Afghanistan Argentina
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
March 2018 New Releases
March 2018 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 59 Vinyl Audio 3 CD Audio 8 RICHIE KOTZEN - TONY MACALPINE - RANDY BRECKER QUINTET - FEATURED RELEASES TELECASTERS & DEATH OF ROSES LIVEAT SWEET BASIL 1988 STRATOCASTERS: Music Video KLASSIC KOTZEN DVD & Blu-ray 35 Non-Music Video DVD & Blu-ray 39 Order Form 65 Deletions and Price Changes 63 800.888.0486 THE SOULTANGLER KILLER KLOWNS FROM BRUCE’S DEADLY OUTER SPACE FINGERS 203 Windsor Rd., Pottstown, PA 19464 [BLU-RAY + DVD] DWARVES & THE SLOTHS - DUNCAN REID & THE BIG HEADS - FREEDOM HAWK - www.MVDb2b.com DWARVES MEET THE SLOTHS C’MON JOSEPHINE BEAST REMAINS SPLIT 7 INCH March Into Madness! MVD offers up a crazy batch of March releases, beginning with KILLER KLOWNS FROM OUTER SPACE! An alien invasion with a circus tent for a spaceship and Killer Klowns for inhabitants! These homicidal clowns are no laughing matter! Arrow Video’s exclusive deluxe treatment comes with loads of extras and a 4K restoration that will provide enough eye and ear candy to drive you insane! The derangement continues with HELL’S KITTY, starring a possessed cat who cramps the style of its owner, who is beginning a romantic relationship. Call a cat exorcist, because this fiery feline will do anything from letting its master get some pu---! THE BUTCHERING finds a serial killer returning to a small town for unfinished business. What a cut-up! The King of Creepy, CHRISTOPHER LEE, stars in the 1960 film CITY OF THE DEAD, given new life with the remastered treatment. -
November 2016
The Bijou Film Board is a student-run UI org dedicated FilmScene Staff The to American independent, foreign and classic cinema. The Joe Tiefenthaler, Executive Director Bijou assists FilmScene with programming and operations. Andy Brodie, Program Director Andrew Sherburne, Associate Director PictureShow Free Mondays! UI students FREE at the late showing of new release films. Emily Salmonson, Dir. of Operations Family and Children’s Series Ross Meyer, Head Projectionist and Facilities Manager presented by AFTER HOURS A late-night OPEN SCREEN Aaron Holmgren, Shift Supervisor series of cult classics and fan Kate Markham, Operations Assistant favorites. Saturdays at 11pm. The winter return of our ongoing series of big-screen Dec. 4, 7pm // Free admission Dominick Schults, Projection and classics old and new—for movie lovers of all ages! Facilities Assistant FilmScene and the Bijou invite student Abby Thomas, Marketing Assistant Tickets FREE for kids, $5 for adults! Winter films play and community filmmakers to share Saturday at 10am and Thursday at 3:30pm. Wendy DeCora, Britt Fowler, Emma SAT, 11/5 SAT, their work on the big screen. Enter your submission now and get the details: Husar, Ben Johnson, Sara Lettieri, KUBO & THE TWO STRINGS www.icfilmscene.org/open-screen Carol McCarthy, Brad Pollpeter (2016) Dir. Travis Knight. A young THE NEON DEMON (2016) Spencer Williams, Theater Staff boy channels his parents powers. Dir. Nicolas Winding Refn. An HORIZONS STAMP YOUR PASSPORT Nov. 26 & Dec. 1 aspiring LA model has her Cara Anthony, Felipe Disarz, for a five film cinematic world tour. One UI Tyler Hudson, Jack Tieszen, (1990) Dir. -
The Tufts Daily Volume Lxxii, Number 47
La femme in STEM: the women who dominate the envi- TUFTS FIELD HOCKEY ronmental engineering program Field hockey scores spot in see FEATURES / PAGE 3 the final four How to get away with an extended plot twist: Shonda Rhimes’ hit still promises much drama with mid-sea- SEE SPORTS / BACK PAGE son finale see ARTS & LIVING / PAGE 5 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXXII, NUMBER 47 MEDFORD/SOMERVILLE, MASS. WEDNESDAY, NOVEMBER 16, 2016 tuftsdaily.com Diana Chigas of Fletcher School appointed first Senior International Officer by John Fedak Contributing Writer Diana Chigas (F ’88) has been appoint- ed to the newly-created position of senior international officer as of Sept. 1 in an effort to continue increasing Tufts’ global presence and ensure that