DOCSLIB.ORG

The Modern Lounge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Modern Lounge MODERN LOUNGE THE MODERN LOUNGE. MADE BY VS. 4 | VS America, Inc. Modern Lounge | 5 Inviting comfort, inspired. The Modern Lounge. Though work processes can be planned down to the smallest detail, the people in a company have an asset that make them unique: The capacity to think, make decisions, and act intuitively. This capacity needs a place where it can unfold. Spontaneous meetings flourish in The Modern Lounge, where the combination of seating and creative partitions lets you fashion an island within the room where you can talk undisturbed. Add a built-in display and you can start collaborating. Try it out. Take a seat. And broaden your horizons. 6 | VS America, Inc. Modern Lounge | 7 CONTENTS Series Lounge 8 - Chair - Linear elements - Chaise and corner elements - Curved elements - HiBack elements - Occasional tables Neutra 16 - Boomerang Chair - Low Organic Table - Lovell Easy Chair/Ottoman - Cantilever Chair Steel/Wood - Alpha Seating - Channel Heights Stool - Tremaine Side Chair - Camel Table - Dinette Table - Slipper Chair Eiermann 26 - SE 68, SE 68 SU - SE 42 - S 38 - SE 330 VS Then and Now 34 8 | VS America, Inc. Modern Lounge | 9 Say hello to business comfortable. 10 | VS America, Inc. Modern Lounge | 11 Coffee Head recharge. Relaxed clearing. guest parking. 12 | VS America, Inc. Modern Lounge | 13 SERIES LOUNGE Inspired by mobile workers Swivel Chair HiBack Seating Elements Chaise and Corner Seating in coffee shops, lounge Networking is a major Who says that productive Elements furniture has invaded the prerequisite for solving work has to be done at a This upholstered furniture world of work – broadening problems across specialist workstation? Create a meeting range is made of an inherently the possibilities for location- fields. That’s where the point where creativity can strong wood material with independent work. There, swivel armchair comes in – unfold. This upholstered foam upholstery and wadding- they are adapted to suit instantly turn a space into an furniture has a wide range of fleece padding. Like the workplace seating needs, offer interaction venue. This chair options to combine and create HiBack furniture, this lounge new possibilities – and are has a stable, wood-based the perfect seating landscape, range has individual elements still just as popular as in their body with foam cushioning including: corner, armchair, that can be combined to original setting. That was and cotton wool fleece lining, stool, seat bench, easy chair, create new and different the starting point for the with a close fit between seat and sofa elements. This lounge seating landscapes. Keep Series Lounge – a furniture surface and backrest. Staff range has a functional seam that data sharing conversation system with accessories that will find comfort here, making between the seat surface and going – or just take the time VS developed with Hubertus them want to hang around backrest for inserting armrests to relax and recharge your Eilers. and continue their discussion. with variable positions. batteries. 14 | VS America, Inc. Modern Lounge | 15 Hubertus Eilers Architect Hubertus Eilers (*1957) was a member of the Behnisch & Partner office from 1986 until 1992 and following that he was Günter Behnisch’s project partner. Since 1995 his company, Eilers Architekten, has had an office in Groeben near Potsdam. At Behnisch & Partner, from 1986 until 1988, Hubertus Eilers worked on Leybold AG’s new building. For this project, Günter Behnisch and Hubertus Eilers designed a desk with a characteristic free-form top that was expanded into an integrated office furniture system with development partner VS. Hubertus Eilers has also been involved in the design of other VS furniture systems. 16 | VS America, Inc. Modern Lounge | 17 We put the cush in cushion. 18 | VS America, Inc. Modern Lounge | 19 Modern Recharge classics. the body and senses. 2040 | |VS VS America, Vereinigte Inc. Spezialmöbelfabriken Modern Lounge | 21 10 9 11 Stratos A charming contrast to the organic, molded-wood shell of the Stratos chairs is formed by their geometric base; either filigree in steel wire, as in the Stratos W visi- tor chair, or in more matter- Boomerang Chair and Neutra designed the of-fact aluminum, like the ScreenPlus BoomerangLow Round Chair Table Low OrganicBoomerang Table ChairLovell and theEasy ChairStratos S4 conferenceCantilever Chair swiv- SteelThe principle isAlpha simple: Seating Cantilever Chair Wood Channel Heights Stool Tremaine Side Chair This iconic piece was originally This graceful free-form table and Ottoman Developed for the Lovell Alpha Seating is based on Richard J. Neutra developed Like the Boomerang Chair and Designed exclusively for the createdRichard in the J. early Neutra 1940s (1892for first – cameLow to the Roundattention of Table the Originally in the designedel chair for the with Health its four-starHouse in 1929, thisCurved chair oval tubesthe are cube-like bent sofa elements this version of Cantilever Chair other pieces, this distinctive Tremaine House in California Channel1970) Heights, was