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The Book of Judges – “Downward Spiral”
The pattern devolves until there is absolute darkness and despair THE BOOK OF JUDGES – “DOWNWARD SPIRAL” Judges 8 What is the basic message of Judges? 24 And Gideon said to them, “Let me make a request of you: every one of 27 • the repeated failures of Israel to love God you give me the earrings from his spoil.” … And Gideon made an and the inadequacy of all the judges to truly rescue Israel ephod of it and put it in his city, in Ophrah. And all Israel whored after it there, and it became a snare to Gideon and to his family. The Book of Judges is a series of redemption cycles: 30 Now Gideon had seventy sons, his own offspring, for he had many (1) the people rebel against God wives. 31 And his concubine who was in Shechem also bore him a son, (2) God allows the people to suffer from their sins and he called his name Abimelech. 32 And Gideon the son of Joash died in (3) the people cry out to God for deliverance a good old age and was buried in the tomb of Joash his father, at Ophrah (4) God sends a judge – a deliverer of the Abiezrites. (5) there is a period of rest and peace Judges 13:1-2 1 And the people of Israel again did what was evil in the sight of the You see this pattern in the first judge – Othniel | Judges 3:7-12 LORD, so the LORD gave them into the hand of the Philistines for forty 2 Stage 1 – Israel rebels against God years. -
Integration Des Chaos : Marilyn Manson, Männlichkeit, Lust Und Scheitern L'amour Lalove, Patsy 2017
Repositorium für die Geschlechterforschung Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern l'Amour laLove, Patsy 2017 https://doi.org/10.25595/398 Eingereichte Version / submitted version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: l'Amour laLove, Patsy: Integration des Chaos : Marilyn Manson, Männlichkeit, Lust und Scheitern, in: Nagelschmidt, Ilse; Borrego, Britta; Majewski, Daria; König, Lisa (Hrsg.): Geschlechtersemantiken und Passing be- und hinterfragen (Frankfurt am Main: PL Academic Research, 2017), 169-194. DOI: https://doi.org/10.25595/398. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY 4.0 Lizenz (Namensnennung) This document is made available under a CC BY 4.0 License zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz finden (Attribution). For more information see: Sie hier: https://creativecommons.org/licenses/by/4.0/deed.en https://creativecommons.org/licenses/by/4.0/deed.de www.genderopen.de Integration des Chaos – Marilyn Manson, Männlichkeit, Lust und Scheitern Patsy l'Amour laLove Marilyn Manson as a public figure represents exemplarily aspects of goth subculture: Aspects of life that shall be denied as not belonging to a fulfilled and happy life from a normative point of view are being integrated in a way that is marked by pleasure. Patsy l‘Amour laLove uses psychoanalytic approaches to the integration of chaos, of pain and failure in Manson‘s recent works. „This will hurt you worse than me: I'm weak, seven days a week ...“ Marilyn Manson1 FOTO © by Max Kohr: Marilyn Manson & Rammstein bei der Echo-Verleihung 2012 Für Fabienne. Marilyn Manson verwirft in seinem Werk die Normalität, um sich im gleichen Moment schmerzlich danach zu sehnen und schließlich den Wunsch nach Anpassung wieder wütend und lustvoll zu verwerfen. -
Violence and Social Orders
This page intentionally left blank VIOLENCE AND SOCIAL ORDERS All societies must deal with the possibility of violence, and they do so in different ways. This book integrates the problem of violence into a larger social science and historical framework, showing how economic and political behavior are closely linked. Most societies, which we call natural states, limit violence by political manipulation of the economy to create privileged interests. These privileges limit the use of violence by powerful individuals, but doing so hinders both economic and political development. In contrast, modern societies create open access to economic and political organizations, fostering political and economic competition. The book provides a framework for understanding the two types of social orders, why open access societies are both politically and economically more developed, and how some twenty- five countries have made