August 2013 Representing Today’S Great Labels This Month's Highlights
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SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST
SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST STRING QUARTET Arditti Quartet Cuarteto Casals Quatuor Modigliani Artemis Quartett Jerusalem Quartet Quatuor Van Kuijk Belcea Quartet Novus String Quartet Schumann Quartett Brooklyn Rider Quatuor Ébène VIOLIN VIOLA CELLO Marc Bouchkov Amihai Grosz Miklós Perényi Isabelle Faust Jean-Guihen Queyras Vadim Gluzman Alisa Weilerstein Gidon Kremer Nikolaj Szeps-Znaider PIANO FORTEPIANO MANDOLIN Piotr Anderszewski Alexander Melnikov Avi Avital Saleem Ashkar Elena Bashkirova Jonathan Biss Alexander Melnikov CLARINET VOICE RECITATION Sharon Kam Georg Nigl (Baritone) Martina Gedeck CONDUCTOR ENSEMBLE PROJECTS Ariane Matiakh Brandt Brauer Frick Building Bridges Nikolaj Szeps-Znaider Ensemble Beethoven Cycle Scharoun Ensemble International ARDITTI QUARTET & JAKE ARDITTI STRING STRING QUARTET & COUNTER-TENOR Dillon: String Quartet No. 9 Paredes: “Canciones Lunáticas” QUARTET Henze: String Quartet No. 5 Sciarrino: “Cosa resta” On the occasion of the string quartet biennals in Paris and Amsterdam, as well as at the invitation of the Cologne Philharmonie, several world premieres are pending, by Ben Mason and Christian Mason, as well as Betsy Jolas and Toshio Hosokawa. ARTEMIS QUARTETT The Artemis Quartett, in their new top-class lineup, has created a first programme for the fall of 2020. Additional ones for the spring of 2021 to follow. Mendelssohn: String Quartet No. 2 in A minor, Op. 13 Vasks: New work for String Quartet (2020) Beethoven: String Quartet No. 15 in A minor, Op. 132 BELCEA QUARTET In the fall of 2020 with the Beethoven string quartet cycle, however, already fully booked. Spring 2021: Britten: String Quartet No. 1 in D major, Op. 25 Shostakovich: String Quartet No. -
Astearte Musikalak 2018
Día 15 Qvinta Essençia noviembre 2018 diciembre 2018 Primer libro de Madrigales marzo 2019 Elia Casanova, soprano Día 6 Barcelona Chamber Players Día 4 Enol Ensemble Hugo Bolivar, alto Día 5 Dúo Gamma Barcelona Chamber Players, 6 componentes Adolfo Rascón, violín Albert Riera, tenor Opus definitivo Cristina Gestido, viola Pablo Acosta, bajo Melani Mestre, piano y dirección Millán Abeledo Malheiro, violonchelo Obras de: Saint-Saëns, Negrutsa, Schumann y Teresa Valente, violonchelo Obras de: Moscaglia, Petrarca, Sannazaro, y Tasso Elisa Martín Bragado, piano selección de música de cine Mario Bernardo, piano Obras de: Schubert, Schumann, Debussy y López Jorge Obras de: Dvorak y Brahms Día 22 Enrike Solinís, laud Tendrement A History the Lute Día 12 Alumnos del Conservatorio de Música Astearte Día 11 Steven Lin, piano Obras de: Cantemir, Milan, Attaignant, Dowland, ‘Jesús Guridi’ Obras de: Beethoven, Schumann, Hertzberg, De Visée, Couperin, Marais, Bach y Handell Artistas y obras serán dados a conocer Gerswin y Listz oportunamente Musikalak Día 29 Trio Soir Païen Día 18 Singer Pur Vocal Ensemble El color del impresionismo y postimpresionismo Cantai, hor piango – Tengan Roberto Casado, flauta dunque ver me (Musica Nova) Dorota Grzeskowiak, soprano Claudía Reinhard, Francesca Croccolino, piano Rüdiger Ballhom Obras de: Ibert, Roussel, Emmanuel, Caplet, Hüe, 2018/19 Gaubert, Rodrigo y Santiago de Meras Markus Zapp 2018ko azaroak 6 / 2019ko martxoak 26 Día 13 Eliane Reyes, piano Manuel Warwitz Obras de: Scarlatti, Granados, Chopin, Ravel, Reiner -
