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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
The History of Cultural Production in the United States Tracks the Racial Divide That Inaugurated the Founding of the Republic
INTELLECTUAL PROPERTY AT THE INTERSECTION OF RACE AND GENDER: OR LADY 1 SINGS THE BLUES BY K.J. GREENE The history of cultural production in the United States tracks the racial divide that inaugurated the founding of the Republic. The original U.S. Constitution excluded both black women and men from the blessings of liberty. Congress enacted formal laws mandating racial equality only scant decades ago, although it may seem long ago to today’s generation. Interestingly, the same Constitution that validated slavery and excluded women from voting also granted rights to authors and inventors in what is known as the Patent/Copyright clause of Article I, section 8. Those rights have become the cornerstone of economic value not only in the U.S but globally, and are inextricably tied to cultural production that influences all aspects of society. My scholarship seeks to show how both the structure of copyright law, and the phenomena of racial segregation and discrimination impacted the cultural production of African-Americans and how the racially neutral construct of IP has in fact historically adversely impacted African- American artists.2 It is only in recent years that scholarship exploring intellectual property has examined IP in the context of social and historical inequality. This piece will explore briefly how women artists and particularly black women have been impacted in the IP system, and to compare how both blacks and women have shared commonality of treatment with indigenous peoples and their creative works. The treatment of blacks, women and indigenous peoples in the IP system reflects an unfortunate narrative of exploitation, devaluation and the promotion of derogatory stereotypes that helped fuel oppression in the United States and in the case of indigenous peoples, aboard. -
Aaamc Issue 9 Chrono
of renowned rhythm and blues artists from this same time period lip-synch- ing to their hit recordings. These three aaamc mission: collections provide primary source The AAAMC is devoted to the collection, materials for researchers and students preservation, and dissemination of materi- and, thus, are invaluable additions to als for the purpose of research and study of our growing body of materials on African American music and culture. African American music and popular www.indiana.edu/~aaamc culture. The Archives has begun analyzing data from the project Black Music in Dutch Culture by annotating video No. 9, Fall 2004 recordings made during field research conducted in the Netherlands from 1998–2003. This research documents IN THIS ISSUE: the performance of African American music by Dutch musicians and the Letter ways this music has been integrated into the fabric of Dutch culture. The • From the Desk of the Director ...........................1 “The legacy of Ray In the Vault Charles is a reminder • Donations .............................1 of the importance of documenting and • Featured Collections: preserving the Nelson George .................2 achievements of Phyl Garland ....................2 creative artists and making this Arizona Dranes.................5 information available to students, Events researchers, Tribute.................................3 performers, and the • Ray Charles general public.” 1930-2004 photo by Beverly Parker (Nelson George Collection) photo by Beverly Parker (Nelson George Visiting Scholars reminder of the importance of docu- annotation component of this project is • Scot Brown ......................4 From the Desk menting and preserving the achieve- part of a joint initiative of Indiana of the Director ments of creative artists and making University and the University of this information available to students, Michigan that is funded by the On June 10, 2004, the world lost a researchers, performers, and the gener- Andrew W. -
Poet Sister Artist Comrade: in Celebration of Thulani Davis
