DOCSLIB.ORG

Catálogo Encuentros Cartagena 2014

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catálogo Encuentros Cartagena 2014 IX ENCUENTRO INTERNACIONAL DE PRODUCTORES 9TH INTERNATIONAL PRODUCERS MEETING V TALLER DOCUMENTAL 5 TH DOCUMENTARY WORKSHOP III TALLER DE FESTIVALES DE CINE 3RD FILM FESTIVALS WORKSHOP VIII TALLER DE CRÍTICA Y PERIODISMO CINEMATOGRÁFICO 8TH FILM CRITICISM AND JOURNALISM WORK- SHOP ENCUENTRO DE PRODUCTORES FRANCIA – COLOMBIA MEETING OF PRODUCERS FROM FRANCE AND COLOMBIA LANZAMIENTO DE LA SERIE EXPRESO SUR, UNA FIESTA DE CULTURAS LAUNCH OF THE SERIES EXPRESO SUR, UNA FIESTA DE CULTURAS 13-19 | 03 | 2014 13 - 19 | 03 | 2014 CONTENIDO MINISTERIO DE CULTURA DE COLOMBIA MIEMBROS DEL CONSEJO NACIONAL DE LAS FESTIVAL INTERNACIONAL DE CINE DE MINISTRY OF CULTURE OF COLOMBIA ARTES Y LA CULTURA EN CINEMATOGRAFÍA CARTAGENA – FICCI – CNACC CARTAGENA INTERNATIONAL FILM FESTIVAL CONTENT MEMBERS OF THE NATIONAL COUNCIL OF FILM ARTS AND CULTURE Ministra de Cultura Ministra de Cultura Gerente General 04 Minister of Culture Minister of Culture of Colombia General Manager Mariana Garcés Córdoba Mariana Garcés Córdoba Lina Rodríguez PRESENTACIÓN PRESENTATION Viceministra de Cultura Directora de Cinematografía del Directora General Vice-minister of Culture Ministerio de Cultura de Colombia General Director María Claudia López Sorzano Film Office Director for the Ministry of Mónika Wagenberg Culture of Colombia 09 88 Secretario General Adelfa Martínez Bonilla Presidente Junta Directiva FICCI IX ENCUENTRO ENCUENTRO DE General Secretary Chairman of FICCI Board of Directors Enzo Rafael Ariza Ayala Delegados de la Ministra de Cultura Salvatore Basile Ferrara INTERNACIONAL DE PRODUCTORES FRANCIA - Minister of Culture Delegates PRODUCTORES COLOMBIA Directora de Cinematografía María Paula Duque Vicepresidente Junta Directiva FICCI TH Film Office Director Darío Vargas Vice-president of FICCI Board of Directors 9 INTERNATIONAL MEETING OF PRODUCERS Adelfa Martínez Bonilla Hernán Guillermo Piñeres PRODUCERS MEETING FROM FRANCE AND Representante de los Directores Director de Comunicaciones Directors’ Representative Junta Directiva FICCI COLOMBIA Communications Office Director Jorge Alberto Valencia FICCI Board of Directors Argemiro Cortés Buitrago Juan Manuel Buelvas 39 Representante de los Exhibidores Manuel Domingo Rojas V TALLER DOCUMENTAL Coordinadora del Grupo de Divulgación Hans Londoño 94 Exhibitors’ Representative TH y Prensa Andrés Santiago Martín Contraalmirante José Alfonso Díaz 5 DOCUMENTARY LANZAMIENTO DE LA SERIE Dissemination and Press Group Coordinator Gerardo Núñez WORKSHOP Ibon Munévar Representante de los Distribuidores Hernán Guillermo Piñeres EXPRESO SUR, UNA FIESTA Distributors’ Representative Ricardo Vélez Pareja DE CULTURAS Dirección Cinematografía Sandra Patricia Dávila Manuel del Cristo Pareja Film Office Maria Teresa del Castillo 61 LAUNCH OF THE SERIES Adriana González Representante de los Productores Mario Ramos Vélez III TALLER DE FESTIVALES EXPRESO SUR, UNA FIESTA Consuelo Castillo Producers’ Representative Fray Nelson Perez Franklin Patiño Paula Jaramillo del Corral Gerardo Murcia Gándara DE CINE DE CULTURAS Leticia Ordoñez Narciso Castro RD Pablo Ossa Representante de los Consejos Yolanda Pupo de Mogollón 3 FILM FESTIVALS Samar Charif Departamentales y Distritales de Raimundo Angulo WORKSHOP Yenny Chaverra Gallego Cinematografía Jaime Abello 96 Departmental and District Filmmaking 80 ORGANIZACIÓN ENCUENTROS Dirección de Comunicaciones Councils’ Representative Communications Office Fernando Charry VIII TALLER DE CRÍTICA CARTAGENA Astrid Castrillón Lopera CARTAGENA MEETING Ángela Paola González Vásquez Representante del Sector Artístico - Y PERIODISMO Ricardo Ramírez Hernández