FESTIVAL TICINO DOC Dal 19 Al 26 Settembre 2010
FESTIVAL TICINO DOC dal 19 al 26 settembre 2010 Musica nel Mendrisiotto DOC è l’acronimo che sottintende la “denominazione di origine controllata” di un prodotto e che ne certifica la zona di origine, il rispetto della Mendrisio tradizione realizzativa e – in buona sostanza – l’oggettiva qualità. Ma Lugano Rancate un simile marchio di valore è da concedersi soltanto a vini, formaggi e salamelle? Questa è la domanda che si sono posti Musica nel Mendrisiotto, la RSI Rete Due e l’Orchestra della Svizzera italiana. La risposta, manco a dirlo, è stata negativa. E a testimoniarlo saranno sette giorni di musica, dal 19 Ligornetto al 26 settembre prossimi, che porteranno nei vari quartieri della nuova Superstrada Mendrisio il meglio dei giovani interpreti cantonali dell’ambito classico. Autostrada Concerti cameristici, sinfonici e di musica barocca che dimostreranno Genestrerio l’intrinseca (e spesso conclamata) qualità di interpreti che in gran parte si Via Vallera a Campagnadorna sono trasferiti oltre Gottardo o all’estero durante e dopo gli studi. Vi Vi a Laveggio P Chiasso Lo scopo dei promotori è quello di creare uno scambio di esperienze tra gli Chiesa Stabio Sant’Antonio Abate Gaggiolo Via Mulino artisti formando formazioni da camera inedite e dando ampio spazio alle ia Canova Varese P V doti solistiche dei singoli musicisti. Vi Fiume Laveggio a al Péro Il pubblico avrà l’occasione unica di (ri)scoprire quanto il Ticino ha saputo Via Campagnola formare ed esportare in campo musicale negli ultimi quarant’anni. La RSI Rete due trasmetterà quotidianamente approfondimenti, interviste, concerti ed incisioni riguardanti il festival. -
Bach2000.Pdf
Teldec | Bach 2000 | home http://www.warnerclassics.com/teldec/bach2000/home.html 1 of 1 2000.01.02. 10:59 Teldec | Bach 2000 | An Introduction http://www.warnerclassics.com/teldec/bach2000/introd.html A Note on the Edition TELDEC will be the first record company to release the complete works of Johann Sebastian Bach in a uniformly packaged edition 153 CDs. BACH 2000 will be launched at the Salzburg Festival on 28 July 1999 and be available from the very beginning of celebrations to mark the 250th anniversary of the composer's death in 1750. The title BACH 2000 is a protected trademark. The artists taking part in BACH 2000 include: Nikolaus Harnoncourt, Gustav Leonhardt, Concentus musicus Wien, Ton Koopman, Il Giardino Armonico, Andreas Staier, Michele Barchi, Luca Pianca, Werner Ehrhardt, Bob van Asperen, Arnold Schoenberg Chor, Rundfunkchor Berlin, Tragicomedia, Thomas Zehetmair, Glen Wilson, Christoph Prégardien, Klaus Mertens, Barbara Bonney, Thomas Hampson, Herbert Tachezi, Frans Brüggen and many others ... BACH 2000 - A Summary Teldec's BACH 2000 Edition, 153 CDs in 12 volumes comprising Bach's complete works performed by world renowned Bach interpreters on period instruments, constitutes one of the most ambitious projects in recording history. BACH 2000 represents the culmination of a process that began four decades ago in 1958 with the creation of the DAS ALTE WERK label. After initially triggering an impassioned controversy, Nikolaus Harnoncourt's belief that "Early music is a foreign language which must be learned by musicians and listeners alike" has found widespread acceptance. He and his colleagues searched for original instruments to throw new light on composers and their works and significantly influenced the history of music interpretation in the second half of this century. -
