DOCSLIB.ORG

The Rhetoric of Italian American Identity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Rhetoric of Italian American Identity Fall–Winter 2011 Volume 37: 3–4 The Journal of New York Folklore Yuri Yunakov, National Heritage Fellow Rhetoric of Italian American Identity Roman Turovsky- Savchuk and Ukrainian Folk Music Remembering Jean Crandall (1964–2011) From the Director As an organization, the varieties of musical expression found The New York Folklore Society continues the New York Folk- along and encouraged by the Erie Canal, its mission of education and encouragement lore Society has sup- both past and present. “Music of the Erie of traditional arts and culture in New York. ported regular oppor- Canal” will offer scholarly presentations as Please join us in our work! tunities for profes- well as the performance and presentation Ellen McHale, Ph.D., Executive Director sional development of music. Partnering with the Erie Canal New York Folklore Society and convening on Museum in Syracuse, the conference will [email protected] specific topics. Since involve multiple venues and diverse op- www.nyfolklore.org its founding in 1944, portunities to present the musical history the Society has annually supported at least of the Erie Canal. Please visit our website, From the Editor one conference for the exploration of www.nyfolklore.org/progs/cfp-eriemusic.html, for The present issue of topics of relevance to the collecting and the Call for Proposals and for additional Voices reflects in large study of folklore in New York State. In information for attendance. part upon ethnic iden- our early years, the Society supported both A new program for the Society, the gradu- tity in New York. In a fall meeting which was held outside of ate student conferences have been held at “Ethnicity, Nostalgia, the New York tri-State region and a spring New York University (2010) and Bingham- Affirmation: The Rhet- meeting which was held in New York City. ton University (2011). On February 7, 2013, oric of Italian American The spring meeting eventually was halted, the Society will hold its third graduate stu- Identity,” Michael Buonanno examines, but the fall meeting has been ongoing since dent conference at the Westchester County with poetic eloquence, some of the tropes our first fall meeting held in Cooperstown in Arts Council in White Plains, New York, in of speech and story which helped to shape 1945. In 2010–2011, the Society embarked collaboration with the Westchester County what it was, and is, to be Italian American on two new conference formats: a gradu- Arts Council. Please continue to check our in, and beyond, the community in which he ate student conference which showcases website for updates regarding the theme and was raised. Mu Li focuses with fascination student work and the New York State Folk a call for student work. upon activities Jewish Americans customar- Arts Roundtable, a professional develop- Finally, the New York Folklore Society is ily engage in upon the Christian holiday of ment opportunity, initiated by the Folk Arts pleased to announce that it will be convening Christmas, especially eating out at Chinese Program of the New York State Council a statewide youth conference on Latino dance restaurants. Frank Campagna (“Field Note”) on the Arts, which for several years was in 2013. Supported by funds from the National remembers a traditional Italian folk story organized with the assistance of the Cul- Endowment for the Arts, this Latino Dance passed down in his family, and what the story tural Resources Council of Syracuse and Conference will invite several youth dance offers to an understanding of how best to Onondaga County. In 2011, the New York troupes and their leaders to two to three days treat elders in their later, vulnerable years. Folklore Society became the convening of workshops and performances exploring the Pete Rushefsky and Ethel Raim share the organization for the New York State Folk connections