one a residential of the mostpublic in 1940s1945, when for it appeared a home-building Lovell Health Housebase, in or 1929, the Stratoshas the distinctive S5 office back intospring the desired basicRichard shape J. Neutra used to Steel for the Branch House in stool was developed for the in 1948, this streamlined developmentimportant modernistfor shipyard archi- in Woman’sproject Day inMagazine San Pedro,, this Califor- version of Easyswivel Chair chair only withthat sets its it five-star apart from cantileverand inclined by 45create degrees. intimate, inviting 1942, where he wanted a more Channel Heights residential dining chair is the epitome workers in San Pedro, California. along with the Boomerang existed as a drawing until designs by fellow pioneers such “reading corners” at the relaxed, organic feel. The development in 1942 in San of early 1950s elegance and Severaltects. Hisversions light-filled of the homesChair. Originallynia. The designed materials for recently. used forUnlike base.the plywood as Marcel Breuer, Mart Stam,That or provides a simpleLovell Health but House in 1929. plywood frame and distinctive Pedro, California. To help “Martini Modernism.” The Boomerangin California Chair are acknowl-were Richard theJ. chairNeutra’s are oakown veneerframe andversion, it has the Mies van der Rohe. Thedynamic back and attractiveHe later out- extended the range back spring create a soft, occupants make the best dynamic leading edge of the developed.edged masterpieces; This is the by con-home, itssolid generous, oak; the organic seat isdynamic made steel in frameThe envisaged Stratos shellspring makes comes the in chairline more – the basis forfor our use coat at Case Study House elastic seating experience that use of the available space, cushion reflects the angle design featured in Woman’s shape and solid construction by the architect in a sketch comfortable by enabling the #13, a Neutra House that was is further enhanced by the Richard J. Neutra designed of the back legs, while the Daytrast, Magazine his furniture in 1945, and designs complementwebbing, his andseating a Neutra now kept Col- at the UCLAeither Archive. beech orseat oak and (natural, backrest to standmove in the ScreenPlusnever built. While originally broad, comfortable armrests. a stool that would double chrome-plated steel backrest producedremained for undiscoveredthe Logar House forsolutions a lection perfectly and of fabricsenhance andWhile colors reminiscentblack of Bauhaus or polar separately white). Thanks– an innovationseries. that intended as built-in furniture, With its elegant style and as a small occasional table flexes gently for extra comfort. inlong 1951. time Its details – until have VS, been a manu- a wide rangewas of specially environments. compiledfurniture, for the toorganic the special,solid earned environmen- Richard J. Neutra a these elegant sofa elements natural finish oak veneer, this simply by removing the refined by Dion Neutra, who oak armrests lend it a comfort patent in 1931. Our Cantilever really come into their own as informal chair is equally suited cushion. The profiles of the isfacturer the architect’s of school son and and a office the upholstery covers.and solidity The alltally-friendly of its own. Chair varnish, Steel has thea sitting Withheight its simple outline,freestanding it objects whose for home and professional crossed wooden base are masterfurniture in his own operating right. also in round side table withThe ottoman the graincomplements and character of either 17 of inches the or, blendsas an into any environment.assured proportions bring environments. shaped like an airfoil. the US, came across his three splayed, solid-woodthe chair perfectlywood to form are alwaysa option, visible. 19 inches, The makingThe it metal base platestyle and pro- intimacy to a wide distinctive ensemble that has ideal for use with conference range of environments. sketches. legs are availablethe in Euro-potential toStratos becomeshell a tables. can be com- vides absolute stability. pean oak, Americanmodern walnut classic. bined with a fabric or leather- Since 2012, VS has owned or American cherry. covered seat cushion, or seat the exclusive rights for Neu- and back cushions. tra furniture. Together with Both are timeless pieces of Neutra’s son, Dion Neutra, modern lounge furniture The Stratos S5 and Stratos the company has produced a that blend into numerous S4 have continuously vari- re-edited collection. The col- environments, creating an able height-adjustment and lection has been manufac- inviting atmosphere. a cushioned soft-stop func- tured in small, exclusive se- tion. Both swivel chairs are ries in Germany since 2014: also available with a patent- Top-quality, made-to-mea- ed ergonomic 3D tilt mecha- sure furniture in first-class, nism: With it, the flexible harmoniously coordinated seat responds to every materials. Just as Richard J. movement of the body, tilt- Neutra would have wished. ing gently. This fosters an active sitting posture, re- lieves pressure on the back and is extremely comfort- able right through even long Richard Neutra: workdays. Architect (1892 – 1970).