Poet Sister Artist Comrade: In Celebration of Thulani Davis Jessica Hagedorn: "It was a freaky-deaky time, in a freaky-deaky city..." By Jessica Hagedorn December 8, 2020 Thulani Davis has been my poet sister artist comrade for nearly 50 years. We met in San Francisco one night in either 1971 or 1972—young poets with flash and sass, opinionated and full of ourselves. We were reading at the Western Addition Cultural Center with several other poets, fiery types like Roberto Vargas, Serafin Syquia, Miz Redbone, maybe even Avotcja and Marvin X. Buriel Clay, a local writer and community activist, had organized the program and brought us all together. I was new at doing readings and didn’t know anyone there. I remember being nervous and excited. There wasn’t much of an audience, but being a part of this dynamic group felt like a very big deal. Dim lights. A podium, a mic, rickety folding chairs. Thulani was one of the last to read. The quiet, incantatory power of her voice and the bravado of her poem got me. I am Brown I am a child of the third world my hair black n long my soul slavetraded n nappy yellow brown-Safronia in this world, illegitimate seed… On her way out the door that night, Thulani made a cryptic comment about the tattered, patched-up jeans I had on. Whatever she said made me laugh. We became friends—hung out at her place on Oak Street, smoked Kools and Gitanes, and talked. Talk, talk, and more talk. We were curious and passionate about everything, from Jimi Hendrix to Anna May Wong to Jean- Luc Godard and Tennessee Williams. -
Poetry Project Newsletter
THE POETRY PROJECT NEWSLETTER www.poetryproject.org APR/MAY 10 #223 LETTERS & ANNOUNCEMENTS FEATURE PERFORMANCE REVIEWS KARINNE KEITHLEY & SARA JANE STONER REVIEW LEAR JAMES COPELAND REVIEWS A THOUGHT ABOUT RAYA BRENDA COULTAS REVIEWS RED NOIR KEN L. WALKER INTERVIEWS CECILIA VICUÑA POEMS DEANNA FERGUSON CALENDAR BRANDON BROWN REVIEWS AARON KUNIN, LAUREN RUSSELL, JOSEPH MASSEY & LAUREN LEVIN TIM PETERSON REVIEWS JENNIFER MOXLEY DAVID PERRY REVIEWS STEVE CAREY JULIAN BROLASKI REVIEWS NATHANAËL (NATHALIE) STEPHENS BILL MOHR REVIEWS ALAN BERNHEIMER DOUGLAS PICCINNINI REVIEWS GRAHAM FOUST ERICA KAUFMAN REVIEWS MAGDALENA ZURAWSKI MAXWELL HELLER REVIEWS THE KENNING ANTHOLOGY OF POETS THEATER ROBERT DEWHURST REVIEWS BRUCE BOONE $5? 02 APR/MAY 10 #223 THE POETRY PROJECT NEWSLETTER NEWSLETTER EDITOR: Corina Copp DISTRIBUTION: Small Press Distribution, 1341 Seventh St., Berkeley, CA 94710 The Poetry Project, Ltd. Staff ARTISTIC DIRECTOR: Stacy Szymaszek PROGRAM COORDINATOR: Corrine Fitzpatrick PROGRAM ASSISTANT: Arlo Quint MONDAY NIGHT COORDINATOR: Dustin Williamson MONDAY NIGHT TALK SERIES COORDINATOR: Arlo Quint WEDNESDAY NIGHT COORDINATOR: Stacy Szymaszek FRIDAY NIGHT COORDINATORS: Nicole Wallace & Edward Hopely SOUND TECHNICIAN: David Vogen BOOKKEEPER: Stephen Rosenthal ARCHIVIST: Will Edmiston BOX OFFICE: Courtney Frederick, Kelly Ginger, Nicole Wallace INTERNS: Sara Akant, Jason Jiang, Nina Freeman VOLUNTEERS: Jim Behrle, Elizabeth Block, Paco Cathcart, Vanessa Garver, Erica Kaufman, Christine Kelly, Derek Kroessler, Ace McNamara, Nicholas Morrow, Christa Quint, Lauren Russell, Thomas Seeley, Logan Strenchock, Erica Wessmann, Alice Whitwham The Poetry Project Newsletter is published four times a year and mailed free of charge to members of and contributors to the Poetry Project. Subscriptions are available for $25/year domestic, $45/year international. Checks should be made payable to The Poetry Project, St. -
Curing Narratives: a Contemporary Poetics of Agency
CURING NARRATIVES: A CONTEMPORARY POETICS OF AGENCY By MELANIE ALMEDER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1999 Copyright 1999 by Melanie Almeder ACKNOWLEDGMENTS I am greatly indebted to the support of my family and the inspiration of their many ongoing successes: Robert, the brilliant philosopher: Virginia, the brilliant teacher and rescuer of animals: Lisa, the wonderful healer and activist: Chris, the insightful brother and the guardian of environmental good health. I have had the good fortune to work with inspiring teachers and guides at the University of Florida. I only hope Elizabeth Langland knows her importance to her students: she is a model toward which we aspire: a brilliant scholar, an insightful, original, and lucid writer, and a gracious, generous human being. I thank her for all of her time and care. Phil Wegner. Malini Schueller. John Cech. and Sue Rosser have all been generous with their time and comments and have pushed this project toward more complexity and invention. I am grateful to them. I am indebted, as well, to dear friends who have made this project possible with their support, conversation, and affirmation. I am indebted to Lori Amy. bravest of brave, who carefully read chapters, offered rigorous critique, and is a model of fresh, meaningful living and writing methods. Angela Bascik. lucid theorist among us. storyteller, truth teller, discussed this business of "agency" until the ultimate agent himself. Alexander, arrived. Monica Beth Fowler, queen of cameos, patron saint of strays, has reminded me of the myriad day-to-day humor and generosity that heals. -
