Funeral Service for Carl Gustav Jung 9Th June 1961
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A Dangerous Method
A David Cronenberg Film A DANGEROUS METHOD Starring Keira Knightley Viggo Mortensen Michael Fassbender Sarah Gadon and Vincent Cassel Directed by David Cronenberg Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Official Selection 2011 Venice Film Festival 2011 Toronto International Film Festival, Gala Presentation 2011 New York Film Festival, Gala Presentation www.adangerousmethodfilm.com 99min | Rated R | Release Date (NY & LA): 11/23/11 East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Ziggy Kozlowski Carmelo Pirrone 77 Park Ave, #12A Jennifer Malone Lindsay Macik New York, NY 10016 Rebecca Fisher 550 Madison Ave 347-254-7054, ext 101 110 S. Fairfax Ave, #310 New York, NY 10022 Los Angeles, CA 90036 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax A DANGEROUS METHOD Directed by David Cronenberg Produced by Jeremy Thomas Co-Produced by Marco Mehlitz Martin Katz Screenplay by Christopher Hampton Based on the stage play “The Talking Cure” by Christopher Hampton Based on the book “A Most Dangerous Method” by John Kerr Executive Producers Thomas Sterchi Matthias Zimmermann Karl Spoerri Stephan Mallmann Peter Watson Associate Producer Richard Mansell Tiana Alexandra-Silliphant Director of Photography Peter Suschitzky, ASC Edited by Ronald Sanders, CCE, ACE Production Designer James McAteer Costume Designer Denise Cronenberg Music Composed and Adapted by Howard Shore Supervising Sound Editors Wayne Griffin Michael O’Farrell Casting by Deirdre Bowen 2 CAST Sabina Spielrein Keira Knightley Sigmund Freud Viggo Mortensen Carl Jung Michael Fassbender Otto Gross Vincent Cassel Emma Jung Sarah Gadon Professor Eugen Bleuler André M. -
A Semi-Annual Publication of the Philem N Foundation
a semi-annual publication of the Fall 2007 philem n foundation Volume 2, Issue 2 JUNG HISTORY: A Semi-Annual Publication of the CONTENTS Philemon Foundation, Volume 2, Issue 2 WHO IS JUNG’S PHILEMON? AN UNPUBLISHED LETTER TO The Philemon Foundation was founded at the end of ALICE RAPHAEL : PAGE FIVE 2003, and since this time, has made critical contribu - Sonu Shamdasani tions to a number of ongoing projects preparing for publication the still unpublished works of C. G. Jung. JUNG’S HERMAPHRODITES AND THE The Foundation is grateful to its donors who have ABSENCE OF OVID : PAGE EIGHT made this work possible. Jung History, which will Barbara Zipser appear semi-annually, will provide accounts of some of the ongoing research sup ported by the Philemon C.G. JUNG’S POSITION AT THE Foundation and other news. In addition to schol - EIDGEN ÖSSISCHE TECHNISCHE HOCHSCHULE ars funded by the Philemon Foundation, Jung History ZÜRICH (ETH ZURICH): THE SWISS FEDERAL will present reports of significant historical research INSTITUTE OF TECHNOLOGY, ZURICH : and publications in the field. In recent years, an PAGE TWELVE increasing amount of new historical research on C. G. Angela Graf-Nold Jung has been undertaken, based on the study of hitherto unknown primary materials. However, the TRANSLATING JUNG : PAGE SIXTEEN Ernst Falzeder publication of such research has been widely dis - persed, which has led to the desirability of a publica - THE SOURCES OF SYSTEMA MUNDITOTIUS: tion to gather together such work and make it better MANDALAS, MYTHS AND A Jung History Jung known. sets out to fill this need. -
The Priest, the Psychiatrist and the Problem of Evil
THE PRIEST, THE PSYCHIATRIST AND THE PROBLEM OF EVIL PUNITA MIRANDA PHANÊS • VOLUME 2 • 2019 • PP. 104–143 https://doi.org/10.32724/phanes.2019.Miranda THE PRIEST, THE PSYCHIATRIST, AND THE PROBLEM OF EVIL 105 ABSTRACT This paper clusters around the problem of evil within the framework of depth psychology. The first part briefly introduces the narrative of the Book of Job as an example to contextualise how the ultimate question of God’s relation to evil remained unanswered and was left open-ended in Christian theology. The second part offers a historical reconstruction of the unresolved polemic over the nature of evil between Carl Jung and the English Dominican scholar and theologian Victor White (1902-1960). It explores their different speculations and formulations concerning evil and its psychological implications, until their final fall-out following White’s harshly critical review of Jung’s most controversial work on religion, Answer to Job. The final section of this paper introduces further reflections on a challenging theme that is no less resonant and relevant in today’s world of terrorism in the name of religion than it was in a post-war Europe struggling to recover from totalitarianism and genocide. KEYWORDS Carl Jung, Victor White, Book of Job, Answer to Job, evil. PHANÊS Vol 2 • 2019 PUNITA MIRANDA 106 God has turned me over to the ungodly and thrown me into the clutches of the wicked. All was well with me, but he shattered me; he seized me by the neck and crushed me. He has made me his target; his archers surround me. -
Introduction: Jung, New York, 1912 Sonu Shamdasani
Copyrighted Material IntroductIon: Jung, neW York, 1912 Sonu Shamdasani September 28, 1912. the New York Times featured a full-page inter- view with Jung on the problems confronting america, with a por- trait photo entitled “america facing Its Most tragic Moment”— the first prominent feature of psychoanalysis in the Times. It was Jung, the Times correctly reported, who “brought dr. freud to the recognition of the older school of psychology.” the Times went on to say, “[H]is classrooms are crowded with students eager to under- stand what seems to many to be an almost miraculous treatment. His clinics are crowded with medical cases which have baffled other doctors, and he is here in america to lecture on his subject.” Jung was the man of the hour. aged thirty-seven, he had just com- pleted a five-hundred-page magnum opus, Transformations and Sym‑ bols of the Libido, the second installment of which had just appeared in print. following his first visit to america in 1909, it was he, and not freud, who had been invited back by Smith ely Jelliffe to lec- ture on psychoanalysis in the new international extension course in medicine at fordham university, where he would also be awarded his second honorary degree (others invited included the psychiatrist William alanson White and the neurologist Henry Head). Jung’s initial title for his lectures was “Mental Mechanisms in Health and disease.” By the time he got to composing them, the title had become simply “the theory of Psychoanalysis.” Jung com- menced his introduction to the lectures by indicating that he in- tended to outline his attitude to freud’s guiding principles, noting that a reader would likely react with astonishment that it had taken him ten years to do so. -
Another Jung Life Deirdre Bair's Biography of C.G.Jung
Facts, dreams, culture, intimidation – another Jung life Deirdre Bair's biography of C.G.Jung Peter Geyer Derdre Bair: Jung: A biography Little, Brown 2003. Can you follow? Now that the trace is fainter in the sand?… Try sleeping with the dancers in your room……………………………...Jack Bruce (1971) Part of the enchantment surrounding C.G. Jung seems to be that many people want to find out about him and some others are prepared to oblige them with the occasional weighty tome about his life and times from a particular point of view. Read, unread, or dipped into at random, these texts over the years have built up a Jung mythos, appropriate in some ways for such a controversial and influential man. An adequate history of Jung the person seems hard to grasp. His own, rather mixed contribution to the field, contained within Memories, Dreams, Reflections has an undeserved autobiography status, but still sells as such. Other authors have set out to honour a valued guide (Barbara Hannah, 1976), explain his ideas and life together (Anthony Stevens), left the whole thing as a myth (Marie-Louise von Franz) or psychoanalyse him, thus finding him wanting (Ronald Hayman). There are many more besides, particularly if you read Jung's Freudian and other antagonists. The only Australian review I've located of Deirdre Bair's opus, by Helen Elliott, stops dead at one point in some bewilderment that Jung is taken seriously, as all those Freudian claims must be right, notwithstanding that the book she's writing on carries on an extensive investigation of those issues that seem carefully thought out and well researched. -
Jung's Understanding of the Meaning of the Shadow, by Laurens Van Der
Jung’s Understanding of the Meaning of the Shadow pages 205-229 from Jung and the Story of Our Time by Laurens van der Post © 1975 by Laurens van der Post Not the least of Jung’s services to his time was his demonstration of how the dreaming process in man, far from being archaic and redundant, was more relevant than ever. This symbol moving between his dream and daylight self, however, was crucial at this moment. For years Jung had observed a sort of circular movement of awareness, dreams, visions, and new inner material round an as yet unclefined centre like planets and moons around a sun. It was a strange rediscovery of what had once been called the "magic circle." Christian use of this symbolism of the circle was common in the medieval age, usually in paintings of Christ at their centre and the four Apostles arranged at the cardinal points of the compass around him. But no one had ever seen the symbolism implied in the pattern. Some of Jung’s women patients who could not describe it in words or paintings would even dance the magic circle for him. And, as I was able to tell him also, the Stone Age man of Africa to this day does as well. Jung found this circular pattern such a compulsive, one is inclined to say transcendental, constant in himself and others that he started to paint it and to derive such comfort and meaning from it that for years he hardly drew anything else. He called the process and the movement of spirit the mandala, taking the Sanskrit word for "circle," because by this time he had seen drawings by his patients that were almost exact copies of drawings used in religious instruction in Tibet. -
Le Cri De Merlin
Page 269 Chapter XIV Le Cri de Merlin Through all the ages poets and artists have often been prophets, because their work, or the material for it, comes to them from the same depths of the collective unconscious in which the major transformations of a particular era are in process of creation. Thus in the Middle Ages and on up to the seventeenth century, it was not only alchemy whose symbolism anticipated the problems of the new age; there was also a considerable number of poetical works, flowering largely at the same time as knighthood and chivalry, namely the legends and works of poetry which revolved around the vessel of the Holy Grail and the Grail stone.1 The greatest poet to have dealt with this theme was probably Wolfram von Eschenbach, and in his Parzival there is a direct connection with alchemical symbolism. In this epic the Grail vessel is replaced by a stone which has fallen from heaven. Wolfram calls it the lapis exilis, the term used by the alchemists for "their" stone. In other versions the Grail was originally a leaden vessel in which Nicodemus caught the blood of the Crucified as it flowed from his heart. There is also a version in which the Christ is supposed to have appeared to Joseph of Arimathea in prison and to have entrusted him with the vessel containing his blood. This is the reason Joseph was chosen as the first Guardian of the Grail; he was then succeeded by a series of Grail Kings. In antiquity and in the Middle Ages blood was thought of as the seat, or home, of the soul, and the real life principle of any creature. -
A Semi-Annual Publication of the Philem N Foundation
a semi-annual publication of the Fall 2006 philem n foundation Volume 2, Issue 1 JUNG HISTORY: A Semi-Annual Publication of the CONTENTS Philemon Foundation, Volume 2, Issue 1 FIGURES OF TIME AND MEANING IN JUNG’S INTERPRETATION The Philemon Foundation was founded at the end of OF DREAMS : PAGE TWO 2003, and since this time, has made critical contribu - Michael Whan tions to a number of ongoing projects preparing for publication the still unpublished works of C. G. Jung. ON THE METHOD OF DREAM The Foundation is grateful to its donors who have INTERPRETATION : PAGE SIX made this work possible. Jung History, which will C. G. Jung appear semi-annually, will provide accounts of some of the ongoing research sup ported by the Philemon Foundation and other news. In addition to schol - ars funded by the Philemon Foundation, Jung History will present reports of significant historical research and publications in the field. In recent years, an increasing amount of new historical research on C. G. Jung has been undertaken, based on the study of hitherto unknown primary materials. However, the publication of such research has been widely dis - persed, which has led to the desirability of a publica - tion to gather together such work and make it better known. Jung History sets out to fill this need. Jung History will be freely distributed to donors, collabo - rating institutions, and interested readers. Jung History will also be available for download at www.philemonfoundation.org. For further infor - mation concerning the Philemon Foundation and to receive a copy of Jung History , please send an e-mail to info @philemonfoundation.org. -
P H a N Ê S Journal for Jung History
P H A N Ê S JOURNAL FOR JUNG HISTORY Vol 2 • 2019 Mission Statement Phanês: Journal for Jung History (ISSN 2631-6463, online; ISSN 2631-6455, printed) is an annual, peer-reviewed, open-access journal, dedicated to publishing high quality, scholarly articles related to the life and work of C.G. Jung and the wider history of analytical or complex psychology. Phanês publishes original articles that address these topics from a critical perspective. Contributions are accepted in English, French, German and Italian. Editorial Board Ernst Falzeder (University College London), Martin Liebscher (University College London), Christine Maillard (University of Strasbourg), Sonu Shamdasani (University College London). Editorial Team Managing Editor: Gaia Domenici (University College London). Executive Editors: Alessio De Fiori (University of Strasbourg), Matei Iagher (University College London), Armelle Line Peltier (University of Strasbourg), Tommaso Priviero (University College London), Quentin Schaller (University of Strasbourg), Dangwei Zhou (University College London). Editors: Oliver Knox (University College London), Christopher Wagner (University College London). Manuscript Submission Information The journal only accepts original, completed manuscripts that are not under review by any other journal or publication. All submissions must be sent electronically to [email protected]. Manuscripts should be submitted as ‘.doc’ files, double spaced and no longer than 10,000 words including references. An abstract of no more than 150 words must be included with the submission. As submissions are blind reviewed, the author’s name, institutional affiliation, word count and the title of the paper should be included on a separate title page. The editors will aim to communicate a decision to the authors as quickly as possible, within three months of submission. -
Sonu Shamdasani
Copyrighted Material INTRODUCTION SoNu ShAMdASANI March 24, 1925, Zurich. Cary Baynes noted: Yesterday began the new order, that is to say, the first of the seminars. These latter like the ancient wars as described in the school text-books, have their immediate and their remote cause, of which the former is luminously set out in Jung’s cir- cular letter. It is said that when Miss Corrie received said let- ter she felt as though her father had died.1 There was general weeping and wailing and gnashing of teeth among the faith- ful, but rejoicing from this of the “Four Winds.” as i have had only two analytical hours since the first of december, it seemed a golden opportunity. We meet Mondays and Thursdays from 4.30 to 6 P.M. in the rooms at Gemeinde Strasse.2 Yesterday there were present the following: Dr. Shaw, Dr. Kay (aet. 28, hailing from Austra- lia, seen by me for the first time, and notes as being very nice looking), Miss Sergeant, Kristine Mann, Dr. Ward, Dr. Gor- don, Beckwith,3 (looking as though stung by a bee convinced that the seminars mean the loss of his hour with Jung, which they do not but his Anima was holding him to the conviction as long as possible), Murray4 (aet. 32, lately arrived from Cam- bridge, england, but sometime from the u.S.a.—came with 60 questions, and has understood the Types—stammers to the Queen’s taste, much more attractively than i do—chemist by profession, owns a piece of wilderness in Vermont whither he 1 in 1922, Joan Corrie published an essay titled “a Personal experience of the night Sea Journey under the Sea,” recounting and analysing dreams she had during her anal- ysis with Jung. -
Analyzing from the Self a Phenomenology of the "Third" in Analysis John Ryan Haule
Analyzing From The Self A Phenomenology of the "Third" In Analysis John Ryan Haule www.jrhaule.net This article was published at Chapter 14 (pp. 255-272), in Roger Brooke (ed.), Pathways into the Jungian World. London: Routledge, 1999. I. EXPERIENCING THE SELF IN ANALYSIS: FIRST PERSON REPORTS A. Reports from Jung’s Patients and Students B. Jung’s Experience of the Self in Analysis II. ANALYZING FROM THE SELF: A SUMMARY III. A PHENOMENOLOGICAL DESCRIPTION A. Analyzing from the Ego B. Analyzing from the Persona C. Analyzing from the Self 1. The Analytic Mitwelt 2. Transparency and the Self Field 3. The 2,000,000 Year-Old Man IV. ANALYZING FROM THE SELF AND HUMILITY Bibliography Abstract. Jung often spoke of his approach to psychotherapy as "analyzing from the Self," to which he contrasted "prestige analysis," based on persona, and "ego-centered analysis," driven by a fear of the unconscious. This essay explicates "analyzing from the Self" phenomenologically by attending to reports from Jung’s close associates and students who speak of the uncanny way he addressed their deepest issues directly. Three dimensions of Mitwelt are distinguished within the analytic temenos : (a) the social adaptation and inauthenticity of the persona field, (b) the critical reality-testing in the interaction between two egos, and (c) the imaginal "gathering" of the Self field. The expression "analyzing from the Self" is nowhere to be found in Jung’s Collected Works. Yet if we pay attention to those who knew Jung personally, who analyzed with him, and who trained in the early days of the Zurich Institute when Jung was still alive, we find that the notion of "analyzing from the Self" expresses something essential about how Jung understood his unique contribution to the therapeutic enterprise. -
<I>Labyrinths: Emma Jung, Her Marriage to Carl
Journal of Psychological Therapies 5(2) 229–235 (2020) BOOK REVIEWS Labyrinths: Emma Jung, Her Marriage to Carl and the Early Years of Psychoanalysis by Catrine Clay. London: William Collins/HarperCollins Publishers, 2016, 406 pages, £20, ISBN 978-0-00-751066-5. Reviewed by Brett Kahr* It may not be widely known that Martha Bernays Freud, the wife of Professor Sigmund Freud and, moreover, the epitome of the nineteenth-century Hausfrau, looked after her husband so devotedly that she even squeezed toothpaste onto his toothbrush every single day and night (Berthelsen, 1987; Roazen, 1993, 1995). The Frau Professor did so, not only as an expression of the subservient position of women at that point in history but, also, in order to save Professor Freud precious time, which he required to treat his patients and to write his many books and papers. This domestic detail, which many contemporary feminists might find rather shocking, raises a number of very important questions about the lives of great men and, indeed, great women. One wonders whether, in order to become hugely successful, our innovators and geniuses truly require a fleet of servants to slather toothpaste onto their brushes so that they might thus shield themselves from such annoying nuisances. Can these people not manage on their own? What role do spouses play in the lives of hugely pro- ductive and creative individuals? And do we, as mental health practitioners, have anything to learn from the domestic lives of our distinguished fore- fathers and foremothers? Hitherto, few psychotherapists or biographers have, to the best of my knowledge, written much about the marriages of the great founders of our profession.