between Latino dance traditions story of Bulgarian Romani saxophonist Yuri Arts Roundtable. from several countries. Youth participants will Yunakov’s career and celebrate his receipt Within the next several months, the have the opportunity to share their traditional of the NEA National Heritage Fellowship. New York Folklore Society will be offer- dance styles with other interested youth and Ukrainian American lutenist, composer, and ing a variety of new opportunities for the will have the opportunity to present their painter Roman Turovsky-Savchuk explains presentation of research and the explora- group’s work in a public presentation. Dance the development of his engagement with tion of folklore in New York State. On leaders will receive professional development Ukrainian music and musical genres, in life November 2–3, 2012, in collaboration with training on the organizational aspects of dance as well as in cyberspace, in “Dialogues with the Erie Canal Museum and with support troupes. Designed with the goal to provide Time.” We revisit the New York Folklore from the Erie Canalway National Heritage encouragement for traditional dance in New Society’s Annual 2011 “Legends and Tales” Corridor, the New York Folklore Society York State, the weekend should be both fun Conference proceedings via a report by Lisa will be presenting a symposium about and informative for the student attendees. continued on page 2 “The absence of models, in literature as in life, to say nothing of painting, is an occupational hazard for the artist, simply because models in art, in behavior, in growth of spirit and intellect—even if rejected—enrich and enlarge one’s view of existence.” VOICES: The Journal of New York––Alice Folklore Walker, In Search of Our Mothers’ Gardens: Womanist Prose (1983), p. 4. Contents Fall–Winter 2011 Features 3 Ethnicity, Nostalgia, Affirmation: The Rhetoric of Italian American Identity by Michael Buonanno 11 Dialogues with Time by Roman Turovsky-Savchuk 3 16 Yuri Yunakov: 2011 National Heritage Fellow by Pete Rushefsky and Ethel Raim 11 24 Follow Spot: Growing the Ranks by Kristen Andresen 27 Jewish Activities on Christmas: An Online Case Study by Mu Li 36 Essere Vecchi é Brutto by Frank Campagna 38 A Report from an Embroiderers’ Gathering by Ellen McHale and Lisa Overholser 42 The New York Folklore Society Features “Legends and Tales” at Its 2011 Annual Conference by Lisa Overholser Departments and Columns 10 NurorAsian: Asian American Arts in New York by Andrea Louie 14 Upstate by Varick A. Chittenden 24 15 Downstate by Steve Zeitlin 20 In Memoriam: Jean Crandall by Eileen Condon, Elena Martínez, and Hanna Griff-Sleven 23 Play by John Thorn 26 Good Spirits by Libby Tucker 34 Still Going Strong by Paul Margolis 35 View from the Waterfront Cover: Yuri Yunakov at Lincoln Center. by Nancy Solomon The National Heritage Fellow of 2011 is profiled on p. 16. Photograph by 41 Songs Richard Conde. Courtesy of Center for 38 by Dan Milner Traditional Music and Dance Archive. 44 Reviews Fall–WinterFall–Winter 2011,2011, VolumeVolume 37:37:3–4 3–4 1 1 From the Editor (continued) Overholser, and Ellen McHale and Lisa by Andrea Louie. In upcoming issues, two Overholser describe the Society’s three- writers will pen this column in alternation: day, two-state Embroiderers’ Gathering in Andrea Louie and Nico Daswani, both of Fall–Winter 2011 · Volume 37: 3–4 Ithaca in November 2011, thanks to a grant New York’s Asian American Arts Alliance Acquisitions Editor Eileen Condon from the Mid Atlantic Folk Arts Outreach (www.aaartsalliance.org). Finally, with sorrow, Copy Editor Patricia Mason Project. Voices is pleased to reprint an es- but with a shared gratitude for having known Administrative Manager Laurie Longfield Design Mary Beth Malmsheimer pecially noteworthy article from Inside Arts, her, three of Poughkeepsie-based folklorist Printer Eastwood Litho the publication of the Association for Per- Jean D. Crandall’s close friends reflect