MONTEVERDI BACH Ensemble Barocco Concertazione a Cura Di Lorenzo Ghirlanda E Luca Pianca
MONTEVERDI BACH Ensemble barocco concertazione a cura di Lorenzo Ghirlanda e Luca Pianca C. Monteverdi, dai madrigali J.S. Bach, “Ich habe genug”, cantata Lunedì 10 settembre 2012, 20.30 Conservatorio della Svizzera italiana, Lugano Entrata gratuita conservatorio della svizzera italiana SUPSI con il sostegno della Fondazione Fabio Schaub Scuola universitaria Professionale scuola universitaria di musica | musikhochschule | haute école de musique della Svizzera Italiana C. Monteverdi (1567 – 1643) dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Chiome d’oro per due soprani, flauto, due violini, clavicembalo e violoncello S’el vostro cor Madonna per soprano, basso e liuto M. Uccellini (1603 – 1680) Sonata terza op. 5 per violino e liuto C. Monteverdi dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Io che nell’ozio nacqui per basso, liuto, clavicembalo e violoncello Non è di gentil core per due soprani Ohimè dov’è il mio ben Romanesca per due soprani, clavicembalo e violoncello F. Rognoni da Taeggio (1550 – 1626) Vestiva i colli per violino e liuto C. Monteverdi dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Quel sguardo sdegnosetto per soprano, clavicembalo e violoncello Pur ti miro per due soprani, liuto, violoncello e clavicembalo A. Vivaldi (1678 – 1741) Trio in Sol minore per flauto, oboe, fagotto I. Allegro ma cantabile II. Adagio III. Allegro non molto pausa J. S. Bach (1685 – 1750) dalla Cantata „Höchster Güte“ BWV 51 per soprano, clavicembalo e violoncello G. P. Telemann (1681 – 1767) Ouverture in Sol minore per cinque violini, viola, tre violoncelli, fagotto, tre oboi e clavicembalo Ouverture Rondeau Les Capricieuses J. -
MOZARTEUM BAROQUE MASTERCLASSES Concerto Degli
International Festival & Summer Academy 2021 60 CONCERTI, FOCUS SU STEVE REICH con Salvatore Accardo · Antonio Pappano · Lilya Zilberstein · Ilya Gringolts Patrick Gallois · Alessandro Carbonare · David Krakauer · Antonio Meneses DavidSABATO Geringas · Bruno 4 SETTEMBRE Giuranna · Ivo Nilsson - ORE· Mathilde 21,15 Barthélémy AntonioCHIESA Caggiano ·DI Christian S. AGOSTINO, Schmitt · Clive Greensmith SIENA · Quartetto Prometeo Marcello Gatti · Florian Birsak · Alfredo Bernardini · Vittorio Ghielmi Roberto Prosseda · Eliot Fisk · Andreas Scholl e tanti altri e con Orchestra dell’Accademia di Santa Cecilia · Orchestra della Toscana Coro Della Cattedrale Di SienaCHIGIANA “Guido Chigi Saracini - MOZARTEUM” . BAROQUE MASTERCLASSES 28 CORSI E SEMINARI NUOVA COLLABORAZIONEConcerto CON degli Allievi CHIGIANA-MOZARTEUM BAROQUE MASTERCLASSES docenti ANDREAS SCHOLL canto barocco MARCELLO GATTI flauto traversiere ALFREDO BERNARDINI oboe barocco VITTORIO GHIELMI viola da gamba FLORIAN BIRSAK clavicembalo e basso continuo maestri collaboratori al clavicembalo Alexandra Filatova Andreas Gilger Gabriele Levi François Couperin Parigi 1668 - Parigi 1733 da Les Nations (1726) Quatrième Ordre “La Piemontoise” Martino Arosio flauto traversiere (Italia) Micaela Baldwin flauto traversiere (Italia / Perù) Laura Alvarado Diaz oboe (Colombia) Amadeo Castille oboe (Francia) Alice Trocellier viola da gamba (Francia) Raimondo Mazzon clavicembalo (Italia) Georg Friedrich Händel Halle 1685 - Londra 1759 da Orlando (1733) Amore è qual vento Rui Hoshina soprano (Giappone) -
