L'ultimo Sognatore Dei Nostri Territori
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Panajiotis Asimopulos MULTIJEZIČNI MOZAIK U STIHOVIMA ĐORĐE
Holon, 2 (3):44-93, 2012., Zagreb Stručni rad UDK Primljeno: 13. 12. 2012. 81'373.45=163.41:78Balašević Prihvaćeno: 19. 12. 2012. Panajiotis Asimopulos* MULTIJEZIČNI MOZAIK U STIHOVIMA ĐORĐE BALAŠEVIĆA Sažetak Predmet ovog rada je analiziranje 1.200 leksičkih posuđenica s tvorbeno-semantičkog aspekta i sinkrona stanovišta koje se u velikoj učestalosti pojavljuju u neusporedivom nadahnuću kantautora Đorđe Balaševića. Ključnim ciljem smatra se etimološko definiranje i semantičko rasvjetljavanje stranih leksema koji vode do harmonične koegzistencije s autentičnim srpskim riječima i prema tome se u suvremenom srpskom ne tretiraju kao zasebne leksičko-stilske cjeline. Kriterijski podaci za klasifikaciju odrednica u skupinama usklađeni su sa njihovim tematskim raščlanjenjem. Ključne riječi: pjesme Đorđe Balaševića, popularna glazba, jezični kontakt, posuđenica, srpski jezik 1. Uvod1 1.1. Predmet i korpus istraživanja Osnovni predmet ovog rada jest podrijetlo i tumačenje leksičkih posuđenica u suvremenom srpskom jeziku, a koje u značajnoj mjeri u svojim stihovima veoma uspješno upotrebljava Đorđe Balašević. Bogati korpus za analizu predstavljalo je djelo samog umjetnika Dodir svile, a i mnoge različite web stranice država bivše Jugoslavije, ali i inozemstva, koje su posvećene svestranoj ličnosti novosadskog stvaraoca. * Grčka vojna akademija, Vari, GR- 16 673 Atena, [email protected] 1 Posebnu zahvalnost dugujem Jeleni Smiljanić, Jovani Pejović, Uni Ružić, Koraljki Crnković i Miljani Barjamović na velikoj pomoći i suštinskoj podršci. 44 Panajiotis Asimopulos Holon, 2 (3):44-93, 2012., Zagreb Multijezični mozaik u stihovima … 1.2. Život i glazbena karijera Đorđe Balašević rođen je 1953. godine u Novom Sadu. Prvi je uspeh postigao 1977. godine s popularnim hitom »U razdjeljak te ljubim«. Uskoro će uslijediti uspjesi s pjesmama »Prva ljubav«, »Panonski mornar« i album Odlazi cirkus. -
1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
The Music of the National Liberation Struggle and Social Engagement
Partisan Resistance Today? The Music of the National Liberation Struggle and Social Engagement Ana Hofman and Martin Pogačar They kept trying to smother the songs of resistance, but they did not smother them, ever, nor the spark of resistance, which was constantly smouldering here and there and burst into a flame of rebellion. (Hercigonja and Karakljajić 1962) Any interpretation of the past can only be a dissonant and dynamic, always political and without doubt a performative process. This spurs the emergence of and competition between alternative interpretations of the past that may also be understood as acts of opposition and even resistance to dominant and/or competing narratives. This is particu- larly clear when references to particular historical periods or events are problematised in daily political struggles and media discourses: recourse to alternate histories or the search for alternative visions of the past can thus be regarded as an attempt to devise a potential con- ceptual framework within which an articulation of alternative politics 21 (visions of the future) is possible. This carries with it