Load more

Recommended publications
  • Informationen
    Dieses Gebäude ein Denkmal? Kontakt Informationen Sehr geehrte Damen und Herren, Denkmalgeschützter liebe Patienten und Besucher, „Eiermann-Bau“, Beelitz-Heilstätten 1 Eingang, Cafeteria, Verwaltung wussten Sie, dass Sie sich in einem denkmalgeschützten Gebäu- dekomplex befinden? Denn mit Wirkung zum 27.01.1997 wurde 2 Station P2a & P2b dieses Haus zum Denkmal des Kreises Potsdam-Mittelmark 3 Station P3 gemäß § 2 Abs. 1 Denkmalschutzgesetz erklärt. 4a Therapie/ 2 Urologie 1 Warum Denkmal? Von Seiten der Öffentlichkeit besteht für diese in den Kriegsjah- ren 1943/44 vom bekannten Architekten Egon Eiermann errich- teten Häuser ein hohes Interesse an der Erhaltung. Dieser im 3 Volksmund bekannte „Eiermann-Bau“ hat einen bedeutenden landes- und architekturgeschichtlich, wissenschaftlich-technisch, künstlerisch sowie städtebaulich wertvollen Hintergrund. 4a Die sechs Hauptgebäude sind in der Gesamtheit fächer- bzw. fin- gerförmig angeordnet. Verbunden wurden diese Häuser mit ei- nem bogenförmigen Gang – heute bekannt als „Lichtgang“. Von außen wurde die Fassade mit roten Ziegeln im sogenannten Prüßverband verblendet. Diese besondere Ausgestaltung ist ein Unser Klinikgebäude typisches Markenzeichen seines Architekten, Egon Eiermann. Bis heute sind in großen Teilen noch die originalen Holzfenster mit - Ein Denkmal - Klappläden vorhanden. Auch die hölzerne Vordachkonstruktion auf V-förmigen Stützen ist ein Zeugnis der damaligen Architek- tur. Der Fußboden aus Solnhofer Platten im Eingangs-Bereich der heutigen Klinikrezeption ist ebenso erhalten geblieben. In sämtlichen Gebäudeteilen wurde mit Verglasungen nicht ge- Kliniken Beelitz GmbH spart. Im Zuge der Ertüchtigung 2013 hat man mit der teilwei- Neurologisches Fachkrankenhaus für Bewegungsstörungen/Parkinson sen Öffnung und Verglasung des Lichtgangs entscheidend dazu Paracelsusring 6a beigetragen, das ursprüngliche Erscheinungsbild dieses Verbin- 14547 Beelitz-Heilstätten dungsganges wieder herzustellen.
    [Show full text]
  • 'A True Witness of Transience': Berlin's Kaiser- Wilhelm-Gedächtniskirche and the Symbolic Use of Architectural Fragments I
    European Review of History: Revue européenne d'histoire ISSN: 1350-7486 (Print) 1469-8293 (Online) Journal homepage: http://www.tandfonline.com/loi/cerh20 ‘A true witness of transience’: Berlin's Kaiser- Wilhelm-Gedächtniskirche and the symbolic use of architectural fragments in modernity Rüdiger Zill To cite this article: Rüdiger Zill (2011) ‘A true witness of transience’: Berlin's Kaiser-Wilhelm- Gedächtniskirche and the symbolic use of architectural fragments in modernity, European Review of History: Revue européenne d'histoire, 18:5-6, 811-827, DOI: 10.1080/13507486.2011.618332 To link to this article: http://dx.doi.org/10.1080/13507486.2011.618332 Published online: 04 Jan 2012. Submit your article to this journal Article views: 231 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=cerh20 Download by: [British Library] Date: 22 February 2017, At: 09:58 European Review of History—Revue europe´enne d’histoire Vol. 18, Nos. 5–6, October–December 2011, 811–827 ‘A true witness of transience’: Berlin’s Kaiser-Wilhelm- Geda¨chtniskirche and the symbolic use of architectural fragments in modernity Ru¨diger Zill* Einstein Forum, Potsdam, Germany This paper considers the ruin in the context of three emblematic modern German sites, the Kaiser-Wilhelm-Geda¨chtniskirche in Berlin, the Frauenkirche in Dresden and the Reichstag, also in Berlin. Different sites, the author shows, format and present the relationship between past and present in different ways. The paper develops its argument using the views of German philosopher Gu¨nther Anders (Hannah Arendt’s first husband), and extracts from his diaries and travels in Germany after the Second World War.