on Editorial Board Varick Chittenden, Lydia Fish, forming Arts Presenters (APAP): Kristen Jean’s life and legacy in folklore, since her José Gomez-Davidson, Hanna Griff-Sleven, Andresen’s account of the historic founding untimely passing in November. Nancy Groce, Lee Haring, Bruce Jackson, Christopher Mulé, Libby Tucker, Kay Turner, of WOCA—Women of Color in the Arts, Eileen Condon Dan Ward, Steve Zeitlin at last year’s APAP conference in New Acquisitions Editor Voices: The Journal of New York Folklore York City. Voices also welcomes its newest New York Folklore Society is published twice a year by the column, “NurorAsian: Asian American [email protected] New York Folklore Society, Inc. 129 Jay Street Arts in New York,” written for this issue P.O. Box 764 Schenectady, NY 12301 New York Folklore Society, Inc. Executive Director Ellen McHale Folklorist Lisa Overholser Gallery Manager Laurie Longfield Web Administrator Patti Mason Voice (518) 346-7008 Fax (518) 346-6617 Web Site www.nyfolklore.org Board of Directors President Gabrielle Hamilton Vice President Elena Martínez Past President Paul Mercer Secretary Delcy Ziac Fox Treasurer Jessica Schein Pauline Adema, Karyl Eaglefeathers, Ellen Fladger, Anna Mulé, Christopher Mulé, Connie Sullivan- Blum, Libby Tucker, Kay Turner, Thomas van Buren Advertisers: To inquire, please call the NYFS (518) 346-7008 or fax (518) 346-6617. Voices is available in Braille and recorded versions. Call the NYFS at (518) 346-7008. The New York Folklore Society is committed to providing services with integrity, in a manner that conveys respect for the dignity of the individuals and communities the NYFS serves, as well as for their cultures, including ethnic, religious, occupational, and regional traditions. The programs and activities of the New York Folk- lore Society, and the publication of Voices: The Journal of New York Folklore, are made possible in part by funds from the New York State Council on the Arts. Voices: The Journal of New York Folklore is indexed in Arts & Humanities Citation Index and Music Index and abstracted in Historical Abstracts and America: History and Life.
Load more

Recommended publications
  • SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST
    SEASON 2020/2021 Stickers for Programme Choice ARTISTS LIST STRING QUARTET Arditti Quartet Cuarteto Casals Quatuor Modigliani Artemis Quartett Jerusalem Quartet Quatuor Van Kuijk Belcea Quartet Novus String Quartet Schumann Quartett Brooklyn Rider Quatuor Ébène VIOLIN VIOLA CELLO Marc Bouchkov Amihai Grosz Miklós Perényi Isabelle Faust Jean-Guihen Queyras Vadim Gluzman Alisa Weilerstein Gidon Kremer Nikolaj Szeps-Znaider PIANO FORTEPIANO MANDOLIN Piotr Anderszewski Alexander Melnikov Avi Avital Saleem Ashkar Elena Bashkirova Jonathan Biss Alexander Melnikov CLARINET VOICE RECITATION Sharon Kam Georg Nigl (Baritone) Martina Gedeck CONDUCTOR ENSEMBLE PROJECTS Ariane Matiakh Brandt Brauer Frick Building Bridges Nikolaj Szeps-Znaider Ensemble Beethoven Cycle Scharoun Ensemble International ARDITTI QUARTET & JAKE ARDITTI STRING STRING QUARTET & COUNTER-TENOR Dillon: String Quartet No. 9 Paredes: “Canciones Lunáticas” QUARTET Henze: String Quartet No. 5 Sciarrino: “Cosa resta” On the occasion of the string quartet biennals in Paris and Amsterdam, as well as at the invitation of the Cologne Philharmonie, several world premieres are pending, by Ben Mason and Christian Mason, as well as Betsy Jolas and Toshio Hosokawa. ARTEMIS QUARTETT The Artemis Quartett, in their new top-class lineup, has created a first programme for the fall of 2020. Additional ones for the spring of 2021 to follow. Mendelssohn: String Quartet No. 2 in A minor, Op. 13 Vasks: New work for String Quartet (2020) Beethoven: String Quartet No. 15 in A minor, Op. 132 BELCEA QUARTET In the fall of 2020 with the Beethoven string quartet cycle, however, already fully booked. Spring 2021: Britten: String Quartet No. 1 in D major, Op. 25 Shostakovich: String Quartet No.