Tufts alumni and faculty can work successfully abroad. “There was a sense that Tufts does a lot internationally, but both the visibility and impact is not as great as it could be, and that we could also do better at filling in gaps here, bringing global issues here and providing opportunities to students here,” Chigas said. According to Provost David Harris, no one was previously responsible for devel- oping and leading the university’s global strategy. Before the senior international officer position existed, Chigas said that it was not easy for Tufts-associated researchers, students and faculty to connect outside of the United States. “There’s a lot to bring together, and part of my role is to help facilitate those connections,” she said. International work and international ALONSO NICHOLS/TUFTS UNIVERSITY Tufts Associate Provost, Senior International Officer and Professor of the Practice at the Fletcher School of Law and Diplomacy Diana Chigas see INTERNATIONAL, page 2 poses for a photo on Sept. -
Doru POP the “Trans National Turn”. New Urban Identities
The “Trans national Turn”. 9 New Urban Identities and theI. TransformationCreating of thethe Romanian Space Contemporary Cinema Doru POP The “Trans national Turn”. New Urban Identities and the Transformation of the Romanian Contemporary Cinema Abstract The pressure of globalization and the transformations of the international film markets are rapidly changing the recent Romanian cinema. In a period spanning from 2010 to 2014, the paper describes same of the most important transformations, visible early on in productions like Marţi după Crăciun (Tuesday after Christmas) and even more importantly in a film like Poziţia copilului (Child’s Pose). The process, called by the author “the transnational turn” of the Romanian film, is characterized by the fact that urban spaces become more and more neutral and generic and the stories are increasingly de-contextualized. Designed for international markets, these films are changing both the set- ting and the mise-en-scène, creating a non specific space which is more likely to be accepted by cinema goers around the world. The second argument is the present generation Romanian cinema makers are moving even further, they are choosing to abandon the national cinema. As Elisabeth Ezra and Terry Rowden noted in their introduction to the classical reader on “transnational cinema”, another major aspect is that the recent films are increasingly indicating a certain “Hollywoodization” of their storytelling, and, implicitly, of the respective urban contexts of their narratives. This impact goes beyond genrefication, and, as is the case with productions like Love building (2013), which are using both cosmopolitan behaviors and non-specific urban activities, are manifestations of deep transformations in the Romanian cinema. -
Tuesday 12 April 2016, London. This June, Audiences at BFI Southbank Will Be Enchanted by the Big-Screen Thrills of Steven Spie
WITH ONSTAGE APPEARANCES FROM: DIRECTORS CRISTI PUIU, RADU JUDE, ANCA DAMIAN, TUDOR GIURGIU, RADU MUNTEAN AND MICHAEL ARIAS; BROADCASTERS MARK KERMODE AND JONATHAN MEADES Tuesday 12 April 2016, London. This June, audiences at BFI Southbank will be enchanted by the big-screen thrills of Steven Spielberg as we kick off a two month season, beginning on Friday 27 May with a re-release of the sci-fi classic Close Encounters of the Third Kind (Director’s Cut) (1977) in a brand new 35mm print, exclusively at BFI Southbank. We also welcome the most exciting talent behind the ‘New Wave’ of Romanian cinema to BFI Southbank, including directors Cristi Puiu and Radu Jude, as we celebrate this remarkable movement in world cinema with a dedicated season Revolution In Realism: The New Romanian Cinema. The BFI’s ever popular Anime Weekend returns to BFI Southbank from 3-5 June with the best new films from the genre, while this month’s television season is dedicated to Architecture on TV, with onscreen appearance from JG Ballard, Iain Nairn and Raymond Williams. The events programme for June boasts film previews of Notes on Blindness (Pete Middleton, James Spinney, 2016) and Race (Stephen Hopkins, 2016), and a TV preview of the new BBC drama The Living and the Dead starring Colin Morgan and Charlotte Spencer. New releases will include the Oscar-nominated Embrace of the Serpent (Ciro Guerra, 2015) and Apichatpong Weerasethakul’s latest film Cemetery of Splendour (2015). The BFI’s new Big Screen Classics series offers films that demand the big-screen treatment, and this month include The Night of the Hunter (Charles Laughton, 1955), Once Upon a Time in the West (Sergio Leone, 1968) and Days of Heaven (Terrence Malick, 1978). -
