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Groovebasert Musikkproduksjon II

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Groovebasert Musikkproduksjon II Groovebasert musikkproduksjon II Fra The Loft til Disco Demolition Night Foreleser: Hans T. Zeiner-Henriksen e-mail: [email protected] Tlf.: Mob.: 48059723 Kontor: 22854857 Disco Demolition Night 12. juli 1979: Comiskey Park, Chicago Radio DJ Steve Dahl “Disco music is a disease. I call it disco dystrophy,” (…) “The people victimized by this killer disease walk around like zombies. We must do everything possible to stop the spread of this plague” Saturday Night Fever 1977 Saturday Night Fever 1977 David Mancuso - danserne kveldens midtpunkt (ikke DJen) - få høre musikk de ikke hadde hørt før - superb lyd David Mancuso - The Loft Alex Rosner - lydingeniør - assisterte Mancuso 1970-1975: New York: Flere klubber - “diskoteker” - DJer. Behov for dansemusikk; 3 min. låter ikke ideelle. Mindre diskriminering av svarte og homofile. Nicky Siano Gloria Gaynor, Tom Moulton - the disco remix Tom Moulton - 12 tommeren 1975-1977: Flere independent-selskaper med fokus på diskomusikk: Casablanca, Salsoul, Prelude. Majorselskapene ansatte DJer og andre disko-”insidere”, remiksing, A&R. Chic Disco Demolition Night 1979 Grunnrytme Chuck Berry: Maybellene (1955) Fats Domino: I’m Walkin’ (1957) The Beginning of the End: Funky Nassau (1971) Osibisa: Dance the Body Music (1970) Earl Young - trommeslager - Philadelphia Table 2.1. Common even rhythms in electronic dance music. Rhythm in Musical Attack Positions Most Common Instrumental Notation of Rhythm Associations 1/5/9/13 Bass Drum œ œ œ œ 5/13 Snare Drum; handclaps Œ œ Œ œ ‰ j ‰ j ‰ j ‰ j 3/7/11/15 Hi-hat (open or closed); also œ œ œ œ snare drum or synth “stabs” All Hi-hat (closed) œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Mark J. Butler (2006): “Unlocking the Groove. Rhythm, Meter, and Musical Design in Electronic Dance Music”. s. 82. [Alan] Schwartzberg, who played for everyone from Stan Getz to Judy Collins and James Brown – sometimes in one day – pays tribute clearly to the trendsetting work of MFSB drummer Earl Young in such up-tempo Philly classics as Harold Melvin and The Blue Notes’ “The Love I Lost.” But Schwartzberg got most of the notice for developing disco’s characteristic sound: a driving, open, high-hat cymbal. He often fielded calls from producers and drummers for step-by-step instructions in disco technique: “It sounds like it’s just ‘shh, shh,’ but you’re actually playing [the cymbal] double-time and opening the high-hat on the ‘and,’” he explained to them. Brian Chin. 1999. The Disco Beatmaster: From the Studio to the Dance Floor. In The Disco Box (liner notes): Rhino. P. 32-33. Donna Summer: Love to Love You Baby •1975 • Tempo: 96 bpm • Prod: Georgio Moroder & Pete Bellotte ”the four-to-the-floor beat of the bass drum was elevated to the center of the mix (…) I just felt the bass drum was so important”, says Moroder ”The thought was, ‘Why not help the dancers to dance even better by making the drum into more of a stomping sound?” Lawrence, Tim 2003 : Love Saves the Day - a history of american dance music culture, 1970-1979, p. 176 Giorgio Moroder - Donna Summer: I Feel Love (1977) Rytme Daft Punk: “Phœnix” (1996) Basement Jaxx: “Fly Life” Deep Dish feat. Everything but the (1996) Girl: “The Future of the Future (Stay Gold)” (1998) Sound Lydvalg Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme: Opptak av en akustisk basstromme:.
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