Creativo CINEMATOGRÁFICO ORGANIZATION Artistic - Creative Sector Representative TH Grupo de Divulgación y Prensa Yack Felipe Reyes 8 FILM CRITICISM AND Dissemination and Press Group JOURNALISM WORKSHOP Claudia Marcela González Representante del Sector Técnico 97 Technical Sector Representative José Mauricio Clavijo Luna AGRADECIMIENTOS ACKNOWLEDGEMENTS Secretaría Técnica Technical Secretary’s Office Claudia Triana de Vargas, Directora de Proimágenes Colombia Director of Proimágenes Colombia Encuentros Cartagena 2014 13-19 | 03 | 2014 ENCUENTROS CARTAGENA 2014 ENCUENTROS CARTAGENA 2014 El Ministerio de Cultura de Colombia y Proimágenes Colombia, en el marco del Festival Internacional Concurrent with the International Film Festival of Cartagena, over the last nine years the Ministry of de Cine de Cartagena, han desarrollado durante nueve años Encuentros Cartagena, un evento que Culture of Colombia and Proimágenes Colombia have developed Encuentros Cartagena, an event a través de los diferentes espacios de formación que lo conforman, ha contribuido al fortalecimiento that has contributed through its diverse training spaces to the strengthening and promotion of y la promoción del sector cinematográfico nacional y latinoamericano. Encuentros Cartagena se ha the national and Latin American film sector. Encuentros Cartagena has become a benchmark for posicionado como un referente para los profesionales y agentes de la industria cinematográfica y professionals and agents in the film industry, and stands out as a valuable opportunity for training, se ha convertido en una valiosa oferta de formación, plataforma de financiamiento y promoción de funding and promoting national and Latin American projects. proyectos nacionales y de América Latina. Prominent national films under development have been presented at Encuentros Cartagena, as is Películas destacadas de la cinematografía nacional han pasado por Encuentros Cartagena en su the case for La Playa D.C. by Jorge Andrés Arango (Un Certain Regard) and La Sirga by William fase de desarrollo, como es el caso de La Playa D.C., de Jorge Andrés Arango (Un Certain Regard) Vega (Quinzaine des Réalisateurs) both selected at Cannes International Film Festival 2013. Docu- y La Sirga, de William Vega (Quinzaine des Réalisateurs) seleccionadas en el Festival Internacional mentaries Nacer by Jorge Caballero, Quijote by Juan Pablo Ríos, Inés, recuerdos de una vida by de Cine de Cannes 2013. Los documentales Nacer de Jorge Caballero, Quijote de Juan Pablo Ríos, Luisa Sossa, Looking for … by Andrea Said, La eterna noche de las doce lunas by Priscila Padilla Inés, recuerdos de una vida de Luisa Sossa, Looking for … de Andrea Said, La eterna noche de las and Don Ca by Patricia Ayala Ruiz have successfully toured a host of international festivals, the two doce lunas, de Priscila Padilla y Don Ca, de Patricia Ayala Ruiz, han hecho un exitoso recorrido por latter being released in commercial theaters throughout the country. It is worth highlighting Pelo festivales internacionales, y los dos últimos, fueron estrenados en salas comerciales en el país. Cabe malo by Venezuelan Mariana Rondón as a San Sebastián Film Festival 2013 award-winning film, destacar además a Pelo malo de la venezolana Mariana Rondón, película ganadora del Festival de which participated at Encuentros 2012. Cine de San Sebastián 2013, que participó en Encuentros 2012. At Encuentros Cartagena producers, directors, distributors, sales agents, festival programmers, and En Encuentros Cartagena se dan cita productores, directores, distribuidores, agentes de ventas, production aid funds convene to participate in the International Meeting of Producers, the Docu- programadores de festivales, fondos de ayuda a la producción, periodistas