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2 the Emperor's New Clothes 3 Setting the Scene • Who's Who? 4 What's the Story?
2014–15 Season Presented by Book by Kim Esop Wylie Music by Joe Dreyer, Lyrics by Sheila Schultz Directed by Kat Singleton contents 2 The Emperor's New Clothes 3 Setting the Scene • Who’s Who? 4 What’s the Story? 5 Words to the Wise 6 Information and Activities theatre company theatre company theatre company theatre company by Kim Esop Wylie Music by Joe Dreyer, Lyrics by Sheila Schultz Directed by Kat Singleton Musical Director Larry Pry Scenic Designer Scott Loebl Costume Designer Dorothy Marshall Englis Stage Manager Mike Dowdy* Director of Education Marsha Coplon Associate Director of Education Sarah Brandt Education Programs Manager April Strelinger Study Guide Writer Laura Schlereth The Company Jason Contini* EMPEROR Alan Knoll* MINISTER OF FINANCE, PRIME MINISTER, BOY Financial assistance for this theatre has been provided by the Laurie McConnell* URLEEN, NARCISSUS National Endowment for the Arts, a federal agency; the Missouri Arts Council, a state agency; the Arts and Education Council of Greater Kristen McGuire* PACHYSANDRA St. Louis; and the St. Louis Regional Arts Commission. *Member of Actors' Equity Association, the union of professional actors and stage managers in the United States. 2 Setting the Scene Welcome to the Emperor’s palace! You’re not catching him on one of his good days–though, to be honest, he hasn’t had many of those lately anyway. Today’s specific distress is mostly about how his precious pooch, Narcissus, can’t be found. It turns out she was actually just outside enjoying nature and the outdoors, a concept totally foreign to the Emperor who is mostly concerned with decorum, etiquette, reserved manners, and most importantly, style. -
The Ugly Duckling YOU Have an Important Part to Play
The Ugly Duckling STUDY GUIDE THE UGLY DUCKLING BASED ON THE S T O R Y B Y Fairy tales... HANS CHRISTIAN ANDERSEN are types of folk tales. They BY RICHARD GIERSCH usually begin with “Once upon a time...” and end with “...happily ever after.” Also, fairy tales usually have events happening in threes, and involve magic. THE UGLY DUCKLING is a musical written by Richard Giersch, based on the story by Hans Christian Andersen. This program is presented in support of the Folk tales... teaching of the Virginia English Standards of Learning. are short, with a simple plot. They Activities provided support curriculum k-5. have characters representing a characteristic like good or bad and feature events that are AT THE LIBRARY: repeated, especially in threes. Hans Christian Andersen (1805- They are based in fantasy. 1875) was a Danish author best known for writing over 150 children’s stories. Check out the following fairy tales, also by Hans Christian Andersen: The Emperor’s New Clothes Thumbelina The Princess and the Pea YOU Have an Important Part to Play The Steadfast Tin Soldier How to Play Your Part The Fir Tree The Little Mermaid A play is different than television or a movie. The actors are right in front of The Nightingale you and can see your reactions, feel your attention, and hear your laughter Little Match Girl and applause. Watch and listen carefully to understand the story. The story is told by actors and comes to life through your imagination. Page 2 VIRGINIA REPERTORY THEATRE Songs from The Ugly Duckling Plays that include songs are called musicals. -
Jarndyce Catalogue 224.Pdf
Jarndyce Antiquarian Booksellers 46, Great Russell Street Telephone: 020 7631 4220 (opp. British Museum) Fax: 020 7631 1882 Bloomsbury, Email: [email protected] London www.jarndyce.co.uk WC1B 3PA VAT.No.: GB 524 0890 57 CATALOGUE CCXXIV SUMMER 2017 A SUMMER MISCELLANY Catalogue & Production: Ed Lake & Carol Murphy. All items are London-published and in at least good condition, unless otherwise stated. Prices are nett. Items marked with a dagger (†) incur VAT (20%) to customers within the EU. A charge for postage and insurance will be added to the invoice total. We accept payment by VISA or MASTERCARD. If payment is made by US cheque, please add $25.00 towards the costs of conversion. High resolution images are available for all items, on request; please email: [email protected]. JARNDYCE CATALOGUES CURRENTLY AVAILABLE include (price £10.00 each unless otherwise stated): The Museum: A Jarndyce Miscellany; European Literature in Translation; Bloods & Penny Dreadfuls; The Dickens Catalogue; Conduct & Education (£5); The Romantics: A-Z with The Romantic Background (four catalogues, £20); JARNDYCE CATALOGUES IN PREPARATION include: Books & Pamphlets 1641-1825, with a Supplement of 18th Century Verse; Sex, Drugs & Popular Medicine; 19th Century Novels; Women Writers; English Language; Plays. PLEASE REMEMBER: If you have books to sell, please get in touch with Brian Lake at Jarndyce. Valuations for insurance or probate can be undertaken anywhere, by arrangement. A SUBSCRIPTION SERVICE is available for Jarndyce Catalogues for those who do not regularly purchase. Please send £30.00 (£60.00 overseas) for four issues, specifying the catalogues you would like to receive. -