the transition between the two types. Douglass C. North is co-recipient of the 1993 Nobel Memorial Prize in Economic Sci- ence. He is the Spencer T. Olin Professor in Arts and Sciences at Washington University in St. Louis, where he served as director of the Center for Political Economy from 1984 to 1990, and is the Bartlett Burnap Senior Fellow at the Hoover Institution at Stanford University. A member of the American Academy of Arts and Sciences and a former member of the Board of Directors of the National Bureau of Economic Research for twenty years, Professor North received the John R. Commons Award in 1992. The author of ten books, including Institutions, Institutional Change, and Economic Performance (Cambridge University Press, 1990) and Understanding the Process of Economic Change (2005), Professor North has research interests in property rights, economic organization in history, and the formation of political and economic institutions and their consequences through time. -
Music from a Darkened Room
DELTA GREEN-MUSIC FROM A DARKENED ROOM DENNIS DETWILLER Music from a Darkened Room A DELTA GREEN INVESTIGATION FOR 1 TO 4 AGENTS Wherein the Agents learn some threats are more tangible than others... BY DENNIS DETWILLER laces, like people, sometimes P go wrong. They turn off the The House on Spooner path and head into the shadows; Avenue becoming something other than Spooner Avenue is a quiet street normal. Black places filled with that can be set in any suburban BREAKDOWN OF INTEL blank rooms, closed doors and location in the United States. empty hallways lined with dust. 1206 Spooner Avenue is a small 1 THE HOUSE ON SPOONER AVENUE ! In these places your voice house, originally built in 1907, 2 THE AGENTS ARRIVE catches in your throat, the air and amended with additional 3 WHAT’S GOING ON AT 1206 SPOONER seems to hum and things hap- construction in the 1940’s. It’s not 4 TRAILS pen. People get hurt, objects van- pretty or ugly; it’s just plain. Few 4 1206 SPOONER — THE EXTERIOR ish. Bad feelings flow like the notice anything past the vibrant 4 INSIDE 1206 SPOONER loose tap in the bathroom and growth of ivy that scales the 4 THE COUNTY SEAT hate hangs in the air like old north side of the building. It is 8 SHUT DOORS, CLOSED SHADES paint. It smells of time and cir- wholly unremarkable in appear- 8 THE LUCKY FEW cumstance and something just a ance. But the neighbors are not 10 BREAK OUT THE BADGES little beyond the world. -
The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
Gheel, the City of the Simple
PRESS MARK Press No Shrif No /Uiok No GHEEL, THE CITY OF THE SIMPLE. : : ; GHEEL THE CITY OF THE SIMPLE. BY THE AUTHOR OF "FLEMISH INTERIOES." For he that is of Eeason's skm bereft wants the staffe of Wisdome , him to stay, "v ..""^ v«i<tJ' l^jfke a shippe in midst of tempest left f Witlmuten helme or pilot her to sway »JK^ Fuil and dreadfull is that shippe's event So ig tjhi| man that wants entendement. ^'"^ "\ Spenser. IT "^i LONDON CHAPMAN AND HALL, 193, PICCADn^LY. 1869. LONDON HOUSE, STRAND. PRINTED BY 0. WHITING, BEATJFOHT DEDICATED AS A TEIBUTB OF SURVTVINa BEGARD AND ESTEEM ®n ijiB Mimc\\ nf THE DISTINGUISHED AOT) LAMENTED BELGIAN SAVANT AND PHILANTHROPIST, M. EDOUAED-ANTOIKB DUCPETIAUX, INSPEOTEUR GENERAL, HONORAIRE, DES PRISONS ET BTABLISSEMENTS- DE BIENFAISANCE, MKMBBB DE L'ACADBMIB, MEMBEE COBRESPONDANT DB L'INSTITUT DB FRANCE, seCRetairb General du congrSs de malines, DBCORE DB LA CROIX DE FEE, OFFICIBR DB L'ORDEB DE LEOPOLD, &C. &0. &C., BY FRIENDSHIP, ONE WHO IS PROUD TO HAVE POSSESSED HIS THE AUTHOE. Digitized 1by the Internet Archive in 2015 https://archive.org/details/b21904339 PREFACE. In offering this little volume to the British public, I am animated by the hope that it may find its way, into the hands, among others, of those who are un- happily so placed as to bear the responsibility of caring and providing for the mentally affected. To such, the information it contains ought to be of the greatest practical value. It reveals to them a secret after which their hearts must long have yearned, and happily not only a secret, but an available fact—that their afflicted charges need not be subjected to incarceration, restrictions, coercion, viii PREFACE. -