y críticos cinemato- mentary Workshop, the Film Criticism and Journalism Workshop and the Film Festivals Workshop. gráficos para participar en los diferentes eventos formativos que ofrece dicho espacio como son: This year a French delegation will come along to study bilateral co-production between France and El Encuentro Internacional de Productores, el Taller Documental, el Taller de Crítica y Periodismo Colombia within the framework of the recently renewed Co-production Agreement. Cinematográfico y el Taller de Festivales de Cine. Este año contamos además con la presencia de Encuentros Cartagena is supported by the Spanish Cooperation Training Center, an entity that has una delegación francesa con la que se estudiará la coproducción bilateral Francia-Colombia, en el been its venue and unconditional partner since its beginning; the Andean Audiovisual Cooperation marco del recientemente renovado Acuerdo de Coproducción. Office of the Embassy of France in Colombia, the Chilean Ministry of Foreign Relations’ Director- Encuentros Cartagena cuenta con el apoyo del Centro de Formación de la Cooperación Española, ate of Cultural Affairs, the Producers Network of the Cannes International Film Festival Marché du institución que desde la creación de este evento se ha convertido en su sede y socio incondicional; Film, the Guadalajara International Film Festival’s Ibero American Meeting for Film Co-production, la Cooperación Audiovisual Andina de la Embajada de Francia en Colombia, La Dirección de Asuntos Cinemart, the Santiago International Film Festival - SANFIC, DocsDF, Docs Barcelona, the Continuing Culturales del Ministerio de Relaciones Exteriores de Chile, El Producers Network del Marché du Education Program and Centro Ático of the Pontificia Universidad Javeriana, Caracol Cine, Señal Film del Festival Internacional de Cine de Cannes, El Encuentro Iberoamericano de Coproducción Colombia and Caimán Cuadernos de Cine Magazine. Cinematográfica del Festival Internacional de Cine de Guadalajara, Cinemart, el Santiago Festival Internacional de Cine - SANFIC, DocsDF, Docs Barcelona, el Programa de Educación Continua y el Centro Ático de la Pontificia
Load more

Recommended publications
  • March 2018 New Releases
    March 2018 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 59 Vinyl Audio 3 CD Audio 8 RICHIE KOTZEN - TONY MACALPINE - RANDY BRECKER QUINTET - FEATURED RELEASES TELECASTERS & DEATH OF ROSES LIVEAT SWEET BASIL 1988 STRATOCASTERS: Music Video KLASSIC KOTZEN DVD & Blu-ray 35 Non-Music Video DVD & Blu-ray 39 Order Form 65 Deletions and Price Changes 63 800.888.0486 THE SOULTANGLER KILLER KLOWNS FROM BRUCE’S DEADLY OUTER SPACE FINGERS 203 Windsor Rd., Pottstown, PA 19464 [BLU-RAY + DVD] DWARVES & THE SLOTHS - DUNCAN REID & THE BIG HEADS - FREEDOM HAWK - www.MVDb2b.com DWARVES MEET THE SLOTHS C’MON JOSEPHINE BEAST REMAINS SPLIT 7 INCH March Into Madness! MVD offers up a crazy batch of March releases, beginning with KILLER KLOWNS FROM OUTER SPACE! An alien invasion with a circus tent for a spaceship and Killer Klowns for inhabitants! These homicidal clowns are no laughing matter! Arrow Video’s exclusive deluxe treatment comes with loads of extras and a 4K restoration that will provide enough eye and ear candy to drive you insane! The derangement continues with HELL’S KITTY, starring a possessed cat who cramps the style of its owner, who is beginning a romantic relationship. Call a cat exorcist, because this fiery feline will do anything from letting its master get some pu---! THE BUTCHERING finds a serial killer returning to a small town for unfinished business. What a cut-up! The King of Creepy, CHRISTOPHER LEE, stars in the 1960 film CITY OF THE DEAD, given new life with the remastered treatment.
