disruptions ............................................................ 59 Art and the promise of R&D ............................................................................................... 60 R&D and the promise of art ................................................................................................ 67 The aestheticization of the world ..................................................................................... 68 Post-script ............................................................................................................................. 71 6 FOREWORD This paper continues a proud tradition at the Metcalf Foundation of offering leading practitioners a platform to address pressing questions in fields relevant to its mandate. It also reflects a cross-disciplinary approach much favoured by the Foundation. Most writing on the arts falls into three conventions. First there are the artists themselves, the Margaret Atwoods and Ed Burtynskys and Karen Kains of the world who raise people’s consciousness about social injustice, or environmental degradation, or the aesthetically sublime. They do this primarily through their respective art forms, not through an all-inclusive sectoral lens. Then there are the academics, who write about aesthetics and management theory and fundraising and public policy, in traditions well-grounded in the social sciences and humanities. Despite the quality of their work, the results are typically expressed in forms and language that most artists, let alone the general public, find alienating. And finally, there are the journalists, the most powerful communicators of all, who do excellent research and weave convincing narratives, often publishing significant articles and books with real relevance and broad public readership. In their commitment to facts, journalists almost inevitably
Load more

Recommended publications
  • Not for Kids Only: a History of Surveillance Through Comic Book Images
    Not For Kids Only: A History of Surveillance Through Comic Book Images Gary T. Marx I am here to fight for truth, justice and the American way. —Superman 1978 It's too bad for us "literary" enthusiasts, but it's the truth nevertheless—pictures tell any story more effectively than words. —W. M. Moulton (creator of Wonder Woman, and pioneer polygrapher) In Guernica Picasso expresses the tragedy that is taking place without showing piles of bloody flesh. The import- tant thing in art is after all to transpose reality into an image which is sufficiently enthralling and meaningful so that the viewer gets an even better grasp of that reality. —Jacques Ellul1 Gary T. Marx received his PhD from the University of California, Berkeley. He has held positions there and at Harvard and the University of Colorado. He is Professor Emeritus MIT and the author of Protest and Prejudice (1967); Undercover: Police Surveillance in America (1988); Undercover: Police Surveillance in Comparative Perspective (with C.J. Fijnaut 1995); Windows into the Soul: Surveillance and Society in an Age of High Technology (2017) and articles in the scholarly and popular press. He is rooted in the sociology of knowledge and in the centrality of reflexivity, but with the firm conviction that there are transcendent truths to pursue and fight for. Figuring them out is what it is all about. Additional information is at www.garymarx.net . Ivan Greenberg, illustrated by Everett Patterson and Joseph Canias, forward by Ralph Nader: The Machine Never Blinks A Graphic History of Spying and Surveillance Fantagraphics, Seattle, Wa., 2020, 132 p., $22.99 I grew up with Classic Comic Books and might even have used them as a cheat sheet for books I was supposed to have read.
    [Show full text]
  • Fragility, Aid, and State-Building
    Fragility, Aid, and State-building Fragile states pose major development and security challenges. Considerable international resources are therefore devoted to state-building and institutional strengthening in fragile states, with generally mixed results. This volume explores how unpacking the concept of fragility and studying its dimensions and forms can help to build policy-relevant under- standings of how states become more resilient and the role of aid therein. It highlights the particular challenges for donors in dealing with ‘chronically’ (as opposed to ‘temporarily’) fragile states and those with weak legitimacy, as well as how unpacking fragility can provide traction on how to take ‘local context’ into account. Three chapters present new analysis from innovative initiatives to study fragility and fragile state transitions in cross- national perspective. Four chapters offer new focused analysis of selected countries, drawing on comparative methods and spotlighting the role of aid versus historical, institu- tional and other factors. It has become a truism that one-size-fits-all policies do not work in development, whether in fragile or non-fragile states. This should not be confused with a broader rejection of ‘off-the-rack’ policy models that can then be further adjusted in particular situations. Systematic thinking about varieties of fragility helps us to develop this range, drawing lessons – appropriately – from past experience. This book was originally published as a special issue of Third World Quarterly, and is available online as an Open Access monograph. Rachel M. Gisselquist is a political scientist and currently a Research Fellow with UNU-WIDER. She works on the politics of the developing world, with particular attention to ethnic politics and group-based inequality, state fragility, governance and democratiza- tion in sub-Saharan Africa.
    [Show full text]
  • Copyright by Mason Russell Mcwatters 2013
    Copyright by Mason Russell McWatters 2013 The Dissertation Committee for Mason Russell McWatters certifies that this is the approved version of the following dissertation: The Unworlding and Worlding of Agoraphobia Committee: ____________________________________ Paul C. Adams, Supervisor ____________________________________ Steven D. Hoelscher ____________________________________ Kathleen C. Stewart ____________________________________ Rebecca M. Torres ____________________________________ Leo E. Zonn The Unworlding and Worlding of Agoraphobia by Mason Russell McWatters, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedicated to Catherine, my eternal sunshine. Acknowledgements I want to thank Paul Adams for his many years of support, guidance and mentorship during my both my master’s and doctoral studies. I first encountered Paul when I registered for his “Place, Politics and Culture” graduate seminar during my second semester in the interdisciplinary Latin American Studies master’s program. Up until that point, I had felt placeless at UT, floating between history, government and sociology courses that left me feeling uninspired and intellectually homeless. However, as soon as I set foot in Paul’s seminar, I knew I had found my proverbial academic home in geography. His genuine enthusiasm and creativity as a teacher made the study of place, space and landscape seem limitless, inviting and full of possibility. Through his eyes, mundane practices like walking through a city or looking at advertising in the suburbs became transformed into infinitely fascinating reflections on culture and society. I can say without a doubt that I would have never become a geographer were it not for Paul’s creative inspiration.
    [Show full text]
  • Learn Workbook
    LEARN THE WORKBOOK M THISGIRLISONFIRE.COM 2 STAGE 2: LEARN Congratulations! Well done on completing Stage 1 of this course, and taking a huge step away from feeling stuck, scared, and like you’re just existing rather than truly living. Now that you are in Stage 2 I know you’re feeling nervously excited, ready to change, committed, engaged and really believing that you CAN change. I am so fired up, knowing what’s in store for you over the next few parts! You are going to be making HUGE strides towards breaking the fear that is holding you back, learning to understand it, control it and shut down that inner voice that tells you “you can’t”. I’m here to show you that YOU CAN! Once again… take your time with this, don’t rush through it, ticking things off and diving on to the next thing. You’re going to be working through some uncomfortable things here, so take as long as you need to, there is no time scale and this will always be here for you. This is the part where you let it go to grow. By the time you finish this SECOND STAGE of the course, you will have learned how to: Cope with fear when it happens - because it WILL happen. Deal with “What’s the worst that could happen? Figure out if your fears are real, or if your brain is simply gossiping with you and freaking you out. Keep your emotions appropriate to your situation, and not blow them out of control.
    [Show full text]
  • Essays from the Edge: Citizenship and the Outsider in Literature and History
    DOCUMENT RESUME ED 392 668 SO 025 539 AUTHOR Leder, Priscilla, Comp.; And Others TITLE Essays from the Edge: Citizenship and the Outsider in Literature and History. INSTITUTION Southwest Texas State Univ., San Marcos. SPONS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 92 NOTE 234p. PUB TYPE Books (010) Collected Works General (020) EDRS PRICE MFOI/PC10 Plus Postage. DESCRIPTORS Authors; Books; Citizen Role; *Citizenship; Citizenship Responsibility; Classical Literature; *Community Attitudes; English Literature; Essays; Foreign Countries; Foreign Nationals; *History; Humanities; Immigration; *Literature; Political Attitudes; *Renaissance Literature; Social Responsibility IDENTIFIERS *Greece ABSTRACT This book of essays and poetry by participants in a National Endowment for the Humanities summer seminar explores the portrayal in arts and literature of the "outsider" or "alien" who is cut off from country and citizenship, either by choice or circumstance. The book is divided into seven categories. Part 1, "Preliminary," contains: (1) "Citizenship on the Highway and the High Seas" (Susan Hanson); and (2) "Baptism" (Daniel Stevens). Part 2, "Classical Greece," includes:(1) "Ode to the Men of Athens" (Deborah Seigman) ;(2) "Voices of Warning: The Role of the Chorus in 'Antigone' (Susan Farris); (3) "Acting Beyond the Myth of the Citizen" (Phil Cook); and (4) "Sophrosyne in 'Antigone': Women, Family and Government" (Danette Bermea). Part 3, "The Renaissance," includes: (1) "-That Perfect Hatred': Anti-Semitism and the Banality of Evil in Shakespeare's 'The Merchant of Venice'" (JimMcGarry); (2) "The tore You Know, The Moor You May Not Know" (Carey Christenberry); and (3) "The Silken Shield of Innocence" (Deborah Seigman) .Part 4, "The Social Contract," includes:(1) "Obligations of the Individual Inside and Outside the Social Contract" (Karl Kevin Brown); and (2) "Slavery's Influence on the American Definition of Citizenship"(Amy Nelson Thibaut).