certain (political) connotations that in the post-Yugoslav context are powered by the his- torical experience and perpetual reinterpretations of the national lib- eration struggle and antifascist resistance, as well as the entire period of socialist Yugoslavia – these periods have notably defined Yugoslav and contemporary social, (pop) cultural and political milieux, and the responses to it. In this essay, we discuss the shifting meanings and ascribed in- terpretations of the historical experience of the Yugoslav antifascist resistance as expressed through music. In an attempt to encourage this reflection on the musical expressions of the partisan resistance from a historical perspective, we primarily analyse scholarly works and media discourses and combine historical, musicological and cultural studies approaches. -
New Europe College Ştefan Odobleja Program Yearbook 2012-2013
New Europe College Ştefan Odobleja Program Yearbook 2012-2013 CONSTANTIN ARDELEANU CRISTIAN CERCEL ALEX CISTELECAN COSTIN MOISIL RALUCA MUŞAT MARIUS STAN IOAN ALEXANDRU TOFAN RĂZVAN VONCU Editor: Irina Vainovski-Mihai Copyright – New Europe College ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 RĂZVAN VONCU Born in 1969 Ph.D., University of Bucharest, 2006 Thesis: Confessive Narrative in Romanian Medieval Literature Senior Lecturer, University of Bucharest, Faculty of Letters, Department of Literary Studies Scholarship of Open Society Foundation – Bulgarian and Balkanology Studies, Bansko – Blagoevgrad, Bulgaria (1993) Scholarship at “St. Kliment Ohridski” University of Sofia – Studies of Bulgarian Language and Literature (1990) Papers delivered at conferences in Romania, Serbia, Republic of Moldova Numerous articles published on Literary Studies, Balkan Studies, Cultural Studies Published three translated books (from Italian and Serbian) Author of 16 books among which: Secvenţe literare contemporane (Contemporary Literary Fragments), I, Viitorul Românesc, Bucharest, 2001 Secvenţe literare contemporane (Contemporary Literary Fragments), II, Viitorul Românesc, Bucharest, 2002 Orizonturi medievale (Medieval Horizons), Artemis, Bucharest, 2003 Despre Preda şi alte eseuri neconvenţionale (On Preda and Other Unconventional Essays), Semne, Bucharest, 2003 Eseuri critice (Critical Essays), Ed. Muzeului Naţional al Literaturii Române, -
226 BROJ DRUŠTVA SKLADATELJA HRVATSKOGA ČASOPIS Uro N Ra N a Internat Ov I Onal S I M 2021
ISSN 1330–4747 2021. OŽUJAK BROJ 226, 1 ČASOPIS HRVATSKOGA DRUŠTVA SKLADATELJA BROJ 226 OŽUJAK 2021. CIJENA 22 kn NATJEčAJ HDS–a INTERNATIONAL 2021. MARKO MATIJEVić SEKUL DORA 2021. BRANIMIR GLAZBENA TRIBINA HDS–a MIHALJEVIć NAKON 56 PONOVNO NA GODINA PRVI EUROSONGU PUT U ZAGREBU! 2021. OŽUJAK BROJ 226, SADRŽAJ 2 4 46 Donacija tantijema za obnovu zgrade Treći koncert u sezoni Cantus Glazbene škole u Sisku Ansambla 5 48. Pjesme potresa i pandemije Papandopulo kvartet u HGZ–u: Koncert s posvetama 8 UVODNIK Intervju s Markom Matijevićem 49 Sekulom kao dobitnikom HDS–ove 57. Glazbena tribina Zagreb Dragi čitatelji, na dosadašnjoj suradnji i potpore Intenational (20. — 23. veljače 2021.) ukazanom povjerenju za obraćam vam se s druge novi mandat u kojem želimo 12 57 stranice prvoga broja novog nastaviti sa stručnim prika- Dora 2021. Tick–tock, vrijeme je za Scenska glazba