Ten Cents October, 1937

Total Page:16

File Type:pdf, Size:1020Kb

Ten Cents October, 1937 Painting by TEN CENTS FRED EVERETT OCTOBER, 1937 PICKEREL A; OFFICIAL STATE RL* OCTOBER, 1937 PUBLICATION * AN G LE Vol. 6—No. 10 AL.1 «T» PUBLISHED MONTHLY COMMONWEALTH OF PENNSYLVANIA by the BOARD OF FISH COMMISSIONERS PENNSYLVANIA BOARD OF FISH >d»5K COMMISSIONERS 111 fH I CHARLES A. FRENCH Ten cents a copy — 50 cents a year Commissioner of Fisheries I MEMBERS OF BOARD 111 CHARLES A. FRENCH, Chairman I Ellwood City ALEX P. SWEIGART, Editor MILTON L. PEEK South Office Bldg., Harrisburg, Pa. HARRY E. WEBER Philipsburg SAMUEL J. TRUSCOTT Dalton FRANK J. PENTRACK Johnstown NOTE Subscriptions to the PENNSYLVANIA ANGLER EDGAR W. NICHOLSON should be addressed to the Editor. Submit fee either Philadelphia by check or money order payable to the Common­ KENNETH A. REID wealth of Pennsylvania. Stamps not acceptable. Connellsville Individuals sending cash do so at their own risk. FRED McKEAN New Kensington H. R. STACKHOUSE Secretary to Board PENNSYLVANIA ANGLER welcomes contribu­ tions and photos of catches from its readers. Proper credit will be given to contributors. All contributions returned if accompanied by first C. R. BULLER class postage. Chief Fish Culturist, Bellefonte C'SJl — <Jt IMPORTANT—The Editor should be notified immediately of change in subscriber's address Please give both old and new addresses Permission to reprint will be granted provided proper credit notice is given A 0^ m \ Casting for game ^ANGLER/ fish is a favorite sport of Governor Earle. Vol. 6 No. 10 OCTOBER, 1937 EDITORIAL CONSERVATION AT THE CROSS-ROADS By GEORGE H. EARLE Governor of Pennsylvania (Courtesy Hunting and Fishing Magazine) 1ERE is little reason to wonder why fishing today is termed for the specific purposes of administering fish and game re­ "a cosmopolitan sport." Its appeal to mankind is instinctive. sources respectively, maintain the sports they cherish. Creation In the dim eras of the past, the Dawn Men relied upon of the Fish Fund has made possible a system of 10 modern fish their crude skill in fishing and hunting to gain a livelihood. In farms which last year had an output of 314,891,951 fish of the that distant day, man was forced by circumstances to fish and various species, ranging in size from fry to adult. The Game hunt; under modern conditions, he finds in these instinctive Fund has been the backbone in the building of Pennsylvania's sports, relaxation from the monotony of everyday life. Fishing famed Game System. Both stand as monuments to the unselfish has, in other words, progressed from a method for seeking efforts of Pennsylvania anglers and hunters in improving their livelihood to the status of a restful pastime vital to the well- sports. being of thousands of people. It seems to me, however, that distribution of vast quantities of fish and game is not the final solution to our modern con­ There is a real need in our present day American scheme of servation problem. Rather, this distribution should be linked living for the vitalizing influence of vigorous outdoor sports. with a comprehensive program of environmental improvement, While, it is true, competitive sports such as football, baseball the bettering of conditions under which stocked fish and game and tennis annually attract vast numbers of our people to must exist. Through the program of the Works Progress Admin­ stadium or tennis court, the invigorating, uplifting atmosphere istration, improved environment on many of our state fishing of fast mountain streams, picturesque lakes and rivers, or hunt­ waters has already been accomplished. Increasing available ing covers is definitely lacking in the bleachers. Thrills, yes, areas for small game cover in the form of refuges is one of the plenty of them, and I personally enjoy to the utmost a good objectives of the Board of Game Commissioners. football or baseball game; but, like thousands of my fellow citi­ zens, I prefer to blend with these grand pastimes days astream The practical improvement of fishing waters with an eye to with rod and line or in the hunting covers with a steady dog. increasing the amount of cover and food available, as well as increasing aeration of the water through properly installed de­ Present day conservation of both fish and game, a practical vices, is vitally needed in eastern states such as Pennsylvania, plan for the restoration of a grand American heritage, is an where streams are annually being subjected to more intensive obligation resting with every one of us. Other generations have fishing. been profligate in their waste of natural resource; to our gen­ In most industrial states, the threat of stream pollution is a eration comes the responsibility, in no small measure, of bring­ major one insofar as fishing is concerned. Anti-pollution laws ing back, to the greatest extent possible, these resources. True, with more teeth in them should be of assistance in solving this we have many obstacles to overcome: stream pollution which problem. here in my home state now affects in varying degrees 85,000 of our 100,000 miles of waterways; reckless destruction of cover Of one thing I am convinced. Our great army of American for both fish and game, and the need for constantly increasing sportsmen are today on the alert to remedy many of the con­ education in fish and game conservation are only a few of them. ditions responsible for the present dearth of fish and game. In that spirit of conservation-mindedness we shall go forward dur­ In no nation of the world does the average sportsman enjoy ing the years to come. greater privileges than those now existing for his pursuit of fish We want better fishing and we want better hunting. Co­ and game here in America. Rich and poor alike may fish our operation in overcoming obstacles in the way to achieving these streams or hunt our covers. There is no line of distinction drawn, objectives seems a logical method in securing both. which is as it should be. Here in Pennsylvania the licensed fish­ ermen, through their Fish Fund, and the licensed hunters through Let's make America a model in conservation achievement their Game Fund, both of which are earmarked and set aside not only for our present generation but for generations to come. PENNSYLVANIA ANGLER BETTER PLUGGING A Practical and Instructive Bait Casting Article By CHARLES K. FOX The Writer in Action 4t/ I \HE difference between taking fish casting his plugs into the hole below him. frequently such fish which are chasing min­ J. and not taking fish is very slight." All at once there is a great surface commo­ nows can be caught, and one fisherman has These are the opening words of John Alden tion against the opposite bank just above a certain plug which he uses when he sees Knight's excellent book, "The Modern An­ him. Some minnows skip out of the water this type of feeding activity. gler," and how true they are. We almost closely followed by the gaping jaws of a Carefully he works his way out on the catch a lot of fish that we don't catch and large bass. As the big fish swirls in the ledge, going as fast as possible without we almost spoiled it on many we do catch. shallow water a suction noise is audible making noise, either on the surface with his Parenthetically, the difference between the as the fish attempts to snap in its prey. knees or on the bottom rocks. Great care is fishing ability of the man who catches a Now here is something which invites a taken not to make the bass suspicious, for lot of fish and the man who catches but a test of the angler's skill. Here is a big suspicious bass won't feed. As he travels few may also be very slight. wise fish which has frequently been fished within casting distance the old reliable lure Picture, if you will, a fisherman standing over, but now he is on the feed and it may is tied to the ten-foot, fifteen-pound test ar­ on a submerged ledge in a large creek, be possible to catch him off guard. Very tificial gut leader, and the leader knots .are PENNSYLVANIA ANGLER 3 tested. The lure is a little quarter of an the left hand is placed on the back of the ounce wobbling plug in a natural scale fin­ reel spool and acts as a light drag every ish. Even as the angler approaches his time the fish takes a run. The rod is held casting position he notes the location of this at right angles to the line at all times. A pool perfectly for future reference. huge bass comes out of water, vigorously The process of getting within casting shaking its head. As "it" is in the air the range of the fish and at the same time angler tightens the line and tips it over, changing lures took about one minute by sort of knocks it off its feet. The throbbing the clock. Now if the bass does not take the rod absorbs the shock of lunges and jumps. first, second, or third cast it will be rested Sometimes the fish is taking out line, at while a cigarette is smoked, then a series other times when it eases up in its fight of casts are in order. If the bass did not or when it comes toward the angler the line catch a minnow it is probably just off the is being retrieved. As a rule bass fight in edge of the splatter-docks ready to tear a small area but this one, with the aid of into the first living thing which moves into Double Water Knot (Leader light, line dark) the current, made a long run, and at one the open.
Recommended publications
  • Classic House Music and Vocals
    Classic House Music and Vocals More Than Life Jana Stand Still Aubrey Above the Clouds Amber I Will Love Again Lara Fabian I Learned From the Best Whitney Houston My Love is Your Love Whitney Houston Same Script Different Cast Whitney Houston and Deborah Cox Nobody Supposed to Be Here Deborah Cox Deep Kemical Madam Vs. Benny Maze Satisfaction Benny Benasi Better Off Alone Alice Deejay Nite Visions (I wear My sunglasses at night) Sirs and Ma'ams I Turn To You Melanie C. Your Love Is Taking Me Over Knight Breed I Like It Narcotic Thrust Annihilate Major North Make the World Go Round Sandy B. My My My Armand Van Helden You Don't Even Know Me Armand Van Helden Free Ultra Nate Release Me Veronica Let the Sunshine (Jonathan Peter's Mix) Without You Digital Allies Give Me Tonight Shannon All This Time Jonathan Peters No One's Gonna Change You Reina Find Another Woman Reina How Would You Feel David Morales with Lea Lorien Fly Life Basement Jaxx Insomnia Faithless Wish I Didn't Miss You Angie Stone Trippin' Oris Jay GG D'AG Cuba Libre (If you really wanna rock the funky beats...Rock the rock the funky beats) Afrika Plasmic Honey This Joy Junior Vasquez presents Vernessa Mitchell Lola's Theme Shapeshifters Sun is Shining Bob Marley vs. Funkstar De Luxe Remix Boots On the Run Insider Follow Me Space Frog That's the Way Love is Byron Stingley Take Me to the Top Plasmic Honey Ride the Trip Plasmic Honey We Are In the Dark Plasmic Honey Freight Train Robbie Tronco In Your Eyes Luz Divina Unspeakable Joy Kim English Shhh....Be Quiet Jonah Everything Will Flow London Suede Baby Wants to Ride Hani Do It Again Razor N' Guido Moments (In Love) Johnny Vicious and Mindy K Silence Delerium Feat.
    [Show full text]
  • NOVEMBER. 1942 TEN CENTS OFFICIAL STATE VOL Xl-No
    SNAPPING TURTLE NOVEMBER. 1942 TEN CENTS OFFICIAL STATE VOL Xl-No. 11 PUBLICATION 'ANGLER? NOVEMBER, 1942 db PUBLISHED MONTHLY ARTHUR H. JAMES by the jOviTiior PENNSYLVANIA BOARD OF FISH COMMONWEALTH OF PENNSYLVANIA COMMISSIONERS BOARD OF FISH COMMISSIONERS Publication Office : J. Horace McFarlund Co., Crescent and Mulberry Streets, Harrisburg., Pa. Executive and Editorial Offices: Commonwealth of Pennsylvania. Pennsylvania Board of Fish Com­ missioners, Harrisburg, Pa. CHARLES A. FRENCH 10 cents a copy — 50 cents a year Commissioner of Fisheries MEMBERS OF BOARD ALEX P. SWEIGART, Editor CHARLES A. FRENCH. Chairman CHARLES K. FOX, Acting Editor Ell wood City South Office Bldg., Harrisburg, Pa. JOHN L. NEIGER Scranton JOSEPH M. CRITCHFIELD NOTE Confluence Subscriptions to the PENNSYLVANIA ANGLER CLIFFORD J. WELSH should be addressed to the Editor. Submit fee either Erie by check or money order payable to the Common­ wealth of Pennsylvania. Stamps not acceptable* J. FRED McKEAN Individuals sending cash do so at their own risk. New Kensington MILTON L. PEEK Radnor CHARLES A. MENSCH PENNSYLVANIA ANCLER welcomes contribu­ Bellefonte tions and photos of catches from its readers. Proper credit will be given to contributors. EDGAR W. NICHOLSON Philadelphia H. R. STACKIIOUSE Secretary to Board All contributions returned if accompanied by first class postage. Entered as Second Class matter at the Post Office C. R. BULLER of Harrisburg, Pa., under act of March 3, 1873. Chief Fish Culturist, Bellefonte IMPORTANT—The Editor should be notified immediately of change in subscriber's address. Please give old and new addresses. Permission to reprint will be granted provided proper credit notice is given.
    [Show full text]
  • Leksykon Polskiej I Światowej Muzyki Elektronicznej
    Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.
    [Show full text]
  • Vol.29 NO.L SOUTHWESTERNENTOMOLOGIST MAR.2004
    vol.29 NO.l SOUTHWESTERNENTOMOLOGIST MAR.2004 GENETIC VARIATION AND GEOGRAPHICAL DISTRIBUTION OF THE SUBTERRANEAN TERMITE GENUS RETICULITERMESItN Tpx.q,S JamesW. Austin2,Allen L. Szalanski2,Roger E. Gold3,and Bart T. Fost# ABSTRACT A molecular geneticsstudy involving DNA sequencingof a portion of the mitochondrialDNA 165 genewas undertakento determinethe extent of geneticvariation with Reticulitermesspp. and the distribution of Reticulitermesspp. subterraneantermites in Texas.From 42 Texascounties a total of 68 R. flavipes, sevenR. hageni,eight R. virginicus,and nine R. tibialis were identified. No geneticvariation was observedin R. virginicus andR. hageni,while sevenhaplotypes were observedin R. tibialis and 13 for R. flavipes.Among the 13.R.flavipes haplotypes,9nucleotides were variableand genetic variationranged from 0.2 to l.60/o.Phylogenetic analysis did not revealany relationships amongthe R. tibialis arld R. flavipes haplotypes,and there wasino apparentgeographical structureto the haplotypes.The high amount of genetic variation, but a lack of genetic structure in R. flavipes supports the hypothesis that this termite species has been distributedrandomly by mandue to its associationwith structures. INTRODUCTION The most abundant native termite in Texas is the subterranean genus ReticulitermesHolgren (Rhiniotermitidae).Four species, the eastern subtenanean Reliculitermesflavipes (Kollar), light southemR. hageniBanks, arid n. nDialis Banks,and dark southernR. virginicus (Banks),are known to occur in Texas(Howell et al. 1987). These speciesare among the most destructiveand costly termites for homeownersand businessesalike, and are of considerableeconomic importance. Su (1993)estimated that over $ I .5 billion is spentannually for termite control in the U.S., of which 80olois spentto control subterraneantermites, More recent estimatesby the National Pest Management Associationsuggest the cost to exceed$2.5 billion annually(Anonymous 2003).
    [Show full text]
  • Fly Life South Florida • Florida Keys • Bahamas
    FLY LIFE March 2010 - Vol. 1, No. 1 SOUTH FLORIDA • FLORIDA KEYS • BAHAMAS DOUBLE ISSUE SAILSBEING FLY P.12 DRAGGING THE LINE P.36 SHARKSKIN: BETTER THAN ADVERTISED? P.46 EXCLUSIVE: CHIP GILES’ BEST SELLING BOOK “CONCH KILLERS” - Part 1 Inside P.51 STARTING IN MAY: Great places to toss your bags THE SCIENCE OF FISHING P.70 + Exclusive: specials for IS A FLY ROD REALLY WORTH $800? P.79 Fly Life Subscribers • SIGN UP NOW • THE BEST FLY TYER YOU NEVER HEARD OF P.90 IN MY NATIVE TONGUE EMAIL: What’s Worth Opening? Skip Clement, Managing Editor “IT CHASES YOU DOWN” Despite the fact that we can’t do without email, and it’s brought a lot of convenience to the work- place - at some point in time it turned into cigarettes, trans fats and the evening news. A few weeks ago, Sandy Moret and I were having lunch at the Green Turtle Inn, a landmark restaurant in Islamorada, FL. Sandy and his wife Sue own the world famous Florida Keys Outfitters & Florida Keys Fly Fishing School which is housed in the same building. Islamorada, by the way, christened it- self long ago “The Fishing Capital of the World,” and they’re right-on. As partners in Fly Life, we were discussing sources of online distribution for this new magazine and the subject of email came up. We both cringed - admitting that just saying “email” conjured up dis- comfort. I told Sandy that a recent study by Harris Interactive (2010) concluded that 50 emails or more a day brings on employee stress, and that business owners lose 28% of their employees work time because of ‘useless’ emails.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No.
    [Show full text]
  • American Fly Fisher Journal of the American Museum of Fly Fishing
    The American Fly Fisher Journal of the American Museum of Fly Fishing But Wait! There’s More! William E. Andersen Bradford Mills Foster Bam David Nichols Peter Bowden Robert A. Oden Jr. Jane Cooke Erik R. Oken Peter Corbin Ste phen M. Peet Deborah Pratt Dawson Anne Hollis Perkins E. Bruce DiDonato, MD Leigh H. Perkins Patrick Ford Frederick S. Polhemus Ronald Gard John Redpath George R. Gibson III Roger Riccardi James Heckman, MD Franklin D. Schurz Jr. Arthur Kaemmer, MD Robert G. Scott Karen Kaplan Nicholas F. Selch From Albert Bigelow Paine, The Woods King III Gary J. Sherman, DPM Tent Dwellers (New York: Harper William P. Leary III Ronald B. Stuckey & Brothers Publishers, ), . James Lepage Tyler S. Thompson Anthony J. Magardino Richard G. Tisch the American Fly Davidson in Key Largo (page ) and the Christopher P. Mahan David H. Walsh Fisher, especially those of you who Heritage Award to Tom Brokaw in Walter T. Matia Andrew Ward have kept up with feature stories and New York (page ), and hosting other L William McMaster, MD James C. Woods have read Spring cover to cover: events (see Museum News, page ). you’re in good shape for diving into this We’ve also welcomed three new ambas- Peter Millett, MD Nancy W. Zakon issue full of follow-ups. sadors to our ambassador program, which Martin Zimmerman In the last issue, we promised you a was created to expand our outreach and public brawl. Now that you’ve had time to augment membership nationwide. You digest Andrew Herd’s “Marston v. Kelson: can read all about them on page .
    [Show full text]
  • JULY 1939 TEN CENTS 4 OFFICIAL STATE JULY, 1939 PUBLICATION ANGLE If Vol
    COMMON SUNFISH JULY 1939 TEN CENTS 4 OFFICIAL STATE JULY, 1939 PUBLICATION ANGLE if Vol. 8—No. 7 ••*= =»• PUBLISHED MONTHLY COMMONWEALTH OF PENNSYLVANIA by the BOARD OF FISH COMMISSIONERS PENNSYLVANIA BOARD OF FISH COMMISSIONERS m Publication Office: Front and Reno Streets, New Cumberland, Pa. Executive and Editorial Offices: Commonwealth of Pennsylvania, Pennsylvania Board of Fish Commis­ CHARLES A. FRENCH sioners, Harrisburg, Pa. Commissioner of Fisheries W. MEMBERS OF BOARD Ten cents a copy—50 cents a year CHARLES A. FRENCH, Chairman Ellwood City MILTON L. PEEK ALEX P. SWEIGART, Editor Radnor South Office Bldg.. Harrisburg, Pa. HARRY E. WEBER Philipsburg NOTE SAMUEL J. TRUSCOTT Subscriptions to the PENNSYLVANIA ANGLER Dalton should be addressed to the Editor. Submit fee either by check or money order payable to the Common­ wealth of Pennsylvania. Stamps not acceptable. EDGAR W. NICHOLSON Individuals sending cash do so at their own risk. Philadelphia FRED McKEAN New Kensington PENNSYLVANIA ANGLER welcomes contribu­ tions and photos of catches from its readers. Proper H. R. STACKHOUSE credit will be given to contributors. Secretary to Board All contributions returned if accompanied by first class postage. Entered as second class matter at the Post Office of C. R. BULLER New Cumberland, Pa., under Act of March 3, 1879. Chief Fish Culturist, Bellefonte ••!: =&' IMPORTANT—The Editor should be notified immediately of change in subscriber's address Please give both old and new addresses Permission to reprint will be granted provided proper credit notice is given Vol. 8 No. 7 *ANGLER7 JULY, 1939 EDITORIAL BROOD STOCK VITAL IN BASS CULTURE NE of the important factors in fish propagation is to have available a O dependable continuous supply of proven brood stock.
    [Show full text]
  • The “Poumtchak” Pattern
    The “PoumTchak” Pattern: Correspondences Between Rhythm, Sound, and Movement in Electronic Dance Music Hans T. Zeiner-Henriksen Department of Musicology Faculty of Humanities University of Oslo 2010 ii Contents Introduction....................................................................................................................... 1! Prologue .......................................................................................................................... 1! The twist and the turn, Part I....................................................................................... 1! The twist and the turn, Part II ..................................................................................... 2! The poumtchak pattern ............................................................................................... 3! The project: choices, limitations and terminology.......................................................... 4! The music.................................................................................................................... 4! The movements........................................................................................................... 5! The theory ................................................................................................................... 5! The survey................................................................................................................... 8! The analyses...............................................................................................................
    [Show full text]
  • FRUIT FLY BIBLIOGRAPHY 302 MYIA Volume 9 Bibliography
    FRUIT FLY BIBLIOGRAPHY 302 MYIA Volume 9 Bibliography by Lynn E. Carroll, Allen L. Norrbom, F. Christian Thompson, & Neal L. Evenhuis. The following bibliography gives full references to the works Journals/Serials: Journal titles are usually abbreviated fol- cited in the catalog as well as many other works dealing with lowing the standards of the Serial Sources for the BIOSIS Tephritidae. All together 5,368 works are included in this database, Biosciences Information Service, and the Interna- bibliography. A concerted effort was made to examine as many tional Standard (ISO). Abbreviations for journals not found in of the cited references as possible in order to ensure accurate these sources have been formed on the same principles. All the citation of authorship, date, title, and pagination. References abbreviations used are given herein. Additional information, are listed alphabetically by author and chronologically for such as series number or name, is given in parentheses but not multiple articles with the same authorship. italicized. New series and equivalents like Neue Folge are abbreviated (n.s.). Volume and plate numbers are given in Author's names: Names of authors are cited in the bibliog- Arabic numbers irrespective of whether or not Roman numerals raphy the same as they are in the text for proper association of were used in the work cited. Issue or part numbers are included literature citations with entries in the catalog. Because of the in parentheses after the volume number only if each issue is differing treatments of names, especially those containing arti- separately paginated. In cases where there is no volume cles such as de, del, van, Le, etc., these names are cross-indexed number, but the volume pertains to a particular year, that year in the bibliography under the various ways they may be treated is used as the volume number even though the actual date of elsewhere.
