Jarndyce Catalogue 224.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Abysmal Brute, by Jack London
The Project Gutenberg EBook of The Abysmal Brute, by Jack London This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: The Abysmal Brute Author: Jack London Illustrator: Gordon Grant Release Date: November 12, 2017 [EBook #55948] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE ABYSMAL BRUTE *** Produced by Jeroen Hellingman and the Online Distributed Proofreading Team at http://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE ABYSMAL BRUTE Original Frontispiece. Original Title Page. THE ABYSMAL BRUTE BY JACK LONDON Author of “The Call of the Wild,” “The Sea Wolf,” “Smoke Bellew,” “The Night Born,” etc. NEW YORK THE CENTURY CO. 1913 Copyright, 1913, by THE CENTURY CO. Copyright, 1911, by STREET & SMITH. New York Published, May, 1913 THE ABYSMAL BRUTE I Sam Stubener ran through his mail carelessly and rapidly. As became a manager of prize-fighters, he was accustomed to a various and bizarre correspondence. Every crank, sport, near sport, and reformer seemed to have ideas to impart to him. From dire threats against his life to milder threats, such as pushing in the front of his face, from rabbit-foot fetishes to lucky horse-shoes, from dinky jerkwater bids to the quarter-of-a-million-dollar offers of irresponsible nobodies, he knew the whole run of the surprise portion of his mail. -
The Safety of BKB in a Modern Age
The Safety of BKB in a modern age Stu Armstrong 1 | Page The Safety of Bare Knuckle Boxing in a modern age Copyright Stu Armstrong 2015© www.stuarmstrong.com Contents Introduction ......................................................................................................................................... 3 The Author .......................................................................................................................................... 3 Why write this paper? ......................................................................................................................... 3 The Safety of BKB in a modern age ................................................................................................... 3 Pugilistic Dementia ............................................................................................................................. 4 The Marquis of Queensbury Rules’ (1867) ......................................................................................... 4 The London Prize Ring Rules (1743) ................................................................................................. 5 Summary ............................................................................................................................................. 7 Bibliography ........................................................................................................................................ 8 2 | Page The Safety of Bare Knuckle Boxing in a modern age Copyright Stu Armstrong 2015© -
On Modernity, Identity and White-Collar Boxing. Phd
From Rookie to Rocky? On Modernity, Identity and White-Collar Boxing Edward John Wright, BA (Hons), MSc, MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy. September, 2017 Abstract This thesis is the first sociological examination of white-collar boxing in the UK; a form of the sport particular to late modernity. Given this, the first research question asked is: what is white-collar boxing in this context? Further research questions pertain to social divisions and identity. White- collar boxing originally takes its name from the high social class of its practitioners in the USA, something which is not found in this study. White- collar boxing in and through this research is identified as a practice with a highly misleading title, given that those involved are not primarily from white-collar backgrounds. Rather than signifying the social class of practitioner, white-collar boxing is understood to pertain to a form of the sport in which complete beginners participate in an eight-week boxing course, in order to compete in a publicly-held, full-contact boxing match in a glamorous location in front of a large crowd. It is, thus, a condensed reproduction of the long-term career of the professional boxer, commodified for consumption by others. These courses are understood by those involved to be free in monetary terms, and undertaken to raise money for charity. As is evidenced in this research, neither is straightforwardly the case, and white-collar boxing can, instead, be understood as a philanthrocapitalist arrangement. The study involves ethnographic observation and interviews at a boxing club in the Midlands, as well as public weigh-ins and fight nights, to explore the complex interrelationships amongst class, gender and ethnicity to reveal the negotiation of identity in late modernity. -
Boxers of the 1940S in This Program, We Will Explore the Charismatic World of Boxing in the 1940S