uživo kazališne četverogodišnjeg manda- zima i procjenama naše sve- šou! predstave Gdje se kupuju nježnosti u ta kao glavna urednica kolike glazbene scene. Iako HNK–u Zagreb časopisa Cantus. Hvala vam 16 smo već dobrano zakoračili na dosadašnjem i budu- Intervju s Branimirom 59 u doba dominacije internet- ćem čitanju; nadam se da Mihaljevićem, autorom pobjedničke Zoran Šćekić i prijatelji za skih portala u medijskom neću iznevjeriti ukazano pjesme na Dori 2021. nastradalu Petrinju prostoru, opstanak časopisa mi povjerenje. Skupština Cantus je HDS–ov zalog za predstavnika HDS–a na 20 61 budućnost, ne samo kao kro- sjednici 20. siječnja 2021. Treća dodjela nagrada Rock&Off Opera Porin kao kruna karijere nika događanja nego i kao odabrala je moju kandi- Pavla Dešpalja referentna građa koja ostaje 22 daturu uz kolege, neke pohranjena u knjižnicama Intervju s Markom Mrakovčićem, 62 stare, neke nove članove i arhivima za buduće muzi- novom zvijezdom Rock&Offa 54. -
Theorising Return Migration
MAX WEBER PROGRAMME EUI Working Papers MWP 2011/20 MAX WEBER PROGRAMME THE SILENT REPUBLIC: POPULAR MUSIC AND NATIONALISM IN SOCIALIST CROATIA Dean Vuletic EUROPEAN UNIVERSITY INSTITUTE, FLORENCE MAX WEBER PROGRAMME The Silent Republic: Popular Music and Nationalism in Socialist Croatia DEAN VULETIC EUI Working Paper MWP 2011/20 This text may be downloaded for personal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electronically, requires the consent of the author(s), editor(s). If cited or quoted, reference should be made to the full name of the author(s), editor(s), the title, the working paper or other series, the year, and the publisher. ISSN 1830-7728 © 2011 Dean Vuletic Printed in Italy European University Institute Badia Fiesolana I – 50014 San Domenico di Fiesole (FI) Italy www.eui.eu cadmus.eui.eu Abstract This paper explores the development of popular music and its relationship to the political situation in Croatia and Yugoslavia from 1945 to 1991, and how global musical trends were used to construct and reinvent Croatian and Yugoslav cultural and political identities. It begins with a discussion of the suppression of patriotic music in the early decades of socialist Yugoslavia, when the regime attempted to create a supranational culture that would unify Yugoslavia’s constituent nations. It then analyses the national cultural revival in Croatia in the late 1960s that prompted a political movement known as the Croatian Spring, when the pop singer Vice Vukov incorporated Croatian patriotic themes into his songs. In the years following the crushing of the Croatian Spring in 1971, Croatian nationalism was again suppressed in politics and music, and because of this stifling of political opposition Croatia was dubbed “the silent republic.” For the rest of the 1970s the political function of pop and rock music was reflected in its glorification of Yugoslavia and its leader, Josip Broz Tito. -