Trent Reznor, La Única Persona Detrás De Nine Inch Nails, Es Uno De Mis Artistas Favoritos
musica universalis [NIN] Trent Reznor, la única persona detrás de Nine Inch Nails, es uno de mis artistas favoritos. Quizá no os suene su nombre, pero seguro que habéis escuchado su música muchas veces... n 2011 recibió, junto Sin embargo, «Sunspots», With con Atticus Ross, el Os- Teeth (2005), comienza con man- car a la mejor banda chas solares iluminando sus ojos Esonora por The Social (Sunspots cast a glare in my eyes). Network (2010); produjo el primer En «1,000,000», The Slip (2008), álbum de Marilyn Manson y par- se siente a un millón de millas de tes del segundo y tercero, Anti- distancia, que son unos 250 ra- christ Superstar (1996); algunos dios terrestres o 0,01 unidades temas de su álbum The Fragile astronómicas. Ya se había senti- (1999) se han usado para infini- do a esa distancia en «Hurt», The dad de anuncios y programas de Downward Spiral (1994), por cier- televisión, tráilers de cine y hasta to, inmejorablemente versionea- para torturar a presos en Guan- da por Johnny Cash justo antes «Hera, NASA, manzana y uñas de tánamo; ha colaborado con Mi- de morir. Por «Satellite», Hesi- nueve pulgadas». Portada del sencillo Juno (2016) de Trent Reznor y Atticus nistry, Black Sabbath, David tation Marks (2013), parece que Ross. Juno es en realidad la misión del Bowie (es su perseguidor en el Reznor toma imágenes largas Jet Propulsion Laboratory en órbita videoclip de «I’m Afraid of Ame- que le estropean la exposición: polar alrededor de Júpiter para de- terminar si el planeta tiene un núcleo ricans»), A Perfect Circle, Jane’s Data trails, like fingernails / Scratch sólido. -
Book-14 Web-Lmsx.Pdf
SHOTGUN JIMMIE – TRANSISTOR SISTER 2 LABEL: YOU’VE CHANGED RECORDS CATALOG: YC-039 FORMAT: LP/CD RELEASE DATE: AUGUST 2, 2019 Are you ready for the new sincerity?! Shotgun Jimmie’s new album Transistor Sister 2 is full of genuine pop gems that champion truth and love. Jimmie is joined by long- time collaborators Ryan Peters (Ladyhawk) and Jason Baird (DoMakeSayThink) for this sequel to the Polaris Prize nominated album Transistor Sister from 2011. José Contreras (By Divine Right) produced and recorded the record in Toronto, Ontario at The Chat Chateaux and joins the band on keys. In characteristic Shotgun Jimmie fashion, the songs on Transistor Sister 2 focus largely on family and friends with a heavy dose of nostalgia. Jimmie’s hyperbolic takes on the everyday reconstruct familiar scenarios, from traffic on the 401 (the beloved and scorned mega- highway through Toronto known to all touring musicians Blues Riffs as the place where punctual arrival at soundcheck goes Tumbleweed to die) to cooking dinner. Hot Pots Ablutions The album’s lead single Cool All the Time is a plea for Fountain people to abandon ego and strive for authenticity, Suddenly Submarine featuring contributions by Chad VanGaalen, Steven Piano (with band) Lambke and Cole Woods. The New Sincerity serves as The New Sincerity the album’s manifesto; it renounces cynicism and Cool All The Time promotes positivity. Sappy Slogans Highway 401 Jack Pine Sorry We’re Closed Shotgun Jimmie: IG: @shotgunjimmie FB: @shotgunjimmie Twitter: @jimmieshotgun You’ve Changed Records: www.youvechangedrecords.com CD – CD-YC-039 LP with download – LP-YC-039 Twitter: @youvechangedrec IG: @youvechangedrecords FB: @youvechangedrecords Also available from You’ve Changed Records: Partner – Saturday The 14th (YC-038) 12”EP/CD You’ve Changed Records Steven Lambke – Dark Blue (YC-037) LP 123 Pauline Ave. -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
“Praying Angrily”
“Praying Angrily” Psalm 69 Erica Cooper Assistant Minister August 4, 2019 The Ninth Sunday of Pentecost In 1993 I attended my very first rock concert. Or concerts, I should say. In the early 90’s Lollapalooza was a budding 4-day outdoor music festival touring the U.S. with top billing bands like Sonic Youth, the Breeders and Green Day. I was thirteen years old, still in middle school, and really had no business being there, but I had some older high school friends who invited me to go, with their mom chaperoning in the background of course. It was hot and humid that day, as is always the case in Atlanta in July. I had been chugging water all afternoon to stay hydrated, and soon needed to use the bathroom. Between bands, I took my friend Nori with me as we headed out on a thirty-minute journey across the field, weaving a bobbing through 20,000 sweaty, sunburned Gen-Xers. We made it to the bathroom finally, and were delighted that the next band had not yet gone on stage, we didn’t miss out on anything. So we headed back across the field to our area where the rest of our friends were. But, somewhere in the middle of our journey, Nori and I lost one another. I looked around but couldn’t find her, and at this same time, another band started to play, so I stopped where I was to listen. This band was unfamiliar to me, a band called Rage Against the Machine. At first I didn’t notice the group of 20- something shirtless men gathering around me. -
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs *
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs * Mark Spicer NOTE: The examples for the (text-only) PDF version of this item are available online at: h'p://www.mtosmt.org/issues/mto.17.23..(mto.17.23.2.spicer.php 0E1WORDS: tonality, popular song, rock harmony, ragile tonics, emergent tonics, absent tonics, soul dominant, Sisyphus e3ect A4STRACT: This article explores the sometimes tricky 6uestion o tonality in pop and rock songs by positing three tonal scenarios: 1) songs with a fragile tonic, in which the tonic chord is present but its hierarchical status is weakened, either by relegating the tonic to a more unstable chord in 7rst or second inversion or by positioning the tonic mid-phrase rather than at structural points o departure or arrival8 .) songs with an emergent tonic, in which the tonic chord is initially absent yet deliberately saved or a triumphant arrival later in the song, usually at the onset o the chorus8 and 3) songs with an absent tonic, an extreme case in which the promised tonic chord never actually materiali9es. In each o these scenarios, the composer’s toying with tonality and listeners’ expectations may be considered hermeneutically as a means o enriching the song’s overall message. Close analyses o songs with ragile, emergent, and absent tonics are o3ered, drawing representative examples rom a wide range o styles and genres across the past 7 ty years o popular music, including 1960s Motown, 1970s soul, 1980s synthpop, 1990s alternative rock, and recent A.S. and A.0. B1 hits. Received November 2016 Colume 23, Number 2, Dune 2017 Copyright © 2017 Society for Music Theory F,G Skilled nineteenth-century song composers such as Robert Schumann and Dohannes 4rahms o ten exploited tonality and its expectations or symbolic or expressive purposes. -
Easter Eggs: Hidden Tracks and Messages in Musical Mediums
Proceedings ICMC|SMC|2014 14-20 September 2014, Athens, Greece Easter Eggs: Hidden Tracks and Messages in Musical Mediums Jonathan Weinel, Darryl Griffiths and Stuart Cunningham Creative & Applied Research for the Digital Society (CARDS) Glyndŵr University Plas Coch Campus, Mold Road, Wrexham, LL11 2AW, Wales +44 1978 293070 {j.weinel | Griffiths.d | s.cunningham}@glyndwr.ac.uk ABSTRACT the programmers’ office, in the style of the video game Doom [2]. The hidden game features credits and digital ‘Easter eggs’ are hidden components that can be found in images of the programmers. It is accessed by carrying computer software and various other media including out a particular series of actions on the 95th row of a music. In this paper the concept is explained, and various blank spreadsheet upon opening Excel. examples are discussed from a variety of mediums in- cluding analogue and digital audio formats. Through this discussion, the purpose of including easter eggs in musi- cal mediums is considered. We propose that easter eggs can serve to provide comic amusement within a work, but can also serve to support the artistic message of the art- work. Concealing easter eggs in music is partly depend- ent on the properties of the chosen medium; vinyl records Figure 1. Screenshots from the ‘hall of tortured souls’, in Mi- may use techniques such as double grooves, while digital crosoft Excel 95. formats such as CD may feature hidden tracks that follow long periods of empty space. Approaches such as these This paper will consider the purpose and realisation of and others are discussed.