Edmund Dulac
Edmund Dulac JONKERS RARE BOOKS EDMUND DULAC JONKERS RARE BOOKS 1. Stories From The Arabian Nights Retold by Laurence Housman DULAC, Edmund Hodder and Stoughton, 1907. First Dulac edition, Edition de Luxe. Number 188 of 350 deluxe copies signed by Edmund Dulac. 4to. Full white vellum with gilt lettering and vignettes in blue and gold. Top edge gilt and others untrimmed. Printed on hand made paper. Colour frontis and 49 other colour plates all mounted onto grey art paper and protected by captioned tissue guards. A near fine, bright copy of Dulac’s first major gift book. Vellum uncommonly clean, occasional spots of foxing to the tissue guards. [39778] £2,750 This book is Dulac’s first major commission. It is an impressive volume, including stories from the Arabian Nights, such as Ali Baba and the Forty Thieves and The King of the Ebony Isles. The publishers commis- sioned Dulac with the aim of competing for market share with the books illustrated by Arthur Rackham. This deluxe version of the Christmas Gift Book showed what a good choice they made. Dulac’s colour palette of deep blue shades is a triumph, transporting the reader to the sultry evenings of the Middle East. EDMUND DULAC JONKERS RARE BOOKS 2. Stories From The Arabian Nights Retold by Laurence Housman DULAC, Edmund Hodder and Stoughton, 1907. First edition. 4to. Brown buckram with embossed decoration in gilt and blue. Colour frontis and 49 other colour plates all mounted onto grey art paper and protected by captioned tissue guards. The pates are fresh and crisp, not creasing, although one has a tiny corner scuff. -
ALEX: Hello and Welcome to Another Episode of the Princess and the Podcast, the Best Hans Christian Andersen Analysis Podcast out There
ALEX: Hello and welcome to another episode of The Princess and the Podcast, the best Hans Christian Andersen analysis podcast out there. I'm Alex ANA: and I'm Ana. Today we will be talking about Anderson's rocky relationship with royalty through performance and analysis of his tales, "The Princess and the Pea" and "The Emperor's New Clothes". These are two tales that are critical of royalty, which is unusual for Anderson who usually wrote stories which celebrated princes and princesses. ALEX: But before we get to the reading of those two tales, why don't we talk a little bit about Anderson's life and relationship with royalty? ANA: Great idea. Let's start with a bit of background. Anderson grew up poor in the city of Odense, Denmark. His obsession with royalty might have even started at a young age because his father actually believed that they were long lost Royalty. ALEX: Oh, interesting. And yeah, obviously, it remained a theme throughout his life. He surrounded himself with nobility and was always almost ashamed of his poor background, and apparently his rich friends didn't shy away from reminding him of that. ANA: Oh, so that explains why he wrote all these stories like his most famous, "The Little Mermaid". That were sort of royalty positive or lifted up the idea of royalty. But he has as mentioned these two stories that seem to contradict that, which are "The Emperor's New Clothes" and "The Princess and the Pea". ALEX: Yeah, so starting with the Emperor's New Clothes, how does that criticize or make fun of royalty? ANA: Well, to start off, in the story, The emperor is a man who's literally obsessed with clothes and his outfits. -
Hans Christian Andersen's Use of Anthropomorphismi
Hans Christian Andersen’s Use of Anthropomorphismi Julia Shore Paludan, Lecturer, Sapienza, University of Rome Abstract The topic of anthropomorphism in Hans Christian Andersen’s tales has been discussed with students in classes in Danish Language and Literature at Sapienza, University of Rome (La Sapienza, Università di Roma) both for the purpose of the translation of his works and for understanding the meanings of the imagery in the studied works. Anthropomorphism is a common theme in many of Hans Christian Andersen’s fairy tales. Andersen’s symbolic use of nature, household objects, trinkets, toys and even birds, is an important theme in many of his works. He bestows human emotions on animate and inanimate objects, such as love and envy, often with an added touch of humour or irony. Andersen conveys issues of often sombre or tragicomic content, sometimes through allegorical tales and myths, that although they are not necessarily easily translatable or culturally transferable, appeal universally to all generations and nationalities. Andersen’s personification of animals also provides a subtle disguise for graver issues such as loss, and the struggle for freedom. The use of anthropomorphism and symbolism also allows younger readers access to complex and universal issues. Introduction The topic of this paper arose from the teaching of Danish language and literature to students at Sapienza University of Rome. Using a number of Andersen’s works, the specific use and meanings of anthropomorphic imagery was introduced and discussed; both as how this imagery could be translated and understood in Italian, and what they evoked through themes such as love, desire and freedom. -