    [Show full text]
  • The View from Swamptown Vol
    The View From Swamptown Vol. III and IV Smith’s Castle The Fox Family and the Cocumscussoc Dairy Farm More on the Fox Farm Schools The Swamptown District Schoolhouse The History of the High School Local Folks Helen Hoyt Sherman A Mother’s Day Story- Emiline Weeden N.K. and the Constitution – Bowen Card and William Congdon Mary Chase Thomas Christiana Bannister Hannah Robinson Ezra Thomas – Man of the Sea Joseph Reynolds – Stained Glass Artist Ellen Jecoy Darius Allen – the Weather Prophet Fred Lawton – A Republican’s Republican Charley Baker and the Town’s Civil War Monument George Anthony and the O.K. Thomas and T. Morton Curry Charles Davol and his Estate Winston Churchill and North Kingstown Paule Loring George T. Cranston (the elder) – A Halloween Tale Norman Isham All Over Town The Crypts of North Kingstown The Joseph Sanford House The Allen Family Stone Barns The Boston Post Cane Blacksmithing and Bootscrapers N.K. and the 1918 Spanish Influenza The Peach Pit and WWI Out of Town The Pettasquamscutt Rock Opinion Pieces Christmas 1964 – a child’s perspective Halloween – a child’s perspective The Origin of Some Well-known Phrases Reflections on Negro Cloth, N.K. and Slavery The 2002 Five Most Endangered Sites The 2003 Five Most Endangered Sites A Preservation Project Update A Kid Loves His Dog – Dog’s in Local History Return to main Table of Contents Return to North Kingstown Free Library The View From Swamptown by G. Timothy Cranston The Fox Family and The Cocumscussoc Dairy Farm I expect that when most of us think about Smith's Castle, the vision that comes to mind is one of colonial folks living in a fine blockhouse, or maybe a scene which includes soldiers mustering into formation, ready to march off into the Great Swamp and ultimately into the history books.
    [Show full text]
  • FESTIVAL TICINO DOC Dal 19 Al 26 Settembre 2010
    FESTIVAL TICINO DOC dal 19 al 26 settembre 2010 Musica nel Mendrisiotto DOC è l’acronimo che sottintende la “denominazione di origine controllata” di un prodotto e che ne certifica la zona di origine, il rispetto della Mendrisio tradizione realizzativa e – in buona sostanza – l’oggettiva qualità. Ma Lugano Rancate un simile marchio di valore è da concedersi soltanto a vini, formaggi e salamelle? Questa è la domanda che si sono posti Musica nel Mendrisiotto, la RSI Rete Due e l’Orchestra della Svizzera italiana. La risposta, manco a dirlo, è stata negativa. E a testimoniarlo saranno sette giorni di musica, dal 19 Ligornetto al 26 settembre prossimi, che porteranno nei vari quartieri della nuova Superstrada Mendrisio il meglio dei giovani interpreti cantonali dell’ambito classico. Autostrada Concerti cameristici, sinfonici e di musica barocca che dimostreranno Genestrerio l’intrinseca (e spesso conclamata) qualità di interpreti che in gran parte si Via Vallera a Campagnadorna sono trasferiti oltre Gottardo o all’estero durante e dopo gli studi. Vi Vi a Laveggio P Chiasso Lo scopo dei promotori è quello di creare uno scambio di esperienze tra gli Chiesa Stabio Sant’Antonio Abate Gaggiolo Via Mulino artisti formando formazioni da camera inedite e dando ampio spazio alle ia Canova Varese P V doti solistiche dei singoli musicisti. Vi Fiume Laveggio a al Péro Il pubblico avrà l’occasione unica di (ri)scoprire quanto il Ticino ha saputo Via Campagnola formare ed esportare in campo musicale negli ultimi quarant’anni. La RSI Rete due trasmetterà quotidianamente approfondimenti, interviste, concerti ed incisioni riguardanti il festival.
    [Show full text]
  • Bach2000.Pdf
    Teldec | Bach 2000 | home http://www.warnerclassics.com/teldec/bach2000/home.html 1 of 1 2000.01.02. 10:59 Teldec | Bach 2000 | An Introduction http://www.warnerclassics.com/teldec/bach2000/introd.html A Note on the Edition TELDEC will be the first record company to release the complete works of Johann Sebastian Bach in a uniformly packaged edition 153 CDs. BACH 2000 will be launched at the Salzburg Festival on 28 July 1999 and be available from the very beginning of celebrations to mark the 250th anniversary of the composer's death in 1750. The title BACH 2000 is a protected trademark. The artists taking part in BACH 2000 include: Nikolaus Harnoncourt, Gustav Leonhardt, Concentus musicus Wien, Ton Koopman, Il Giardino Armonico, Andreas Staier, Michele Barchi, Luca Pianca, Werner Ehrhardt, Bob van Asperen, Arnold Schoenberg Chor, Rundfunkchor Berlin, Tragicomedia, Thomas Zehetmair, Glen Wilson, Christoph Prégardien, Klaus Mertens, Barbara Bonney, Thomas Hampson, Herbert Tachezi, Frans Brüggen and many others ... BACH 2000 - A Summary Teldec's BACH 2000 Edition, 153 CDs in 12 volumes comprising Bach's complete works performed by world renowned Bach interpreters on period instruments, constitutes one of the most ambitious projects in recording history. BACH 2000 represents the culmination of a process that began four decades ago in 1958 with the creation of the DAS ALTE WERK label. After initially triggering an impassioned controversy, Nikolaus Harnoncourt's belief that "Early music is a foreign language which must be learned by musicians and listeners alike" has found widespread acceptance. He and his colleagues searched for original instruments to throw new light on composers and their works and significantly influenced the history of music interpretation in the second half of this century.
    [Show full text]
  • Listing of Child Care Providers Reporting Closure Due to COVID-19 As of 3/27/2020 7:35 PM
    Listing of Child Care Providers Reporting Closure Due to COVID-19 as of 3/27/2020 7:35 PM Closure Start Closure End Provider Number Provider Name Date Date Pre_K Address City ZipCode County CCLC-38436 1 Love Childcare & Learning Center 3/23/2020 4/8/2020 N 485 East Frontage Road Sylvania 30467 Screven CCLC-35618 1-2-3 Tots Learning Center 3/17/2020 NULL N 114 West 61st Street Savannah 31405 Chatham CCLC-22766 1st Creative Learning Academy #2 3/17/2020 3/27/2020 Y 2527 Old Rockbridge Rd. Norcross 30071 Gwinnett EX-45322 21st CCLC @ Harper Elementary School 3/17/2020 3/27/2020 NULL 520 Fletcher Street Thomasville 31792 Thomas EX-48362 21st CCLC @ Pelham Elementary School 3/17/2020 3/27/2020 NULL 534 Barrow Avenue SW Pelham 31779 Mitchell EX-44295 21st CCLC @ Scott Elementary 3/17/2020 3/27/2020 NULL 100 Hansell Street Thomasville 31792 Thomas CCLC-19930 5 Star Childcare & Learning Center 3/16/2020 4/6/2020 Y 4492 Lilburn Industrial Way SouthLilburn 30047 Gwinnett CCLC-33032 5-Star Childcare Center 3/20/2020 NULL N 1945 Godby Road College Park 30349 Clayton CCLC-26288 A Brighter Beginning Childcare Center 3/18/2020 3/20/2020 N 3423-C Deans Bridge Road Augusta 30906 Richmond CCLC-48971 A Brighter Choice Learning Academy 3/16/2020 NULL N 140 Lowe Road Roberta 31078 Crawford CCLC-39661 A Brighter Day Early Learning Academy 3/23/2020 3/27/2020 N 6267 Memorial Drive, Suite LL Stone Mountain 30083 DeKalb CCLC-51382 A Brighter Day Early Learning Academy II 3/23/2020 3/27/2020 N 4764 Rockbridge Road Stone Mountain 30083 DeKalb CCLC-3318 A Child's Campus 3/19/2020 NULL N 2780 Flat Shoals Road Decatur 30034 DeKalb CCLC-14468 A Child's Dream Childcare and Learning Center 3/17/2020 NULL N 2502 Deans Bridge Road Augusta 30906 Richmond CCLC-937 A Child's World - Columbia Rd.
    [Show full text]
  • MONTEVERDI BACH Ensemble Barocco Concertazione a Cura Di Lorenzo Ghirlanda E Luca Pianca
    MONTEVERDI BACH Ensemble barocco concertazione a cura di Lorenzo Ghirlanda e Luca Pianca C. Monteverdi, dai madrigali J.S. Bach, “Ich habe genug”, cantata Lunedì 10 settembre 2012, 20.30 Conservatorio della Svizzera italiana, Lugano Entrata gratuita conservatorio della svizzera italiana SUPSI con il sostegno della Fondazione Fabio Schaub Scuola universitaria Professionale scuola universitaria di musica | musikhochschule | haute école de musique della Svizzera Italiana C. Monteverdi (1567 – 1643) dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Chiome d’oro per due soprani, flauto, due violini, clavicembalo e violoncello S’el vostro cor Madonna per soprano, basso e liuto M. Uccellini (1603 – 1680) Sonata terza op. 5 per violino e liuto C. Monteverdi dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Io che nell’ozio nacqui per basso, liuto, clavicembalo e violoncello Non è di gentil core per due soprani Ohimè dov’è il mio ben Romanesca per due soprani, clavicembalo e violoncello F. Rognoni da Taeggio (1550 – 1626) Vestiva i colli per violino e liuto C. Monteverdi dal VII e VIII libro dei Madrigali e da “L’incoronazione di Poppea” Quel sguardo sdegnosetto per soprano, clavicembalo e violoncello Pur ti miro per due soprani, liuto, violoncello e clavicembalo A. Vivaldi (1678 – 1741) Trio in Sol minore per flauto, oboe, fagotto I. Allegro ma cantabile II. Adagio III. Allegro non molto pausa J. S. Bach (1685 – 1750) dalla Cantata „Höchster Güte“ BWV 51 per soprano, clavicembalo e violoncello G. P. Telemann (1681 – 1767) Ouverture in Sol minore per cinque violini, viola, tre violoncelli, fagotto, tre oboi e clavicembalo Ouverture Rondeau Les Capricieuses J.
    [Show full text]
  • The BG News April 2, 1999
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-2-1999 The BG News April 2, 1999 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 2, 1999" (1999). BG News (Student Newspaper). 6476. https://scholarworks.bgsu.edu/bg-news/6476 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. .The BG News mostly cloudy New program to assist disabled students Office of Disability Services offers computer program that writes what people say However, he said, "They work together," Cunningham transcripts of students' and ities, so they have an equal By IRENE SHARON (computer programs] are far less said. teachers' responses. This will chance of being successful. high: 69 SCOTT than perfect." Additionally, the Office of help deaf students to participate "We try to minimize the nega- The BG News Also, in the fall they will have Disability Services hopes to start in class actively, he said. tives and focus on similarities low: 50 The Office of Disability Ser- handbooks available for teachers an organization for disabled stu- Several disabled students rather than differences," he said. vices for Students is offering and faculty members, so they dents. expressed contentment over the When Petrisko, who has pro- additional services for the dis- can better accommodate dis- "We are willing to provide the services that the office of disabil- found to severe hearing loss, was abled community at the Univer- abled students.
    [Show full text]
  • MOZARTEUM BAROQUE MASTERCLASSES Concerto Degli
    International Festival & Summer Academy 2021 60 CONCERTI, FOCUS SU STEVE REICH con Salvatore Accardo · Antonio Pappano · Lilya Zilberstein · Ilya Gringolts Patrick Gallois · Alessandro Carbonare · David Krakauer · Antonio Meneses DavidSABATO Geringas · Bruno 4 SETTEMBRE Giuranna · Ivo Nilsson - ORE· Mathilde 21,15 Barthélémy AntonioCHIESA Caggiano ·DI Christian S. AGOSTINO, Schmitt · Clive Greensmith SIENA · Quartetto Prometeo Marcello Gatti · Florian Birsak · Alfredo Bernardini · Vittorio Ghielmi Roberto Prosseda · Eliot Fisk · Andreas Scholl e tanti altri e con Orchestra dell’Accademia di Santa Cecilia · Orchestra della Toscana Coro Della Cattedrale Di SienaCHIGIANA “Guido Chigi Saracini - MOZARTEUM” . BAROQUE MASTERCLASSES 28 CORSI E SEMINARI NUOVA COLLABORAZIONEConcerto CON degli Allievi CHIGIANA-MOZARTEUM BAROQUE MASTERCLASSES docenti ANDREAS SCHOLL canto barocco MARCELLO GATTI flauto traversiere ALFREDO BERNARDINI oboe barocco VITTORIO GHIELMI viola da gamba FLORIAN BIRSAK clavicembalo e basso continuo maestri collaboratori al clavicembalo Alexandra Filatova Andreas Gilger Gabriele Levi François Couperin Parigi 1668 - Parigi 1733 da Les Nations (1726) Quatrième Ordre “La Piemontoise” Martino Arosio flauto traversiere (Italia) Micaela Baldwin flauto traversiere (Italia / Perù) Laura Alvarado Diaz oboe (Colombia) Amadeo Castille oboe (Francia) Alice Trocellier viola da gamba (Francia) Raimondo Mazzon clavicembalo (Italia) Georg Friedrich Händel Halle 1685 - Londra 1759 da Orlando (1733) Amore è qual vento Rui Hoshina soprano (Giappone)
    [Show full text]
  • GLAAD Where We Are on TV (2020-2021)
    WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.
    [Show full text]
  • Download File
    Eastern European Modernism: Works on Paper at the Columbia University Libraries and The Cornell University Library Compiled by Robert H. Davis Columbia University Libraries and Cornell University Library With a Foreword by Steven Mansbach University of Maryland, College Park With an Introduction by Irina Denischenko Georgetown University New York 2021 Cover Illustration: No. 266. Dvacáté století co dalo lidstvu. Výsledky práce lidstva XX. Věku. (Praha, 1931-1934). Part 5: Prokroky průmyslu. Photomontage wrappers by Vojtěch Tittelbach. To John and Katya, for their love and ever-patient indulgence of their quirky old Dad. Foreword ©Steven A. Mansbach Compiler’s Introduction ©Robert H. Davis Introduction ©Irina Denischenko Checklist ©Robert H. Davis Published in Academic Commons, January 2021 Photography credits: Avery Classics Library: p. vi (no. 900), p. xxxvi (no. 1031). Columbia University Libraries, Preservation Reformatting: Cover (No. 266), p.xiii (no. 430), p. xiv (no. 299, 711), p. xvi (no. 1020), p. xxvi (no. 1047), p. xxvii (no. 1060), p. xxix (no. 679), p. xxxiv (no. 605), p. xxxvi (no. 118), p. xxxix (nos. 600, 616). Cornell Division of Rare Books & Manuscripts: p. xv (no. 1069), p. xxvii (no. 718), p. xxxii (no. 619), p. xxxvii (nos. 803, 721), p. xl (nos. 210, 221), p. xli (no. 203). Compiler: p. vi (nos. 1009, 975), p. x, p. xiii (nos. 573, 773, 829, 985), p. xiv (nos. 103, 392, 470, 911), p. xv (nos. 1021, 1087), p. xvi (nos. 960, 964), p. xix (no. 615), p. xx (no. 733), p. xxviii (no. 108, 1060). F.A. Bernett Rare Books: p. xii (nos. 5, 28, 82), p.
    [Show full text]
  • Hello Melancholy
    Hello Melancholy The cycle Hello Melancholy written and published in Capital weekly – www.capital.bg - was awarded the prize Writing for Central and Eastern Europe in 2005 in Vienna ( by the Austrian Press Agency and supported by Bank Austria Creditanstalt) Read more here http://www.apa.at/cee-award/melancholy.pdf In her article, Ivanova captured the complicated mood after the changes in Europe. No one who experienced the changes in Eastern Europe would read her lines without emotion, remarked guest of honor Milan Kucan, former President of Slovenia, praising the prizewinner’s impressive work. APA-news "Text voller Emotionen" Ehrengast Milan Kucan, ehemaliger slowenischer Staatspräsident, lobte den bei der Preisverleihung Mittwoch Abend in Wien vorgetragenen Beitrag ("Frau Bulgarin") der Journalistin als "Text voller Emotionen". Ivanova habe durch sehr persönliche Erzählungen die Stimmung nach der Wende in Europa eingefangen. Ihre Zeilen würden an niemandem, der zur Zeit der Wende in Osteuropa gelebt hat, emotionslos vorüber gehen, so Kucan. Ivanova habe auch spürbar gemacht, "dass heute noch immer Reste der Berliner Mauer übrig geblieben sind." Die Siegerin überzeugte die siebenköpfige internationale Jury mit einem Zyklus unter dem Titel "Guten Tag Melancholie". Der im Rahmen der Preisverleihung vom Schauspieler Fritz Friedl vorgetragene Text "Frau Bulgarin" erzählt von einer in Wien lebenden namenlosen Frau aus Bulgarien, die symbolisch für die Melancholie des Fremden aus dem Osten steht. APA-nachrichten Frau Bulgarin, Ivan Milev and Gustav Klimt 8 reportages, personal stories,photography January -March 2005 I was a Milena Jesenska fellow at the Vienna Institute for Humane Sciences(www.iwm.at). I wanted to collect some personal stories about the communist time, to talk with people, friends and scholars about their ideas, notions and stories about that.
    [Show full text]
  • THE DEVELOPMENT of BANDURA MUSIC ART BETWEEN the 1920S and 1940S
    Journal of Ethnology and Folkloristics 14 (2): 44–66 DOI: 10.2478/jef-2020-0015 THE DEVELOPMENT OF BANDURA MUSIC ART BETWEEN THE 1920s A N D 1940s MARYNA BEREZUTSKA Associate professor Department of Folk Instruments M. Glinka Dnipropetrovsk Academy of Music Lyvarna street 10, 49044 Dnipro, Ukraine e-mail: [email protected] ABSTRACT Bandura art is a unique phenomenon of Ukrainian culture, inextricably linked with the history of the Ukrainian people. The study is dedicated to one of the most tragic periods in the history of bandura art, that of the 1920s–1940s, during which the Bolsheviks were creating, expanding and strengthening the Soviet Union. Art in a multinational state at this time was supposed to be national by form and socialist by content in accordance with the concept of Bolshevik cultural policy; it also had to serve Soviet propaganda. Bandura art has always been national by its content, and professional by its form, so conflict was inevitable. The Bolsheviks embodied their cultural policy through administrative and power methods: they created numerous bandurist ensembles and imposed a repertoire that glorified the Communist Party and the Soviet system. As a result, the development of bandura art stagnated significantly, although it did not die completely. At the same time, in the post-war years this policy provoked the emigration of many professional bandurists to the USA and Canada, thus promoting the active spread of bandura art in the Ukrainian Diaspora. KEYWORDS: bandura art • bandurists • kobzars INTRODUCTION The bandura is a unique Ukrainian folk instrument whose history is closely connected with the Ukrainian nation’s history.
    [Show full text]