SP Osteuropa 17.11.06, Layout 1
Singer Pur _________________________________________________________________________________ The vocal vocation of Singer Pur Mark Lowe This German vocal group gave a very well-received concert last Tuesday evening. A packed audience heard magnificent singing in highly entertaining songs. The admirable hall (which also has superb acoustics) was an added bonus-the beautifully refurbished Rustaveli Theatre. The concert started with magical soft singing in Danny Boy, otherwise known as The Londonderry Air. We then heard a medley of German folk songs and romantic part songs by Brahms and Mendelssohn-all very gemutlich and pleasing to the ear. The group specializes in Renaissance music, so the group included a piece from that period: a little gem by Adrian Willaert, Vecchie Letrose, full of exciting, razor-sharp cross-rhythms. The group also sang an intriguing new work: Time Piece by Paul Patterson. This is a skit on time and clocks, making extended use of modern choral techniques developed by composers like Penderecki and Ligeti (whispering, unusual vowel sounds, and so on). It was a hit with the audience. In the second half, we heard arrangements of popular songs. They included Cheek to Cheek by Irving Berlin, Englishman in New York by Sting, Good Night, My Angel by Billy Joel and Bad, Bad Leroy Brown by the American Jim Croce. For these songs the singers dispensed with their music scores, and sang in old Barber's Shop close harmony style. These songs received especially happy applause - they were obviously loved by the audience, and they were performed with matchless skill. The concert ended with an immaculate performance of a Georgian folk song - le- arned by the group that afternoon. -
A Perspective of New Simplicity in Contemporary Composition: Song of Songs As a Case Study Isabel Maria Pereira Barata Da Rocha
MESTRADO COMPOSIÇÃO E TEORIA MUSICAL A perspective of New Simplicity in contemporary composition: Song of Songs as a case study Isabel Maria Pereira Barata da Rocha 06/2017 A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha MESTRADO M COMPOSIÇÃO E TEORIA MUSICAL A perspective of New Simplicity in contemporary composition: Song of Songs as a case study Isabel Maria Pereira Barata da Rocha Dissertação apresentada à Escola Superior de Música e Artes do Espetáculo como requisito parcial para obtenção do grau de Mestre em Composição e Teoria Musical Professor Orientador Professor Doutor Eugénio Amorim Professora Coorientadora Professora Doutora Daniela Coimbra 06/2017 A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha Dedico este trabalho a todos os homens e todas as mulheres de boa vontade. A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha Agradecimentos À minha filha Luz, que me dá a felicidade de ser sua mãe, pelo incentivo. Aos meus pais Ana e Luís, pelo apoio incondicional. A Ermelinda de Jesus, pela ajuda sempre disponível. À Fátima, à Joana e à Mariana, pela amizade profunda. Ao José Bernardo e aos avós Teresa e António José, pelo auxílio. Ao Pedro Fesch, pela compreensão e pela aposta na formação dos professores em quem confia. -
Singer Pur David Orlowsky
