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GIMME DANGER 173 [Jim Jarmusch, 2016] Estrea En Numax: 25.11.2016 | V.O.S.E

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GIMME DANGER 173 [Jim Jarmusch, 2016] Estrea En Numax: 25.11.2016 | V.O.S.E GIMME DANGER 173 [Jim Jarmusch, 2016] estrea en numax: 25.11.2016 | v.o.s.e. Gimme Danger (2016, 108’) filmografía seleccionada sinopse Dirección: Jim Jarmusch Paterson, 2016 O rock’n’roll potente e agresivo de Guión: Jim Jarmusch Só os amantes sobreviven, 2013 The Stooges, que apareceu en Ann Participación: Iggy Pop, Ron Asheton, Mike Watt, Scott Asheton, Ghost Dog, el camino del samurai, 1999 Arbor, Michigan, durante a revolución Danny Fields, James Williamson, Kathy Asheton, Steve Mackay Dead Man, 1995 contracultural, foi como unha bomba Montaxe: Affonso Gonçalves, Adam Kurnitz Noche en la tierra, 1991 na paisaxe musical de finais dos anos Dirección de arte: Caroline Barton Down by Law, 1986 sesenta. Coa súa mestura de rock, Vestiario: Jo Slater Extraños en el paraíso, 1984 blues, r&b e free jazz, o grupo no que Son: Michael Guggino Música: Adam Kurnitz debutou Iggy Pop asentou as bases do Produtora: Low Mind Films, New Element Media que se coñecería posteriormente como rock alternativo. (Estados Unidos) premios e festivais Distribuidora: Avalon Cannes 2016 (estrea internacional) Formato de proxección: DCP 2K Idioma orixinal: Inglés «Gimme Danger é en boa medida como a mesma música de Iggy Pop: salvaxe, divertida, enerxética, imprevisíbel e contundente.» Salvador Llopart, la vanguardia GIMME DANGER [Jim Jarmusch, 2016] queres facer?». Daquela dixen: «Oh merda, na libraría numax “Os Stooges tentemos...» Jim Jarmusch, Hilario J. Rodríguez sonme moi próximos, Pop: Tentemos conseguir algo de & Carlos Tejeda. Cátedra diñeiro! moi do medio oeste” Rodríguez, Hilario J. | Tejeda, Carlos Jarmusch: Fixemos Só os amantes Pack Jim Jarmusch. Cameo [dvd] sobreviven polo que tivemos que parar un Entrevista con Jim Jarmusch Down by Law, Jim Jarmusch. Cameo [BluRay] anaco. Logo volvemos e conseguimos dous e Iggy Pop Flores rotas, Jim Jarmusch. Vertigo [BluRay] mozos independentes en Inglaterra que Por Andy Greene comezaron a procurar diñeiro, e logo a Night on Earth, Jim Jarmusch. Cameo [BluRay] Fernando Sulichin puxo o resto dos cartos. Sólo los amantes sobreviven, Jim Jarmusch. Fixen outro filme, Paterson, ao tempo que Vertigo [dvd] traballabamos duro en Gimme Danger. Levou case un ano e medio conseguir Jim, cales son os teus primeiros autorización para engadir todo o material recordos dos Stooges? Jim Jarmusch: que queriamos. Coido que lles escoitei un álbum por vez primeira aos 16 anos. Son do Noroeste de Tampouco hai moito material de Ohio, dun suburbio de Akron, e había un arquivo. Jarmusch: Non, e a maioría do rapaz na miña clase cuxo irmán maior que existe xa foi visto polos afeccionados, tiña bo material debaixo da cama. Tiña a desde logo. Daquela buscamos e buscamos. John Coltrane, The Mothers of Invention Atopamos material inédito marabilloso que e libros como Naked Lunch e Candy. Tiña ninguén vira, fotografías nunca vistas. tamén a primeira gravación dos Stooges. Era o noso tesouro secreto. Iggy, no momento non reparabas en se había alguén a filmar os vosos concertos Que tiña esa música que captou a túa verdade? Pop: Non, desde logo. Mais atención? Jarmusch: Nós xa tiñamos houbo quen si. Leni Sinclair gravou todos escoitado grupos británicos como Cream os concertos de mc5, do que o seu home ou da costa oeste como Buffalo Springfield John Sinclair era mánager. E pensou, e Jefferson Airplane, pero os Stooges «estes rapaces son interesantes, vounos sonme máis próximos. Non exactamente filmar». Eramos bastante antitecnolóxicos. postindustrial, pero si moi do medio oeste. Escribiamos e ensaiabamos sen procesos de ningún tipo. Noutras palabras, se Ron De onde saíu a idea de facer este quería escribir un riff tiña que tocalo unha documental? Iggy Pop: Eu pregunteille e outra vez durante cinco horas e lembrarse a el. Cría que o grupo chegara a un punto ao día seguinte. E se eu logo quería cantar no que precisaba e merecía ser obxecto algo con ese material tiña que repetilo unha dun filme feito por alguén que de verdade e outra vez até lembralo. Só gravabamos sabe facelos. Pensei: «Coñezo a alguén, cando iamos a unha gran cidade. vouno tantear». Realmente nin o tanteei, simplemente díxenlle, «gustaríache facer Escotei moitas gravacións piratas un filme sobre os Stooges?» Jim pensouno dos Stooges e case todas teñen un son durante dous minutos. horríbel. Pop: Seino. Jarmusch: Dez minutos se cadra. Jarmusch: Os fans dos Stooges non Ao día seguinte xa estaba a pensar en como contaban con equipos moi caros. estruturar o filme, porque me encantan os Stooges. Como estruturaches o filme? Jarmusch: Un cinema, Por primeiro, sabía que quería gravar á E como empezaches? Jarmusch: Comecei unha libraría xente máis próxima. Foi unha escolla escribindo unha cronoloxía dos Stooges. e un laboratorio difícil pois tamén me gustaba a idea de Revisei libros que xa tiña lido como o de de gráfica e vídeo entrevistar a David Bowie e John Cale. Paul Trynka [Iggy Pop: Open Up and Bleed] Mais finalmente decanteime só polos ou o do propio Iggy, I Want More. Había Ashetons, Mike Watt, James Williamson e auténticas xoias aí. Logo pensei, «o mellor Danny Fields. Daquela decidín que quería será que entreviste a Jim Osterberg [Iggy comezar por 1973, ano no que fixeron tres Pop] e que a súa narración oral marque a das mellores gravacións de rock da historia, estrutura». e ao rematar foron de volta á súa casa. Pop: Dez horas nun só día. Logo volveu Scott dixo «un día atopeime durmindo ao día seguinte para recoller o que faltaba. no chan, vendín a batería e merquei un Jarmusch: Iso foi hai uns cinco anos. ticket de autobús de volta a Ann Arbor». O problema é que comecei a traballar no Pensei en comezar por aí pois parecíame filme sen financiamento, poñendo cartos emocionante. do meu peto. Daquela o meu colega Carter Logan dixo «Jim, case gastaches 40 dos Publicado en www.rollingstone.com/ grandes, estás a tirar o diñeiro. Que é o que Tradución: Xan Gómez Viñas.
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