    [Show full text]
  • Doru POP the “Trans National Turn”. New Urban Identities
    The “Trans national Turn”. 9 New Urban Identities and theI. TransformationCreating of thethe Romanian Space Contemporary Cinema Doru POP The “Trans national Turn”. New Urban Identities and the Transformation of the Romanian Contemporary Cinema Abstract The pressure of globalization and the transformations of the international film markets are rapidly changing the recent Romanian cinema. In a period spanning from 2010 to 2014, the paper describes same of the most important transformations, visible early on in productions like Marţi după Crăciun (Tuesday after Christmas) and even more importantly in a film like Poziţia copilului (Child’s Pose). The process, called by the author “the transnational turn” of the Romanian film, is characterized by the fact that urban spaces become more and more neutral and generic and the stories are increasingly de-contextualized. Designed for international markets, these films are changing both the set- ting and the mise-en-scène, creating a non specific space which is more likely to be accepted by cinema goers around the world. The second argument is the present generation Romanian cinema makers are moving even further, they are choosing to abandon the national cinema. As Elisabeth Ezra and Terry Rowden noted in their introduction to the classical reader on “transnational cinema”, another major aspect is that the recent films are increasingly indicating a certain “Hollywoodization” of their storytelling, and, implicitly, of the respective urban contexts of their narratives. This impact goes beyond genrefication, and, as is the case with productions like Love building (2013), which are using both cosmopolitan behaviors and non-specific urban activities, are manifestations of deep transformations in the Romanian cinema.
    [Show full text]
  • Tuesday 12 April 2016, London. This June, Audiences at BFI Southbank Will Be Enchanted by the Big-Screen Thrills of Steven Spie
    WITH ONSTAGE APPEARANCES FROM: DIRECTORS CRISTI PUIU, RADU JUDE, ANCA DAMIAN, TUDOR GIURGIU, RADU MUNTEAN AND MICHAEL ARIAS; BROADCASTERS MARK KERMODE AND JONATHAN MEADES Tuesday 12 April 2016, London. This June, audiences at BFI Southbank will be enchanted by the big-screen thrills of Steven Spielberg as we kick off a two month season, beginning on Friday 27 May with a re-release of the sci-fi classic Close Encounters of the Third Kind (Director’s Cut) (1977) in a brand new 35mm print, exclusively at BFI Southbank. We also welcome the most exciting talent behind the ‘New Wave’ of Romanian cinema to BFI Southbank, including directors Cristi Puiu and Radu Jude, as we celebrate this remarkable movement in world cinema with a dedicated season Revolution In Realism: The New Romanian Cinema. The BFI’s ever popular Anime Weekend returns to BFI Southbank from 3-5 June with the best new films from the genre, while this month’s television season is dedicated to Architecture on TV, with onscreen appearance from JG Ballard, Iain Nairn and Raymond Williams. The events programme for June boasts film previews of Notes on Blindness (Pete Middleton, James Spinney, 2016) and Race (Stephen Hopkins, 2016), and a TV preview of the new BBC drama The Living and the Dead starring Colin Morgan and Charlotte Spencer. New releases will include the Oscar-nominated Embrace of the Serpent (Ciro Guerra, 2015) and Apichatpong Weerasethakul’s latest film Cemetery of Splendour (2015). The BFI’s new Big Screen Classics series offers films that demand the big-screen treatment, and this month include The Night of the Hunter (Charles Laughton, 1955), Once Upon a Time in the West (Sergio Leone, 1968) and Days of Heaven (Terrence Malick, 1978).
    [Show full text]
  • Spring 2019 Film Calendar
    National Gallery of Art Film Spring 19 I Am Cuba p27 Special Events 11 A Cuba Compendium 25 Janie Geiser 29 Walt Whitman Bicentennial 31 The Arboretum Cycle of Nathaniel Dorsky 33 Roberto Rossellini: The War Trilogy 37 Reinventing Realism: New Cinema from Romania 41 Spring 2019 offers digital restorations of classic titles, special events including a live performance by Alloy Orchestra, and several series of archival and contem- porary films from around the world. In conjunction with the exhibition The Life of Animals in Japanese Art, the Gallery presents Japanese documentaries on animals, including several screenings of the city symphony Tokyo Waka. Film series include A Cuba Compendium, surveying how Cuba has been and continues to be portrayed and examined through film, including an in-person discussion with Cuban directors Rodrigo and Sebastián Barriuso; a celebra- tion of Walt Whitman on the occasion of his bicen- tennial; recent restorations of Roberto Rossellini’s classic War Trilogy; and New Cinema from Romania, a series showcasing seven feature length films made since 2017. Other events include an artist’s talk by Los Angeles-based artist Janie Geiser, followed by a program of her recent short films; a presentation of Nathaniel Dorsky’s 16mm silent The Arboretum Cycle; the Washington premieres of Gray House and The Image Book; a program of films on and about motherhood to celebrate Mother’s Day; the recently re-released Mystery of Picasso; and more. 2Tokyo Waka p17 3 April 6 Sat 2:00 La Religieuse p11 7 Sun 4:00 Rosenwald p12 13 Sat 12:30 A Cuba Compendium: Tania Libre p25 2:30 A Cuba Compendium: Coco Fusco: Recent Videos p26 14 Sun 4:00 Gray House p12 20 Sat 2:00 A Cuba Compendium: Cuba: Battle of the 10,000,000 p26 4:00 A Cuba Compendium: I Am Cuba p27 21 Sun 2:00 The Mystery of Picasso p13 4:30 The Mystery of Picasso p13 27 Sat 2:30 A Cuba Compendium: The Translator p27 Films are shown in the East Building Auditorium, in original formats whenever possible.
    [Show full text]
  • Ulysses' Gaze
    ULYSSES’ GAZE PROJECT 2013-2015: Stories of migration in Europe 2 // ULYSSES’ GAZE 2015 “This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.” ULYSSES’ GAZE 2015 // 3 TABLE OF CONTENTS 06 CHAPTER I. 04 ACADEMIC PERSPECTIVE. INTRODUCTION 08 Milica Petrovic, Belgium: A Country of Permanent Immigration. 20 Lucy Mayblin, Aneta Piekut, Gill Valentine, ‘Other’ posts in ‘other’ places: Poland through a postcolonial lens? 44 Mona Vintila, Migration as a form of abandonment. 50 Yannis Koukmas, 62 Migration in 21st century Greece. CHAPTER II. INDIVIDUAL PERSPECTIVES. MIGRATION AS AN EXPERIENCE 64 Olivia Maria Hărşan Interview with Romanian actress Clara Vodă. 70 Interview by Nikos Ago Costa Gavras about his experience as an immigrant. 106 74 Nina Bogosavac Your (apparent) enemy. PARTICIPANTS OF THE ULYSSES GAZE PROJECT 78 Marius Radu Two facets of migration in GOLDEN AGE Romania. 84 Mirona Mitache, An immigrant in Belgium about immigrants. 92 Anne Marie Majlund Jensen Inventing new languages. 98 Alicja Kordos Athens as a melting pot. Migration in Greece. 4 // ULYSSES’ GAZE 2015 INTRODUCTION The project Ulysses’ Gaze: Stories of Migration through East- European Cinematography tackled the topic of migration from Eastern to Western European countries through a cycle of film projections followed by debates linked to the this topic and by further contributions on the Internet platform : www.ulysses_project.eu. The partners involved in the project were both Eastern and Western European associations whose main objective is to stimulate the general public’s interest in the heritage, history and culture of the Eastern and Central Europe and of the Balkans: EuropaNova (BE), Dom Spotkań z Historią (PL), Ethnological Museum of Thrace (GR), Platform Spartak (NL) and Student Plus (RO).
    [Show full text]
  • The Romanian New Wave Anca Pusca a a Goldsmiths, University of London Available Online: 11 Aug 2011
    This article was downloaded by: [American University Library] On: 28 December 2011, At: 08:39 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Cambridge Review of International Affairs Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ccam20 Restaging the 1989 revolution: the Romanian New Wave Anca Pusca a a Goldsmiths, University of London Available online: 11 Aug 2011 To cite this article: Anca Pusca (2011): Restaging the 1989 revolution: the Romanian New Wave, Cambridge Review of International Affairs, DOI:10.1080/09557571.2011.558888 To link to this article: http://dx.doi.org/10.1080/09557571.2011.558888 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever
    [Show full text]
  • 47Th Chicago International Film Festival October 6–20
    WhatTheWorld Is Watching © 47th Chicago International Film Festival October 6–20 AMC River East 21 (322 E. Illinois St.) CHICAGOFILMFESTIVAL.COM PRESENTING PARTNER facebook.com/chicagofilmfestival twitter @chifilmfest ...SeeForYourself In this year’s lineup, you will find films that are visually bold and Lelouch. Speaking of the great masters of cinema, they are also well artistically daring. Some present a refreshing view on the growing represented in our program this year. pains of childhood while others explore the immigrant experience from truly original perspectives. You will find award-winning films Each film provides a once-in-a-lifetime opportunity to experience the as well as stories about real people that go beyond the headlines. sights, sounds and experiences of other cultures on the big screen And in keeping with our tradition of discovering new talent, this and the chance to hear and maybe even meet some of the artists year’s filmmakers will take you on provocative and exciting journeys behind them. The languages may be different, but the emotions are to lands near and far. These more than 45 first-time filmmakers the same. Film unites us like no other art form can. could very well be the future Cronenberg, Herzog, Wenders or Michael Kutza | Founder and Artistic Director 3 easy ways to buy tickets & passes PHONE ONLINE IN PERSON Festival Hotline: 312.332.FILM Festival Passes available exclusively in our Festival FESTIVAL THEATER BOX OFFICE Tickets purchased by phone need to be reserved no Store: CHICAGOFILMFESTIVAL.COM AMC River East 21 (322 E. Illinois St.) later than 24 hours in advance.
