Hawaii's Washington Place
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Typescript List of Images in Album
Inventory of volume 16. Lady Annie Brassey Photograph Collection, The Huntington Library, San Marino, California Sixteen ..... Page One Ve,rl Dyk~ e~ttached la The originEtl :srass shack which \vas the fi!'st \TolcB.-DO Eouse Hotel,rir.:: of Kiluea voltra.y~.o, islaYlc1 of tlS,;,7aii, 1'1..0.• , TI. ~0hotog., o'Tal 21hot.o n H 5 x 7 • Ib A "{Tolaano ''"1f'intin~, pTob2.. bly Kiluee, by Jules Tavernier* n.d., TI. unouog.,.v, . ~ '" 1_, /S"r X?.2- .... " '" 28. Lgva flow he8.din.:p: tovlarc1s Hj.lo, Hawaj.. ~t perh8/~s 1884 cr 1887 .. n. :0hotog",9 1/8n x 6 3/4n .. 2b Rainbow }I'alls to the rear of the ci ty o~ Hilo, Hawaii, n.d .. , n. 1Jhotog.,9 1/8a x 6 5/8n • 3 !!"odel of a double outrigger canoe and in front a single out:rigger canoe.. Gauoes 8.re c2yllec1 ·VAl,.. ::"l .. d.,. n .. p~","·"ho+oC1" Lr ~.:::>. 'J 9 -"-,,4 X 6 '/R"j '--' .. A v-voman i:1. riding hgbi t caJ..led a E'A 'U--a are.wing either by Bur~ess or Enoch "'iood TlerrJl-. nsd .. , n ~hoto~ 7/St! -~ .. .i::-'-- ~.)., 8" x 4' , , . 4b Native type 'weE':,ri'ng a heed lei of -vvhi te ginger blossoms and a neck lei of the same. The leaves are fragrant and I!luch :?rized even tod.ay called HT:TAII.En., n .. d.., ~J.L.. ~"ho~o~\.) ....1. u t:) .. , 6-"-"2 x Qv 3/11"/, • 'Dosed studio -r,ortrF;..i t of nat:Lve t~.'""0es 8-S they would be sitti.ng at 8. -
A King Is Elected: One Hundred Years Ago
A King is Elected: One Hundred Years Ago Edited by Jean Dabagh William Lunalilo, King of Hawaii, died February 3rd, 1874. He had never married and named no successor to follow him on the throne. In accordance with the Constitution of the Kingdom then in effect, it became the duty of the Legislative Assembly to elect a native alii (high-born chief or chiefess) to rule the Kingdom. From the small group of alii considered eligible, only three were spoken of seriously, and they were David Kalakaua, Queen Emma (widow of Kame- hameha IV), and Bernice Pauahi (Mrs. Charles R. Bishop). Bernice Pauahi had already refused the throne when Kamehameha V had offered to appoint her as his successor and she had evinced no further aggressive interest in the position. A special session of the Legislative Assembly was ordered for February 12th. Both Queen Emma and David Kalakaua campaigned vigorously while the interisland steamer Kilauea made special trips to the neighbor islands to bring the legislators to Honolulu. At noon on the appointed day all the mem- bers met in the Court House on Queen Street. The voting of the legislators was not unanimous and a riot erupted around the building, following the announcement of the election results—thirty-nine votes for David Kalakaua and six for Queen Emma. Eyewitness accounts written by two life-long residents of Hawaii, C. J. Lyons and H. R. Hitchcock, in separate letters to relatives on the island of Hawaii, give vivid pictures of the activities during those few days in the Kingdom's capital. -
OVERTHROW of the HAWAIIAN MONARCHY Research Report for WR227 Lum, Taylor Spring Term, 2019
Lum, Taylor OVERTHROW OF THE HAWAIIAN MONARCHY Research Report for WR227 Lum, Taylor Spring Term, 2019 1 Lum, Taylor Table of Contents Table of Contents .......................................................................................................................... 2 Introduction ................................................................................................................................... 3 Reign of King Kalākaua ............................................................................................................... 3 Reciprocity Treaty ...................................................................................................................... 3 Bayonet Constitution .................................................................................................................. 4 Reign of Queen Lili‘uokalani ....................................................................................................... 4 Coup d’état .................................................................................................................................. 4 Kingdom is yielded ..................................................................................................................... 5 Events after the Overthrow .......................................................................................................... 5 Pre-annexation ............................................................................................................................ 5 1895 Wilcox Rebellion .............................................................................................................. -
Three Chinese Stores in Early Honolulu
Three Chinese Stores in Early Honolulu Wai-Jane Char Early in the nineteenth century, there were three Chinese stores in Honolulu, listed in The Friend on August 11, 1844 as "Samping [Samsing] & Co., Ahung & Co. [Hungtai], and Tyhune." The stores are long gone and forgotten, but they were significant among the commercial establishments of that time. The first store mentioned, Samsing Co., had a modest beginning in the 1830s, next to a bakery on Fort Street, in the middle of the block near the west entrance of today's Financial Plaza. Later Samsing Co. had a location on King Street facing south in the middle of the block between Bethel and Nuuanu Streets. Yat Loy Co. carried on a dry goods business there for most of the twentieth century.1 The second store mentioned was Hungtai Co., begun even earlier at the northeast corner of Fort and Merchant Streets, where today stands the multi-storied Financial Plaza. In 1838, the store moved to a building called the "Pagoda" on Merchant Street, facing the harbor, between Fort Street and Bethel, then not yet opened as a street.2 The third store, Tyhune, also started before the mid-3os, was at the south- west corner of Hotel and Nuuanu Streets. It was marked merely as "Chinese store" on a map drawn by Alexander Simpson in 1843, during contentions over the land claims of Richard Charlton.3 During the period the Chinese stores were in business, Honolulu changed from a small village into a flourishing town with lumber yards, wharfs, streets, schools, and churches. -
1 MB 2020-21 State Government Listings in the 2021 Oahu White
DAVID Y. IGE CURT T. OTAGURO GOVERNOR COMPTROLLER AUDREY HIDANO DEPUTY COMPTROLLER STATE OF HAWAII DEPARTMENT OF ACCOUNTING AND GENERAL SERVICES P.O. BOX 119, HONOLULU, HAWAII 96810-0119 September 25, 2020 COMPTROLLER’S MEMORANDUM NO. 2020-21 TO: Department Heads ATTN: Telecommunications Coordinators FROM: Curt T. Otaguro, Comptroller SUBJECT: State Government Listings in the 2021 Oahu White Pages Directory Hawaiian Telcom is updating the Hawai‘i State Government listings for its 2021 Oahu phone directory. Please coordinate updates with your department’s telecom coordinator or designated representative, and email a response to [email protected] by October 13, 2020. Open the attached folders to find your department’s workbook. Enter update information in the last three columns only. (Instructions and samples are on the first two tabs.) If there are no changes, please enter “No Changes for Department” in the comments section of the department’s name line. Contact the Business Support Center (weekdays from 8:30 a.m. to 3:00 p.m.) if you have any questions, at (808) 643-3211 or email [email protected]. Attachments (2) Hawaiian Telcom - 2021 Oahu Book Hawaii State Government CRM Indent Telephone CLEC Line Information A/C/D Indent Line# Level Number ID Hawaii State Government YJ2-0777 (Oahu Blue Page Main Cap ) 100000002800010 DL000000 1 0 Hawaii State Government 3 1 If The Number Of A Specific Office Or Person Is Not Known Call 586-2211 5 1 ACCOUNTING & GENERAL SERVICES DEPARTMENT OF 6 2 1151 Punchbowl St 8 2 Accounting Division -
Notable Hawaiians of the 20Th Century
Notable Hawaiians of the 20th Century Notable Hawaiians • Notable Hawaiians Hawaiians • Notable Hawaiians • Notable Hawaiians When the second issue of ‘Öiwi: A Native newspaper and magazine articles, television Hawaiian Journal was being conceptualized news reports, and an occasional book profile in 1999, it was difficult to ignore the highlighted a few Hawaiians now and then, number of “best of” lists which were being no one had taken account at any length of announced on almost a daily basis. It seemed Hawaiians who were admired by and who as if we couldn’t get enough—What were inspired other Hawaiians. the most important books of the millennium? The one hundred most significant events? We began discussing this idea amongst The best and worst dressed movie stars? ourselves: Whom did we consider noteworthy While sometimes humorous, thought- and important? Whom were we inspired by provoking, and/or controversial, the in our personal, spiritual, and professional categories were also nearly endless. Yet all lives? These conversations were enthusiastic the hoopla was difficult to ignore. After all, and spirited. Yet something was missing. there was one question not being addressed What was it? Oh yes—the voice of the in the general media at both the local and people. We decided that instead of imposing national levels: Who were the most notable our own ideas of who was inspirational and Hawaiians of the 20th century? After all the noteworthy, we would ask the Hawaiian attention given over the years to issues of community: “Who do you, the -
'Āinahau: the Genealogy of Ka'iulani's Banyan
ralph thomas kam The Legacy of ‘Āinahau: The Genealogy of Ka‘iulani’s Banyan “And I, in her dear banyan shade, Look vainly for my little maid.” —Robert Louis Stevenson ‘Āinahau, the home of Archibald Scott Cleghorn, his wife, Princess Miriam Kapili Likelike and their daughter, Princess Victoria Ka‘iu- lani, no longer stands, the victim of the transformation of Waikīkī from the playground of royalty to a place of package tours, but one storied piece of its history continues to literally spread its roots through time in the form of the ‘Āinahau banyan. The ‘Āinahau ban- yan has inspired poets, generated controversy and influenced leg- islation. Hundreds of individuals have rallied to help preserve the ‘Āinahau banyan and its numerous descendants. It is fitting that Archibald Cleghorn (15 November 1835–1 Novem- ber 1910), brought the banyan to Hawai‘i, for the businessman con- tinued the legacy of the traders from whom the banyan derives it etymology. The word banyan comes from the Sanskrit “vaniyo” and originally applied to a particular tree of this species near which the traders had built a booth. The botanical name for the East Indian fig tree, ficus benghalensis, refers to the northeast Indian province of Ralph Kam holds an M.A. and a Ph.D. in American Sudies from the University of Hawai‘i at Mānoa and an M.A. in Public Relations from the University of Southern California. The Hawaiian Journal of History, vol. 45 (2011) 49 50 the hawaiian journal of history Bengal, now split between India and Bangladesh. That the tree was introduced in Hawai‘i after Western contact is reflected in its Hawai- ian name: “paniana,” a transliteration of the English word. -
Oral History of Harrison Spiegelberg
Oral History of Harrison Spiegelberg My family came to Hawaii just before the turn of the century when my maternal great-grandfather General Edward Davis retired here after being the commanding officer of Camp McKinley, which was where the Waikiki Fire Station is located today. He was part of the first U.S. military presence in Hawaii and retired to a large home on Hastings Street today known as Nehoa Street near Punahou. After my great-grandmother passed away, “The General” moved in with his daughter and son-in-law at their home “Red Hale”, so named because of its red paint and the red dirt kicked up by the horses in Kapiolani Park across the street. This was on the beach at the end of Kalakaua Avenue where The Tahitienne co-op is located today. My mother was born here 10 days after they moved into their new home. The land was leased to a corporation in 1957 and was the first co-op and high rise at that end of Waikiki. My grandparents met at a Royal Ball held at Washington Place when Queen Liliuokalani was in residence in 1902 and were married at St. Clements Episcopal Church in Makiki in 1903. My father arrived in the islands in 1930 as a research scientist with the Pineapple Research Institute and met and married my mother in 1937. She graduated from Punahou in 1929. I was born Harrison Spiegelberg on May 1, 1942, May Day in Kapiolani Hospital. This was five months after the bombing of Pearl Harbor. I was born three months premature. -
Awa Drinking As Identity Marker and Cultural Practice
3DWULQRVDQG3HUU\µ$ZD'ULQNLQJDV,GHQWLW\0DUNHUDQG&XOWXUDO3UDFWLFH 141 AWA DRINKING AS IDENTITY MARKER AND CULTURAL PRACTICE CHRISTINE NAHUA PATRINOS AND KEKAILOA PERRY Abstract. The focus of this paper is the reemergence of socialized drink- LQJRIµDZDDQGWKHUROHLWSOD\VLQ+DZDLLDQQDWLRQDOLGHQWLW\7KHDXWKRUV H[SORUHWKHVRFLDOFRKHVLRQDQGLQWHJUDWLRQRIWKHOLEDWLRQµDZD piper methysticum), within the Kanaka Maoli society through the ancient tradi- tions, chants, narratives and preparation. We examine the cultural interac- WLRQDQGLGHQWLW\VLJQL¿HUVWKDWWDNHSODFHWKURXJKWKHGULQNLQJRIµDZDWR- GD\LQYDULRXVULWXDODQGUHFUHDWLRQDOVHWWLQJV±DQGVSHFL¿FDOO\WKH+DOH 1RD D+RQROXOXµDZDEDU +RZDQGZKDWZLWKZKRPDQGZKHUHZHGULQNLQIRUPVFXOWXUDODQGRUQD- tional identity. Drinking rituals are among the elements that mark a people as XQLTXHDQGLWKDVEHHQDUJXHGWKDWVSHFL¿FGULQNVFRPHWRIXQFWLRQDVPDUN- ers of ethnic identity: “Guinness for the Irish, tequila for Mexicans, whisky for Scots, ouzo for Greeks… one’s national beverage can become a powerful expression of one’s loyalties and cultural identity.”1,Q+DZDL¶LµDZDIXQF- tions today as a marker of identity and belonging. The importance of ‘awa as a cultural sign has been recorded among the earliest Hawaiian writings and traditions2DQGWKHUROHRIµDZDGULQNLQJUHYHDOVFHQWUDOIHDWXUHVRI.DQDND Maoli social and cultural traditions.3 ,Q+DZDL¶LZHFDOOLWµDZDLQWKHUHVWRIWKH6RXWK3DFL¿F DQGPXFKRI WKHZRUOG LWLVFRPPRQO\FDOOHGNDYDµ$ZDKDVPDQ\QDPHVyaqona in Fiji, sakau in Pohnpei, seka in Kosrae, kavainu in Niue, etc.4 Though the Maori of $RWHDURDKDYHQRWUDGLWLRQRIµDZDGULQNLQJWKHZRUGNDYDLVVDLGWRFRPH -
HRH Queen Liliʻuokalani (Nov
HRH Queen Liliʻuokalani (Nov. 11, 1917) Lydia Kamakaʻeha Pākī, who would later become Queen Liliʻuokalani, was born on September 2, 1838. She was the third of ten children born to High Chiefs Caesar Kapaʻakea and Analeʻa Keohokālole. Her distinguished lineage included a long line of Hawaiian chiefs. Among them were Keawe-a-Heulu and Kameʻeiamoku, two of the five Kona chiefs who supported Kamehameha the Great in his ascendancy to power as Hawaii’s first king. Her great- great-grandmother, Ululani, was a chiefess of Hilo and the most celebrated poet of her day. Shortly after Lydia’s birth, Kapaʻakea and Keohokālole gave their infant daughter to Chief Abner Pākī, a counselor to Kamehameha III, and his wife, Laura Kōnia, a granddaughter of Kamehameha I. This custom of hānai or adoption, among persons of rank, was meant to solidify relationships and build family alliances among the Hawaiian nobility. Pākī and Kōnia had a daughter of their own, Bernice Pauahi, who became the foster-sister of Lydia. 1 Lydia received her education at the Chiefs’ Children’s School.1 This elite boarding school for the children of ali’i was established by American Congregational missionaries, Amos Starr Cooke, and his wife, Juliette Montague Cooke. Religious instruction in the Protestant faith and regular attendance at church services were mandatory.2 She was baptized in the “Kalowina” or Congregational (UCC) church on December 23rd 1838. The following entry in Levi Chamberlain’s journal confirms her baptism in the Congregational Church as an infant: “Sabbath Dec. 23rd [1838]. Kinau brought out her infant daughter to be baptized. -
From Exclusion to Inclusion
From Exclusion to Inclusion 1941–1992 Around 9 :00 in the morning on April 21, 1945, Daniel K. Inouye, a 20-year-old army lieutenant from Honolulu, Hawaii, was shot in the stomach on the side of a mountain in northwestern Italy. The German bullet went clean out his back and missed his spine by a fraction of an inch. “It felt like someone punched me,” he remembered years later. “But the pain was almost non-existent. A little ache, that’s all and since the bleeding was not much I said well, I’ll keep on going.”1 Later that morning, Inouye, a pre-med student who had been getting ready for church when Japan bombed Pearl Harbor on December 7, 1941, was hit again. This time a rifle grenade nearly blew off his entire right arm. After picking up his tommy gun with his left hand, he continued to charge up the hill, firing at German soldiers as he went. Eventually shot in the leg, Inouye waited until his men seized control of the mountain before being evacuated.2 The war in Europe ended 17 days later. Inouye lived in military hospitals for the next two years to rebuild his strength and learn to do everyday tasks with one arm. The war forced him to adapt, and over the next two decades, the country he nearly died for began to adapt to the war’s consequences as well. For the most marginalized people—women and minorities, especially—World War II had profound implications for what it meant to be American. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Hip-hop, Streetdance, and the Remaking of the Global Filipino Permalink https://escholarship.org/uc/item/16q5z7gp Author Perillo, Jeffrey Lorenzo Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Hip-hop, Streetdance, and the Remaking of the Global Filipino A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jeffrey Lorenzo Perillo 2013 © Copyright by Jeffrey Lorenzo Perillo 2013 ! ABSTRACT OF THE DISSERTATION Hip-hop, Streetdance, and the Remaking of the Global Filipino by Jeffrey Lorenzo Perillo Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2013 Professor Susan Leigh Foster, Committee Co-Chair Professor Victor Bascara, Committee Co-Chair New York-based African American, Latino, and Caribbean immigrant youth of the 1960s and early 1970s gave life to one of the world's major contemporary cultural movements: Hip-hop. Initially misunderstood as a faddish form of Black male musical expression, Hip-hop's cultural resistance practices were quickly recognized as four core elements (emceeing, turntablism, graffiti art, and b-boying/b-girling). In the global context, Hip-hop has generated scholarly discourse that points to either the cultural globalization of American Blackness or a "global village." My project interrupts this conversation and focuses on the unique, multi-site cultural history of Filipino identity as constituted through practitioners of Hip-Hop dance. My work argues that a community of Filipinos, situated in different geo-political loci—Berkeley, California, Honolulu, Hawai‘i, and Manila, Philippines—configure prevailing concepts of Hip-hop while remaking conditions of ! ii dispossession and displacement in the late twentieth and early twenty-first centuries.