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Nancy Wilson Ross
Nancy Wilson Ross: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Ross, Nancy Wilson, 1901-1986 Title: Nancy Wilson Ross Papers Dates: 1913-1986 Extent: 261.5 document boxes, 12 flat boxes, 18 card boxes, 7 galley folders (138 linear feet) Abstract: The papers of this American writer encompass her entire literary career and include manuscript drafts, extensive correspondence, and subject files reflecting her interest in Eastern cultures. Call Number: Manuscript Collection MS-03616 Language: English Access Open for research Administrative Information Acquisition Purchase, 1972 (R5717) Provenance Ross's first shipment of materials to the Ransom Center accompanied her husband Stanley Young's papers, and consisted of Ross's literary output to 1975, including manuscripts, publications, and research materials. The second, posthumous shipment contained manuscripts created since 1974, and all her correspondence, personal, and financial files, as well as files concerning the estate of Stanley Young. Processed by Rufus Lund, 1992-93; completed by Joan Sibley, 1994 Processing note: Materials from the 1975 and 1986 shipments are grouped following Ross's original order, with the exception of pre-1970, special, and current correspondence which were interfiled during processing. An index of selected correspondents follows at the end of this inventory. Repository: Harry Ransom Center, The University of Texas at Austin Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 2 Ross, Nancy Wilson, 1901-1986 Manuscript Collection MS-03616 Biographical Sketch Nancy Wilson was born in Olympia, Washington, on November 22, 1901. She graduated from the University of Oregon in 1924, and married Charles W. -
Volume 1, Issue 1 2017 ROBIN HOOD and the FOREST LAWS
Te Bulletin of the International Association for Robin Hood Studies Volume 1, Issue 1 2017 ROBIN HOOD AND THE FOREST LAWS Stephen Knight The University of Melbourne The routine opening for a Robin Hood film or novel shows a peasant being harassed for breaking the forest laws by the brutal, and usually Norman, authorities. Robin, noble in both social and behavioral senses, protects the peasant, and offends the authorities. So the hero takes to the forest with the faithful peasant for a life of manly companionship and liberal resistance, at least until King Richard returns and reinstates Robin for his loyalty to true values, social and royal, which are somehow congruent with his forest freedom. The story makes us moderns feel those values are age-old. But this is not the case. The modern default opening is not part of the early tradition. Its source appears to be the very well-known and influential Robin Hood and his Merry Men by Henry Gilbert (1912). The apparent lack of interest in the forest laws theme in the early ballads might simply be taken as reality: Barbara A. Hanawalt sees a strong fit between the early Robin Hood poems and contemporary outlaw actuality. Her detailed analysis of what outlaws actually did against the law indicates that robbery and assault were normal and that breach of the forest laws was never an issue.1 The forest laws themselves are certainly medieval.2 They were famously imposed by the Norman kings, they harassed ordinary people, stopping them using the forests for their animals and as a source for food and timber, and Sherwood was one of the most aggressively policed forests—but this did not cross into the early Robin Hood materials. -
A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
The Priest, the Psychiatrist and the Problem of Evil
THE PRIEST, THE PSYCHIATRIST AND THE PROBLEM OF EVIL PUNITA MIRANDA PHANÊS • VOLUME 2 • 2019 • PP. 104–143 https://doi.org/10.32724/phanes.2019.Miranda THE PRIEST, THE PSYCHIATRIST, AND THE PROBLEM OF EVIL 105 ABSTRACT This paper clusters around the problem of evil within the framework of depth psychology. The first part briefly introduces the narrative of the Book of Job as an example to contextualise how the ultimate question of God’s relation to evil remained unanswered and was left open-ended in Christian theology. The second part offers a historical reconstruction of the unresolved polemic over the nature of evil between Carl Jung and the English Dominican scholar and theologian Victor White (1902-1960). It explores their different speculations and formulations concerning evil and its psychological implications, until their final fall-out following White’s harshly critical review of Jung’s most controversial work on religion, Answer to Job. The final section of this paper introduces further reflections on a challenging theme that is no less resonant and relevant in today’s world of terrorism in the name of religion than it was in a post-war Europe struggling to recover from totalitarianism and genocide. KEYWORDS Carl Jung, Victor White, Book of Job, Answer to Job, evil. PHANÊS Vol 2 • 2019 PUNITA MIRANDA 106 God has turned me over to the ungodly and thrown me into the clutches of the wicked. All was well with me, but he shattered me; he seized me by the neck and crushed me. He has made me his target; his archers surround me. -