Andersen's Fairy Tales
HTTPS://THEVIRTUALLIBRARY.ORG ANDERSEN’S FAIRY TALES H. C. Andersen Table of Contents 1. The Emperor’s New Clothes 2. The Swineherd 3. The Real Princess 4. The Shoes of Fortune 1. I. A Beginning 2. II. What Happened to the Councillor 3. III. The Watchman’s Adventure 4. IV. A Moment of Head Importance—an Evening’s “Dramatic Readings”—a Most Strange Journey 5. V. Metamorphosis of the Copying-clerk 6. VI. The Best That the Galoshes Gave 5. The Fir Tree 6. The Snow Queen 7. Second Story. a Little Boy and a Little Girl 8. Third Story. of the Flower-garden at the Old Woman’s Who Understood Witchcraft 9. Fourth Story. the Prince and Princess 10. Fifth Story. the Little Robber Maiden 11. Sixth Story. the Lapland Woman and the Finland Woman 12. Seventh Story. What Took Place in the Palace of the Snow Queen, and What Happened Afterward. 13. The Leap-frog 14. The Elderbush 15. The Bell 16. The Old House 17. The Happy Family 18. The Story of a Mother 19. The False Collar 20. The Shadow 21. The Little Match Girl 22. The Dream of Little Tuk 23. The Naughty Boy 24. The Red Shoes THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. -
Bicentenary Literary Adaptations of Hc Andersen
UDC 821.113.4 Rennesa Jessup Minnesota State University TRAVELING COMPANIONS: BICENTENARY LITERARY ADAPTATIONS OF H. C. ANDERSEN TALES Adaptation is broadly defined, encompassing the re-working of virtually any kind of text into virtually any other kind of text. Moreover, it frequently involves the re-mediation of texts into entirely new forms. Even so, seemingly simple text-to- text adaptation of texts already frequently subject to adaptation can challenge both traditional and theoretical concepts of adaptation. Such was the case with a major Danish literary project undertaken in 2005. Danish State Railways, Dansk statsbaner (DSB) commissioned a series of adaptations of Hans Christian Andersen tales to be published in the DSB onboard magazine Ud & Se [Out & See] to commemorate the two-hundredth anniversary of H. C. Andersen’s birth. Resulting from the project were twelve original stories by twelve Danish authors: Pia Juul, Jan Sonnergaard, Ib Michael, Iselin Hermann, Preben Major Sørensen, Suzanne Brøgger, Bent Vinn Nielsen, Peter Laugesen, Kristian Ditlev Jensen, Lars Frost, Erling Jepsen, and Naja Marie Aidt. Each author adapted a different Andersen work, ranging from classics including “Den grimme ælling” [The Ugly Duckling], “Den lille havfrue” [The Little Mermaid], and “Kejserens nye klæder” [The Emperor’s New Clothes], to more obscure works such as “Dandse, dandse dukke min!” [Dance, Dance, My Doll!]. Issued in book form as Reisekammeraten og andre H. C. Andersen-historier i nye klæder [The Traveling Companion and Other H. C. Andersen Tales in New Clothes] (Copenhagen, 2005), the collection demonstrates a wide range of approaches to adaptation that seem to stretch the definition of adaptation to its limits. -
Andersen's Fairy Tales
Andersen’s Fairy Tales Hans Christian Andersen This eBook is designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. Andersen’s Fairy Tales THE EMPEROR’S NEW CLOTHES Many years ago, there was an Emperor, who was so excessively fond of new clothes, that he spent all his money in dress. He did not trouble himself in the least about his soldiers; nor did he care to go either to the theatre or the chase, except for the opportunities then afforded him for displaying his new clothes. He had a different suit for each hour of the day; and as of any other king or emperor, one is accustomed to say, ‘he is sitting in council,’ it was always said of him, ‘The Emperor is sitting in his wardrobe.’ Time passed merrily in the large town which was his capital; strangers arrived every day at the court. One day, two rogues, calling themselves weavers, made their appearance. They gave out that they knew how to weave stuffs of the most beautiful colors and elaborate patterns, the clothes manufactured from which should have the wonderful property of remaining invisible to everyone who was unfit for the office he held, or who was extraordinarily simple in character. 2 of 260 eBook brought to you by Andersen’s Fairy Tales Create, view, and edit PDF. Download the free trial version. ‘These must, indeed, be splendid clothes!’ thought the Emperor. ‘Had I such a suit, I might at once find out what men in my realms are unfit for their office, and also be able to distinguish the wise from the foolish! This stuff must be woven for me immediately.’ And he caused large sums of money to be given to both the weavers in order that they might begin their work directly. -
The Little Mermaid Icon and Disneyfication
The Little Mermaid Icon and Disneyfication Finn Hauberg Mortensen University of Copenhagen s AN ICON IN MASS cui.TURE, thc Little Meniiaid has become the official image of Denmark in general., and of its capital, At Copenhagen, in particular. Its icoiiicity is intimately tied to two sources: Edvard Eriksen's famous bronze statue erected on the Copen- hagen waterfront in 191? and Hans Christian Andersen's fairytale from i8í7. The complexity of Andersen's fairytale, however, which lends the symbolic value to Eriksen's statue, has been largely ignored because the statue has taken on a lite of its own. Historically, it belongs to the final phase of Danish classical sculpture., but it has also become the raw material of modernistic artistic expressions. In fact over the last fort^' years, the statue has moved toward two distinct representations: the completed statue by Eriksen viewed and re\ered by die millions of tourists who visit and photograph it and the ongoing fragmented and unfinished work, which has derived from the destruction of the former. This latter ''work of art" in turn points to the modernit)' of which it and Denmark has become part. The fragmentation started in içfti, when the statue had its hair painted red and was dressed up in a bra and panties. Two years later she was painted red again. In 1964, these prankish attacks were followed by an act of willful artistic vandalism when an unknown assailant sawed the head off the body. Later, Jörgen Nash, a situationist visual artist and author, claimed responsibility for removing the head and for making a deliberate assault on die Danish national symbol. -
Popular Fairy Tales
Popular Fairy Tales Aladdin and the Wonderful Lamp, Author Unknown: This story follows the adventures of Aladdin from a poor boy living on the streets to becoming a prince, thanks to the help of a magic lamp. Alice's Adventure in Wonderland, by Lewis Carroll: The adventures of a young girl named Alice who falls down a rabbit hole into a surreal world filled with strange creatures. The Angel, by Hans Christian Anderson: In this tale, a child who has passed away spends time with an angel gathering flowers at various places on Earth to take to heaven. Bearskin, by the Brothers Grimm: This dark tale tells of a man who makes an agreement with the devil to live in a bearskin without bathing or praying for seven years in return for wealth and freedom. During the seven years, he finds true love that transcends outer appearance. Beauty and the Beast, Jeanne-Marie Le Prince de Beaumont: In this story, a beautiful young girl agrees to live in a castle with a hideous beast in order to save her father's life. However, she later falls in love with the beast - who is actually a handsome prince who has been cursed. The Boy who Cried Wolf, from Aesop's Fables: A cautionary tale about what happens when a child repeatedly lies and plays a prank. The Child who Came from an Egg, from the Violet Fairy Book: This is a story about a beautiful girl born from a bird's egg which was given to a childless queen. Cinderella, by the Brothers Grimm: This rags to riches fairy tale follows Cinderella from her time serving as a maid to her cruel stepmother and stepsisters to a visit from her fairy godmother, who ultimately helps her marry a prince. -
Copenhagen's Famous Mermaid: Den Lille Havfrue, the Little Mermaid
Copenhagen’s Famous Mermaid: Den lille havfrue, The Little Mermaid The Little Mermaid was made famous by a fairy tale written by Hans Christian Andersen, Denmark’s famous author. It was a tale about a young mermaid who was willing to give up her life in the ocean and her life as a mermaid to gain a human soul. “The tale was actually made to scare children into good behavior.” ‐ quietlunch.com ‐ hca.gilead.org Copenhagen’s famous statue is that of the Little Mermaid, however there are rumors that the original is not what is displayed by the City of Copenhagen. Why you ask. Well, the original was sculpted by Edvard Erkisen who was commissioned to do the statue in 1909. It was unveiled on August 23, 1913, a gift from the Danish brewer Carl Jacobsen from Carlsberg Brewery. Four years later the 385‐pound bronze statue was presented to the City of Copenhagen and placed in the harbor area. Since her appearance, she has been vandalized and scandalized. It is believed that the original is with the Eriksen family. Vandalism has included decapitation three times, an arm being attacked with a hacksaw, someone even used an explosive to blow her off her pedestal and throwing paint on her five times. The scandal came from none other than Facebook who banned her from its online publication due to nudity guidelines. ‐ bbc.com ‐VisitDenmark The mermaid’s history was also plagued with problems from the beginning. According to VisitDenmark, “The Little Mermaid was meant to be modelled after contemporary ballerina Ellen Price, but as she refused to model nude, the Mermaid was in fact modelled after Edvard Eriksen’s wife, Eline.” “The statue was sculpted as a twin‐tailed mermaid, although the H.C.