    [Show full text]
  • Romanian and Hungarian Film Cultures at the Transilvania International Film Festival
    EUROPEAN JOURNAL OF MEDIA STUDIES www.necsus-ejms.org Romanian and Hungarian film cultures at the Transilvania International Film Festival NECSUS 6 (1), Spring 2017: 219–225 URL: https://necsus-ejms.org/romanian-and-hungarian-film-cul- tures-at-the-transilvania-international-film-festival/ Keywords: culture, film festival, Hungary, Romania, Transilvania An arguably late arrival in the film festival circuit (first organised in 2002), the Transilvania International Film Festival[1] has been a significant date on the FIAPF calendar since 2011. The medium-sized and competitive Roma- nian film festival has its focus on first and second feature films by filmmakers from virtually all around the globe while also paying hommage to acclaimed personalities of European cinema. Furthermore, it serves as a hub for all things related to Romanian cinema and as such has become a staple in the Central and Eastern European region for both local audiences and interested film professionals.[2] A confusion surrounding its acronymic abbreviation is rather telling: at the regional or country level most people refer to it as ’TIFF’, irrespective of the language they speak – though this acronym by and large is reserved for the Toronto International Film Festival. Therefore, in this essay ’Transilvania IFF’ will be used. Another linguistic issue relates to its official naming, where instead of ’Transylvania’ the Romanian spelling of the region has been pre- ferred – reminiscent of a national (i.e. Romanian) component which reasserts, in my view, its country-affiliation and thereby denigrating any confusion re- lated to both the historical region and the festival concept as well.
    [Show full text]
  • Scms 2017 Conference Program
    SCMS 2017 CONFERENCE PROGRAM FAIRMONT CHICAGO MILLENNIUM PARK March 22–26, 2017 Letter from the President Dear Friends and Colleagues, On behalf of the Board of Directors, the Host and Program Committees, and the Home Office staff, let me welcome everyone to SCMS 2017 in Chicago! Because of its Midwestern location and huge hub airport, not to say its wealth of great restaurants, nightlife, museums, shopping, and architecture, Chicago is always an exciting setting for an SCMS conference. This year at the Fairmont Chicago hotel we are in the heart of the city, close to the Loop, the river, and the Magnificent Mile. You can see the nearby Millennium Park from our hotel and the Art Institute on Michigan Avenue is but a short walk away. Included with the inexpensive hotel rate, moreover, are several amenities that I hope you will enjoy. I know from previewing the program that, as always, it boasts an impressive display of the best, most stimulating work presently being done in our field, which is at once singular in its focus on visual and digital media and yet quite diverse in its scope, intellectual interests and goals, and methodologies. This year we introduced our new policy limiting members to a single role, and I am happy to say that we achieved our goal of having fewer panels overall with no apparent loss of quality in the program or member participation. With this conference we have made presentation abstracts available online on a voluntary basis, and I urge you to let them help you navigate your way through the program.
    [Show full text]
  • Download (386.44KB)
    Cronfa - Swansea University Open Access Repository _____________________________________________________________ This is an author produced version of a paper published in : The Routledge Companion to World Cinema Cronfa URL for this paper: http://cronfa.swan.ac.uk/Record/cronfa29914 _____________________________________________________________ Book chapter : Rydzewska, J. (2017). Developments in Eastern European Cinema since 1989. R. Stone, P. Cooke, S. Dennison, A. Marlow-Mann (Ed.), The Routledge Companion to World Cinema, Routledge. _____________________________________________________________ This article is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence. Authors are personally responsible for adhering to publisher restrictions or conditions. When uploading content they are required to comply with their publisher agreement and the SHERPA RoMEO database to judge whether or not it is copyright safe to add this version of the paper to this repository. http://www.swansea.ac.uk/iss/researchsupport/cronfa-support/ Developments in Eastern European Cinemas since 1989 Elżbieta Ostrowska, University of Alberta Joanna Rydzewska, Swansea University ABSTRACT This chapter examines the ways in which Eastern European cinema has become Europeanized. It looks at how the idea of Eastern Europe and its cinema has been shaped vis-à-vis the West, and redefined after the collapse of communism. Contrary to the received wisdom that a new paradigm emerged in 1989, this chapter argues that it is only since 2000 that Eastern European cinema has enjoyed recognition after the near collapse of its film industries in the 1990s. In the three case studies of the Hungarian filmmaker Béla Tarr, Eastern European female directors and the Romanian New Wave, the chapter analyses the emergence in Eastern Europe of a new complex model of film production aligned with its larger European counterpart.
    [Show full text]
  • 6523 Papadimitriou & Grgic.Indd
    CONTEMPORARY BALKAN CINEMA 66523_Papadimitriou523_Papadimitriou & GGrgic.inddrgic.indd i 001/10/201/10/20 33:27:27 PPMM Traditions in World Cinema General Editors Nordic Genre Film Linda Badley (Middle Tennessee State Tommy Gustafsson and Pietari Kääpä (eds) University) Contemporary Japanese Cinema Since R. Barton Palmer (Clemson University) Hana-Bi Adam Bingham Founding Editor Chinese Martial Arts Cinema (2nd edition) Steven Jay Schneider (New York University) Stephen Teo Titles in the series include: Slow Cinema Tiago de Luca and Nuno Barradas Jorge Traditions in World Cinema Expressionism in Cinema Linda Badley, R. Barton Palmer and Steven Jay Olaf Brill and Gary D. Rhodes (eds) Schneider (eds) French Language Road Cinema: Borders, Japanese Horror Cinema Diasporas, Migration and ‘New Europe’ Jay McRoy (ed.) Michael Gott New Punk Cinema Transnational Film Remakes Nicholas Rombes (ed.) Iain Robert Smith and Constantine Verevis (eds) African Filmmaking Coming of Age in New Zealand Roy Armes by Alistair Fox Palestinian Cinema New Transnationalisms in Contemporary Nurith Gertz and George Khleifi Latin American Cinemas Czech and Slovak Cinema Dolores Tierney Peter Hames Celluloid Singapore: Cinema, Performance and The New Neapolitan Cinema the National Alex Marlow-Mann Edna Lim American Smart Cinema Short Films from a Small Nation: Danish Claire Perkins Informational Cinema 1935–1965 C. Claire Thomson The International Film Musical Corey Creekmur and Linda Mokdad (eds) B-Movie Gothic: International Perspectives Justin D. Edwards and Johan
    [Show full text]
  • Afghanistan Argentina
    Afghanistan Argentina Wolf and Sheep El futuro perfecto Premiere: None Premiere: None Section: Limelight Section: Bright Future Director(s): Shahrbanoo Sadat Director(s): Nele Wohlatz Prod. Countries: Afghanistan, Prod. Countries: Argentina Denmark, Sweden, France Prod. Year: 2016 Prod. Year: 2016 Length: 65 Length: 86 Genre: Fiction Genre: Fiction Prod. Company: Murillo Cine Prod. Company: Adomeit Film, Contact: Cecilia Salim / Murillo Zentropa International Sweden, La Cine Fabrica Nocturna Productions Email: [email protected] 46th INTERNATIONAL FILM Contact: Virginie Devesa / Alpha Phone: +54 948 544611 FESTIVAL ROTTERDAM Violet Logline: Seventeen-year-old Email: [email protected] Xiaobin from China joins her January 25 – February 05, 2017 Phone: +33 1 47973984 parents in Argentina and tries to Logline: Old traditions, customs learn Spanish. With each new verb DISTRIBUTOR LIST and stories live on in a small conjugation, she takes a step Log lines from IFFR catalogue. shepherd community in the further: friends, work, falling for mountains of Afghanistan. The Vijay. A pleasant film about fitting In order of country. experiences of the village children – in in a new country that makes their friendships and enmities, daring stylistic choices. Xiaobin work and play – expose the plays herself in many different relations within the community. variations on her hypothetical An honest, loving portrait with a ‘perfect future’. hint of mysticism. Trailer: Trailer: https://www.youtube.com/watch? https://www.youtube.com/watch? v=CrlWbw5gJys v=7mLk0OCTpKo Sold territories: All available except Sold territories: All available except Brazil (Zeta Filmes) and Mexico for Benelux, Germany, Austria, (Interior XIII) France, Switzerland Kékszakállú four actresses in various ways.
    [Show full text]