Catálogo Encuentros Cartagena 2014
IX ENCUENTRO INTERNACIONAL DE PRODUCTORES 9TH INTERNATIONAL PRODUCERS MEETING V TALLER DOCUMENTAL 5 TH DOCUMENTARY WORKSHOP III TALLER DE FESTIVALES DE CINE 3RD FILM FESTIVALS WORKSHOP VIII TALLER DE CRÍTICA Y PERIODISMO CINEMATOGRÁFICO 8TH FILM CRITICISM AND JOURNALISM WORK- SHOP ENCUENTRO DE PRODUCTORES FRANCIA – COLOMBIA MEETING OF PRODUCERS FROM FRANCE AND COLOMBIA LANZAMIENTO DE LA SERIE EXPRESO SUR, UNA FIESTA DE CULTURAS LAUNCH OF THE SERIES EXPRESO SUR, UNA FIESTA DE CULTURAS 13-19 | 03 | 2014 13 - 19 | 03 | 2014 CONTENIDO MINISTERIO DE CULTURA DE COLOMBIA MIEMBROS DEL CONSEJO NACIONAL DE LAS FESTIVAL INTERNACIONAL DE CINE DE MINISTRY OF CULTURE OF COLOMBIA ARTES Y LA CULTURA EN CINEMATOGRAFÍA CARTAGENA – FICCI – CNACC CARTAGENA INTERNATIONAL FILM FESTIVAL CONTENT MEMBERS OF THE NATIONAL COUNCIL OF FILM ARTS AND CULTURE Ministra de Cultura Ministra de Cultura Gerente General 04 Minister of Culture Minister of Culture of Colombia General Manager Mariana Garcés Córdoba Mariana Garcés Córdoba Lina Rodríguez PRESENTACIÓN PRESENTATION Viceministra de Cultura Directora de Cinematografía del Directora General Vice-minister of Culture Ministerio de Cultura de Colombia General Director María Claudia López Sorzano Film Office Director for the Ministry of Mónika Wagenberg Culture of Colombia 09 88 Secretario General Adelfa Martínez Bonilla Presidente Junta Directiva FICCI IX ENCUENTRO ENCUENTRO DE General Secretary Chairman of FICCI Board of Directors Enzo Rafael Ariza Ayala Delegados de la Ministra de Cultura Salvatore Basile Ferrara INTERNACIONAL -
Gimme Danger; Leehom Wang's Open Fire Concert Film Ken Derry University of Toronto, [email protected]
Journal of Religion & Film Volume 20 Article 17 Issue 3 October 2016 10-2-2016 Gimme Danger; Leehom Wang's Open Fire Concert Film Ken Derry University of Toronto, [email protected] Recommended Citation Derry, Ken (2016) "Gimme Danger; Leehom Wang's Open Fire Concert Film," Journal of Religion & Film: Vol. 20 : Iss. 3 , Article 17. Available at: https://digitalcommons.unomaha.edu/jrf/vol20/iss3/17 This Toronto International Film Festival Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Gimme Danger; Leehom Wang's Open Fire Concert Film Abstract This is a comparative film review of Gimme Danger (2016), directed by Jim Jarmusch, and Leehom Wang's Open Fire Concert Film (2016), directed by Homeboy Music, Inc. Keywords Gimme Danger, Iggy Pop, Leehom Wang, Martin Luther King, Colin Kaepernick Author Notes Ken Derry is Associate Professor, Teaching Stream, in the Department of Historical Studies at the University of Toronto Mississauga (UTM). Since 2011 he has been a member of the editorial board of the Journal of Religion and Film, and since 2012 he has been the Co-chair of the Religion, Film, and Visual Culture Group for the American Academy of Religion. Aside from religion and film his teaching and research interests include considerations of religion in relation to literature, violence, popular culture, pedagogy, and Indigenous traditions. He is the recipient of the 2013 UTM Teaching Excellence Award. -
Spring 2019 Film Calendar
National Gallery of Art Film Spring 19 I Am Cuba p27 Special Events 11 A Cuba Compendium 25 Janie Geiser 29 Walt Whitman Bicentennial 31 The Arboretum Cycle of Nathaniel Dorsky 33 Roberto Rossellini: The War Trilogy 37 Reinventing Realism: New Cinema from Romania 41 Spring 2019 offers digital restorations of classic titles, special events including a live performance by Alloy Orchestra, and several series of archival and contem- porary films from around the world. In conjunction with the exhibition The Life of Animals in Japanese Art, the Gallery presents Japanese documentaries on animals, including several screenings of the city symphony Tokyo Waka. Film series include A Cuba Compendium, surveying how Cuba has been and continues to be portrayed and examined through film, including an in-person discussion with Cuban directors Rodrigo and Sebastián Barriuso; a celebra- tion of Walt Whitman on the occasion of his bicen- tennial; recent restorations of Roberto Rossellini’s classic War Trilogy; and New Cinema from Romania, a series showcasing seven feature length films made since 2017. Other events include an artist’s talk by Los Angeles-based artist Janie Geiser, followed by a program of her recent short films; a presentation of Nathaniel Dorsky’s 16mm silent The Arboretum Cycle; the Washington premieres of Gray House and The Image Book; a program of films on and about motherhood to celebrate Mother’s Day; the recently re-released Mystery of Picasso; and more. 2Tokyo Waka p17 3 April 6 Sat 2:00 La Religieuse p11 7 Sun 4:00 Rosenwald p12 13 Sat 12:30 A Cuba Compendium: Tania Libre p25 2:30 A Cuba Compendium: Coco Fusco: Recent Videos p26 14 Sun 4:00 Gray House p12 20 Sat 2:00 A Cuba Compendium: Cuba: Battle of the 10,000,000 p26 4:00 A Cuba Compendium: I Am Cuba p27 21 Sun 2:00 The Mystery of Picasso p13 4:30 The Mystery of Picasso p13 27 Sat 2:30 A Cuba Compendium: The Translator p27 Films are shown in the East Building Auditorium, in original formats whenever possible. -
Before Entering Upon Mr. Rodman's Own Relation
Bibliography and Acknowledgements “Before entering upon Mr. Rodman’s own relation, it will not be improper to glance at what has been done by others, in the way of discovery…” —Edgar Allan Poe, Burton’s Gentleman’s Magazine, and Monthly American Review (Philadelphia: William E. Burton) 1840. I am grateful to the persons and authors whose work I have utilized in the making of this one. The debts to M. Verne and Mr. Melville are too extensive to repay, or even adequately to acknowledge. Reading their works has made me the writer – and the person – I am today. My theft here of their creations is not something I will here try to justify. Yet it is true: the worlds that they created have become our worlds. 1 Chapter One contains language and concepts from “Concepts of Stroke Before and after Virchow” by Francis Schiller.1 Descriptions of the Soliton, staring in Chapter Two and continuing throughout, paraphrase Russell’s work on Solitary Waves.2 I’ve also drawn on the Wikipedia entry on Waves of Translation3 as well as the Heriot Watt University Department of Mathematics site.4 Chapter Two also contains specific vocabularies used by the British to render their colonial subjects as Other, as intrinsically murderous: the words Lascar, Dacoit, Dacoity, Thug, and Thuggee were appropriated from Sax Rohmer.5 Chapter Three draws from, and contains sentences from, the 1910 Encyclopedia Britannica article on the Indian Mutiny6, and from contemporaneous 1 Francis Schiller, “Concepts of Stroke Before and after Virchow” in Med. Hist. (1970). 2 John Scott Russell, “Report on Waves,” Report of the fourteenth meeting of the British Association for the Advancement of Science (York: BAAS) September 1844, pp 311-390; John Scott Russell Esq., M.A., F.R.S., “Experimental Researches into the Laws of Certain Hydrodynamical Phenomena that Accompany the Motion of Floating Bodies, and have not previously been reduced into conformity of the known Laws of the Resistance of Fluids” read April 3rd, 1837, published in Transactions of the Royal Society of Edinburgh XIV, 1840. -
Robert Wilson & Jim Jarmusch
100 Flatbush Avenue 2nd Floor Brooklyn, NY 11217 718-330-0313 x 1 issueprojectroom.org Press Contact: Nick Scavo [email protected] ISSUE Winter Benefit: Robert Wilson & Jim Jarmusch / Lucie Vítková Wednesday, February 6th, 2019 - 8pm | ISSUE Project Room 22 Boerum, Brooklyn, NY 11201 $100 / $50 ISSUE Members / $250 After December 31st, 2018 Photo Credits: Yiorgos Kaplanidis, Amos Perrine Wednesday, February 6th, ISSUE is thrilled to present a collaborative performance between two of America’s most renowned experimental artists, and members of ISSUE’s Advisory Council, theater director and visual artist Robert Wilson and film director, screenwriter, actor, and musician Jim Jarmusch. In a benefit concert supporting ISSUE Project Room, the two will stage a new collaboration featuring Wilson reading John Cage’s Lecture on Nothing alongside ISSUE Winter Benefit: Robert Wilson & Jim Jarmusch | February 6th, 2019 | ISSUE Project Room improvised musical accompaniment by Jarmusch. The evening opens with a performance from Czech composer, improviser and performer Lucie Vítková, an emerging artist who presents work with an experimental approach to accordion, hichiriki, harmonica, voice, and tap dance. ISSUE hosts this benefit in order to raise funds for ISSUE’s Artists-In-Residence (AIR) program. Entering its 13th year, the AIR program is a core part of ISSUE’s mission to be a cultural incubator for artistic innovation and inspire a diverse array of artists to take creative risks, commissioning and premiering numerous works that have expanded our understanding of the meaning and potential for art and performance. ISSUE is encouraged by Wilson and Jarmusch’s support of innovative work in their respective fields and proud to have their advocacy in promoting this mission. -
Ulysses' Gaze
ULYSSES’ GAZE PROJECT 2013-2015: Stories of migration in Europe 2 // ULYSSES’ GAZE 2015 “This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.” ULYSSES’ GAZE 2015 // 3 TABLE OF CONTENTS 06 CHAPTER I. 04 ACADEMIC PERSPECTIVE. INTRODUCTION 08 Milica Petrovic, Belgium: A Country of Permanent Immigration. 20 Lucy Mayblin, Aneta Piekut, Gill Valentine, ‘Other’ posts in ‘other’ places: Poland through a postcolonial lens? 44 Mona Vintila, Migration as a form of abandonment. 50 Yannis Koukmas, 62 Migration in 21st century Greece. CHAPTER II. INDIVIDUAL PERSPECTIVES. MIGRATION AS AN EXPERIENCE 64 Olivia Maria Hărşan Interview with Romanian actress Clara Vodă. 70 Interview by Nikos Ago Costa Gavras about his experience as an immigrant. 106 74 Nina Bogosavac Your (apparent) enemy. PARTICIPANTS OF THE ULYSSES GAZE PROJECT 78 Marius Radu Two facets of migration in GOLDEN AGE Romania. 84 Mirona Mitache, An immigrant in Belgium about immigrants. 92 Anne Marie Majlund Jensen Inventing new languages. 98 Alicja Kordos Athens as a melting pot. Migration in Greece. 4 // ULYSSES’ GAZE 2015 INTRODUCTION The project Ulysses’ Gaze: Stories of Migration through East- European Cinematography tackled the topic of migration from Eastern to Western European countries through a cycle of film projections followed by debates linked to the this topic and by further contributions on the Internet platform : www.ulysses_project.eu. The partners involved in the project were both Eastern and Western European associations whose main objective is to stimulate the general public’s interest in the heritage, history and culture of the Eastern and Central Europe and of the Balkans: EuropaNova (BE), Dom Spotkań z Historią (PL), Ethnological Museum of Thrace (GR), Platform Spartak (NL) and Student Plus (RO). -
The Romanian New Wave Anca Pusca a a Goldsmiths, University of London Available Online: 11 Aug 2011
This article was downloaded by: [American University Library] On: 28 December 2011, At: 08:39 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Cambridge Review of International Affairs Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ccam20 Restaging the 1989 revolution: the Romanian New Wave Anca Pusca a a Goldsmiths, University of London Available online: 11 Aug 2011 To cite this article: Anca Pusca (2011): Restaging the 1989 revolution: the Romanian New Wave, Cambridge Review of International Affairs, DOI:10.1080/09557571.2011.558888 To link to this article: http://dx.doi.org/10.1080/09557571.2011.558888 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever