Hawaii SAR History
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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
AMERICA's ANNEXATION of HAWAII by BECKY L. BRUCE
A LUSCIOUS FRUIT: AMERICA’S ANNEXATION OF HAWAII by BECKY L. BRUCE HOWARD JONES, COMMITTEE CHAIR JOSEPH A. FRY KARI FREDERICKSON LISA LIDQUIST-DORR STEVEN BUNKER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2012 Copyright Becky L. Bruce 2012 ALL RIGHTS RESERVED ABSTRACT This dissertation argues that the annexation of Hawaii was not the result of an aggressive move by the United States to gain coaling stations or foreign markets, nor was it a means of preempting other foreign nations from acquiring the island or mending a psychic wound in the United States. Rather, the acquisition was the result of a seventy-year relationship brokered by Americans living on the islands and entered into by two nations attempting to find their place in the international system. Foreign policy decisions by both nations led to an increasingly dependent relationship linking Hawaii’s stability to the U.S. economy and the United States’ world power status to its access to Hawaiian ports. Analysis of this seventy-year relationship changed over time as the two nations evolved within the world system. In an attempt to maintain independence, the Hawaiian monarchy had introduced a westernized political and economic system to the islands to gain international recognition as a nation-state. This new system created a highly partisan atmosphere between natives and foreign residents who overthrew the monarchy to preserve their personal status against a rising native political challenge. These men then applied for annexation to the United States, forcing Washington to confront the final obstacle in its rise to first-tier status: its own reluctance to assume the burdens and responsibilities of an imperial policy abroad. -
A Murder, a Trial, a Hanging: the Kapea Case of 1897–1898
esther k. arinaga & caroline a. garrett A Murder, a Trial, a Hanging: The Kapea Case of 1897–1898 Kapea was a 20 year-old Hawaiian man executed by hanging for the murder of Dr. Jared K. Smith of Köloa, Kaua‘i.1 Kapea’s 1897–98 arrest, trial, and execution in the fi nal years of the Republic of Hawai‘i illustrates legal, political, and cultural dynamics which found expres- sion in Hawai‘i’s courts during the critical years preceding Hawai‘i’s annexation to the United States. In 1874 David Kaläkaua succeeded Lunalilo as monarch of the Hawaiian Kingdom. Aware that Native Hawaiians were increasingly dispossessed of their land and were further disenfranchised as disease drastically diminished their numbers, Kaläkaua set out to have his cabinet and legislature controlled by Native Hawaiians. Inevitably, he clashed with the white population, primarily missionary descendants. A duel ensued between a “willful Hawaiian King and a headstrong white opposition.” This was a new “band of righteous men,” who like earlier missionaries, felt it was their moral duty, the white man’s des- tiny, and in their own self-interest to govern and save the natives.2 In 1887 Kaläkaua’s reign began its swift descent. A new constitu- tion, forced upon the King at “bayonet” point, brought changes in Esther Kwon Arinaga is a retired public interest lawyer and has published essays on early women lawyers of Hawai‘i and Korean immigration to the United States. Caroline Axtell Garrett, retired from 40 years in higher education in Hawai‘i, has been publishing poems, essays, and articles since 1972. -
Position Specification
Position Specification Honolulu Museum of Art Director Position Specification Director Honolulu Museum of Art The Client The Honolulu Museum of Art (HoMA) was founded in 1927 by Anna Rice Cooke, the daughter of a prominent missionary family. She married Charles Montague Cooke, also of a prominent missionary family, and settled in Honolulu, building a home in 1882 on Beretania Street, where HoMA resides today. From the beginning, Anna Rice Cooke, who spoke fluent Hawaiian, wanted a Museum that reflected the unique attributes of Hawai’i’s multicultural makeup. Not bound by the traditional western idea of art Museums, she also wanted to create an institution that showcased the island’s natural beauty and climate in an open and airy environment. Her thoughtful consideration is evidenced in the charming courtyards that interconnect the various galleries throughout the Museum. The permanent collection has grown from 500 works to more than 50,000 pieces spanning 5,000 years. The Museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, including an unrivaled collection by artists of Hawai’i and the Pacific. The collection also contains significant holdings in American and European painting and decorative arts, 19th- and 20th-century art, an extensive collection of works on paper, Asian textiles, and traditional works from Africa, Oceania, and the Americas. Other highlights include the Samuel H. Kress collection of Italian Renaissance paintings and the James A. Michener collection of ukiyo-e prints. HoMA is dedicated to the collection, preservation, interpretation and teaching of the visual arts, and the presentation of exhibitions, performing arts and public programs specifically relevant to Hawai’i’s ethnically diverse community. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _________Wrenn Guest House__________ Other names/site number: __ NA_____________________ Name of related multiple property listing : ________NA___________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: __2848 Oahu Avenue___________________________ City or town: Honolulu________ State: _Hawai ’i____ County: _Honolulu_____ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places -
Hawaii's Washington Place
HAWAII'S WASHINGTON PLACE ... VvASHINGTON PLi~\CE HONOLULU> HAWAII We hope you and the members of your org~nization 96813 will be able to join us on this evening espec1ally set aside in tribute to the memory of a magnificent monarch. August 12, 1982 Spouses are invited. Please forward the names of those who will attend to Mona Odachi at Washington Place, Honolulu, Hawaii 96813, by September 13. We look forward to welcoming you personally to Ms. Lorraine Freitas enjoy the home and the spirit of a Queen who holds a Queen Emma Hawaiian Civic Club special place in all of our hearts. 47-711 Kamehameha Highway Kaneohe, Hawaii 96744 A1aha pumehana s Dear Ms. Freitas: 9-~~()~ September marks the 144th birthday anniversary of Hawaii's beloved Queen Lili1uokalani. This year is a special one. The dedication of the Spirit of Lili'uokalani sculpture on the State Capitol concourse and the return of many of the Queen's personal belongings to Washington Place which now has been restored and refurbished are testaments to the enduring affection the people of Hawaii have for the Queen. More importantly, the spirit of the Queen continues to imbue a gracious aura to the walls and ard Kealoha gardens of Washington Place. ~~.~ Won't you come and share in a ho'okupu to the ~eV- _Rose Queen on September 23, from 7 to 9 p.m. Our evening ~~~ reception will feature a special exhibit of the Queen's memorabilia from the Bishop Mu~eum, items Ms. patri~. ~::d~: rarely on view to the public. We will also have music ~ Jl.-~ and light refreshments. -
The YOUNG Families of Early Giles Co TN 1101 Baxter Young and Lila Vou Holt, Was Born 14 July Reese Porter Young [Y19k4], Son of William 1908 in Giles Co TN
The YOUNG Families of Early Giles Co TN 1101 Baxter Young and Lila Vou Holt, was born 14 July Reese Porter Young [Y19k4], son of William 1908 in Giles Co TN. She married Clyde Duke about Carroll Young and Sarah Jane Rhea, was born 11 1928, probably at Nashville, and in 1930 they lived August 1849 at Culleoka, Maury Co TN, and moved at Nashville next door to her parents. Clyde was a with his family to Washington, Webster Co MO sign painter. He was born 30 December 1907 in TN, when he was a boy. He married Nancy Ona Haymes son of James E Duke and Ida Ann Nichols, and died in Webster Co on 18 June 1871. Reese was a at Nashville in October 1973. Rebecca died at Fort blacksmith and a farmer. He died in Webster Co on Smith AR on 18 April 1992. They had two children- 2 January 1937 from pneumonia. Morgan Young a. Betty Lou Duke, b Jan 1929 was the informant for his death certificate. Nancy b. Jerry Duke was born 30 October 1852 at Green City, Hickory James E Duke and Ida Ann Nichols were married 27 Co MO, daughter of William Brumfield Haymes May 1892 i n P u t n a m Co TN. (58,Z, 169m, (1821-1883) and Sarah Jane Dugan (1834-1908), 15v,18wf) and died in Webster Co on 27 January 1937 from pneumonia. Sam Young was the informant for her Rebecca J Young [Y3a2g12], daughter of John death certificate. They were buried in Saint Luke A Young and Ida Mae Hayter, was born in 1927 in Methodist Church Cemetery at Marshfield, Webster TX. -
Taro As the Symbol of Postcolonial Hawaiian Identity ______
Growing resistance: Taro as the symbol of postcolonial Hawaiian identity __________ A thesis presented to the faculty of the Department of Sociology and Anthropology University of Canterbury __________ In partial fulfilment of the requirements for the degree of Master of Arts __________ by Charles Pipes February 2020 ii iii Abstract Taro is a root vegetable that has held important dietary, spiritual, and social roles with Native Hawaiian culture for centuries. The cultivation and management of the taro plant was a significant foundation of ancient Hawaiian society. Following the 19th century Western colonization of Hawaii, and the ensuing degradation of the indigenous culture, taro cultivation went into a steep decline as a result of land alienation, commercialization, and resources being designated for alternative, non- native crops. In the years following annexation by the United States, there was a growing Hawaiian identity and sovereignty movement. This thesis examines how taro became a potent symbol of that movement and Indigenous Hawaiian resistance to Western hegemony. The thesis will examine taro’s role as a symbol of resistance by analyzing the plant’s traditional uses and cultivation methods, as well as the manner in which Hawaiian taro was displaced by colonial influence. This resistance, modeled after the Civil Rights Movement and American Indian Movement in the United States, used environmental, spiritual, and cosmological themes to illustrate the Hawaiian movement’s objectives. Taro cultivation, encapsulating nearly every aspect of traditional Hawaiian society and environment, became a subtle form of nonviolent protest. To examine taro farming from this perspective, the plant’s socioeconomic, spiritual, and biological aspects will be explored. -
Crisis in Kona
Crisis in Kona Jean Greenwell October 22, 1868. Awful tidings from Kona. The false prophet, Kaona, has killed the sheriff. Entry from the Reverend Lorenzo Lyons' Journal.1 In 1868, the district of Kona, on the island of Hawai'i, made headlines throughout the Kingdom. Some of the many articles that appeared in the newspapers were entitled "The Crazy Prophet of South Kona," "Uprising in Kona," "Insurrection on Hawaii," "The Rebels," "A Religious Fanatic," and "Troubles on Hawaii."2 The person responsible for all this attention was a Hawaiian man named Joseph Kaona. The cult which arose around Kaona typified what is known as "nativistic religion." Ralph S. Kuykendall says: From the 1820's onward there were among the Hawaiians, as among other peoples, occasional examples of what anthropologists call 'nativistic religions,' commonly consisting of some odd form of religious observance or belief under the leadership of a 'prophet' who claimed to be inspired by divine revelation; frequently such religious manifestations combined features of Christianity with old Hawaiian beliefs and customs. .3 Kaona was born and brought up in Kainaliu, Kona on the island of Hawai'i. He received his education at the Hilo Boarding School and graduated from Lahainaluna on Maui.4 In 1851, in the aftermath of King Kamehameha III's great land Mahele, Kaona was employed surveying kuleana (property, titles, claims) in Ka'u, on the island of Hawai'i.5 He also surveyed a few kuleana on O'ahu.6 Later he was employed as a magistrate, both in Honolulu and in Lahaina.7 He was a well-educated native Hawaiian. -
Nathaniel Bright Emerson Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/kt6t1nb227 No online items Nathaniel Bright Emerson Papers: Finding Aid Processed by Brooke M. Black. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2002 The Huntington Library. All rights reserved. Nathaniel Bright Emerson Papers: mssEMR 1-1323 1 Finding Aid Overview of the Collection Title: Nathaniel Bright Emerson Papers Dates (inclusive): 1766-1944 Bulk dates: 1860-1915 Collection Number: mssEMR 1-1323 Creator: Emerson, Nathaniel Bright, 1839-1915. Extent: 1,887 items. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of Hawaiian physician and author Nathaniel Bright Emerson (1839-1915), including a a wide range of material such as research material for his major publications about Hawaiian myths, songs, and history, manuscripts, diaries, notebooks, correspondence, and family papers. The subjects covered in this collection are: Emerson family history; the American Civil War and army hospitals; Hawaiian ethnology and culture; the Hawaiian revolutions of 1893 and 1895; Hawaiian politics; Hawaiian history; Polynesian history; Hawaiian mele; the Hawaiian hula; leprosy and the leper colony on Molokai; and Hawaiian mythology and folklore. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. -
Hawaiian Kingdom: Reinstated Use of Western Technology, He May Have Created a Greater Debt That Would Impact the Future of the Domini Molina Hawaiian Kingdom
UNIVERSITY OF HAWAI‘I AT HILO ◆ HOHONU 2020 ◆ VOL. 18 Hawaiian Kingdom: Reinstated use of Western technology, he may have created a greater debt that would impact the future of the Domini Molina Hawaiian Kingdom. History 154 The Hawaiian Monarchy became so enamored This research paper discusses the causes and with Western technologies; they began to displace consequences of land dispossession that occurred their own people through foreign affairs. During in the Hawaiian Kingdom from the time of King the reign of King Kamehameha III, new laws were Kamehameha I in 1810 to 2019. With the power formed which changed the ways of the Kanaka of perspectivism, it is important to look at the past drastically. In the year 1848, the Great Mahele oc- of the Hawaiian Kingdom to understand its future, curred, dividing lands throughout the Hawaiian as much has been documented about the Hawaiian Kingdom. The Great Mahele and Kuleana Act Kingdom from both foreign and Hawaiian per- made Native Hawaiian commoners, who were spectives. Initially, this paper will examine how the land became dispossessed from the Native lands which they tended, and prove their rights to Hawaiians (Kanaka; Kanaka Maoli), second, the land. This displaced many of the Kanaka from the denationalization of Native Hawaiians in the their homelands, as they did not have the monies Hawaiian Kingdom, third, the illegal annexation necessary to exchange for the properties, which had been their main source of livelihood. There processes available today to reinstate the Hawaiian were additional laws limiting the rights of owner- Kingdom to the Native Hawaiians. -
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