10.11.2010 DAVID ORLOWSKY SINGER PUR SAISON 2010/2011 SONDERKONZERT In Hamburg auf 99,2 Weitere Frequenzen unter Mittwoch, 10. November 2010, 20 Uhr ndrkultur.de Hamburg, St. Johannis-Harvestehude JEREMIAH DAVID ORLOWSKY KLARINETTE SINGER PUR GIOVANNI PIERLUIGI DA PALESTRINA (1525 –1594) LAMED. Matribus suis dixerunt aus den Klageliedern des Propheten Jeremia Feria VI in Parasceve, Lectio II O bone Jesu* CHORAL Sicut ovis ad occisionem CARLO GESUALDO (1566 –1613) Sicut ovis ad occisionem* MATAN PORAT (*1982) Tota pulchra es GIOVANNI PIERLUIGI DA PALESTRINA Pulchra es, o Maria virgo ALEPH. Quomodo obscuratum est aurum aus den Klageliedern des Propheten Jeremia Sabbato Sancto, Lectio II CHORAL Tristis est anima mea CARLO GESUALDO Tristis est anima mea* O vos omnes* Foto {M}: Gray, Wolfe, Wolf | gettyimages Wolf Wolfe, {M}: Gray, Foto MATAN PORAT Lux Aeterna GIOVANNI PIERLUIGI DA PALESTRINA ALEPH. Ego vir videns paupertatem meam aus den Klageliedern des Propheten Jeremia Die Konzerte der Reihe NDR Das Alte Werk Feria VI in Parasceve, Lectio III hören Sie auf NDR Kultur. *Arrangiert von Matan Porat Auszüge aus dem heutigen Programm werden am Freitag, den 26. November 2010, um 20 Uhr auf NDR Kultur gesendet. Hören und genießen PROGRAMMABFOLGE | 03 AZ_KulturSee_DAW_148x210_K1.indd1 1 29.06.2007 16:43:40 Uhr SINGER PUR SINGER PUR BESETZUNG Neben der künstlerischen Qualität sind vor allem Bandbreite des Repertoires abdecken. Darunter SOPRAN KLARINETTE die Lust am Experimentieren und die sich daraus sind so unterschiedliche Titel wie die Gesamt auf- Claudia Reinhard David Orlowsky ergebenden außergewöhnlichen Programme die nahme der weltlichen Werke des Renaissance-Kom- herausragenden Eigenschaften von Singer Pur. -
Dissertation / Doctoral Thesis
DISSERTATION / DOCTORAL THESIS Titel der Dissertation /Title of the Doctoral Thesis Burgtheaterkarrieren – Ernst Anders und Joachim Bißmeier verfasst von / submitted by Mag. Barbara Pluhar angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Doktorin der Philosophie (Dr. phil.) Wien, 2017 Studienkennzahl lt. Studienblatt / A 092 317 degree programme code as it appears on the student record sheet: Dissertationsgebiet lt. Studienblatt / Theater-, Film- und Medienwissenschaft field of study as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. i.R. Dr. Hilde Haider 2 Inhaltsverzeichnis 0. Vorwort 4 1. Das Wiener Burgtheater nach 1945 zwischen Tradition und Aufbruch 8 2. Das Prinzip der Rollenfächer 15 3. Das zeitliche Umfeld: Das Burgtheater von Adolf Rott bis Claus Peymann 17 3.1. Die Direktion Adolf Rott (1954 - 1959) 17 3.2. Die Direktion Ernst Haeusserman (1959 - 1968) 20 3.3. Die Direktion Paul Hoffmann (1968 - 1971) 22 3.4. Die Direktion Gerhard Klingenberg (1971 - 1976) 24 3.5. Die Direktion Achim Benning (1976 - 1986) 26 3.6. Die Direktion Claus Peymann (1986 - 1999) 29 4. Ernst Anders 31 4.1. Biographisches und Werdegang 31 4.2. Schauspielerische Charakteristik 34 4.2.1. Rollengebiete und -gestaltung 34 4.2.2. Charakteristik der Ausdruckmittel 42 4.3. Analyse der Rollen 45 4.3.1 Komödien 45 4.3.1.1. Shakespeare 48 4.3.1.2. Nestroy und Raimund 55 4.3.1.3. Schwänke 66 4.3.1.4. Weitere wichtige Rollen 72 4.3.1.5. Zusammenfassung 86 4.3.2. Ernste Rollen/Moderne und zeitgenössische Literatur 88 4.3.2.1. -
WDR 3 Klassik 25. Oktober 2020 Klassik Klub Mit Ulrike Gruner 16:04-17:45
WDR 3 Klassik 25. Oktober 2020 Klassik Klub mit Ulrike Gruner 16:04-17:45 Stand: 19.10.2020 Komponist Titel/ Länge Interpret/ Label Alexander Glazunow Pas de caractère op. 68 Russian Philharmonic 2:22 Orchestra, Ltg. Dmitry Yablonsky 05537 Naxos 8.570211 José María Cano Hijo de la luna Daniel Hope (Violine), 2:13 Christoph Israel (Klavier), Michael Metzler (Percussion) 00173 Deutsche Grammophon 002894839482 Jean-Louis Duport Rondo. Allegretto, aus: Concerto No. Peter Hörr (Cello/Ltg.), 6 Hofkapelle Weimar 7:31 06768 MDG 9431581-6 Wilhelm Killmayer Scherzo lento, aus: Fünf Romanzen Nicolas Altstaedt (Cello), José für Cello und Klavier Gallardo (Klavier) 3:49 12029 Genuin 10187 Francis Poulenc Rag-Mazurka, aus: Les Biches - Orchestre de la Suisse Suite Romande, Ltg. Kazuki Yamada 5:51 12686 Pentatone 5186558 Max Reger Im Spiel der Wellen, aus: Vier Dresdner Philharmonie, Ltg. Tondichtungen nach Arnold Böcklin Heinz Bongartz op. 128 06203 Berlin Classics 4:32 0184622BC Luca Marenzio Nel dolce seno-Perche l´una Singer Pur 4:08 05152 Ars Musici 5035-2 Rom / Schaerer / Eberle Triple Prism Andreas Schaerer (voice), 2:54 Martin Eberle (trumpet), Peter Rom (guitar) 00817 Unitrecords 7640114795671 Jean-Louis Duport Adagio cantabile + Rondo, aus: Peter Hörr (Cello/Ltg.), Concerto No. 5 Hofkapelle Weimar 8:21 06768 MDG 9431581-6 Thelonius Monk / Cootie Round Midnight Esther Kaiser (voice), Friedrich Williams / Carmen McRae 4:56 Paravicini (Cello), Carsten Daerr (Piano), Ralph Graessler (Bass), Jens Dohle (Drums) 01221 Double Moon Records 71036 Gabriel Fauré Après un reve Daniel Hope (Violine), 3:28 Christoph Israel (Klavier) 00173 Deutsche Grammophon 002894839482 Sergej Rachmaninow Prélude gis-Moll op. -
Nie Am Ziel Helmuth Lohner
Eva Maria Klinger Nie am Ziel Helmuth Lohner EVA MARIA KLINGER Nie am Ziel Helmuth Lohner DIE BIOGRAFIE Mit 82 Abbildungen AMALTHEA Besuchen Sie uns im Internet unter www.amalthea.at © 2015 by Amalthea Signum Verlag, Wien Alle Rechte vorbehalten Umschlaggestaltung: Elisabeth Pirker/OFFBEAT Umschlagfotos: © Ullstein-Timpe/Ullstein Bild/picturedesk.com (vorne), © Ali Schafler/First Look/picturedesk.com (hinten) Lektorat: Martin Bruny Herstellung und Satz: VerlagsService Dietmar Schmitz GmbH, Heimstetten Gesetzt aus der 11,5/15 pt Minion Printed in the EU ISBN 978-3-99050-022-4 e-ISBN 978-3-903083-09-7 Inhalt Die wichtigsten Fragen beantwortet man immer mit seinem ganzen Leben 7 Das Spiel beginnt · 1933 bis 1965 22 Nie am Ziel · 1965 bis 1980 56 Schubumkehr · 1980 bis 1990 104 Heimkehr · 1990 bis 1997 142 Die Mühen der Ebene · 1997 bis 2006 159 Die große Freiheit · 2006 bis 2015 191 Rollenverzeichnis 224 Bild- und Textnachweis 248 Quellen 249 Danksagung 250 Personenregister 251 Heimkehr · 1990 bis 1997 Am 1. Januar 1988 hat Otto Schenk mit Robert Jungbluth als Co-Direktor das Theater in der Josefstadt übernommen, und von da an laufen die geheimen Versöhnungsversuche, um Lohner zumindest Stück für Stück heimzuholen. Jungbluth tele- foniert mit Lohner in Zürich, trifft ihn, wenn er in Wien ist, trifft ihn bei den Salzburger Festspielen, Schenk schmollt weiterhin trotzig: »Wenn er bei mir an der Josefstadt spielt, dann soll’s gut sein« – und erteilt Felix Mitterer den Stückauftrag, einen moder- nen Jedermann zu schreiben. Erwin Steinhauer, der Mitterers Stück inszenieren soll, kapri- ziert sich darauf, dass der aktuelle Salzburger Jedermann, Hel- muth Lohner, die Titelrolle auch in der Josefstadt spielen soll.