Mikee Delony Abilene Christian University Peer-Reviewed Robin
A REVIEW OF THE YEAR’S PUBLICATIONS IN ROBIN HOOD SCHOLARSHIP Mikee Delony Abilene Christian University Peer-reviewed Robin Hood scholarship published in 2015 includes two single-author books, two edited book chapters, and eight journal articles. These publications examine specific texts from the matter of Robin Hood, providing new approaches to familiar texts and further exploration of less-familiar materials. Many scholars also comment on the tradition’s capacity for seemingly endless adaptation and highlight the similar ideological and political threads woven through the materials. Shining an academic light upon five centuries of Robin Hood texts that celebrate political resistance and public activism against oppression takes on new importance in light of contemporary global resistance to government overreach and systemic oppression. Since Robin Hood scholarship also tends to resist categorization, I have loosely grouped these reviews by literary chronology and genre. GENERAL STUDIES In Reading Robin Hood: Content, Form, and Reception in the Outlaw Myth,1 Stephen Knight revisits the Robin Hood literary tradition from his position as one of the early pioneers in the field of Robin Hood studies. In his survey, which ranges from medieval oral ballads to twenty- first film and television adaptations, Knight notes the multivalent, “unhierarchial, nonlinear” (10) nature of the tradition and suggests that Deleuze and Guattari’s rhizomatic “model of multiplicity” (234) might best describe the “various, porous, [and] richly labile” legend (10). Writing that the Robin Hood tradition “renews itself in turns of current political forces and media of dissemination and consistently has as scant a respect for literary and formalistic authority as it has for social and legal forces of order” (253), Knight celebrates the characteristics that prevent the tradition from achieving canonical status at the same time they have remained relevant for centuries. -
Another Jung Life Deirdre Bair's Biography of C.G.Jung
Facts, dreams, culture, intimidation – another Jung life Deirdre Bair's biography of C.G.Jung Peter Geyer Derdre Bair: Jung: A biography Little, Brown 2003. Can you follow? Now that the trace is fainter in the sand?… Try sleeping with the dancers in your room……………………………...Jack Bruce (1971) Part of the enchantment surrounding C.G. Jung seems to be that many people want to find out about him and some others are prepared to oblige them with the occasional weighty tome about his life and times from a particular point of view. Read, unread, or dipped into at random, these texts over the years have built up a Jung mythos, appropriate in some ways for such a controversial and influential man. An adequate history of Jung the person seems hard to grasp. His own, rather mixed contribution to the field, contained within Memories, Dreams, Reflections has an undeserved autobiography status, but still sells as such. Other authors have set out to honour a valued guide (Barbara Hannah, 1976), explain his ideas and life together (Anthony Stevens), left the whole thing as a myth (Marie-Louise von Franz) or psychoanalyse him, thus finding him wanting (Ronald Hayman). There are many more besides, particularly if you read Jung's Freudian and other antagonists. The only Australian review I've located of Deirdre Bair's opus, by Helen Elliott, stops dead at one point in some bewilderment that Jung is taken seriously, as all those Freudian claims must be right, notwithstanding that the book she's writing on carries on an extensive investigation of those issues that seem carefully thought out and well researched. -
Funeral Service for Carl Gustav Jung 9Th June 1961
Funeral Service for Carl Gustav Jung 9th June 1961 NOTE: This annotated transcript was found in the archives of the C G Jung Society of Melbourne, and was transcribed in 2013 by Maxwell Ketels, Secretary/Librarian of the Society. It is possibly an extract from: In Memory of Carl Gustav Jung 1875-1961: Funeral Service Transcript, 9th June 1961 originally published by the London Analytical Psychology Club Carl Gustav Jung passed away 6th June 1961 of heart and circulatory problems, which had presented themselves several weeks before the end. - view of the church and cemetery / church interior MUSIC: ORGAN INTRODUCTION - FANTASIA IN C MINOR (Johann Sebastian Bach) (Organist - Emil Bachtold) FUNERAL SERMON: Pastor Werner Meyer* *Swiss Reformed pastor, and friend of the family, whom Jung had long liked and trusted, whose mystical tendencies and affinity with Jung is evident in this first eulogy How majestic is your name in all the earth! You have set your glory in the heavens. Children and infants praise you. When I consider your heavens, the work of your fingers, the moon and the stars, which you have set in place, what is mankind that you are mindful of them, human beings that you care for them? You have made them a little lower than the angels and crowned them with glory and honour. You made them rulers over the works of your hands; you put everything under their feet: all flocks and herds, and the animals of the wild, the birds in the sky, and the fish in the sea. Lord, how majestic is your name in all the earth! PSALM 8: With thanksgiving for abundance of his work and the rich harvest of his mind, we take leave from CARL GUSTAV JUNG, born Kesswil, Switzerland, 1875 - whom it pleased God to call from this world. -
Jung's Understanding of the Meaning of the Shadow, by Laurens Van Der
Jung’s Understanding of the Meaning of the Shadow pages 205-229 from Jung and the Story of Our Time by Laurens van der Post © 1975 by Laurens van der Post Not the least of Jung’s services to his time was his demonstration of how the dreaming process in man, far from being archaic and redundant, was more relevant than ever. This symbol moving between his dream and daylight self, however, was crucial at this moment. For years Jung had observed a sort of circular movement of awareness, dreams, visions, and new inner material round an as yet unclefined centre like planets and moons around a sun. It was a strange rediscovery of what had once been called the "magic circle." Christian use of this symbolism of the circle was common in the medieval age, usually in paintings of Christ at their centre and the four Apostles arranged at the cardinal points of the compass around him. But no one had ever seen the symbolism implied in the pattern. Some of Jung’s women patients who could not describe it in words or paintings would even dance the magic circle for him. And, as I was able to tell him also, the Stone Age man of Africa to this day does as well. Jung found this circular pattern such a compulsive, one is inclined to say transcendental, constant in himself and others that he started to paint it and to derive such comfort and meaning from it that for years he hardly drew anything else. He called the process and the movement of spirit the mandala, taking the Sanskrit word for "circle," because by this time he had seen drawings by his patients that were almost exact copies of drawings used in religious instruction in Tibet. -
Alpha Author 0108
Marion C. Hoppin Library of Jungian Psychology: Book List by Author Author Title Abbott, Elisabeth Fifteen Joys of Marriage, The Abell, Walter Collective Dream in Art, The Abella, Alex Killing of the Saints, The Abrahamsen, David Mind of the Accused Abrams, M. H., General Ed. Norton Anthology of English Literature: Vol. 1 Abrams, M. H., General Ed. Norton Anthology of English Literature: Vol. 2 Ackroyd, Peter T. S. Eliot: A Life Adams, Henry Mont-Saint-Michel and Chartres Adams, James Luther Paul Tillich's Philosophy of Culture, Science, and Religion Adler, Gerhard Living Symbol, The Adler, Gerhard Remembering and Forgetting Adler, Gerhard et al. Dynamic Aspects of the Psyche: Selections from Past Springs Adler, Gerhard, Ed. Current Trends in Analytical Psychology Adler, Gerhard, Ed. Success and Failure in Analysis Aeschylus Agamemnon Aeschylus Choephoroe, The Aeschylus Eumenides, The Aeschylus Persians, The Aeschylus Seven Against Thebes Aiken, Henry D. Age of Ideology Alain; Richard Peaver, Trans. Gods, The Albert, David Z. Quantum Mechanics and Experience Albright, William Foxwell From the Stone Age to Christianity Alexander, J. J. G. Decorated Letter, The Alexander, J. J. G. Italian Renaissance Illuminations Aller, Catherine Challenge of Pierre Teilhard de Chardin, The Allport, Gordon W. Individual and His Religion Allport, Gordon W. Person in Psychology, The Alpert, Richard Be Here Now, Be Now Here Alvarez, A. Savage God, The American Heritage Publishing Sense of History, A American Medical Association Essential Guide to Depression American Psychiatric Association Diagnostic and Statistical Manual: Vol. 3 Anderson, William Green Man Andrews, Valerie et al, Ed. Facing Apocalypse Angyal, Andras Neurosis and Treatment: A Holistic Theory Anonymous Apocrypha, The Anonymous Illustrated Gospels Anonymous Missing Books of the Bible: Vol. -
Frequency List
Ranking Frequency List 3501 1) 23903 (4.19%) 27) 3221 (0.564%) 53) 1589 (0.278%) 78) 1054 (0.185%) 103) 694 (0.122%) the is out we some 2) 20303 (3.56%) 28) 3201 (0.561%) 54) 1582 (0.277%) 79) 1046 (0.183%) 104) 689 (0.121%) And as down Nor mother 3) 12989 (2.27%) 29) 3008 (0.527%) 55) 1574 (0.276%) 80) 1019 (0.178%) 105) 685 (0.120%) to him What no here 4) 11511 (2.02%) 30) 2996 (0.525%) 56) 1560 (0.273%) 81) 1014 (0.178%) 106) 679 (0.119%) a will see bonny nae 5) 10028 (1.76%) 31) 2492 (0.436%) 57) 1545 (0.271%) 82) 1009 (0.177%) 107) 665 (0.116%) I Then If father take 6) 9557 (1.67%) 32) 2265 (0.397%) 58) 1509 (0.264%) 83) 989 (0.173%) 108) 662 (0.116%) he at man thy gae 7) 8855 (1.55%) 33) 2234 (0.391%) my with 59) 1482 (0.260%) 84) 984 (0.172%) 109) 660 (0.116%) I’ll never like 8) 6968 (1.22%) 34) 2224 (0.389%) in there 60) 1468 (0.257%) 85) 956 (0.167%) 110) 657 (0.115%) them are from 9) 6746 (1.18%) 35) 2215 (0.388%) green O lady 61) 1439 (0.252%) 86) 937 (0.164%) has men 111) 649 (0.114%) 10) 6260 (1.10%) 36) 2178 (0.381%) She’s her this 62) 1436 (0.251%) 87) 933 (0.163%) fair He’s 112) 646 (0.113%) 11) 6071 (1.06%) 37) 2112 (0.370%) yon that come 63) 1431 (0.251%) 88) 924 (0.162%) were dear 113) 644 (0.113%) 12) 5893 (1.03%) 38) 2092 (0.366%) been me by 64) 1374 (0.241%) 89) 912 (0.160%) now well 114) 623 (0.109%) 13) 5642 (0.988%) 39) 2011 (0.352%) It’s his wi 65) 1330 (0.233%) 90) 884 (0.155%) shall one 115) 622 (0.109%) 14) 5640 (0.988%) 40) 1896 (0.332%) get for all 66) 1326 (0.232%) 91) 869 (0.152%) gold so hand made 15) -
Le Cri De Merlin
Page 269 Chapter XIV Le Cri de Merlin Through all the ages poets and artists have often been prophets, because their work, or the material for it, comes to them from the same depths of the collective unconscious in which the major transformations of a particular era are in process of creation. Thus in the Middle Ages and on up to the seventeenth century, it was not only alchemy whose symbolism anticipated the problems of the new age; there was also a considerable number of poetical works, flowering largely at the same time as knighthood and chivalry, namely the legends and works of poetry which revolved around the vessel of the Holy Grail and the Grail stone.1 The greatest poet to have dealt with this theme was probably Wolfram von Eschenbach, and in his Parzival there is a direct connection with alchemical symbolism. In this epic the Grail vessel is replaced by a stone which has fallen from heaven. Wolfram calls it the lapis exilis, the term used by the alchemists for "their" stone. In other versions the Grail was originally a leaden vessel in which Nicodemus caught the blood of the Crucified as it flowed from his heart. There is also a version in which the Christ is supposed to have appeared to Joseph of Arimathea in prison and to have entrusted him with the vessel containing his blood. This is the reason Joseph was chosen as the first Guardian of the Grail; he was then succeeded by a series of Grail Kings. In antiquity and in the Middle Ages blood was thought of as the seat, or home, of the soul, and the real life principle of any creature. -
Maid Marian Made Possible: Feminist Advances in Late Twentieth-Century Retellings of the Robin Hood Legend for Young Adults
ALAN REVIEW. Template 2/2/04 10:58 AM Page 29 Evelyn M. Perry Maid Marian Made Possible: Feminist Advances in Late Twentieth-century Retellings of the Robin Hood Legend for Young Adults oth Robin McKinley and Esther Friesner, con- female-centered narrative made possible for the leg- temporary retellers of the Robin Hood legend, end by late 20th Century advances in feminist think- Brefer to Howard Pyle’s The Merry Adventures of ing” (McDonnell). Robin Hood as their first significant introduction to Because it is one of the first, and most popular, the legend. Pyle’s text retells most, if not all, of the Robin Hood retellings authored by a woman, our Robin Hood ballads (a mere glance through the table hopes for The Outlaws of Sherwood include the inte- of contents reveals 20 of these ballads, from “Robin gration of the female hero1. That McKinley’s Maid Hood and the Tinker” to “Robin Hood and Guy of Marian is a significant individual is important. She is Gisbourne”). However, Pyle’s text does not handle the active, witty, smart, and genuine—and an old and ballad of “Robin Hood and Maid Marian”—nor does it good friend to Robin. It is this characterization that explore Maid Marian’s role in the legend. As a result, allows McKinley’s Marian to pursue her heroic poten- the very text that feeds and informs the Robin Hood tial in the text and to play a role as vital and as valu- legend of the twentieth century is thorough in its able as the other legendary characters (such as Little treatment of literary heroism but blind to heroism as John, Much the Miller’s Son, and Will Scarlet).