    [Show full text]
  • Oswald Mathias Ungers
    Oswald Mathias Ungers Oswald Mathias Ungers 00_COUVERTURES.indd 1 08/01/2019 14:50 Oswald Mathias Ungers 01_UNGERS.indd 1 08/01/2019 15:39 01_UNGERS.indd 2 08/01/2019 15:39 I / Projets 1. Formation et renommé - Eléments bibliographiques - Haus Belvederestrasse 2. Rationalisation de l’existant - Studentenwohnheim Enschede - Köln Grünzug Süd 3. TU Berlin II / Textes Grossformen im Wohnungsbau 1966 L’après-guerre et la question résurgente des masses - Grossform = Quantité Critères de défnition - Grossform = Forme III / Epilogue Die Stadt in der Stadt, 1977 01_UNGERS.indd 3 08/01/2019 15:39 01_UNGERS.indd 4 08/01/2019 15:39 01 01_UNGERS.indd 5 08/01/2019 15:39 Préhistoire de Grossform Formation et renommé Préhistoire de Grossform chez OMU D’une maison simple à l’étude des infrastructures Formation et renommé Oswald Mathias Ungers naît à Kaisersesch en Allemagne le 12 juillet 1926 dans une famille modeste. Dans son en- fance, il est en contact avec de nombreuses réalisations romanes de la région, notamment la cathédrale de Trier ou encore l’abbaye Maria Laach situé à Glees, dont la géométrie strict trouve souvent une résonance dans les projets de Ungers. Puis, de sa petite ville natale de Rhé- nanie-Palatinat, il emménage à Karlsruhe dans le but d’y faire ses études à la Technische Hochschule (TU). Porté par « un intérêt émotionnel pour la modernité »1, Ungers décide rapidement de se plonger dans un cursus d’ar- chitecture. Dès 1950, à l’âge de 24 ans, il obtient son di- plôme sous la direction de Egon Eiermann et l’année qui suit, ouvre son bureau à Cologne.
    [Show full text]
  • Lecture Handouts, 2013
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #1 INTRODUCTION & OVERVIEW Introductions Expectations Textbooks Assignments Electronic reserves Research Project Sources History-Theory-Criticism Methods & questions of Architectural History Assignments: Initial Paper Topic form Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #2 ARCHITECTURE OF WWII The World at War (1939-45) Nazi War Machine - Rearming Germany after WWI Albert Speer, Hitler’s architect & responsible for Nazi armaments Autobahn & Volkswagen Air-raid Bunkers, the “Atlantic Wall”, “Sigfried Line”, by Fritz Todt, 1941ff Concentration Camps, Labor Camps, POW Camps Luftwaffe Industrial Research London Blitz, 1940-41 by Germany Bombing of Japan, 1944-45 by US Bombing of Germany, 1941-45 by Allies Europe after WWII: Reconstruction, Memory, the “Blank Slate” The American Scene: Pearl Harbor, Dec. 7, 1941 Pentagon, by Berman, DC, 1941-43 “German Village,” Utah, planned by US Army & Erich Mendelsohn Military production in Los Angeles, Pittsburgh, Detroit, Akron, Cleveland, Gary, KC, etc. Albert Kahn, Detroit, “Producer of Production Lines” * Willow Run B-24 Bomber Plant (Ford; then Kaiser Autos, now GM), Ypsilanti, MI, 1941 Oak Ridge, TN, K-25 uranium enrichment factory; town by S.O.M., 1943 Midwest City, OK, near Midwest Airfield, laid out by Seward Mott, Fed. Housing Authortiy, 1942ff Wartime Housing by Vernon Demars, Louis Kahn, Oscar Stonorov, William Wurster, Richard Neutra, Walter Gropius, Skidmore-Owings-Merrill, et al * Aluminum Terrace, Gropius, Natrona Heights, PA, 1941 Women’s role in the war production, “Rosie the Riverter” War time production transitions to peacetime: new materials, new design, new products Plywod Splint, Charles Eames, 1941 / Saran Wrap / Fiberglass, etc.
    [Show full text]
  • Oswald Mathias Ungers | Eine Intellektuelle Biographie Carlo Scarpa
    32 Kalender Bauwelt 5|2008 Bauwelt 5 | 2008 Rezensionen 33 b beginnt diese Woche e endet diese Woche Finsterlin und dessen Fantasien fand. Dem folgt eine VERANSTALTUNGEN ARCHITEKTURTHEORIE MONOGRAFIE Wende um 180 Grad. Beim Berufungsvortrag 1963 Aachen Rasmus Wærn und Gerd Wingårdh 28.01. Kármán Auditorium, Hörsaal F01, RWTH Aachen Oswald Mathias Ungers | Eine intellektuelle in Berlin gibt sich Ungers als Morphologist, dem es Carlo Scarpa – Layers Aachener Montagabendgespräch 19.45 Uhr x www.rwth-aachen.de Biographie ausschließlich um Körper und Raum geht. „Inzwi- schen gilt sein Interesse nicht mehr den Architekten Wenn es das Genie überhaupt gibt, dann fällt es ganz Berlin b Gedenkstätte Berliner Mauer in der Bernauer Straße 28.01.–09.02. Kronprinzenpalais, Unter den Linden 3 Ausstellung der Wettbewerbsergebnisse (Heft 3.08) Mo–Sa 12–19 Uhr Kann eine Biographie spannend sein? Wie ein Aben- und deren Kunst, es gilt den Strukturen der Städte.“ sicher nicht vom Himmel. Obwohl werkimmanente teuerroman! Gibt es über Ungers noch Neues zu er- Sechs Jahre intensive Lehre – wer dabei war, Analysen, die in den 90er Jahren auch in der Archi- Istanbul. In die Stadt – Byzans, Konstantinopel, Istanbul 29.01. Humboldt–Universität zu Berlin, Hauptgebäude Raum 2097 zählen? In diesem Buch auf fast jeder Seite! Wer ist wird sie nicht vergessen – enden im Chaos der Stu- tekturkritik en vogue waren, das Gegenteil vermit- Vortrag in der Reihe: Das Konzept Stadt 19–21 Uhr Unter den Linden 6 x www.antikezentrum.hu-berlin.de der Autor, und was ist eine intellektuelle Biographie? dentenrevolte und in der massiven Kritik am Märki- teln, sind selbst solche Ausnahmephänomene wie Jasper Cepl ist wissenschaftlicher Mitarbeiter am schen Viertel, an dem Ungers beteiligt war.
    [Show full text]
  • Physical Location of the Secretariat United Nations Environment
    UNITED NATIONS RC UNEP/FAO/RC/COP.1/INF/6/Add.2 Distr.: General 17 June 2004 United Nations Original: English Environment Programme Food and Agriculture Organization of the United Nations Rotterdam Convention on the Prior Informed Consent Procedure for Certain Hazardous Chemicals and Pesticides in International Trade Conference of the Parties First meeting Geneva, 20–24 September 2004 Item 8 (a) of the provisional agenda* Matters stipulated by the Conference of Plenipotentiaries for action by the Conference of the Parties at its first meeting: physical location of the secretariat Physical location of the secretariat Note by the secretariat The secretariat has the honour to submit to the Conference, in the annex to the present note, the document entitled: “UN-Campus in Bonn”, provided by the Government of the Federal Republic of Germany. * UNEP/FAO/RC/COP.1/1. K0471670(E) 290604 For reasons of economy, this document is printed in a limited number. Delegates are kindly requested to bring their copies to meetings and not to request additional copies. Page 2 Document for the presentation meeting UN-Campus Bonn on Thursday, 26 June 2003 Author: Federal Ministry for the Environment, Nature Conservation and Nuclear Safety (BMU) Federal Ministry for Transportation, Housing and Construction (BMVBW) Page 3 Inhalt A. Lagebeschreibung B. Neues Abgeordnetenhaus "Langer Eugen" 1. Architektur und Denkmalschutz 2. Baubeschreibung 3. Sanierungsziele 4. Termine 5. Eingangshalle 6. Büro / Flure / Foyerzonen 7. Konferenzräume 8. Restaurant / Küche 9. Haustechnik 10. IT-Technik 11. Gebäudesicherheit C. Altes Abgeordnetenhaus, Bundeshaus 1. Architektur und Denkmalschutz 2. Beschreibung der Gebäude 3. Grundrisse, Ansichten und Schnitte 4.