Identitet Hrvatskog Prostora U Popularnoj Glazbi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository Sveučilište u Zadru Odjel za geografiju Diplomski sveučilišni studij primijenjene geografije (jednopredmetni) Mario Meštrović Identitet hrvatskog prostora u popularnoj glazbi Diplomski rad Zadar, 2018. Sveučilište u Zadru Odjel za geografiju Identitet hrvatskog prostora u popularnoj glazbi Diplomski rad Student: Mario Meštrović Mentor: doc. dr. sc. Lena Mirošević Zadar, 2018. Izjava o akademskoj čestitosti Ja, Mario Meštrović, ovime izjavljujem da je moj diplomski rad pod naslovom Identitet hrvatskog prostora u popularnoj glazbi rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 26. veljače 2018. 3 TEMELJNA DOKUMENTACIJSKA KARTICA Sveučilište u Zadru Diplomski rad Odjel za geografiju IDENTITET HRVATSKOG PROSTORA U POPULARNOJ GLAZBI Mario Meštrović Popularna glazba pokazatelj je identiteta nekog prostora. U radu su analizirani tekstovi pjesama popularne glazbe u Hrvatskoj na nacionalnoj i regionalnoj razini te se samim time on može podijeliti na dva dijela. U prvom dijelu razmatra se hrvatski nacionalni identitet, koji se u popularnoj glazbi u većoj mjeri iskazivao u razdoblju Domoviskog rata, kada je došlo do pojačanih osjećaja domoljublja i potrebe da se kroz glazbu podiže moral i ohrabruje civilno stanovništvo i hrvatske branitelje, a ostavština rata prisutna je i nakon njegovog završetka. -
Sounds of Attraction
edited by Sounds of Attraction Miha Kozorog, Rajko Muršič Yugoslav and Post-Yugoslav Popular Music edited by Miha Kozorog and Rajko Muršič Miha Kozorog by edited Yugoslav and Post-Yugoslav Post-Yugoslav and Yugoslav Attraction Sounds ofSounds Popular Music Popular SOUNDS OF ATTRACTION: YUGOSLAV AND POST-YUGOSLAV POPULAR MUSIC Sounds of Attraction: Yugoslav and Published by/Založila: Znanstvena Post-Yugoslav Popular Music založba Filozofske fakultete Univerze v Ljubljani (Ljubljana University Press, Uredila/Edited by Faculty of Arts) Miha Kozorog, Rajko Muršič Izdal/Issued by: Oddelek za etnologijo Recenzenta/Reviewers in kulturno antropologijo/ Svanibor Pettan Department of Ethnology and Cultural Jernej Mlekuž Anthropology Zbirka/Book series Za založbo/For the publisher Zupaničeva knjižnica, št. 43 Roman Kuhar, dekan Filozofske fakultete Univerze v Ljubljani/The Lektor/Proofreading dean of the Faculty of Arts, University Peter Altshul of Ljubljana Odgovorni urednik zbirke/ Ljubljana, 2017 Editor in chief Boštjan Kravanja Oblikovna zasnova zbirke/Design Vasja Cenčič Uredniški odbor zbirke/ Editorial board Bojan Baskar, Mateja Habinc, Vito Hazler, Jože Hudales, Božidar Jezernik, Delo je ponujeno pod licenco Creative Miha Kozorog, Boštjan Kravanja, Commons Attribution-ShareAlike 4.0 Uršula Lipovec Čebron, Ana Sarah International License (priznanje Lunaček Brumen, Mirjam Mencej, avtorstva, deljenje pod istimi pogoji). Rajko Muršič, Jaka Repič, Peter Simonič Prva izdaja, e-izdaja/ First edition/e-edition Fotografija na naslovnici/Cover photo Urša Valič Publikacija je na voljo na/Publication is available on: Vse pravice pridržane./ https://e-knjige.ff.uni-lj.si All rights reserved. DOI: 10.4312/9789612379643 Raziskovalni program št. P6-0187 je sofinancirala Javna agencija za raziskovalno dejavnost Republike Slovenije iz državnega Publikacija je brezplačna./Publication proračuna. -
69. Ljubljana Festival