    [Show full text]
  • Fly Fisher Thp M~Tserrtnof Arnt?Ric:~Rrfly Fishing Illar~C~L~Cslr*R.Vrl+Incmi 052548
    The American Fly Fisher Thp M~tserrtnof Arnt?ric:~rrFly Fishing illar~c~l~cslr*r.Vrl+incmI 052548 The Muscum is a non-profit institution, chartered under the laws of the State of Vermont, As an cctucational or- gnnizat ion it is directed to the prcscrvittion and keeping of tlic traditions that bond the past with tlie present, Tlic Museum offers a permanent pi~hlicrepository where the historic fly rod, reel, bock, art work and fly pattern may be expertly guarded against the destructiveness of time. Cnntributions are tax deductible as established by tllc U.S. Revcnue Service. A descriptive brochurc is available. The permanent cxhibits a1 thc Muqet~mdisplay the wortd'5 rinerl collcctio~isor Tly fishing tackle. OFFICERS AND-. TRUSTEES-- President Henry Bruns Raymond A. Kotrla Carroll C. Curtice Vice President R. Curator Donald DuBois Austin S. Hogan Charles A. FcHows Treasurer Benjamin A.G. Fuller Leigh H. Perkins Arnold Gingrich Secretary & Asst. Treasurer Willianl A. Glassford Mrs. Millie S. Dclaney Gardncr C. Grant Registrar Dr. Alvin Grove, j r. Kcnnetl~Cameron George W. Harvey Conservator Charles E. Jones Cliarles Olin Foul jorgensen Mark Kerridge David Ledtic Honorary Trustees Leon L. Martuch Sidney Neff . D. C. Corkran Mrs. Leigh Pcrkins Harry Darbee Steve Raymond Herman Kessler Rick Robhins Wesley j ordan Willard F. Rockwell, jr. Tlieodore Rogowski Sen Schtey MEMORIAL CITATION Berni Schoenfield Joseph W. Brooks, Jr Ernest G. Schwiebert t 901 -1972 Warren Sllepartl J.43 Milford K. Smith Alhert I. Alexander Louis Stoia Gene Andercllp: Prescotr A. Tolman Stuart C. Aptc Bennett 'Upson j oseph Spear Beck Archibald Walker Harold Blaisdcll Milton Weiler Stanley Bogden Ted Williams Miss Kay Hrodney Maxine Atherton Wy keff The American Ply Fisher Prlblished by The Museum of American Fly 'Fisliing for the pleast~reof the membership.
    [Show full text]
  • Jahrescharts 2018
    JAHRESCHARTS 2018 TOP 200 TRACKS PEAK ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 DJ Koze Pick Up / The Love Truck Pampa/Zebralution/wordandsound 01 02 Claptone Ft. Ben Duffy In The Night Different/[PIAS]/Rough Trade 01 03 Chris Lake & Green Velvet Deceiver Black Book/Import 01 04 Butch Countach Cocoon/Finetunes/wordandsound 01 05 Dennis Ferrer & Skream Pres. Local Heroes Old Yella Objektivity/Import 02 06 Radio Slave Feel The Reverse (DJ Koze Edits) Rekids/Above Board 02 07 Purple Disco Machine Dished (Male Stripper) Club Sweat/Columbia/SMD/Sony 01 08 DJ Koze Seeing Aliens EP Pampa/Zebralution/wordandsound 01 09 Junior Jack, Tube & Berger E Samba 2018 Kittball/Housesession/KNM 01 10 Claptone Ft. Nathan Nicholson Under The Moon Different/[PIAS]/Rough Trade 03 11 Weiss Feel My Needs (Purple Disco Machine Remix) Toolroom/Import 01 12 Basement Jaxx Fly Life (Flashmob 2018 Remix) Glasgow Underground/Believe 02 13 Marcus Worgull Broad Horizons EP Innervisions/Muting The Noise 01 14 Josh Butler Rabbit Hole EP 8bit/KNM/I Play Vinyl 02 15 CamelPhat & Ali Love Dopamine Machine Defected/ADA 01 16 Tuff City Kids Remixes Vol. 2 Permanent Vacation/wordandsound 04 17 Fisher Losing It Catch & Release/Import 04 18 Juliet Sikora, Return Of The Jaded What Did I Tell Ya Relief/Cajual/Import 05 19 Rampa, Adam Port, &ME Muyè (Black Coffee Remix) Keinemusik/Muting The Noise 05 20 Kölsch & Tiga HAL IPSO/Kompakt 01 21 Chi Thanh All That Matters Stone Free Berlin/Believe 04 22 Paul Woolford Ft. Kim English Hang Up Your Hang Ups (The Only One) (CamelPhat Mix) FFRR/Parlophone UK/WMI/Warner 02 23 ANNA Speicher 101 Kompakt Extra/Kompakt 02 24 Internacional Electrical Rhythms Momental EP Lossless/Muting The Noise 02 25 Nasser Baker Say Something Circus/Strikeforce 360 Media 02 26 Fatboy Slim Right Here, Right Now (CamelPhat Remix) Toolroom/Import 02 27 Emanuel Satie Ft.
    [Show full text]