    [Show full text]
  • Egon Eiermann (1904-1970) Die Kontinuität Der Moderne
    Egon Eiermann (1904-1970) Die Kontinuität der Moderne Herausgegeben von Annemarie Jaeggi Mit Beiträgen von Sonja Hildebrand Friederike Hoebel Annemarie Jaeggi Gerhard Kabierske Kai Kappel Clemens Kieser Carsten Krohn Arthur Mehlstäubler Wolfgang Pehnt Hatje Cantz Verlag OOO Inhalt DO 5 Inhalt 8 Vorwort und Dank 10 Biografie Egon Eiermann ANNEMARIE JAECCI 12 Einführung WOLFGANG PEHNT 17 Sechs Gründe, Eiermanns Werk zu lieben. Und einer, es nicht zu tun Notizen zu einem großen deutschen Architekten SONJA HILDEBRAND 30 »Ich weiß wirklich nicht, warum ich eine so traurige Berühmtheit bin.« Egon Eiermann in Berlin - Grundlagen der Nachkriegskarriere GERHARD KABIERSKE 40 Egon Eiermann als Lehrer KAI KAPPEL 50 Raster versus Ruine Die Kaiser-Wilhelm-Gedächtniskirche in Berlin ANNEMARIE JAEGGI 59 »Architektonische Diplomatie« Egon Eiermanns Bauten für den Bund CARSTEN KROHN 67 Vermeiden der architektonischen Geste Egon Eiermanns Verwaltungsbauten FRIEDERIKE HOEBEL 74 »Im unzertrennlichen Zusammenklang des Außen und Innen« Eine Betrachtung der räumlichen Fassaden von Egon Eiermann CLEMENS KIESER 83 »Dieses Erhalten von Etwas: daran glaube ich gar nicht mehr« Eiermanns Nachkriegsmoderne und die Denkmalpflege ARTHUR MEHLSTÄUBLER 92 Egon Eiermann - der deutsche Eames? 100 Farbtafeln OO Inhalt CX) 7 Ausgewählte Werke n8 Wohnhaus Hesse, Berlin, 1931/32 122 Geschäftsstellen des Bestattungsunternehmens Grieneisen, Berlin, 1934-1938 126 Wohnhaus Matthies, Potsdam, 1936/37 130 Wohnhaus Vollberg, Berlin, 1938-1942 134 Fabrikgebäude der Total KG Foerstner
    [Show full text]
  • Tour Programme 2019
    TOUR PROGRAMME 2019 TICKET B - experience architecture Thomas Michael Krüger · Architekt BDA Frankfurter Tor 1, 10243 Berlin Fon +49(0)30 420269620, Fax +49(0)30 420269629 Mail: [email protected], Internet: www.ticket-b.de Network: www.guiding-architects.net Index TICKET B – Experience architecture 3 Overview of our Tours 4 Classic Tours Parliamentary District 5 The New Museum Island 6 A cut through the inner city 7 Central East / City West 8 Karl-Marx-Allee / Hansaviertel 9 Europacity 10 Extra Tours Berlin Overview 11 Embassies and State Representations 12 20ies Berlin 13 Modernist Housing Estates 14 Science and Research 15 Contemporary residential buildings n° 1 - Prenzlauer Berg 16 Contemporary residential buildings n° 2 - Kreuzberg 17 Green City - Berlins open spaces by bike 18 Boat cruises 19 The new Potsdam 20 Premium Tours 21 Interior Visits 22 SideSteps 23 Events/Conferences/Presentations/Trips 24 Publications 25 Selection of References 1996–2018 26 What our clients say ... 27 TICKET B · Thomas Michael Krüger · Architect BDA · Frankfurter Tor 1, 10243 Berlin · Fon +49(0)30 420269620, Fax +49(0)30 420269629 · Mail: [email protected] · Internet: www.ticket-b.de · Network: www.guiding-architects. net © Marnie Schäfer TICKET B – Experience architecture Our highly qualified team of graduated architects, professors, lecturers and specialist authors present you with an exciting and authentic insight into the development of contemporary architecture in Berlin. Apart from looking at current construction projects and technology, the tours also focus on historical and social aspects. Years of experience and a far-reaching network of specialists enable us to offer you exclusive access to sites and buildings usually not open to the public.