Ljubljana1 1. 7.– 11. 9. 2021 69. LJUBLJANA FESTIVAL Ustanoviteljica Festivala Ljubljana je Mestna občina Ljubljana. / The Festival Ljubljana was founded by the City of Ljubljana. Častni pokrovitelj Ljubljana Festivala 2021 je župan Mestne občine Ljubljana Zoran Janković. / The honorary patron of the Ljubljana Festival 2021 is the Mayor of Ljubljana Zoran Janković. LJUBLJANA FESTIVAL SREDIŠČE VAŠIH DOŽIVETIJ AT THE HEART OF YOUR EXPERIENCE 3 Prepričan sem, da bo na podlagi lanskih izkušenj bright spot which proves that with determination, letošnji festival popeljal še korak naprej in znova professionalism and commitment it is possible to poskrbel za sijajna doživetja, o katerih bomo govorili surmount all the obstacles placed in front of us by the še vse leto. present conditions. Kot je že v navadi, bomo Ljubljana Festival odprli na Kongresnem trgu, tokrat s koncertom Orkestra Last year, Festival Ljubljana’s general and artistic Marijinega gledališča iz Sankt Peterburga pod director Darko Brlek and his team really pushed the vodstvom imenitnega dirigenta in prijatelja Ljubljane boundaries. At a time of the greatest uncertainty, they Valerija Gergijeva. Obeta sem nam izjemen dogodek, were undaunted by the scale of the challenge and, ki ga ljubitelji umetnosti ne smemo zamuditi! while scrupulously observing all the restrictions in Ljubljana je mesto kulture, v katerem vsak dan force at the time, succeeded in bringing many of the dokazujemo, da smo solidarno, tovariško in biggest names from the world of the arts to Ljubljana, strpno mesto, v katerem različni živimo skupaj v where they delighted audiences. : Uroš Hočevar medsebojnem spoštovanju. Photo I am convinced that the lessons learned last year Foto / Veselimo se poletja, ko bomo lahko uživali v izvrstnih will help this year’s Festival take yet another step predstavah, ki bodo napolnile našo dušo. -
Ljubljanske Ceste NAZIV PJESME MP3 FORMAT A.Ilic & Gigi D'agostino
A Mezek - Ljubljanske Ceste NAZIV PJESME MP3 FORMAT A.Ilic & Gigi D'agostino - Ana mi je rekla bla bla bla ILI AUDIO CD FORMAT AbeeDj - 2005 POP - Best of 01. Zeljko Bebek - Sinoc sam (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 02. Nervozni Postar - Jugo Jugo (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 03. Al Dino - Kopriva (AbeeDj Underground Remix 2005) KATALOG MUZIKE AbeeDj - 2005 POP - Best of 04. Tijana Dapcevic - Sve je isto (AbeeDj speed Remix 2005) AbeeDj - 2005 POP - Best of 05. Plavi Orkestar - Tako male Stvari (AbeeDj Remix 2005) ORGINALI – CD i DVD KVALITETA AbeeDj - 2005 POP - Best of 06. Ana Nikolic - Januar (AbeeDj Fast Remix 2005) AbeeDj - 2005 POP - Best of 07. Vlado Georgiev - Nisam Ljubomoran (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 08. Djogani - Sappur Panika (AbeeDj Sappur Remix 2005) MUZIKU SNIMAMO NA CD i DVD MEDIJE AbeeDj - 2005 POP - Best of 09. Natasa Bekvalac - Kao Nikotin (AbeeDj Club Remix 2005) AbeeDj - 2005 POP - Best of 10. Crvena Jabuka - Ti mi dusu uzimas (AbeeDj Remix 2005) Aca Ilic - 2005 - 01 - Ne, ne, ne Aca Ilic - 2005 - 02 - Poznajem te po lazima Aca Ilic - 2005 - 03 - Bulevar juzni 1 DVD ili CD = 50,00 Kn. Aca Ilic - 2005 - 04 - Popij sa mnom moj Beograde Aca Ilic - 2005 - 05 - Vara zora NA JEDAN MEDIJ SNIMAMO 16 PJESAMA Aca Ilic - 2005 - 06 - Lazni kralj U MP3 FORMATU ILI U AUDIO CD FORMATU Aca Ilic - 2005 - 07 - Sipajte da se napijem DOSTAVA HP EXPRES NA VAŠ TROŠAK Aca Ilic - 2005 - 08 - Ove dve kraj mene Aca Lukas & Dzej - Sto si tuzan prijatelju ŠALJEMO NA VAŠU ADRESU - POUZEĆEM U RH . -
LP - Strana Muzika (Duplikati) V2.1 Media Sleeve