Men’s Programs – Discussion Boxers of the 1940s In this program, we will explore the charismatic world of boxing in the 1940s. Read about the top fighters of the era, their rivalries, and key bouts, and discuss the history and cultural significance of the sport. Preparation & How-To’s • Print photos of boxers of the 1940s for participants to view or display them on a TV screen. • Print a large-print copy of this discussion activity for participants to follow along with and take with them for further study. • Read the article aloud and encourage participants to ask questions. • Use Discussion Starters to encourage conversation about this topic. • Read the Boxing Trivia Q & A and solicit answers from participants. Boxers of the 1940s Introduction The 1940s were a unique heyday for the sport of boxing, with some iconic boxing greats, momentous bouts, charismatic rivalries, and the introduction of televised matches. There was also a slowdown in boxing during this time due to the effects of World War II. History Humans have fought each other with their fists since the dawn of time, and boxing as a sport has been around nearly as long. Boxing, where two people participate in hand-to-hand combat for sport, began at least several thousand years ago in the ancient Near East. A relief from Sumeria (present-day Iraq) from the third millennium BC shows two facing figures with fists striking each other’s jaws. This is the earliest known depiction of boxing. Similar reliefs and paintings have also been found from the third and second millennium onward elsewhere in the ancient Middle East and Egypt. -
Boxing, Governance and Western Law
An Outlaw Practice: Boxing, Governance and Western Law Ian J*M. Warren A Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy School of Human Movement, Performance and Recreation Victoria University 2005 FTS THESIS 344.099 WAR 30001008090740 Warren, Ian J. M An outlaw practice : boxing, governance and western law Abstract This investigation examines the uses of Western law to regulate and at times outlaw the sport of boxing. Drawing on a primary sample of two hundred and one reported judicial decisions canvassing the breadth of recognised legal categories, and an allied range fight lore supporting, opposing or critically reviewing the sport's development since the beginning of the nineteenth century, discernible evolutionary trends in Western law, language and modern sport are identified. Emphasis is placed on prominent intersections between public and private legal rules, their enforcement, paternalism and various evolutionary developments in fight culture in recorded English, New Zealand, United States, Australian and Canadian sources. Fower, governance and regulation are explored alongside pertinent ethical, literary and medical debates spanning two hundred years of Western boxing history. & Acknowledgements and Declaration This has been a very solitary endeavour. Thanks are extended to: The School of HMFR and the PGRU @ VU for complete support throughout; Tanuny Gurvits for her sharing final submission angst: best of sporting luck; Feter Mewett, Bob Petersen, Dr Danielle Tyson & Dr Steve Tudor; -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions by Ned Hémard
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Last of the Bare-Knuckles Dow Jones & Company’s issuance of hand-delivered short news briefs (called “flimsies”) to stock traders culminated in the publication of THE WALL STREET JOURNAL, July 8, 1889 (Price Two Cents), and New Orleans made the first page of the very first issue, 125 years ago. It all had to do with a highly anticipated prize fight. THE JOURNAL bulletins attempted to provide any updates on the Jake Kilrain vs. John L. Sullivan fight. Bare-knuckle fighting was illegal in all of the existing thirty-eight states, and (although New Orleans was at the vortex of this pugilistic whirlwind) Governor Francis T. Nicholls had forbidden the fight in Louisiana and had activated the state militia to prevent it. Governor Robert Lowry of Mississippi had taken similar measures. Where the bout was to be fought was shrouded in secrecy, unrevealed until the train leaving New Orleans deposited a multitude of enthusiastic fightgoers at the clandestinely arranged location. An earlier announcement (January 12, 1889) in the New Orleans Weekly Pelican heralded the upcoming contest. The confrontation between Kilrain and Sullivan is considered to be a turning point in boxing history, being the last world title bout fought under the London Prize Ring Rules and therefore the last bare-knuckle heavyweight title bout. No gloves were worn and some wrestling moves were permitted. A round concluded when one fighter was knocked down, and the fight lasted until one contestant was unable to get up off the ring floor. -
Transatlantica, 2 | 2006 Film and Art : on the German Expressionist and the Disney Exhibitions 2