Gaslit Nation Transcript 27 July 2021 Art Matters: the Nelson George Interview
Gaslit Nation Transcript 27 July 2021 Art Matters: The Nelson George Interview https://www.patreon.com/posts/art-matters-53743958 Andrea Chalupa: Welcome to Gaslit Nation. I am your host, Andrea Chalupa. We talk a lot on this show about making art and the power of art. This special discussion is about artists. It's for people who want to be artists. It's for artists at all stages of their careers. It's for people who love and consume art. It's a discussion about the value of mentorship as well and why that's important to the whole process of creating art. Andrea Chalupa: The way to get to the heart of being an artist, why that's important, what that means, the practical ins and outs of how to do it, we're going to talk to an artist who believed in me very early on, and that alone helped me learn how to take myself seriously as an artist and bring that out to the world. Here's artist mentorship one-on-one with Gaslit Nation and our very special guest, my longtime friend and mentor, Nelson George. Nelson George: Thank you for having me. Andrea Chalupa: Nelson George is the author of several histories of African-American music, including Where Did Our Love Go, The Rise and Fall of the Motown Sound, The Death Of Rhythm and Blues, and the classic, Hip Hop America. He has published two collections of music journalism; Buppies, B-Boys, Baps & Bohos: Notes on Post-Soul Black America, and the recent, the Nelson George Mixtape, which is available through Pacific Books. -
Cornerstones
Cornerstones .AnAnthology of ' African American K Literature edited by Melvin Donalson Pasadena City College/UCLA St Martin s Press New York Contents 15 PREFACE xiii ~> PART ONE The Oral Tradition 1 OVERVIEW 3 LYRICS 11 Spirituals 11 Sometimes I Feel L ke a Motherless Child 11 Go Down Moses 11 Steal Away to Jesus 12 Roll Jordan Roll 12 Blues 13 St Louis Blues 13 Hard Times Blues 14 Mamie s Blues 14 Backwate Blue 15 Pop Lyrics 15 Marvin Gaye (1939-84) What s Going On 15 Stevie Wonder (1950-) Living for the City 17 Siedah Garrett (b ') 18 Michael Jackson (1958-) Man n the Mirror 19 Rap Lyrics 22 Gil Scott Heron (1949-) The Revolution Will Not Be Televised 22 Public Enemy (1988-) F ght the Power 24 Queen Latifah (1970-) UNITY 26 ORATIONS SPEECHES AND SERMONS 28 Sojourner Truth (1797-1883) Address to the First Annual Meeting of the American Equal Rights Association 28 Frederick Douglass (1817-95) What to the Slave Is the Fourth of July' 30 Ida B Wells Barnett (1862-1931) Lynch Law in All Its Phases 34 Mary McLeod Bethune (1875-1955) A Century of Progress of Negro Women 47 vttt Contents Martin Luther King Jr (1929-68) Love Law and Civil D sobed ence 50 Cecil L Murray (1929-) Making an Offer You Can t Refuse 59 Barbara Jordan Q936-) who Then Will Speak for the Common Good' 62 Jesse Jackson (1941-) Common Ground and Common Sense 66 Suzan D Johnson Cook (1957-) God s Woman 76 FOLKTALES 81 Why Negroes Are Black 81 Why Women Always Take Advantage of Men 82 Ole Massa and John Who Wanted to Go to Heaven 84 What Smelled Worse 86 Who Ate Up the Butter' -
EDUCATION, KINSHIP and NATION in AFRICAN AMERICAN LITERATURE by SAMIRA ABDUR-RAHMAN a Dissertation Submit
SITES OF INSTRUCTION: EDUCATION, KINSHIP AND NATION IN AFRICAN AMERICAN LITERATURE By SAMIRA ABDUR-RAHMAN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in English Written under the direction of Cheryl Wall and approved by ________________________ ________________________ ________________________ ________________________ New Brunswick, New Jersey October, 2014 ABSTRACT OF THE DISSERTATION SITES OF INSTRUCTION: EDUCATION, KINSHIP AND NATION IN AFRICAN AMERICAN LITERATURE By SAMIRA ABDUR-RAHMAN Dissertation Director: Cheryl A. Wall “Sites of Instruction: Education, Kinship and Nation in African American Literature” explores education as a site of racial subjection and identity making in African American Literature and culture. Through close readings of selected narratives, I explore how writers use education to represent the navigation, and imagining, of the relationships between community, the individual and the nation. In chapter one, I explore Sutton Griggs and Frances Harper’s post-bellum narratives of education as attempts to recuperate both Southern landscapes and kinship through articulation of the black teacher as communal healer and sacrificial leader. Griggs and Harper represent scenes of instruction which engage with education as a negotiation between generations, occurring within intimate scenes of domesticity, and on larger public stages. In chapter two, I identify black teachers, and intellectuals, in flight as a symptomatic response to the constraints and contradictions of early twentieth century racial uplift ideology, with a focus on Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem. In the face of anxieties about race purity, national borders and miscegenation, Larsen and McKay center characters whose immigrant and marginal status provide alternative insights, and perspectives, that critique and challenge conservative discourses of both citizenship and ii black instruction. -