    [Show full text]
  • Inhaltsubersicht Und Architektennachweis
    INHALTSUBERSICHT UND ARCHITEKTENNACHWEIS Seite Seite 5 Vorwort von Bundesschatzminister Dr. Dollinger 32-33 Bundesgerichtshof in Karlsruhe ErbgroGherzogliches Palais erbaut durch Josef 7 Vorwort von dem Bevollmachtigten der Bundes- Durm, Erweiterungsbauten durch Erich Schel- republik Deutschland in Berlin, Staatssekretar ling und Staatl. Hochbauverwaltung Baden- von Eckardt Wurttemberg 8—9 Bauen als Ausdruck der Kultur 34 Bundesgesundheitsamt Berlin 10—11 Bauen als Auftrag und Verpflichtung Erbaut durch Bundesbaudirektion Berlin 12—13 Bauen als schopferische Leistung 35-37 Bundespatentamt in Munchen 14—15 Der Mensch und das Bauen Erbaut durch Franz Hardt und G. H. Winkler in 16—17 Der Staat und das Bauen Zusammenarbeit mit Oberfinanzdirektion 18 Der Bund und das Bauen Munchen 21 Der Bund und Berlin 38-39 Landesversorgungsamt in Munchen Entwurf von Hans undWassili Luckhardt, Plastik von Bernhard Heiliger BILDDOKUMENTATION 40 Bundeskriminalamt Wiesbaden 21—25 Reichstagsgebaude Entwurf von Herbert Rimpl Erbautdurch PaulWallot. Ausbauauf der Grund- 41 Bundesrechnungshof in Frankfurt am Main lage eines Entwurfes von P. Baumgarten durch Entwurf von Friedel Steinmeyer und Dierschke Bundesbaudirektion 26—27 Bundeshaus in Bonn 42—43 Statistisches Bundesamt in Wiesbaden Umgebaut und erweitert durch Hans Schwippert Entwurf von Paul Schaeffer-Heyrothsberge und Bundesbaudirektion 44 Bundesmonopolverwaltung in Offenbach 28 SchloB Bellevue in Berlin Erbaut durch Staatsbauamt Offenbach Erbaut durch Friedrich Boumann. Wiederauf- gebaut durch Bundesbaudirektion unter Mitwir- 45 Bundesschuldenverwaltung in Bad Homburg kung von C. H, Schwennicke Entwurf von Walter Freiwald 29 Sitz des Bundesprasidenten (Villa Hammer- 46—47 Oberfinanzdirektion Frankfurt am Main schmidt) in Bonn Erbaut durch Hans Kohler und Oberfinanz- Umgebaut durch Bundesbaudirektion direktion Frankfurt 30 Sitz des Bundeskanzlers (Palais Schaumburg) in 48—49 Oberfinanzdirektion Hannover Bonn oben Erbaut durch A.
    [Show full text]
  • Opus 54. Eiermann, Wash, D
    Edition Axel Menges GmbH Esslinger Straße 24 D-70736 Stuttgart-Fellbach tel. +49-711-574759 fax +49-711-574784 Opus 62 Egon Eiermann / Sep Ruf, German Pavilions, Brussels 1958 With an introduction by Immo Boyken and photographs by Heinrich Heidersberger and Eberhard Troeger. 56 pp. with 62 ill., of which 32 in duotone, 280 x 300 mm, hard-cover, Ger- man / English ISBN 978-3-932565-62-5 Euro 36.00, sfr 56.00, £ 24.90, US $ 39.90, $A 68.00 The German Pavilions were the actual event at the 1958 Brussels World Fair, because what appeared as an oasis of modesty among the typical exhibition fairground of bizarre sensationalism was pre- cisely what would not have been expected of economic miracle Germany: no showing off or pomposity, just architecture distin- guished by its reticence and the refined simplicity of the architec- tural resources, and by the happy combination of men who creat- ed it, all so similar in the nature of their thinking: Egon Eiermann and Sep Ruf as architects, Walter Rossow as landscape and gar- den planner, and Hans Schwippert responsible for the exhibition programme. The building plot was a park-like site on which the architects placed a sequence of eight pavilions of different sizes; eight pavil- ions on a square ground plan, linked by bridge-style walkways, together surrounding an inner courtyard – a peaceful garden amidst the loud hurly-burly: introverted and open at the same time, it did allow visitors to look through the linking bridges into the out- Distributtors side world around them.
    [Show full text]
  • C:\Users\Gutschow\Documents\CMU Teaching\Postwar Modern\Handouts Postwar\P Studyaid 1-19 S13.Wpd
    Arch. 48-350 -- Postwar Modern Architecture, S’13 Prof. Gutschow, Classs #13 GERMANY, DEMOCRACY & TRANSPARENCY German Democracy – Important Dates - Germany first unified as "2nd Reich" in 1871 - WWI defeat and end of Empire Nov. 9, 1918 - Weimar Republic 1919-1933 - Hitler's Third Reich 1933-45 - WWII 1939-1945; US at war 1941ff - Germans suffer 10 million deaths - Vast destruction of cities - V.E. day: May 8, 1945 - Division of Germany by Allies - 25 million displaced people - Federal Republic of Germany (FRG) created May 23, 1949 (= West Germany) out of US, French & English sectors - New capital at Bonn (provisionsl after 1956) - A parliamentary democracy - First Chancellor Konrad Adenauer, 1949 - German Democratic Republic (DDR) - created Oct. 7, 1949 (= East Germany) - Tightly controlled by Soviets - New capital in eastern Berlin - Berlin Wall created 1961 - Unification Nov. 9, 1989, unified government in Bonn - Capital moves to Berlin 1999 Bonn & Transparency Parliament, (Renovation & Addition to Pedagogical Institute), Hans Schwippert, 1949 New Parliament, Gunther Behnish, 1989 Chancellor’s Bungalow, by Sep Ruf, 1956 * German Pavilion, Brussels World’s Fair, by Eiermann & Sep Ruf, 1958 (cf. Blundell, Case Studies) cf. Mies, Barcelona Pavilion, 1929; Speer’s German Pavilion, Paris World’s Fair, 1937 German Supreme Court, in Karlsruhe, by Paul Baumgarten, 1965 German Embassy, Washington DC, Eiermann, 1965 Max Bill, Hochschule für Gestaltung (= Design College, Ulm, 1953 (Frampton p.287) cf. Bauhaus Chicago, North Carolina, Ulm Braun & German Industrial Design Egon Eiermann (1904-1970) Handkerchief Factory at Lauffenmuhle KG, at Blumberg, Baden, 1949 Offices for United Silk Weaving Works (Vereinigten Seidenwebereien), in Krefeld, 1950-56 cf.
    [Show full text]
  • 50 Years After 50 Years of the Bauhaus 1968 May 5–September 23, 2018 PRESS INFORMATION
    50 Years after 50 Years of the Bauhaus 1968 May 5–September 23, 2018 PRESS INFORMATION 2 | 53 Württembergischer Kunstverein · Schlossplatz 2 · 70173 Stuttgart Fon: +49 (0)711 - 22 33 70 · Fax: +49 (0)711 - 29 36 17 · [email protected] · www.wkv-stuttgart.de 3 | 53 50 Years after 50 Years of the Bauhaus 1968 May 5–September 23, 2018 Artists Piotr Andrejew, Daniel G. Andújar, Gerd Arntz, Ambrish Arora, Arte Nucleare, Yochai Avrahami, Galina Balashova, John Barker / László Vancsa, Willi Baumeister, Herbert Bayer, Ella Bergmann-Michel, Akshat Bhat, Marianne Brandt, Lucius Burckhardt, Abin Chaudhury, Constant, Peter Cook, Le Corbusier, Guy-Ernest Debord, Die neue Linie, Yvonne P. Doderer, Atul Dodiya, Ines Doujak, Drakabygget, Egon Eiermann, Francis Gabe, Annapurna Garimella, Erich Glas, Grapus, Eileen Gray, Walter Gropius, Dmitry Gutov / David Riff, John Heartfield, Helmut Heißenbüttel, Ludwig Hilberseimer, Internationale lettriste, Internationale situationniste, Isidore Isou, Jineolojî, Jacqueline de Jong, Asger Jorn, Shimul Javeri Kadri, Jitish Kallat, Revathi Kamat, Mustapha Khayati, Alexander Kluge, Kurt Kranz, Les Groupes Medvedkin / Colette Magny, Les Lèvres Nues, Michail Lifschitz, El Lissitzky, Mona Mahall / Asli Serbest, Vincent Meessen, Rahul Mehrotra, Kaiwan Mehta, Erich Mendelsohn, Ludwig Mies van der Rohe, László Moholy-Nagy, Mouvement international pour un Bauhaus imaginiste, Ernst Neufert, Hans Ferdinand und Hein Neuner, Mateusz Okonski, Gabriel Pomerand, PROVO, Madhav Raman, Lilly Reich, Josep Renau, Józef Robakowski, Joost Schmidt, Margarete Schütte-Lihotzky, Vishwa Shroff, Alison und Peter Smithson, Herman Sörgel, Gruppe SPUR, Superstudio, Jan Tschichold, Raoul Vaneigem, Gil J Wolman… and others an exhibition by Württembergischer Kunstverein Stuttgart in the course of 100 Jahre Bauhaus curators Iris Dressler, Hans D.
    [Show full text]