    [Show full text]
  • Nine Inch Nails the Fragile Mp3, Flac, Wma
    Nine Inch Nails The Fragile mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: The Fragile Country: Europe Released: 1999 Style: Alternative Rock MP3 version RAR size: 1779 mb FLAC version RAR size: 1848 mb WMA version RAR size: 1742 mb Rating: 4.4 Votes: 856 Other Formats: TTA DTS DMF AC3 AUD AHX MMF Tracklist A1 Somewhat Damaged A2 The Day The World Went Away A3 The Frail A4 The Wretched B1 We're In This Together B2 The Fragile B3 Just Like You Imagined B4 Even Deeper C1 Pilgrimage C2 No, You Don't C3 La Mer C4 The Great Below D1 The Way Out Is Through D2 Into The Void D3 Where Is Everybody? D4 The Mark Has Been Made E1 10 Miles High E2 Please E3 Starfuckers, Inc. E4 Complication E5 The New Flesh F1 I'm Looking Forward To Joining You, Finally F2 The Big Come Down F3 Underneath It All F4 Ripe Notes The vinyl version of The Fragile features two tracks not available on the CD version: 10 Miles High and The New Flesh. Comes in a gatefold sleeve with 24 page booklet. Barcode and Other Identifiers Barcode: 606949 047313 Label Code: LC 06406 Matrix / Runout (Side A): 490-473-1-A Matrix / Runout (Side B): 490-473-1-B Matrix / Runout (Side C): 490-473-1-C Matrix / Runout (Side D): 490-473-1-D Matrix / Runout (Side E): 490-473-1-E Matrix / Runout (Side F): 490-473-1-F Other versions Category Artist Title (Format) Label Category Country Year Nothing Nine The Fragile Records, 0694904732 Inch (2xCD, Album, 0694904732 US 1999 Interscope Nails Tri) Records Nine Nothing The Fragile 490 473-2 Inch Records, 490 473-2 Argentina 1999
    [Show full text]
  • Rightview Quarterly Visit
    RIGHTVIEW QUARTERLY Dharma in Practice VOLUME ONE, NUMBER 4 Master Ji Ru, Editor-in-Chief Xianyang Carl Jerome, Editor Carol Corey, Layout and Artwork Will Holcomb, Production Assistance Xian Huan Hillary Isaacs, Copy Editor Subscribe at no cost at www.maba-usa.org or by filling out the form on the back page We welcome letters and comments. Write to: [email protected] or the address below RIGHTVIEW QUARTERLY is published at no cost to the subscriber by the Mid-America Buddhist Association (MABA) 299 Heger Lane Augusta, Missouri 63332-1445 USA The authors of their respective articles retain all copyrights. More artwork by Carol Corey may be seen at www.visualzen.net VISIT www.RightviewOnline.org A traditional-style sacred drawing of Tilopa is pictured on the cover. (See article on page 36.) The image may be downloaded for free at www.namsebangdzo.com/category_s/1304.htm E D I T O R ‘ S P A G E by Xianyang Carl Jerome In addition, Rightview Online will provide an opportunity for those who wish to establish a one-on-one Student-Teacher relationship Join Us On the Web at with a member of our Sangha Online. RightviewOnline.org About Our Practice Online MABA’s Interactive In the coming months, we invite you to Buddhist Learning explore the site and avail yourself of its many Center: A New Idea learning opportunities. There will be Sutra in Distance Dharma Studies and Buddhist Ethics Studies. There will be a Core Teachings Center, which will Learning include writings, videos and podcasts. There Xianyang Carl Jerome has will be an Online Bookshelf, which will been practicing Buddhism ightview Quarterly is expanding, thanks to for the past ten years.
    [Show full text]
  • Quake Destruction / Arts Creation Arts Therapy & the Canterbury Earthquakes
    quake destruction / arts creation arts therapy & the canterbury earthquakes Deborah Green Doctor of Philosophy, University of Auckland, 2015 1 Many lives have touched mine – in person, text and art. Thank you. And thank you to ∆. You remade yourself by dropping through the sky. I’ve written myself anew consonant-by-vowel. What shall we do with these new selves? Cover image Figure 1. ‘Kite-in-the-rubble’ reworked (Green, October 2015) 2 Contents abstract 4 Phase 1: Separation 5 introduction, rationale, … down into limbo with bangs and whimpers … 6 research questions, structure, some literature, underpinning flying my kite from within the rubble 12 philosophy, and methodology Phase 2: Liminality 57 process, findings and more both betwixt and between and… 59 literature both soulful and cynical and… 67 both neophyte and shaman and liminal monster and… 96 both playful and mindful and… 159 both powerful and powerless and… 220 both singular and connected and… 244 Phase 3: Reincorporation 276 conclusions flying my kite/s from within the rubble 278 references 290 artwork list 305 figures list 307 3 abstract This arts-based inquiry explores my experiences as beginning arts therapist during the Canterbury, New Zealand, earthquakes from 2010 to 2014. At the heart of these experiences lies my challenging dual-role as both quake-survivor and therapist – I was betwixt-and-between quake-destruction and arts-creation. I aimed to make sens/e of this in ways that may be useful to applied-arts practitioners working in similar contexts. My sens/e-making quest blended autoethnography, a/r/tography and arts therapy-as-research.
    [Show full text]
  • Ñ​Ð​лбуð¼
    ÐÐ​ °Ð¹Ð½ Инч ÐÐ​ µÐ¹Ð»Ñ ​ ÐÐ​ »Ð±ÑƒÐ¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð ´Ð¸ÑÐ​ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ​ ‚а & график) Pretty Hate Machine https://bg.listvote.com/lists/music/albums/pretty-hate-machine-836587/songs Hesitation Marks https://bg.listvote.com/lists/music/albums/hesitation-marks-13420235/songs Things Falling Apart https://bg.listvote.com/lists/music/albums/things-falling-apart-676604/songs Beside You in Time https://bg.listvote.com/lists/music/albums/beside-you-in-time-769920/songs Year Zero https://bg.listvote.com/lists/music/albums/year-zero-681439/songs The Downward Spiral https://bg.listvote.com/lists/music/albums/the-downward-spiral-784933/songs Year Zero Remixed https://bg.listvote.com/lists/music/albums/year-zero-remixed-373369/songs Ghosts I–IV https://bg.listvote.com/lists/music/albums/ghosts-i%E2%80%93iv-368809/songs Further Down the Spiral https://bg.listvote.com/lists/music/albums/further-down-the-spiral-1474541/songs With Teeth https://bg.listvote.com/lists/music/albums/with-teeth-931635/songs The Slip https://bg.listvote.com/lists/music/albums/the-slip-910921/songs The Fragile https://bg.listvote.com/lists/music/albums/the-fragile-902850/songs Live 2013 EP https://bg.listvote.com/lists/music/albums/live-2013-ep-14970922/songs Halo I–IV https://bg.listvote.com/lists/music/albums/halo-i%E2%80%93iv-21427496/songs Lights in the Sky: Over North America https://bg.listvote.com/lists/music/albums/lights-in-the-sky%3A-over-north-america- 2008 Tour Sampler 2008-tour-sampler-6546552/songs Quake https://bg.listvote.com/lists/music/albums/quake-55630911/songs
    [Show full text]
  • Nine Inch Nails Things Falling Apart Lyrics
    Nine inch nails things falling apart lyrics click here to download NINE INCH NAILS lyrics - "Things Falling Apart" () EP, including "10 Miles High (Version)", "Metal", "Where Is Everybody? (Version)". Things Falling Apart. Nine Inch Nails. Released K. Things Falling Apart Tracklist. 1 Starfuckers, Inc. (Version - Sherwood) Lyrics. 5. Nine Inch Nails song lyrics for album Things Falling Apart. Tracks: Slipping Away, The Great Collapse, The Wretched, Starfuckers, Inc., The Frail, Starfuckers Inc., ​The Wretched · ​Starfuckers, Inc. · ​Starfuckers Inc. · ​Where Is Everybody? All lyrics for the album Things Falling Apart by Nine Inch Nails. Tracklist with lyrics of the album THINGS FALLING APART [] from Nine Inch Nails: Slipping Away - The Great Collapse - The Wretched - Starfuckers, Inc. I. Features Song Lyrics for Nine Inch Nails's Things Falling Apart album. Includes Album Cover, Release Year, and User Reviews. Lyrics Depot is your source of lyrics to Nine Inch Nails Things Falling Apart songs. Please check back for new Nine Inch Nails Things Falling Apart music lyrics. Slipping Away, The Great Collapse, Starfuckers, Version A, The Wretched (Version), The Frail. Nine Inch Nails - Things Falling Apart Lyrics - Full Album. Things Falling Apart is the second remix album by American industrial rock band Nine Inch Nails, released on November 21, by Nothing Records and. Nine Inch Nails - Things Falling Apart (Remix EP) - www.doorway.ru Music. Things Falling Apart, a collection of severely remixed songs from The Fragile, adds . of Discs: 1; Format: Explicit Lyrics, EP; Label: Nothing; ASIN: BZB9L. Things Falling Apart album by Nine Inch Nails. Find all Nine Inch Nails lyrics in music lyrics database.
    [Show full text]
  • Falling Into Place
    Policy thatworksforforestsandpeople4No: G Falling into place HANA Ghanaian forestry is in the process of rediscovering its past, consolidating what it does best, and G learning from innovative new forest management initiatives. Falling Into Place charts the evolution of policies that affect forests. It describes how the ‘timber-first’ orientation of forestry is giving way to more collaborative policy and forest management for a greater range of forest values, and how tactical Policy that approaches led by key opinion-formers and policy-makers have been successful at overcoming works for forests resistance to change. There are major challenges ahead: combining the economic potential of forest and people resources with maintaining environmental quality and human well-being; and rooting decision-making in places where people are really motivated to take action. Yet, after years of ‘things falling apart’, it seems that Ghanaian forestry is beginning to fall into place. “Through a careful compilation and analysis of data and case studies, Falling Into Place provides a brilliant examination of forest policy and policy processes in Ghana. Its conclusions and recommendations indicate plausible future directions for improved policy. It will be ex- tremely useful for all those interested in understanding and explaining forest policy in particu- lar, and policy in general”. E.O.Nsenkyire, Chief Conservator of Forests, Forestry Department, Ghana Policy that works for forests and people series Forest issues often concern large amounts of money, long timeframes, huge areas of land, and diverse livelihoods. The issues are complex and vary from place to place. However, a pattern of forest problems is common to many countries: continuing loss of natural forests; over-concentrated control and inequitable access to forests; an ill-informed public; and poorly-resourced, inflexible forestry hana Kotey institutions.
    [Show full text]
  • Thirteen Stories
    Touro Law Review Volume 15 Number 2 Article 14 1999 Thirteen Stories Anthony Paul Farley Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Civil Rights and Discrimination Commons Recommended Citation Farley, Anthony Paul (1999) "Thirteen Stories," Touro Law Review: Vol. 15 : No. 2 , Article 14. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol15/iss2/14 This The Salience of Race: Race in America is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Farley: Thirteen Stories THIRTEEN STORIES0 ANTHONY PAuL FARLEY* TABLE OF CONTENTS INTRODUCTION .................................................... 544 1s STORY: WARGASM .................................... 550 21 STORY: CASABLANCA .................................. 565 3R STORY: AMERICA UNVEILED ......................... 570 4TH STORY THIS TIMELESS BURNING .................... 573 5TH STORY: COLORLINES ................................... 578 6TH STORY: A CRITIQUE OF CRITICAL RACE THEORY 586 7TH STORY: WHAT Do BLACK PEOPLE WANT 9 ... .... 589 8 T STORY: ILLNESS AND ITS INTERLOCUTORS ........ 594 T STORY: 9 VOMIT ........................................... 625 10 STORY: THE BEAUTIFUL RAINBOW OF NIGHT ..... 630 T 11 H STORY: THE DANGEROUS BODY ..................... 633 12TH STORY: MEMORIES THAT SMELL LIKE GASOLINE ...................................... 640 13TH STORY: WHAT THEN MUST WE DO? ...... .......... 645 CONCLUSION .................................. © Copyright 1998 Anthony Paul Farley. All rights reserved. Assistant Professor Boston College Law School, B.A. University of Virginia 1984, J.D. Harvard Law School 1987. I thank Deborah Waire Post for her enthusiasm. I thank the organizers of The Salience of Race: 3rd Annual Northeast People of Color Conference for such creative thinking.
    [Show full text]