Transatlantica Revue d’études américaines. American Studies Journal 2 | 2006 Révolution Film and Art : On the German Expressionist and the Disney Exhibitions Penny Starfield Édition électronique URL : http://journals.openedition.org/transatlantica/1192 DOI : 10.4000/transatlantica.1192 ISSN : 1765-2766 Éditeur AFEA Référence électronique Penny Starfield, « Film and Art : On the German Expressionist and the Disney Exhibitions », Transatlantica [En ligne], 2 | 2006, mis en ligne le 23 janvier 2007, consulté le 29 avril 2021. URL : http:// journals.openedition.org/transatlantica/1192 ; DOI : https://doi.org/10.4000/transatlantica.1192 Ce document a été généré automatiquement le 29 avril 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Film and Art : On the German Expressionist and the Disney Exhibitions 1 Film and Art : On the German Expressionist and the Disney Exhibitions Penny Starfield Le Cinéma expressionniste allemand, La Cinémathèque française, curators : Marianne de Fleury and Laurent Mannoni, October 26, 2006-January 22, 2007. Il était une fois Walt Disney, aux sources de l’art des studios Disney, curator : Bruno Girveau, Le Grand Palais, September 16, 2006-January 15, 2007 ; Musée des Beaux- Arts, Montréal, 8 March-24 June 2007. 1 Two major exhibitions in Paris delve into the relationship between the artistic and the film worlds. The German Expressionists in Film celebrates the seventieth anniversary of the French Cinémathèque, founded by Henri Langlois in 1936. It is housed in the temporary exhibition space on the fifth floor of the recently-inaugurated Cinémathèque, which moved from its historic site at the Palais de Chaillot to the luminous building conceived by Frank Gehry on the far eastern side of the right bank. -
Download Catalogue PDF
’s lit ren era d tu il r h e c Peter Harrington london We are exhibiting at these fairs: Our new catalogue of children’s literature, original art, and educational works ranges from early examples, such 5–8 March 2020 as the first fantasy novel for children, new york Sara Coleridge’s Phantasmion (item 37), Park Avenue Armory and Mary and Charles Lamb’s Tales from www.nyantiquarianbookfair.com Shakespeare (195) to contemporary classics such as War Horse (144), Judith Kerr’s 20–21 March scarce first picture book, The Tiger Who edinburgh Came To Tea (108), and a set of Harry Potter Radisson Blu Hotel, Royal Mile and the Philosopher’s Stone and Chamber of Secrets, playfully inscribed www.rarebooksedinburgh.com/book-fair by J. K. Rowling for a young fan at a time when her fame was rapidly growing (182). 20–22 March There are several items which are touchstones in the history tokyo of children’s publishing: the rare first edition of Max und Moritz by Tokyo Traffic Hall Wilhelm Busch (31), one of the best-known German children's www.abaj.gr.jp books, whose rambunctious style and amoral humour had a huge influence on the development of the comic strip, from the 24–26 April Katzenjammer Kids to the Beano; a scarce survival of the first edition paris in English of Der Struwwelpeter (98); and a complete set in the scarce Grand Palais dust jackets of C. S. Lewis’s Narnia series (125). Also featured are a www.salondulivrerare.paris rare presentation copy of the first edition of Charlie and the Chocolate Factory (34); a first edition of Anna Sewell’s Black Beauty, inscribed by the author to the patients of a London hospital in the brief period between its publication and her early death (194); and The Velveteen Rabbit, complete with the dust jacket (220). -
THE SORCERER's APPRENTICES: AUTHORSHIP and SOUND AESTHETICS in WALT DISNEY's FANTASIA by Daniel Fernandez a Thesis Submitted
THE SORCERER’S APPRENTICES: AUTHORSHIP AND SOUND AESTHETICS IN WALT DISNEY’S FANTASIA by Daniel Fernandez A Thesis Submitted to the Faculty of the Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Masters of Arts Florida Atlantic University Boca Raton, FL May 2017 Copyright by Daniel Fernandez 2017 ii ACKNOWLEDGEMENTS I would like to thank my committee members for all of their guidance and support, especially to my advisor Anthony Guneratne for his helpful suggestions during the writing of this manuscript. I am also grateful to a number of archival collections, particularly those of Yale University for providing me with some of the primary sources used for this manuscript. Likewise, I would like to acknowledge Stephanie Flint for her contribution to the translation of German source material, as well as Richard P. Huemer, Didier Ghez, Jennifer Castrup, the Broward County Library, the University of Maryland, the Fales Library at New York University, and Zoran Sinobad of the Library of Congress, for the advice, material assistance, and historical information that helped shape this project. iv ABSTRACT Author: Daniel Fernandez Title: The Sorcerer’s Apprentices: Authorship and Sound Aesthetics in Walt Disney’s Fantasia Institution: Florida Atlantic University Thesis Advisor: Dr. Anthony Guneratne Degree: Masters of Arts in Communications Year: 2017 This thesis makes three claims new to the critical literature on Walt Disney’s 1940 film Fantasia. Setting the scene by placing a spotlight on the long-serving Philadelphia Orchestra conductor Leopold Stokowski, it contextualizes his pervasive influence, as well as contributions by others that shaped Fantasia and defined the film’s stylistic elements. -
25 Illustrated Books
25 Illustrated Books [email protected] 917-974-2420 full descriptions available at www.honeyandwaxbooks.com or click on any image Victorian Toy Theatre Adaptation of the Play that Caused a Sensation 1. [Matthew Gregory Lewis]. Timour the Tartar, A Grand Melo-Drama. With: Redington’s Characters and Scenes in Timour the Tartar. [London]: J. Redington; B. Pollock, circa 1880. $1200. Children’s toy theater adaptation of Timour the Tartar, based on the life of the fierce Central Asian emperor Tamburlaine, and adapted from the 1811 play by Monk Lewis, who introduced live horses into the spectacle at Covent Garden. This adaptation includes a script and 19 brilliantly colored plates of characters, scenes, and wings, with instructions. The dialogue is, necessarily, simplified for children: “Have not you planned Agib’s escape? Isn’t Octar shut up in a dungeon at Teflis?” Two of the side wings in this set differ from those specified on the title plate, offering the heroine Zorilda the opportunity to plunge into the Caspian Sea with an English country house in the background. A bright near-fine set. Side-stitched octavo pamphlet, 6.5 x 4.25: 16 pp. Set of nineteen hand-coloured lithographed plates, 7 x 8.5. Spine browned, light occasional foxing to plates. The Bridge Between the Decadents and the Psychedelics 2. Edgar Allan Poe; Harry Clarke (illustrator). Tales of Mystery and Imagination. London: George G. Harrap and Co., 1919. $8000. Signed limited first edition of Harry Clarke’s illustrated Poe, one of 170 copies signed by Clarke. Few illustrators have matched the unsettling atmosphere of Poe’s stories, which laid the foundation for much of modern mystery, horror, and science fiction; critics generally agree that Clarke’s interpretations are among the best. -
BOXING the BOUNDARIES: Prize Fighting, Masculinities, and Shifting Social and Cultural Boundaries in the United State, 1882-1913
BOXING THE BOUNDARIES: Prize Fighting, Masculinities, and Shifting Social and Cultural Boundaries in the United State, 1882-1913 BY C2010 Jeonguk Kim Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements of the degree of Doctor of Philosophy __________________________ Chairperson __________________________ __________________________ __________________________ __________________________ Date defended: ___July 8__2010_________ The Dissertation Committee for Jeonguk Kim certifies that this is the approved version of the following dissertation: BOXING THE BOUNDARIES: Prize Fighting, Masculinities, and Shifting Social and Cultural Boundaries in the United States, 1882-1913 Committee: ________________________________ Chairperson ________________________________ ________________________________ ________________________________ ________________________________ Date defended: _______________________ ii Abstract Leisure and sports are recently developed research topics. My dissertation illuminates the social meaning of prize fighting between 1882 and 1913 considering interactions between culture and power relations. My dissertation understands prize fighting as a cultural text, structured in conjunction with social relations and power struggles. In so doing, the dissertation details how agents used a sport to construct, reinforce, blur, multiply, and shift social and cultural boundaries for the construction of group identities and how their signifying -
The Little Mermaid (With Original Illustrations) Pdf, Epub, Ebook
THE LITTLE MERMAID (WITH ORIGINAL ILLUSTRATIONS) PDF, EPUB, EBOOK Hans Christian Andersen,H B Paull,Vilhelm Pedersen | 82 pages | 02 Feb 2014 | Hythloday Press | 9780615963945 | English | [New York], United States The Little Mermaid (with Original Illustrations) PDF Book Through the halls flowed a broad stream, and in it danced the mermen and the mermaids to the music of their own sweet singing. She was created, in , with layers and layers of metal by Kristian Dahlgard, in hommage to the Danes who live in Monaco and for the late Prince Rainier III to mark the 50th year of his reign. A young woman, mistreated by her stepmother and stepsisters, but carrying within her a good and gracious heart, wins the love of prince with the help of her fairy godmother. And the children know it and say nothing. And then the little mermaid went out from her garden, and took the road to the foaming whirlpools, behind which the sorceress lived. The sun had just set as she raised her head above the waves; but the clouds were tinted with crimson and gold, and through the glimmering twilight beamed the evening star in all its beauty. There were plenty of writers who used fairy tales to preach moral values. And, most importantly, it's a seriously gruesome tale. Retrieved 23 March From East of the Sun and West of the Moon. The Little Mermaid becomes melancholic and asks her grandmother if humans can live forever. The little mermaid swam close to the cabin windows; and now and then, as the waves lifted her up, she could look in through clear glass window-panes, and see a number of well-dressed people within.