LP - Strana muzika (duplikati) v2.1 Media Sleeve Artist - Title (Label, Catalog#) Format Year Notes Min Med Max Condition Condition ABBA - Arrival (PGP RTB, Polar - LP 55 5636, POLS 272) LP, Album 1976 n/a n/a n/a €1.97 €6.51 €7.87 ABC - The Lexicon Of Love (Mercury, Mercury, PGP RTB - MC 7150 099, 6359 099, LP, Album 1982 n/a n/a n/a €0.98 €2.95 €5.39 2221349) The Allman Brothers Band - The Road Goes On Forever (PGP RTB, Capricorn Records - 2xLP, Comp 1981 n/a n/a n/a €14.55 €14.55 €14.55 2LP 5621/5622, 2637 101) Blondie - AutoAmerican (RTV Ljubljana, Chrysalis - LL-0664, CHE 1290) LP, Album 1980 n/a n/a n/a €1.54 €2.82 €4.00 Blondie - Parallel Lines (Chrysalis, RTV Ljubljana - LL 0520) LP, Album 1979 n/a n/a n/a €3.34 €4.13 €4.92 Blondie - The Hunter (ZKP RTVL - LL 0820) LP, Album 1983 n/a n/a n/a €1.54 €3.08 €3.59 Bob Dylan - Bob Dylan's Greatest Hits (Suzy, CBS - CBS S 62694) LP, Comp 1982 n/a No Cover n/a €8.38 €8.38 €8.38 Bob Marley & The Wailers - Legend - The Best Of Bob Marley And The Wailers (Jugoton, LP, Comp, Gat 1984 n/a n/a n/a €3.07 €7.05 €14.31 Island Records - LSI 11074, BMW 1) Boney M. - Love For Sale (Jugoton, Hansa International - LSHANS 70848) LP, Album 1977 n/a n/a n/a €1.01 €2.97 €5.03 Boston - Boston (Suzy, Epic - EPC 81611) LP, Album 1978 n/a n/a n/a €3.92 €4.41 €4.90 Boston - Don't Look Back (Suzy, Epic - EPC 86057) LP, Album 1979 n/a n/a n/a €4.04 €7.20 €10.36 Creedence Clearwater Revival Featuring John Fogerty - Chronicle - The 20 Greatest Hits 2xLP, Comp, 1980 n/a n/a n/a €5.11 €6.65 €25.57 (Jugoton, Fantasy -
YU Rock Scene”
Professional paper Preparation of Multimedia Document “YU Rock Scene” UDC 004.55:378.147]:02(497.11) DOI 10.18485/infotheca.2016.16.1_2.6 Milena Obradovi´c ABSTRACT: This study presents the prepara- [email protected] tion process of the multimedia document entitled “YU ROCK SCENE” in which participants were Aleksandra Arsenijevi´c senior students of undergraduate studies of the De- partment of Library and Information Science at the [email protected] University of Belgrade, Faculty of Philology during ˇ the academic year 2014/2015, as a part of the sub- Mihailo Skori´c ject Multimedia Documents. This study gives an [email protected] overview of the historical development of rock and roll in the territory of the former Yugoslavia, rock University of Belgrade, scene in Yugoslav republics, as well as the influence Faculty of Philology of rock music on other arts and media. Special at- tention was given to the technical implementation of the project, including stages such as planning, processing, designing and creation of the multime- dia document itself. KEYWORDS: multimedia document, library science, information science, rock and roll, music, Yugoslavia PAPER SUBMITTED: 28 March 2016 PAPER ACCEPTED: 06 May 2016 1 Historical Development of Rock and Roll in the Territory of Former Yugoslavia Rock and roll in the territory of former Yugoslavia is rooted in the 1920s when new instruments, such as saxophone and guitar, began to emerge (Fajfi´cand Nenad, 2009, pp. 18–21). The emergence of these instruments influenced Yugoslav musicians to start playing jazz, in accordance with the world trends. Musicians who played the said new instruments and jazz rhythms before World War II were rare, while they were completely obsolete during World War II.