Surrealism-Revolution Against Whiteness
summer 1998 number 9 $5 TREASON TO WHITENESS IS LOYALTY TO HUMANITY Race Traitor Treason to whiteness is loyaltyto humanity NUMBER 9 f SUMMER 1998 editors: John Garvey, Beth Henson, Noel lgnatiev, Adam Sabra contributing editors: Abdul Alkalimat. John Bracey, Kingsley Clarke, Sewlyn Cudjoe, Lorenzo Komboa Ervin.James W. Fraser, Carolyn Karcher, Robin D. G. Kelley, Louis Kushnick , Kathryne V. Lindberg, Kimathi Mohammed, Theresa Perry. Eugene F. Rivers Ill, Phil Rubio, Vron Ware Race Traitor is published by The New Abolitionists, Inc. post office box 603, Cambridge MA 02140-0005. Single copies are $5 ($6 postpaid), subscriptions (four issues) are $20 individual, $40 institutions. Bulk rates available. Website: http://www. postfun. com/racetraitor. Midwest readers can contact RT at (312) 794-2954. For 1nformat1on about the contents and ava1lab1l1ty of back issues & to learn about the New Abol1t1onist Society v1s1t our web page: www.postfun.com/racetraitor PostF un is a full service web design studio offering complete web development and internet marketing. Contact us today for more information or visit our web site: www.postfun.com/services. Post Office Box 1666, Hollywood CA 90078-1666 Email: [email protected] RACE TRAITOR I SURREALIST ISSUE Guest Editor: Franklin Rosemont FEATURES The Chicago Surrealist Group: Introduction ....................................... 3 Surrealists on Whiteness, from 1925 to the Present .............................. 5 Franklin Rosemont: Surrealism-Revolution Against Whiteness ............ 19 J. Allen Fees: Burning the Days ......................................................3 0 Dave Roediger: Plotting Against Eurocentrism ....................................32 Pierre Mabille: The Marvelous-Basis of a Free Society ...................... .40 Philip Lamantia: The Days Fall Asleep with Riddles ........................... .41 The Surrealist Group of Madrid: Beyond Anti-Racism ...................... -
Views About Desirability of Associations with Whites, but for the Most Part, They Do Not Offer Ideological Beliefs Without Prompts
WARRING SOULS, RECONCILING BELIEFS: UNEARTHING THE COUNTOURS OF AFRICAN AMERICAN IDEOLOGY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Melanye T. Price, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Paul Allen Beck, Adviser Professor William E. Nelson Jr. ____________________________ Adviser Professor Clarissa Rile Hayward Political Science Graduate Program Copyright by Melanye Tarea Price 2003 ABSTRACT Previous studies of African American politics focus on political cohesion in the form of bloc voting, party loyalty and notions of linked fate. This has been detrimental to understanding ideological diversity among African Americans. This project attempts to outline the connection between major tenets in African American political thought – based on degrees of subscription to integrationist and Black nationalist beliefs—and ideological adherence among ordinary citizens. There are three primary findings. First, it finds that this ideological dimension does exist, is methodologically reliable, and is an important ingredient in African American decision-making. It determines levels of internal racial awareness, support for leaders, and other issue positions. Second, like liberalism and conservatism, it is not foremost in ordinary citizens’ political calculus. In the focus groups, for instance, Blacks have clear views about desirability of associations with whites, but for the most part, they do not offer ideological beliefs without prompts. Instead, what is found and echoed by the subsequent statistical analyses is that Blacks are ambivalent about their relationship to America. They fall into a middle ground, sometimes endorsing and embracing their “American-ness” and other times taking a more racially protective stance by developing and maintaining Black social and political structures. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre.