APRIL 2015 BUYER& CELLAR WELCOME

Welcome to the fizzy, effervescent world of Buyer & Cellar! Playwright Jonathan Tolins blends sparkling humor with sharp-edged satire as he digs down deep into the absurdity of our celebrity-obsessed culture. We’re delighted to introduce San Diego audiences to this dazzlingly smart and witty play.

The art of the one-man show looks simpler than it is, and we’re thrilled to have a creative team whose hard work makes it all seem effortless. Throughout his career, director Ron Lagomarsino has moved smoothly from film and television to theatre and back again. Here, he has partnered with talented designers Erik Flatmo on sets, Charlotte Devaux on costumes, Philip Rosenberg on lights, and Lindsay Jones on sound. Together with actor David Turner, the entire team brings DOUGLAS GATES Tolins’s story to vibrant, giddy life. Managing Director Michael G. Murphy and Artistic Director Barry Edelstein.

This season, the Sheryl and Harvey White Theatre in the Conrad Prebys Theatre Center has boasted its share of unforgettable drama, from Marco Ramirez’s The Royale to Nathan Englander’s The Twenty-seventh Man. Following Buyer & Cellar, we’ll feature even more contemporary comedy, with Victoria Stewart’s Rich Girl. It’s a season that showcases the richness and variety of American playwriting today, and we’re proud to share it with you.

Enjoy the show!

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

PERFORMANCES MAGAZINE 1 PRODUCTION SPONSORS PRODUCTION SPONSORS EXTRAORDINARY LEADERSHIP

Since the founding of The Old Globe in 1935, heroic leadership has made The following individuals and organizations, recognized for their the theatre a cultural icon in San Diego and a forerunner in the American tremendous cumulative giving, comprise a special group of friends ALAN BENAROYA theatre. Many individuals have paved that way and enabled the theatre’s who have played leading “behind-the-scenes” roles, helping create the The Old Globe has been the recipient of Microsoft’s generosity extraordinary success, and the Globe would like to recognize and honor productions on the three stages, programs in the community, and our for almost 10 years, and over $670,000 in funding has come its most generous and committed philanthropists who have helped make influence beyond this region. to The Old Globe and enabled it to improve upon its high that possible. level of technological capabilities. Beginning in 2007, these — $25 million and higher — in-kind gifts have supported the theatre as it constantly Donald* and Darlene Shiley works to upgrade its IT Critical Infrastructure and enable better customer service and communication by utilizing new — $11 million and higher — software, upgrading licenses, and expanding storage capacity. Conrad Prebys | San Diego Commission for Arts and Culture The Globe applauds Microsoft for its longtime friendship and is fortunate to be part of Microsoft’s Unlimited — $8 million and higher — Potential efforts. The company partners with thousands Karen and Donald Cohn | Sheryl and Harvey White of organizations around the world, assisting technological

DOUGLAS GATES capabilities to help not-for profits achieve their mission. — $7 million and higher — Alan Benaroya (third from right) with Quartet director Richard Seer Kathryn Hattox (third from left) and cast members Jill Tanner, Associate Artist and Board Member Robert Foxworth, Elizabeth Franz, and Roger Forbes. — $3 million and higher — Helen K. and James S. Copley Foundation | Audrey S. Geisel | County of San Diego The Old Globe applauds The Prado at Balboa Park for their ongoing and longtime support. The Prado is a restaurant frequently visited by Globe patrons for lunch or dinner prior to Globe — $2 million and higher — performances, and restaurant patrons from all over the region receive unparalleled service and The James Irvine Foundation | The Shubert Foundation | Viterbi Family Foundation ambiance complemented by world-class cuisine. Owners David and Lesley Cohn are pleased to support the arts in San Diego and are especially delighted to once again partner with the Globe — $1 million and higher — to ensure memorable and delicious nights out for Globe patrons. The Cohns have attended Globe The Lipinsky Family The Kresge Foundation J. Dallas and Mary Clark* productions for more than a decade, and The Old Globe greatly appreciates The Prado at Balboa Carolyn Yorston-Wellcome Estate of Dorothy S. Prough Qualcomm Foundation Park and its generous financial contributions and in-kind gifts, which support the theatre’s California Cultural & Historical Endowment National Endowment for the Arts Bank of America artistic and education programming and fundraising events each year. Stephen & Mary Birch Foundation, Inc. Helen Edison* Mary Beth Adderley Jeannie and Arthur Rivkin Estate of Beatrice Lynds* Anonymous Wells Fargo Victor H.* and Jane Ottenstein *In Memoriam

THANK YOU, CITY OF SAN DIEGO! MEET THE ARTIST 2015 The City of San Diego values not-for-profit arts and culture organizations for their capacity to foster creativity and innovation and stimulate the local economy. In Fiscal Year 2013, the 72 The Old Globe is proud to present its 2015 interview series, Meet the Artist, exclusively for Globe donors. Attendees at the Gold organizations that received City funding totaling $6,042,338 collectively added more than $186.8 level and above will have an opportunity to meet talented Globe artists as they talk about their careers, personal interests, and million in direct expenditures to the local economy and provided jobs for more than 6,500 workers. theatrical experiences during an intimate reception and candid interview. The next two events are: More than 1.6 million tourists participated in City-funded arts and cultural events, and these “cultural tourists” generally spend more than twice as much as other visitors. San Diego’s arts and culture not-for-profits represent a multimillion-dollar industry that consistently provides positive Monday, June 8, 2015 returns on the City’s investment. The Old Globe is grateful to the City of San Diego Commission David Israel Reynoso for Arts and Culture for sustaining such an extraordinary array of arts and culture organizations, Costume designer, Arms and the Man festivals, and events for San Diego residents and visitors to enjoy. and Twelfth Night

Monday, June 29, 2015 Darko Tresnjak Director, Kiss Me, Kate DOUGLAS GATES THE PHOTO DEFINING David Israel Reynoso. Darko Tresnjak. For more information on becoming a donor and attending these events, please contact Robin Hatfield, Annual Fund Manager, at (619) 231-1941 x2311 or [email protected].

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic Season Sponsors ($60,000 and higher) and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is pleased to acknowledge the following Season Sponsors who have generously supported the 2014-2015 season.

Leading Season Sponsors ($75,000 and higher)

JOAN AND IRWIN JACOBS VALERIE AND HARRY COOPER GILLIAN AND TONY THORNLEY Sponsors since 2002 Sponsors since 2005 Sponsors since 2009 U-T SAN DIEGO EDUARDO CONTRERAS / JIM COX KAREN AND DONALD COHN DARLENE MARCOS SHILEY GLOBE GUILDERS AUDREY S. GEISEL Charter Sponsors since 1995 In memory of Donald Shiley Charter Sponsor since 1995 Sponsor since 1998 Charter Sponsor since 1995 JUNE E. YODER PAM FARR AND BUFORD ALEXANDER SILVIJA AND BRIAN DEVINE Sponsor since 2010 Sponsors since 2011 Sponsors since 2012

KATHRYN HATTOX SHERYL AND HARVEY WHITE CONRAD PREBYS AND MARY BETH ADDERLEY Sponsor since 1998 Sponsors since 2000 DEBRA TURNER Sponsor since 2004 GLORIA RASMUSSEN RHONA AND RICK THOMPSON HAL AND PAM FUSON Sponsors since 2004 Sponsor since 2012 Sponsors since 2013 Sponsors since 2013

Charter Sponsor since 1995

JIM COX VICKI AND CARL ZEIGER Sponsor since 2007 SUSAN AND JOHN MAJOR PETER COOPER AND EDGERTON FOUNDATION ELAINE AND DAVE DARWIN PAULA AND BRIAN POWERS Sponsors since 2014 Sponsors since 2014 NORMAN BLACHFORD Sponsor since 2008 Sponsors since 2011 Sponsors since 2012 Sponsors since 2008 Leading Production Sponsors ($50,000 and higher)

Sponsor since 2000 JIM COX DIANE AND JOHN BEROL ELAINE LIPINSKY JEAN AND GARY SHEKHTER ANN DAVIES Charter Sponsor since 1995 Sponsors since 1996 FAMILY FOUNDATION Sponsors since 2014 Sponsor since 2013 Sponsor since 2012

For additional information on how you may become a Season Sponsor, please contact Photo for Globe Guilders: Lee Aaron Rosen and Sarah Manton in Time and the Conways, 2014; for Edgerton Foundation: Nicole Parker and Todd Schultz, Director of Development, at (619) 231-1941 x2310. Jon Patrick Walker in Dog and Pony, 2014; for Diane and John Berol: the cast of A Midsummer Night’s Dream, 2013. 4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 OUR THANKS THE PLAY Welcome to the Globe! Couture 2015. Join us on Tuesday, May 12, as renowned fashion designer Naeem Khan dazzles with his 2015 Fall Couture Line. Sometimes it’s the simplest things FROM THE that bring the greatest delight—a Your philanthropy makes a difference. We ask you to invest in the talent for design, a love of shopping, Globe and help San Diego’s largest not-for-profit performing arts ARTISTIC a mall in the basement containing the organization close the 45% funding gap between the total cost of amassed collections of Barbra Streisand. producing each show and earned income from ticket sales. We are DIRECTOR Playwright Jonathan Tolins brings all grateful to you—our audiences and supporters—for everything these together into a hilarious solo you do, including purchasing tickets, attending performances, and One of the things I really enjoy about Tolins, who has the funnybone of Groucho trip down the rabbit hole for Broadway star David Turner. Stage spreading the word about our productions and other programs programming seasons at The Old Globe is that Marx and the steel-trap mind of his namesake and television director Ron Lagomarsino and a glorious team of with your friends. And we are grateful for your adventurous and it brings me the privilege of presenting to our Karl, sets his query in motion with a wildly bold designers examine the power of celebrity culture and the satiric open-minded spirit, which encourages us to produce the best in audience the best writing for the stage in a wide stroke. He sets his cultural deity alongside her humor inherent in devotion to an icon. entertaining and rewarding theatre. variety of styles, genres, and voices. Each season diametrical opposite: a nobody. He brings us to my team and I try to assemble a multifaceted Los Angeles, that nexus of American ambition, As your Globe Board Chair and a firm believer in the restorative Thank you for being here, and for being part of the Globe family. slate that includes works on opposite sides of where Queen Bees and wannabes live cheek- powers of the arts, I am pleased to represent and support this a series of binaries: there’s comedy and there’s by-jowl and where dreams-come-true shine amazing institution. We are grateful to the production sponsors, drama, there are new plays and classic ones, bright directly adjacent to the dark alleyways of Alan Benaroya, The Prado at Balboa Park, and Microsoft. We would there are works by celebrated playwrights and fantasies abandoned. He conjures an encounter also like to salute the 60th Anniversary of the Globe Guilders in their by authors who are not yet so well known. between two figures who represent on one hand support of the Globe and their 25th Annual Fashion Show, Celebrating Elaine Bennett Darwin conspicuous consumption and on the other the Chair, Board of Directors Another binary is germane to tonight’s play: the maxed-out credit card. And he finds that, alone experimental vs. the popular. Buyer & Cellar is with each other in a quiet basement room, they’re BOARD OF DIRECTORS in the latter category. It was an enormous box not so different after all. It’s a simple insight, Elaine Bennett Darwin* Vicki L. Zeiger* Ann Davies* office success in its New York premiere a year but in our culture of relentless striving and the CHAIR INCOMING CHAIR VICE CHAIR, EDUCATION and a half ago, and then again in its Los Angeles unending desire for more, it’s rather powerful. Peter J. Cooper* Anthony S. Thornley* Harvey P. White* run some months ago, and although it’s had only VICE CHAIR, NOMINATING TREASURER SECRETARY a small handful of regional productions thus far, This very, very funny play comes to life at DIRECTORS Harold W. Fuson, Jr.* Crystal Sargent HONORARY DIRECTORS EMERITUS DIRECTORS it has worked gangbusters everywhere it has the Globe thanks to two real masters. Director Mary Beth Adderley* Jack Galloway Marguerite Sargis Mrs. Richard C. Adams Garet B. Clark played. It’s a special joy for us to bring to San Ron Lagomarsino boasts a theatrical pedigree Elizabeth Altman Victor P. Gálvez Jean Shekhter (1912–2005) J. Dallas Clark (1913–2005) Diego a work that has proven to be such a crowd- as fine as any in America, and we are beyond Marla Black Kathryn Hattox* Ann Steck* Clair Burgener (1921-2006) Bea Epsten pleaser in a half-dozen cities. Our beautiful home thrilled to lure him back to the wicked stage Pamela Cesak Patricia A. Hodgkin Steven J. Stuckey Mrs. John H. Fox Sally Furay, R.S.C.J. deserves a chance to see what the fuss is all about. from the greener pastures of television. Nicole A. Clay Daphne H. Jameson Daniel L. Sullivan, Ph.D. (1908–2003) (1926-2015) Joseph J. Cohen Jo Ann Kilty Karen Tanz Audrey S. Geisel Bernard Lipinsky Ron has established a home for himself at Donald L. Cohn* Sheila Lipinsky Rhona Thompson Paul Harter (1914-2001) That Buyer & Cellar has found popular acclaim San Francisco’s American Conservatory Theater; Valerie S. Cooper* Keven Lippert Evelyn Mack Truitt Gordon Luce (1925-2006) Delza Martin (1915–2005) is a happy irony, because popularity—the nature we’ll be keeping a room ready for him here, Silvija Devine Ramin Pourteymour Debra Turner Dolly Poet (1921-2007) Darlene Marcos Shiley of celebrity and wide success—is its subject. This too. David Turner impressed me when 16 Elizabeth Dewberry Paula Powers* Stacey LeVasseur Vasquez Deborah Szekely Patsy Shumway country has produced numerous international years ago, kneehigh to a grasshopper (and I Stephen P. Embry* Conrad Prebys* Jordine Von Wantoch Hon. Pete Wilson Carolyn Yorston-Wellcome megastars, but few have reached the was only slightly bigger), he auditioned for Pamela A. Farr Tim Rafalovich Pamela J. Wagner megasuperduperstardom of Barbra Streisand. me at the Williamstown Theatre Festival. Karen Fox Adam Ratner Lynne Wheeler *Executive Committee Member Playwright Jonathan Tolins has taken a long, He had “future star” written all over him. Robert Foxworth Sandra Redman Karin Winner* deep look at this giant and asked the simple It’s been immensely gratifying to watch question that has launched a thousand his talent blaze a trail across the American ASSOCIATE ARTISTS OF THE OLD GLOBE plays: Why? How does a God-given talent, theatre, and I am as proud as can be to a once-in-a-generation gift, transmute a welcome him to this company. Ron, David, and In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in life into a legend? What becomes of the their collaborators make Buyer & Cellar into acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence on our stages and gentle, vulnerable person inside when something more than popular. They make it into in our shops, that wherever else they may work, they remain the heart and soul of the Globe. the outside becomes outsized into icon? something good. William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Thanks for coming. Enjoy the show. Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin* Steve Rankin Diane Sinor* G. Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers *In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 PRESENTS

BUYER & CELLAR CAST ALEX MORE...... David Turner

BY JONATHAN TOLINS PRODUCTION STAGE MANAGER...... Jess Slocum

Erik Flatmo Charlotte Devaux Philip S. Rosenberg Lindsay Jones SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC AND SOUND DESIGN There will be no intermission.

PRODUCTION STAFF Voice and Dialect Coach...... David Huber Caparelliotis Casting Jess Slocum Assistant Director...... Anthony Methvin CASTING PRODUCTION STAGE MANAGER Assistant Scenic Design...... Eileen McCann Assistant Costume Design...... Michelle Hunt Souza Production Assistant...... Hannah May

DIRECTED BY RON LAGOMARSINO

Original Off-Broadway Production produced by Darren Bagert, Dan Shaheen and Ted Snowden

World premiere produced by Rattlestick Playwrights Theatre; David Van Asselt, Artistic Director; Brian Long, Managing Director The Actor and Stage Manager employed in this production are members of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States. BUYER & CELLAR is presented by special arrangement with Dramatists Play Service, Inc., New York Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. Sheryl and Harvey White Theatre If you would like a synopsis of this production in English or Spanish, please request it from an usher. Conrad Prebys Theatre Center Saturday, April 4 – Sunday, May 3, 2015

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY GOING TO THE BASEMENT

Playwright Jonathan Tolins on Barbra Streisand, one-man shows, and creating Buyer & Cellar

Interview by Danielle Mages Amato

“She’s kind of indomitable and strong-willed and has a very strong personality. So that makes her interesting and also fun to write about.” —Jonathan Tolins

What does the actor need to have to I love most in the theatre is the feeling pull off the show? when you are watching a scene between two people and you are actively trying to Jonathan Tolins. I think you need an actor who can make learn about the characters and figure out an instant connection with an audience what is happening. So I wrote Buyer &

What was the inspiration for the and who can sound like they are just Cellar as a play. If you look at the script, MIKE HAUSBERG piece? talking. You also need someone who is all the scenes between Barbra and Alex, (from left) Old Globe Artistic Director Barry Edelstein, actor David Turner, innately funny, and who knows when and the scenes between Alex and Barry, What do you think makes Streisand and director Ron Lagomarsino on the first day of rehearsal. In 2010, Barbra Streisand’s My Passion the material needs a little help and when they are written like a play script. When a gay, Jewish icon in particular? for Design was published. My husband it doesn’t, so they just get out of the way. you are in those scenes, I want you to The play explores the idea of Do you know if Streisand has got it out of the library and brought it I’m really excited about David Turner actually forget that you are watching Well, the Jewish part is easy: she is our celebrity from several different an- actually seen the show? home. We looked through it, fascinated, doing it at The Old Globe. David is a a one-man show and feel like you are biggest star. And because she’s also gles. Was there a particular reason and saw the underground mall, and I good friend of mine and was in my play watching a play with several characters. always been unabashedly Jewish, which that you wanted the character of She has not, although she has a lot of just made a joke: “How would you like The Last Sunday in June, 12 years ago. I is great about her. She didn’t fix her Alex to be an out-of-work actor? friends who have seen it. I will say that to be the guy who worked down there?” would say there are certain actors who Is Barbra Streisand someone with nose; she didn’t change her name. So I am very gratified that a lot of people Something about the idea stuck with either know how to do your work or they whom you’ve had a long fascina- that makes her someone who is proudly I was trying to think of who would who have been to the basement, and me. So I wrote a short essay, the diary of don’t. And David definitely knows how tion? Jewish, which is wonderful. In terms get that job, you know. And Alex has people who have worked with her, a guy who was hired to work in the mall. to do my work. He’s a Tolinsian actor. of the gay icon, there is a lot of debate had time working on Main Street at have told me that they’re shocked I had a blog at the time, and I put it on I think she’s a great talent and a about what makes a gay icon, but usu- Disneyland, which seems like the clos- at how accurate the play is and how my blog. And I have a friend in L.A. who Is there a reason you haven’t been a historic show business figure. I also ally people talk about a performer est analogy to what she has down close it feels to actually being with her. is a talent manager, and he said I should fan of one-man shows in the past? have an interest in her because I’m from that has created a persona or shown there. Also, I wanted to have a character write it as a one-man show. I don’t re- What were some of the challenges of Brooklyn and I’m Jewish. I would say strength and created a strong identity, who is at the other end of the show I take it you haven’t been in the ally like one-man shows in general, but I writing and structuring one? if my mother had been a pop megastar when they have been taught to hide business spectrum. Someone who basement. thought it made sense for this. I thought she would be Barbra Streisand. And that their real self. One thing you can say is also an artist, and who is trying the play would only work if it felt like a A lot of one-man shows in the last just always struck me: that Barbra is this about Barbra is that she is very consis- to make it. Because the play is about No, I haven’t been in the basement. But friend or someone you knew had gotten 30 years have been performed by the incredible show business figure but also tent and true to who she is. She came that gulf between the top and the when the show was running in New the job and was telling you the story. I writer and were often a tale of over- feels like a woman who would shop at on the scene as who she is and she has bottom, in terms of show busi- York, a lot of celebrities came to see the also didn’t ever want to see anyone on coming some terrible hardship and Loehmann’s. So there is that part of it. remained that. She’s kind of indomi- ness, in terms of economics. And show, and they would come backstage stage dressed up as Barbra Streisand, or having some kind of hope at the end. And also, you know, I’m Jewish and gay. table and strong-willed and has a very also an actor would be someone and usually the first words that would trying to pretend to be her. I wanted the And while they can be very moving, So I’ve spent my life being aware of Barbra strong personality. So that makes her who could do all the improvisa- come out of their mouth would be: “You audience to create Barbra in their minds. they are rarely surprising. And also what Streisand and hearing Barbra’s stories. interesting and also fun to write about. tion that is required in that position. know, I’ve been in the basement.” 10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 THE PLAY TALKING SHOP

By Jacqueline Kim Angie Muldowney.

“At first I planned to You can tell a lot about a person by what Kelsey Venosdale. use the basement as a they keep in their basement. storage room for antiques Or at least, in the case of Barbra Antique Shop Streisand, you can get a glimpse of the so I could stop paying person behind the persona in her 2010 Compared to the rest of the “mall,” book, My Passion for Design, which fea- Streisand in a costume by Cecil Beaton from Streisand’s Antiques Shop is less of a all the fees to storage On a Clear Day You Can See Forever. tures the Renaissance woman’s private store and more of a mini-cottage. Here companies. But then I architectural paradise. Underneath her the singer/actress/director-turned-inte- Malibu home, the lines between store Antique Clothing Shop rior designer has decked out the room Bee’s Doll Shop thought, How ridiculous… and storage are blurred, as Streisand with its own fireplace and an old French I had another idea for collects and meticulously organizes her “I look at fashion today and I don’t get sink with side cabinets commissioned Babs must be young at heart. In 2009, prized possessions in her underground it,” Streisand proclaimed to Harper’s for it. The cozy setting offers a back- she told Parade, “There’s a part of this space. Why not do shops. Bazaar in a 2010 exclusive featur- drop for Streisand’s trinkets and gifts you that always remains a child, no ing her basement. It is in her clothing (which she later gives away—see “Gift matter how mature you get, how a street of shops like I Here is a quick tour of Streisand’s sub- museum-slash-closet where the legend Shoppe”). It’s comfortable and large sophisticated or weary.” It should come had seen at Winterthur? terranean, turn-of-the-20th-century keeps not only vintage clothes from enough that even Streisand’s dog has as no surprise, then, that Streisand mall. No sales experience necessary. the 1930s but also her favorite film and her own collectibles, including furniture collects antique dolls and their acces- In one section of the stage costumes. In addition to showcas- and a bed just for the canine. sories and houses for display in Bee’s ing the dress she wore when singing Doll Shop. Her extravagant hobby has museum, they recreated all these little stores… a Streisand in a costume by Cecil Beaton from “People” in the stage version of Funny led to her ownership of an automaton On a Clear Day You Can See Forever. Gift Shoppe china shop… a country store… just the way they Girl, Streisand displays the red Fortuny that knits, as well as miniature cards dress from the film adaptation as well as Why go shopping for presents if you and food for her dollhouse families. would have looked in the early 1800s. And then antique furniture that she carefully already have enough goods to give away? selected and altered to match the That was clearly Streisand’s line of rea- Sweet Shop they used them to display various collections. completely lavender-colored room. soning when she set up the Gift Shoppe. Wouldn’t it be fun to do something similar?” Completely outfitted in pale green, the Not only does Streisand take on youth- Streisand in Funny Girl. room is less of a store and more of a ful endeavors, as evidenced by her

—Barbra Streisand, from My Passion for Design gift-wrapping counter where Streisand extensive doll collection, but she also keeps a stock of her own ribbons and seems to have a sweet tooth. Living out wrapping paper. For Streisand, giving the verse “Life’s candy and the sun’s away her antiques here is the embodi- a ball of butter” from “Don’t Rain on ment of paying it forward. My Parade,” the Sweet Shop is open for business whenever Streisand is screening a movie for her guests. The sucrose-stocked stop carries a range of sweets including jelly beans, popcorn, licorice, and frozen yogurt (usually coffee-flavored, Streisand’s favorite).

Jacqueline Kim is the Artistic/Literary Intern at The Old Globe, as well as a Literatures of the World major at UC San Diego and the Arts and Entertainment Editor of the UCSD Guardian.

Shop Lane, Winterthur Museum. Wilmington, DE. 12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 Joan Camderroos Joan ARTISTS DAVID TURNER Midler. He has written articles for Opera ERIK FLATMO PHILIP S. ROSENBERG CAPARELLIOTIS CASTING All, a new producing platform that tours (Alex More) In 1999, News, Opera Monthly, TheaterWeek, Time, (Scenic Design) is a set designer based in (Lighting Design) previously designed (Casting) recently cast the Globe produc- the works of Shakespeare to diverse com- before Turner had any and The Huffington Post, and is a panelist San Francisco. His designs for plays and the Globe productions of A Gentleman’s tions of The White Snake, The Twenty- munities throughout San Diego County. credits on his résumé or on the Metropolitan Opera Radio Quiz. musicals have been presented by com- Guide to Love and Murder, Pygmalion, and seventh Man, Dr. Seuss’ How the Grinch As Director of the Shakespeare Initia- had even joined Equity, He lives in Fairfield, Connecticut with his panies including American Conserva- The Recommendation. His Broadway cred- Stole Christmas!, The Royale, Vanya and tive at The Public Theater (2008-2012), Old Globe Artistic Direc- husband, the writer and director Rob- tory Theater, Asolo Repertory Theatre, its include The Elephant Man, It’s Only a Sonia and Masha and Spike, Water by the Edelstein oversaw all of the company’s tor Barry Edelstein gave ert Cary, and their children, Selina and Berkeley Repertory Theatre, California Play, and A Gentleman’s Guide to Love and Spoonful, Time and the Conways, Bethany, Shakespearean productions, as well as its him a small but splashy Henry. He is a member of the Dramatists Shakespeare Theater, Magic Theatre, San Murder. His Off Broadway credits include The Winter’s Tale, The Few, Double Indem- extensive educational, community out- speaking role in his production of As You Guild and the Writers Guild of America. Jose Repertory Theatre, South Coast The Explorers Club and Cactus Flower. His nity, The Rainmaker, Other Desert Cities, reach, and artist-training programs. At Like It starring Gwyneth Paltrow. Two Repertory, TheatreWorks Silicon Valley, other regional theatre credits include Be a Good Little Widow, A Doll’s House, The The Public, he staged the world premiere years later, former Old Globe Artistic RON LAGOMARSINO and Yale Repertory Theatre. His work works at La Jolla Playhouse, Ford’s The- Brothers Size, Pygmalion, and Good People. of The Twenty-seventh Man; Julius Cae- Director Jack O’Brien cast Mr. Turner in (Director) directed the Broadway produc- in opera has premiered at Opera Santa atre, Arena Stage, TheatreWorks Silicon Their Broadway casting credits include sar; The Merchant of Venice;Shakespeare’s his first Broadway play: Tom Stoppard’s tions of Alfred Uhry’s The Last Night of Barbara, Opera San Jose, and San Fran- Valley, Huntington Theatre Company, Fish in the Dark, It’s Only a Play, Disgraced, Timon of Athens; and Steve Martin’s WASP The Invention of Love. Mr. Turner would Ballyhoo (Tony Award for Best Play) and cisco Opera’s Merola Opera Program. His Chicago Shakespeare Theater, Manhat- Holler If Ya Hear Me, Casa Valentina, The and Other Plays. He was also Associate like to dedicate this performance, his the Joseph Dougherty/Lynn Ahrens/ work in dance and contemporary perfor- tan School of Music, Portland Stage, The Snow Geese, Lyle Kessler’s Orphans, The Producer of The Public’s Broadway pro- Globe debut, to these two men, whose Stephen Flaherty musical My Favorite mance has debuted at venues such as the Actors Company Theatre, Barrington Trip to Bountiful, Grace, Dead Accounts, duction of The Merchant of Venice starring two acts of faith gave him his stage Year. His Off Broadway credits include American Realness festival, Dance The- Stage Company, Hartford Stage, William- The Other Place, Seminar, The Columnist, Al Pacino. From 1998-2003 he was Artis- career. Five more Broadway productions Mr. Uhry’s Driving Miss Daisy (Pulitzer ater Workshop, Danspace Project, The stown Theatre Festival, Dorset Theatre Stick Fly, Good People, Bengal Tiger at the tic Director of Classic Stage Company. have followed since: Stoppard’s Arca- Prize, Drama Desk Award nomination), Kitchen, Museum of Contemporary Art Festival, Bay Street Theater, Two River Baghdad Zoo, The House of Blue Leaves, Edelstein’s other Shakespearean direc- dia, Terrence McNally’s The Ritz, In My Digby (Drama Desk and Outer Critics Cir- Chicago, On the Boards, and REDCAT, Theater Company, George Street Play- Fences, Lend Me a Tenor, and The Royal torial credits include The Winter’s Tale Life, Sunday in the Park with George, and cle Award nominations), Beth Henley’s in addition to international presenta- house, and Westport Country Playhouse. Family. They also cast for Manhattan at Classic Stage Company; As You Like It a starring role opposite Harry Connick Abundance, and John Patrick Shanley’s tions in Chile, France, Germany, Mexico, Mr. Rosenberg has served as Associ- Theatre Club, Second Stage Theatre, -At starring Gwyneth Paltrow, and Richard III Jr. in On a Clear Day You Can See Forev- Women of Manhattan. He is the recipient Poland, and Sweden. He is a graduate of ate Lighting designer of more than 35 lantic Theater Company, LCT3, Ars Nova, starring John Turturro. Additional cred- er. His Off Broadway credits includeThe of the Outer Critics Circle Award for Dai- Columbia University and the Yale School Broadway plays and musicals. Goodman Theatre, Arena Stage, Ford’s its include the Lucille Lortel Award-win- Complete Works of William Shakespeare sy, Christopher Durang’s Laughing Wild, of Drama. He teaches set design at Theatre, and three seasons with William- ning revival of Arthur Miller’s All My Sons; (abridged), The Butter and Egg Man, The and Timothy Mason’s Only You. Mr. Lago- Stanford University. LINDSAY JONES stown Theatre Festival. Their recent film the world premiere of Steve Martin’s The Last Sunday in June (also by Jonathan marsino also directed the national tour (Original Music and Sound Design) and television credits include HairBrained Underpants, which he commissioned; and Tolins), Gutenberg! The Musical!, and most of Daisy with Julie Harris, as well as the CHARLOTTE DEVAUX previously worked on the Globe produc- with Brendan Fraser, “Odyssey” (upcom- Molière’s The Misanthrope starring Uma West End production with Dame Wendy recently, The Good Person of Szechwan at (Costume Design) has designed 23 tions of Richard III, As You Like It, Inherit ing, NBC series), “How to Get Away with Thurman in her stage debut. Edelstein Hiller. His regional credits include the productions at The Old Globe including the Wind, The Recommendation, Ground- Murder” (ABC pilot), “Ironside” (NBC), has taught Shakespearean acting at The The Public Theater. Among Mr. Turner’s world premieres of Jane Anderson’s Look- television appearances are “Lipstick Jun- Quartet, Other Desert Cities, Somewhere, swell, Opus, The Glass Menagerie, In This and Steel Magnolias (Sony for Lifetime). Juilliard School, NYU’s Graduate Acting ing for Normal (Geffen Playhouse), I Am The Last Romance with Marion Ross, Corner, Oscar and the Pink Lady, Lincol- Program, and the University of Southern gle,” “The Good Wife,” and HBO’s “The Not Mark Twain by Steven Cragg (Aspen Leftovers.” He is the recipient of two Hel- Kingdom, The Price, Trying, Two Sisters and nesque, Sky Girls, and Beyond Therapy, JESS SLOCUM California. His book Thinking Shakespeare Comedy Festival, Best One-Person Play), a Piano, Who’s Afraid of Virginia Woolf?, among others. He designed and com- (Production Stage Manager) previous- is the standard text on American Shake- en Hayes Award nominations and BMI’s and Lisa Loomer’s Birds (South Coast A Body of Water, Since Africa, Da, and All posed for the Broadway productions of ly worked at The Old Globe onBright spearean acting. He is also the author of prestigious Jerry Harrington Musical Repertory); the West Coast premieres Bardisms: Shakespeare for All Occasions. Theater Award for songwriting. When his of David Mamet’s November (American My Sons. Her work has been featured at Bronx Bombers and A Time to Kill. His Star, Othello, Water by the Spoonful, The feet aren’t on the boards or at the piano, Conservatory Theater) and Larry Shue’s La Jolla Playhouse, Mo’olelo Perform- Off Broadway credits include Bootycandy Winter’s Tale, A Doll’s House, Pygmalion, they’re in the air. David is a commercial The Foreigner (SCR); Noises Off (Seattle ing Arts Company, TheatreWorks Silicon (Playwrights Horizons), Mr. Joy (LCT3), A Room with a View, Richard O’Brien’s The MICHAEL G. MURPHY pilot who owns and manages a small Repertory Theatre); andHay Fever (Ke- Valley, and San Diego Dance Theater. She Wild with Happy (The Public Theater),Top Rocky Horror Show, the 2011-2013 Shake- (Managing Director) served as General public airport in Pennsylvania called nyon Festival Theater). He served as also designed Miami Libre, a Cuban dance Secret (New York Theatre Workshop), Rx speare Festivals, Rafta, Rafta…, Robin and Manager of The Old Globe from 2003 to the Flying Dollar (8N4), where he lives Resident Director of Hartford Stage for musical, for the Adrienne Arsht Center (Primary Stages), and many others. His the 7 Hoods, Alive and Well, Sammy, Corne- 2012, overseeing the Production, Edu- with his cats and his wonderful partner, two seasons as well as Associate Artistic for the Performing Arts, Miami. Interna- regional credits include Guthrie Theater, lia, Since Africa, Dr. Seuss’ How the Grinch cation, Human Resources, Information Aaron. flyingdollar.com. @iDavidTurner Director of Berkshire Theatre Festival. He tionally, Ms. Devaux designed costumes Hartford Stage, Alliance Theatre, Good- Stole Christmas!, and The Glass Menag- Technology, and Facilities Departments, on Twitter. has developed many new works at New extensively for theatre and television in man Theatre, American Conservatory erie. Her Broadway credits include In the as well as Front of House operations. He York Stage and Film, Sundance Institute New Zealand for 10 years. She was the Theater, Chicago Shakespeare Theater, Heights. Her regional credits include Side also managed the construction of the JONATHAN TOLINS Theatre Lab, Eugene O’Neill Theater Cen- costume designer and stylist for Televi- Steppenwolf Theatre Company, La Jolla Show, Ruined, The Third Story, Memphis, Globe’s new theatre and education facili- (Playwright) is the author of Buyer & ter, and Ojai Playwrights Conference. sion New Zealand’s children’s program- Playhouse, Arena Stage, and many oth- and Most Wanted (La Jolla Playhouse) ties. Prior to the Globe, he was the Man- Cellar, which won the Lucille Lortel Mr. Lagomarsino’s television credits ming and dramas and is an Associate ers. His international work includes and Post Office(Center Theatre Group). aging Director of Austin Lyric Opera in Award for Outstanding Solo Show and include the pilots of “Picket Fences” (Di- Artist with the Christchurch Drama Stratford Shakespeare Festival in Canada Her San Diego credits include Mo’olelo Austin, Texas; Director of Administra- was named Best Unique Theatrical Ex- rectors Guild of America Award), “Home- Center. Her costumes have also been fea- and Royal Shakespeare Company in Eng- Performing Arts Company, North Coast tion of San Diego Opera; and General perience by the Off Broadway Alliance. front” (Emmy Award nomination), and tured at The Court Theatre and the Christ- land, as well as productions in Austria, Repertory Theatre, and Lamb’s Players Manager of San Diego Repertory Theatre. His other plays include The Twilight of most recently “Ravenswood,” for which church Repertory Theatre, New Zealand. Zimbabwe, South Africa, and Scotland. Theatre. She is a graduate of Vanderbilt Before relocating to San Diego from New the Golds, If Memory Serves, The Last Sun- he also served as Co-Executive Producer. She holds additional costume design Mr. Jones has received seven Joseph University. Proud member of Actors’ York, he held similar positions at The- day in June, and Secrets of the Trade. He His favorite episodic television credits in- credits in Sydney, Australia, and London. Jefferson Awards and 21 nominations, Equity. atre for a New Audience and the Joyce is represented on Broadway this season clude “thirtysomething,” “My So-Called Ms. Devaux currently holds the position two Ovation Awards and three nomi- Theater Foundation’s American Theater by additional material written for the Life,” “Ally McBeal,” “The Unit,” “The of Resident Associate Costume Designer nations, and a Los Angeles Drama Crit- BARRY EDELSTEIN Exchange. He also served as negotiating revival of On the Town. His film work Starter Wife,” “The Fosters,” and “Pretty at The Old Globe where she has worked ics Circle Award, as well as three Drama (Artistic Director) is a stage director, pro- assistant for the League of Resident The- includes The Twilight of the Goldsand Little Liars.” The recipient of a National on over 70 productions, including Bright Desk Award nominations, two Helen ducer, author, and educator. Widely rec- atres and sales representative for Colum- Martian Child. For television, he was a Endowment for the Arts Directing Fel- Star, A Gentleman’s Guide to Love and Hayes Award nominations, and nomina- ognized as one of the leading American bia Artists Theatricals Corporation. writer for “Queer as Folk” (U.S.), “The lowship, Mr. Lagomarsino is a graduate Murder, The Last Goodbye, The Winter’s tions for the Barrymore Awards, Henry authorities on the works of Shakespeare, Mr. Murphy serves on the Board of Direc- Academy Awards,” “The Tony Awards,” of Santa Clara University (valedictorian) Tale, The Times They Are A-Changin’, Robin Hewes Design Awards, and many others. he has directed nearly half of the Bard’s tors of the National Alliance of Musical and “Partners.” He was the author of and New York University’s Tisch School and the 7 Hoods, Dirty Rotten Scoundrels, His film scoring credits include Magno- plays. His Globe directing credits include Theatre, the National Corporate Theatre Pushkin 200: A Celebration at Carnegie of the Arts (J.S. Seidman Award), where, Sammy, and the Summer Shakespeare lia Pictures’ The Brass Teapotand HBO The Winter’s Tale; Othello; and the West Fund, and the Balboa Park Cultural Part- Hall, acted as script consultant on Walk- as an M.F.A. candidate, he launched his Festivals. Films’ A Note of Triumph: The Golden Age Coast premiere of novelist Nathan Eng- nership and serves as a Management ing with Dinosaurs – The Arena Spectacular, professional career as assistant director of Norman Corwin (2006 Academy Award lander’s play The Twenty-seventh Man. Trustee for San Diego County Theatri- and co-wrote The Divine Millennium Tour of the Chelsea Theater Center production for Best Documentary, Short Subjects). He also directed All’s Well That Ends Well cal Trusts, the pension and welfare trust and The Showgirl Must Go On for Bette of Yentl the Yeshiva Boy. Who knew? lindsayjones.com. as the inaugural production of Globe for for IATSE stagehands in the San Diego

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS EDUCATION region. He was also an adjunct facul- the Old Globe/University of San Diego ty member of the Music Department at Graduate Theatre Program in the ’80s. the University of San Diego. Mr. Murphy During the 1940s, Mr. Noel served as BEHIND THE SCENES: earned his B.F.A. degree in Stage Manage- dialogue director for the 20th Century ment from Webster University in St. Lou- Fox Studios and was the director of the is, Missouri, and his M.F.A. in Performing Ernie Pyle Theatre in Tokyo. Described by DISCOVERING THE Arts Management from Brooklyn Col- Variety as the éminence grise of San Diego RICH lege of the City University of New York. theatre, Mr. Noel is one of the few San Diegans to have had an entire year (1987) JACK O’BRIEN proclaimed in his honor, and to be named WORLD OF THEATRE (Artistic Director Emeritus) served as one of San Diego’s “Living Treasures.” He GIRL the Artistic Director of The Old Globe was a founder of the California Theatre from 1981 through 2007. Mr. O’Brien Council and a former vice president of directed the 2014 Broadway revival of the California Confederation of the Arts. Claudine’s mother has it all: It’s Only a Play starring F. Murray Abra- His numerous honors include the San ham, Matthew Broderick, Nathan Lane, Diego Union-Tribune list of 25 persons she’s wealthy, successful, and Stockard Channing, and Megan Mullally. who shaped the city’s history;By Victoria the Gov Stewart- famous. Claudine is awkward, His Broadway credits also include: Mac- ernor’s Award for the Arts; University of shy, and forever living in her Arizona Alumni Association’s Outstand- beth with Ethan Hawke, The Nance, Dead Directed by James Vásquezmother’s shadow. When a Accounts, Catch Me If You Can, Impression- ing Citizen, for his contribution to their ism, The Coast of Utopia (Tony Award), Fine Arts department; San Diego State dashing artist sweeps Claudine Dr. Seuss’ How the Grinch Stole Christmas!, University’s Outstanding Alumnus; Con- off her feet, her mother is Dirty Rotten Scoundrels (Tony nomina- servator of American Arts Award from convinced that all he’s after is tion), Henry IV (Tony Award), Hairspray American Conservatory Theater; the San her money. A modern retelling (Tony Award), Imaginary Friends, The Diego Press Club Headliner Award; San Invention of Love (Tony nomination, Dra- Diego Gentleman of Distinc­tion Award; of the Henry James novel ma Desk Award), The Full Monty (Tony and a combined tribute from the Public Washington Square, which Arts Advisory Council and the San Diego nomination), More to Love, Getting Away became the stage and screen with Murder, Pride’s Crossing, The Little County Board of Supervisors. Mr. Noel Foxes, Hapgood (Lucille Lortel Award, was particularly proud of the following classic The Heiress, Rich Girl is Best Director), Damn Yankees, Two Shake- three honors representing edu­cation and a moving and funny new play spearean Actors (Tony nomination), Por- theatre: Honorary Doctorate of Humane about mothers and daughters, (above) Technical Director Ben Thoron gives a backstage tour to students from Lincoln High School, 2014. Letters, University of San Diego; Hon- (below) Lead Craftsman Rory Murphy creates a sculpture replica out of polyurethane foam. gy and Bess (Tony Award). Metropolitan love and money, and whether Opera: II Trittico. London: Love Never orary Doctorate in Fine Arts, San Diego State University; and the annual Awards they can ever coexist. The News- Dies, Hairspray (Olivier nomination). The Old Globe has long been committed to bringing high-quality our staff page in this program to get an idea of the kinds of National Theatre:His Girl Friday. Six for Excellence in Theatre named in his Herald called it “beautifully theatrical experiences to the San Diego community. The shows we professionals who work here on a daily basis. They make up the movies for PBS’s “American Playhouse.” honor by the San Diego Theatre Critics written – a thoroughly Awards: 2008 Theatre Hall of Fame Circle. In 2007, he received the National put on our stages are the result of hundreds of professionals pooling core staff of the Globe, and they are joined by actors, directors, delightful entertainment!” Inductee, 2005 John Houseman Award, Medal of Arts—the nation’s highest hon- their talents to develop our productions. From the planning of designers, crew members, stage managers, choreographers, and ArtServe Michigan 2008 International or for artistic excellence—in a ceremony the season to the presentation of the final product, months (and more. Behind the Scenes Tours will introduce you to some of these at the White House. Craig Noel died on Achievement Award, Honorary Doctor- sometimes years) of effort and passion go into making it happen. hardworking employees, as well as show off their tricks of the trade. ate, University of Michigan. Honorary April 3, 2010 at the age of 94. MAY 23 – JUNE 21 Doctor of Humane Letters, University of San Diego. Film (actor): Sex and the City 2. For some audience members, there is a curiosity about how on Our docents adjust their tours to accommodate the needs of their Jack Be Nimble: The Accidental Education CASTING earth we do this work and how an entire world can be created inside groups. We welcome school groups (grade 4 and above), theatre of an Unintentional Director, his memoir CAPARELLIOTIS CASTING a theatre. For them, we offer our Behind the Scenes Tours. These students, families, passersby, senior citizens, and anyone else about the early years of his career, was David Caparelliotis, CSA 90-minute experiences take visitors into who wants to explore our world. released in the summer of 2013 by Far- Lauren Port, CSA our workplace: the places where we build rar, Straus and Giroux. our props and stitch our costumes, or Our audiences see only a tiny paint our scenery and hang our lights. fraction of what we do—and CRAIG NOEL This theatre operates under an agreement between the League of Resident Theatres Our docents regale tour groups with that is how it is intended. When (Founding Director) was born on August and Actors’ Equity Association, the union of 25, 1915, and in 2015 The Old Globe cele- professional actors and stage managers in the stories of the Globe’s history while an audience member enters the brates the 100th birthday of this theatre United States. taking them through twisting theatre and the lights go down, legend who was instrumental in cultivat- pathways under the stages he or she is prepared for the ing the San Diego arts community. Noel The Directors are members of the Society and behind the walls that gift of a magical, seamless was first appointed director in 1939, of Stage Directors and Choreographers, directing 15 productions prior to World an independent national labor union. make up the performance experience. But behind the War II. Since then he directed more than side of the theatre. scenes, there’s another 200 plays of all styles and periods and world that’s just as rich This Theatre operates under an Agreement produced an additional 270 productions. with the International Alliance of Theatrical It takes people in many as the one created on His vision for The Old Globe resulted in Stage Employees Local No. 122. roles to create a show, and stage. We welcome the establishment of the Shakespeare our backstage tours offer an you to experience Festival and the San Diego Junior The- atre in the late ’40s, the expansion to two The Scenic, Costume, Lighting and Sound inside look at all the people that world with us! Designers in LORT Theatres are represented by who help make magic happen theatres in the ’50s, Globe Educational United Scenic Artists Local USA-829, IATSE. Tours in the ’70s, and Teatro Meta and on the stage. Take a look at For more information, contact our Education Department at [email protected]. 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 80 YEARS Featuring the Fall 2015 Collection from A LOOK BACK: Internationally Acclaimed Designer NAEEM KHAN

THE GLOBE IN WARTIME Tuesday, May 12, 2015 Hilton San Diego Bayfront Hotel

Presented by Globe Guilders and Neiman Marcus Honorary Chair: Darlene G. Davies • Chair: Suzie Poet Turner

CHAMPAGNE RECEPTION | LUNCHEON | AUCTIONS | FASHION SHOW Proceeds support the Globe’s artistic and education programs.

Underwriters at the Gold Circle and above are invited to attend an exclusive Patron Party hosted by Globe Board member Ann Davies on the Terrace of the Meridian with featured designer Naeem Khan.

DAN LECCA Please contact Barbara Bolt at (619) 889-7121 or visit www.GlobeGuilders.org.

(from left) Mabel Bradley, Craig Noel, Frankie Williams, and Eugene Brown in The Distaff Side, 1937.

As Balboa Park celebrates its centennial in 2015, and Bing Crosby. The San Diego The Old Globe also marks a major milestone: Community Players continued Were you there when the news broke? our 80th Anniversary. Throughout the year, our to produce plays in other programs will feature articles and photo essays locations around San Diego, Our social media fans were the looking back over eight decades of Globe history. in conjunction with the USO. first to find out that Allegiance, The Old Globe the musical that started here February 5 • Following the amazing success of the In 1947, the buildings were at The Old Globe, is going to Globe Players at the Pacific International reconditioned by the city and Broadway this fall. Allegiance is going to Broadway! We’re so proud of this wonderful, important new musical, and we’re glad that we got to bring it to San Exposition in 1935 and 1936, the temporary returned to the community Diego audiences first! theatre structure that had been built for theatre organization. Its first Don’t get left out. Follow us their use was slated for destruction. But a production was The Time of online and get breaking news, group of civic-minded San Diegans banded Your Life, helmed by the theatre’s backstage photos, exclusive George Takei taking Old Globe together to refurbish the Old Globe Theater new Supervising Director, Craig Noel. videos, and more. And join show to Broadway as a permanent landmark in Balboa Park. the conversation—we want to On December 2, 1937, the curtain rose hear from you. “Allegiance,” inspired by ‘Trek’ star’s childhood, will hit New York this fall on the first production in the renovated space: The Distaff Side by John Van Druten, Follow us @TheOldGlobe, and featuring a young Craig Noel. Between tag us with #TheOldGlobe. 1937 and the beginning of World War II, UTSANDIEGO.COM the newly formed San Diego Community Be a part of the action and Players presented over 250 performances don’t miss the next big story! Like • Comment • Share • 176 24 30 of almost 40 plays in the theatre.

A few days after the bombing of Pearl Sammie @SammieSamSD • Feb 5 Harbor in December 1941, the Navy took over all the buildings in Balboa Park (which Allegiance is going to Broadway! Fantastic! It was renamed Camp Kidd for the duration of was so good, can’t wait to see it again in NY! the war). Although the theatre was primarily #gaman #ohmy used for training, some of the nation’s biggest celebrities came to the Globe to entertain the troops, including Bob Hope Lowell Davies and Craig Noel, 1945. Bob Hope, 1945. 18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS

Lead Season Sponsors ($75,000 or more) Season Sponsors ($60,000 - $74,999) The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations, and government agencies. Please join us in giving warm thanks and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) Mary Beth Adderley Audrey S. Geisel/Dr. Seuss Fund at Paula & Brian Powers City of San Diego Commission for Arts & Culture The San Diego Foundation Conrad Prebys & Debra Turner Karen & Donald Cohn Globe Guilders Qualcomm Foundation Peter Cooper & Norman Blachford Kathryn & John Hattox Darlene Marcos Shiley, in memory of Donald Shiley Elaine & Dave Darwin The James Irvine Foundation The Shubert Foundation Edgerton Foundation Microsoft Sheryl & Harvey White Foundation

Season Sponsors ($60,000 to $99,999) Production Sponsors (30,000 - $59,999) The Legler Benbough Foundation Hal & Pam Fuson Gillian & Tony Thornley Valerie & Harry Cooper Joan & Irwin Jacobs Fund of the United Ann Davies Jewish Community Foundation Wells Fargo Pamela Farr & Buford Alexander Gloria Rasmussen June E. Yoder Rhona & Rick Thompson Vicki & Carl Zeiger

Production Sponsors ($30,000 to $59,999) Artist Circle (20,000 - $29,999) Alan Benaroya HM Electronics, Inc. Price Philanthropies Foundation Diane & John Berol The Hull Family Jean & Gary Shekhter California Bank & Trust Jo Ann Kilty Ms. Jeanette Stevens The County of San Diego Las Patronas S. Mark Taper Foundation Mr. & Mrs. Brian K. Devine Elaine Lipinsky Family Foundation Evelyn Mack Truitt Nina & Robert Doede Jeffrey & Sheila Lipinsky Family Foundation U.S. Bank Hervey Family Non-endowment Fund National Corporate Theatre Fund Viterbi Family Fund of the Jewish at The San Diego Foundation Patrons of the Prado Community Foundation Leonard Hirsch, in memory of Elaine Hirsch The Prado at Balboa Park Pamela J. Wagner

Artist Circle ($20,000 to $29,999)

National Corporate Theatre Fund is a not-for‑profit created to increase Bank of America The Lodge at Torrey Pines Sheraton San Diego Hotel & Marina Director Circle ($15,000 - $19,999) and strengthen support from the business community for this country's most Pamela & Jerry Cesak Neiman Marcus Torrey Pines Bank distinguished professional theatres. The following donors support these theatres Joseph Cohen & Martha Farish The Kenneth T. & Eileen Norris Foundation Union Bank through their contributions to NCTF: Higgs, Fletcher & Mack, LLP Random House Children’s Books Jordine Skoff Von Wantoch Holland America Line San Diego Gas & Electric Mandell Weiss Charitable Trust Buford Alexander & Jonathan Maurer & Gretchen Shugart Hyatt Regency La Jolla at Aventine Pamela Farr McGraw Hill Financial American Express MetLife The San Diego Foundation (This grant was made possible by the Ariel W. Coggeshall Fund of the San Diego Foundation Malin Burnham Center for Civic Engagement) Bank of America Morgan Stanley BNY Mellon Lisa Orberg Bloomberg Frank Orlowski Steven Bunson Pfizer, Inc. Director Circle ($10,000 to $19,999) Christopher Campbell/ RBC Wealth Management Terry Atkinson Karen Fox Ramin Pourteymour Palace Production Center Roe Green Foundation Cisco Systems, Inc. The Schloss Family Foundation Melissa Garfield Bartell & Michael Bartell Diana R. Glimm Peggy & Peter Preuss Citi Skadden, Arps, Slate, Meagher Jane Smisor Bastien Lee & Frank Goldberg Allison & Robert Price ($10,000 - $14,999) CMT/ABC & Flom LLC Richard & Kathy Binford Dr. & Mrs. Harry F. Hixson, Jr. Rivkin Family Fund I at Paula Dominick George S. Smith, Jr. ResMed Foundation Dorsey & Whitney Foundation Southwest Airlines Bjorg Family Daphne H. & James D. Jameson The San Diego Foundation Edgerton Foundation Stoddard Family Foundation California County Superintendents Barbara G. Kjos Mickey Stern Epiq Systems Theatermania.com/ Gretchen Shugart Educational Services Association Brooke & Dan Koehler Karen & Stuart Tanz Founder Circle ($5,000 - $9,999) Ernst & Young Douglas & Janet True The Anthony Cerami & Anne Dunne Carol & George Lattimer Carol & Larry Veit Mister A’s GEN7 Wines Ford Foundation The James S. and Lynne P. Turley Ernst Alan & Jennifer Freedman & Young Fund for Impact Creativity Foundation for World Health Susan & John Major Dr. Steve & Lynne Wheeler Loma Media Maxwell Technologies Priscilla & Keith Geeslin James S. Turley Nikki & Ben Clay National Endowment for the Arts Karin Winner Ruth E. Gitlin UBS Goldman, Sachs & Co. Pamela J. Wagner Carlo & Nadine Daleo Caroline & Nicolas Nierenberg Brent Woods & Laurie Mitchell Craig Noel Circle ($2,500 - $4,999) The Hearst Foundations Wells Fargo Dan & Phyllis Epstein Tom & Lisa Pierce LG&E and KU Energy White & Case LLP Cubic Corporation Marsh & McLennan Companies Willkie Farr & Gallagher FOUNDER CIRCLE Barbara Charlton Carol Spielman-Ewan & Joel Ewan Jerri-Ann & Gary Jacobs ($5,000 to $9,999) Colwell Family Distributable Fund Susanna & Michael Flaster William Karatz PUBLIC SUPPORT Anonymous at The San Diego Foundation Drs. Thomas H. & J. Robert & Glady H. King Joan & Jeremy Berg R. Patrick & Sharon Connell Jane D. Gawronski Family Trust Jay Biskupski & Catherine Imrie Bernard J. Eggertsen & Norm Hapke & Regina Kurtz, in fond memory of Major funding provided by the City of San Diego Commission for Arts and Culture. Barbara Bloom Florence Nemkov Valerie Jacobs Hapke Al Isenberg The Old Globe is funded by the County of San Diego. The Louis Yager Cantwell Marion Eggertsen Gordon & Phyllis Harris Peter Landin & Michelle Cardinal Private Foundation Barbara & Dick Enberg Liz & Gary Helming Levinson Family Fund of the Carol & Jeff Chang Dr. & Mrs. Robert Epsten Alexa Kirkwood Hirsch Jewish Community Foundation

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OUR THANKS Peter Manes & Yoko Sakaguchi George C. Guerra Michael T. Turner & Virginia Oliver Gerald M. Hermanson & Sally & Luis Maizel In Memory of Margaret Peninger Ronald & Susan Styn Paul & Maggie Meyer Ms. Cheryl Haimsohn Suzanne Poet Turner Barbara B. Oswalt Donna L. Buckner Drs. Betty Joan Maly & James & Judy Queenan Clifford & Kay Sweet Money/Arenz Foundation, Inc. Guy & Laura Halgren Nita & Henk van der Werff Christopher & Susan Pantaleoni Robert & Sabine Hildebrand John Meyers Robert Reid John & Gail Tauscher Michael G. Murphy Pat & Rick Harmetz Mary R. Warkentin Tim & Leslie Paul Bruce & Jane Hopkins Rev. Stephen J. Mather Stuart & Linda Robinson Doris Trauner, M.D. & Bernard Paul Patrick Harrison & Eleanor Lynch Jan Harden Webster & Raul Ortega Robert & Doris Reed Stephanie & Carl Hurst Ronald McCaskill & Robyn Rogers Rowling Family Charitable Fund Richard Stanford Matthew & Judith Pollack Philip & Kathy Henry The Patricia and Christopher Weil Bernard Reiter Fund of the Joseph & Donna Hynes Mr. & Mrs. William M. McKenzie of the Jewish Community Mr. & Mrs. Jeffrey C. Truesdell Chrissy & Roger Roberts Rhonda Heth & Thomas Mabie Family Foundation Jewish Community Foundation Mrs. Susan Inot Mr. & Mrs. Paul E. Michelson Foundation Natalie C. Venezia & Paul A. Sager Patricia K. Shumway Bill & Nancy Homeyer Shirli Fabri Weiss and Sons Michael Robertson & Dale Johnston Steven & Barbara Jaffe Ursula & Hans Moede Mr. & Mrs. Todd Ruth Kathy & Jim Waring Beth & Kevin Smith Gary & Carrie Huckell James E. & Kathryn A. Whistler Esther Rodriguez Ed & Linda Janon Dr. Robert & Anne Morrison Frank Ruyak & Denise Graham Dennis & Carol Wilson Herb Solomon & Elaine Galinson Hutcheson Family Fund at Fund at The San Diego Foundation Crystal Ann Rubin Tony & Nancy Janus Charles & Susan Muha Susan & Haddon Salt Cass Witkowski Family Iris & Matthew Strauss The San Diego Foundation Ellen & Tim Zinn Ryan Family Charitable Foundation Dr. & Mrs. Clyde W. Jones Shirley Mulcahy Brigid Hom-Schnapp & Joseph & Mary Witztum Pat & Jack Thomas Drs. Sonia & Andy Israel San Diego Branch of LABS, Inc./Silvia Dreyfuss Darrell Netherton Russell Schnapp Brendan M. & Kaye I. Wynne Cherie Halladay Tirschwell Pat JaCoby DIAMOND The English-Speaking Union Michael & Katherine Lee Jan Newmark Paul Searby Carol Vassiliadis Mary & Russell Johnson ($1,500 to $2,499) Jay & Julie Sarno Sherry & Rick Levin Evy & Ed Newton Linda J. Seifert *In Memoriam Mary Kay West Jackie Johnston Jeff & Donna Applestein Marilies Schoepflin, Ph.D. Lois & Larry Lewis Rod & Barbara Orth Tim & Luci Serlet Jim & Mary Jane Wiesler Katleman Family Fund of the Gary & Barbara Blake Family Fund Robert & Lisa Shaw Mack Lewis & Kate Herring Dr. David & Elizabeth Ostrander Ms. Lari Sheehan This list current as of Pamela & Marty Wygod Jewish Community Foundation of the Jewish Community Alan & Esther Siman Marshall & Judy Lewis Fund of the Phil & Pam Palisoul Beverly & Howard Silldorf March 4, 2015. Dr. Gerald & Barbara Kent Foundation Mr. William D. Smith & Jewish Community Foundation Lori Partrick Norman & Judith Solomon CRAIG NOEL CIRCLE Edythe Kenton Mary-Kay Butler Dr. Carol Harter Edward & Nancy Lyon Julius J. Pearl Fund at Don Stanziano & Michael Sikich ($2,500 to $4,999) Ken & Sheryl King Gay and Lesbian Fund for San Diego John & Margery Swanson Carl Maguire & Margaret Sheehan The San Diego Foundation Kathleen Steele Dr. & Mrs. Wayne Akeson Webster & Helen Kinnaird at The San Diego Foundation Casey & Julie Tibbitts Lawrence G. Alldredge & Sherry & Larry Kline Dr. & Mrs. M. Joseph McGreevy Tim & Judy Tillyer Dawn Moore Jane & Ray* Klofkorn Judith & Neil* Morgan Brenda & Robert Tomaras In Memory of Freda Altschuler & Curt & Nancy Koch The Musser Family Greta & Steve Treadgold Sylvia Goldin Rosalie Kostanzer & Michael Keefe The Arthur & Jeanette Pratt Stan & Anita Ulrich Anonymous (7) Bob & Laura Kyle Memorial Fund Karen Walker PATRON INFORMATION Judith Bachner & Eric Lasley Jean & David Laing John & Josette Rekettye Sandy Wichelecki & Jan & Rich Baldwin Terry & Mary Lehr The Ralph B. Rogers Foundation Suzanne Dukes Bobbie Ball Ronald & Ruth W. Leonardi Dr. Sara Rosenthal & Howard & Christy Zatkin TICKET SERVICES HOURS SEATING OF LATECOMERS Diana J. Barliant* & Nowell Wisch James & Pamela Lester Dr. Julie Prazich Monday: Closed Although we understand parking is often at a premium, the seating Jan Bart Paul Levin Ryde Family Memorial Foundation GOLD Mr. & Mrs. Bear Robin J. Lipman at The San Diego Foundation ($500 to $999) Tuesday – Sunday: Noon – last curtain of latecomers is extremely disruptive. Latecomers may be given Charlotte & Charles Bird Barbara & Mathew Loonin Dave & Phyllis Snyder Howard E. Abrams Hours subject to change. Please call ahead. alternative seating and will be seated at an appropriate interval. Paul Black Carlos Malamud Jack & Louise Strecker Mrs. Marilyn Adams PHONE (619) 23-GLOBE (234-5623) Steve & Elizabeth Bluhm Dr. Robert & Marcia Malkus Judith Wenker George Amerault, Jr. Barbara Bolt Jackie & Charlie Mann Anonymous (4) FAX (619) 231-6752 YOUNG CHILDREN Dr. Herman & Irene H. Boschken Lois I. Marriott PLATINUM Earl Asbury EMAIL [email protected] or [email protected] Children under five years of age will not be admitted to performances. Bea & Bill Briggs Ms. Kerri Martella ($1,000 to $1,499) Alicia Atun & Elaine Rendon* WEBSITE www.TheOldGlobe.org Anita Busquets & William Ladd Dr. Ted & Marcy Mazer Anonymous The Backman Family Dr. & Mrs. Edgar D. Canada Elizabeth & Edward McIntyre David A. & Jill Wien Badger Bruce & Patricia Becker ELECTRONIC DEVICES AND CAMERAS Edward & Pamela Carnot Elizabeth B. Meyer Sondra & Robert Berk Fund of the Sally & John Berry ADMINISTRATION HOURS The video and/or audio recording of this performance by any means Cecilia Carrick & Stan Nadel Dr. Howard & Barbara Milstein Jewish Community Foundation Bob & Joyce Blumberg Harry & Sandra Carter Akiko Charlene Morimoto & Mrs. Lazare F. Bernhard Deb & Brand Brickman Monday – Friday: 9:00 a.m. – 5:00 p.m. whatsoever is strictly prohibited. Please silence all digital watches, George & Ellen Casey Hubert Frank Hamilton, Jr. Chortek Family Fund of the The Bunn Family PHONE (619) 231-1941 pagers, and cellular phones prior to entering the theatre. Rudy & Carol Cesena Nancy & James Mullen Jewish Community Foundation Brent Carey WEBSITE www.TheOldGlobe.org Garet & Wendy Clark Joyce & Martin Nash Dean & Mrs. Michael H. Dessent Luc Cayet & Anne Marie Pleska Ms. Heidi Conlan/ Lyn Nelson Dorothy R. Dring Drs. Lynne Champagne & ADDRESS The Old Globe ASSISTED LISTENING SYSTEM The Sahan Daywi Foundation Arthur & Marilyn Neumann Norman & Patricia Gillespie Wilfred Kearse P.O. Box 122171 For the convenience of our hard-of-hearing and hearing-impaired Richard & Stephanie Coutts Lawrence Newmark Joyce Glazer Ms. Lisa Churchill & San Diego, CA 92112-2171 patrons, The Old Globe has an Assistive Listening System in all three Susan Barlow Cowell Susan C. Parker Mr. William & Dr. Susan Glockner Dr. Susan Forsburg Jane Cowgill Mr. & Mrs. Thomas C. Pastore Louise & Doug Goodman Richard T. Clampitt theatres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, Gigi & Ed* Cramer Patricia Payne Chris Graham & Michael Albo Ronald D. Culbertson ORDERING TICKETS/CHANGE OF ADDRESS and the Lowell Davies Festival Theatre. A limited number of the Darlene G. Davies, in memory Col. & Mrs. Ben Pollard Heat Bar & Kitchen Honorable Vincent P. Di Figlia (Ret.) The Old Globe accepts Visa, Discover, MasterCard, and American lightweight headsets, as well as induction neck loops, may be obtained of Lowell Davies Bill & Mo Popp Isaacs Brothers Foundation at Dr. Donald & Eilene Dose Jim & Sally Ditto Daniel Porte & Sally Dubois The San Diego Foundation Jacqueline & Stanley Drosch Express. Phone orders for non-subscribers are subject to a $3.50-per- from the house manager prior to performances. Devora & Ron Eisenberg of Joseph & Jane Rascoff Louis & Mary Beth Kelly Berit & Tom Durler ticket service charge. Ticket exchanges are subject to a service charge for Great News! Sarah B. Marsh-Rebelo & Robert J. Kilian & Bill Eiffert & Leslie Hodge Mr. & Mrs. Ira S. Epstein John G. Rebelo Kathleen M. Slayton Georgia Ellis non-subscribers. If you have moved, please notify the Ticket Services PUBLIC TOURS Mary & David Fitz Wade and Candi Rich Bill & Linda Kolb Drs. George & Susan Dersnah Fee Office to update our records. Call (619) 234-5623 during Ticket Services Go behind the scenes at The Old Globe to learn about the history, three Jean & Sid Fox Nancy J. Robertson Jennifer Lake & Richard & Beverly Fink hours, mail your change of address to the Ticket Services Office, or stages, shops and craft areas. Open tours: most Saturdays and Sundays Samuel I. & John Henry Cathy & Larry Robinson Donald Francis Donovan Family Foundation Fox Foundation Carole Sachs Susan Lane & Torrey Harmon Pauline E. Forman & Jack Burke email [email protected]. at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. at Union Bank of California Beverly & Warren Sanborn Dr. & Mrs. James E. Lasry Robert & Stacey Foxworth Call (619) 238-0043 x2145 for information/reservations. Chuck Freebern Sanderson Family Donor Advised Thomas D. Lookabaugh Foundation Dr. Ben & Sue Frishberg UNABLE TO ATTEND? Charles & Millicent Froehlich Fund at the Rancho Santa Fe Joy & Ronald Mankoff Steven & Susan Garfin Joy & Dr. Fred Frye Foundation Jasna Markovac & Gary Miller J. M. Gillman If you find you are unable to use your tickets, please give them to a LOST AND FOUND Barbara & Albert Garlinghouse Dr. Myron & Doreen Schonbrun Carlos Martinez & Steven Jacobson Morris & Phyllis Gold Fund of the friend, or turn them in to the Ticket Services Office and receive a tax If you have misplaced a personal item while at the theatre, please Bill & Judy Garrett Sherry & Charles Sheppard Marcia A. Mattson Jewish Community Foundation receipt for your donation. Tickets must be received by show time. contact the Ticket Services Office or Security as soon as possible. If we Daniel & Arline Genis Drs. Joseph & Gloria Shurman James & Estelle Milch Fund of the Robert & Edry Goot Teresa George Dee E. Silver, MD Jewish Community Foundation Carol & Don Green are unable to locate your item, we’ll happily take down your contact Terrie Georgi Nancy & Alan Spector and Family Rena Minisi & Rich Paul Richard & Candace Haden RESTROOMS information and a description of the item and contact you if it is found. Arthur Getis & Roberta King Ann & Robert Steck Charles & Ilene Mittman Jeff & Judy Handler Gilcrest Family: Andy, Karen, Nancy Steinhart & Jim & Ruth Mulvaney Foundation James & Ruth Harris Fund of the Restrooms are located in the lower lobby of the Old Globe Theatre, The Old Globe does not assume liability for items left behind on the A.J. & Tommy Rebecca Goodpasture at The San Diego Foundation Jewish Community Foundation the lobby of the Sheryl and Harvey White Theatre, and adjacent to the premises. Wendy Gillespie Miriam Summ Marsha J. Netzer, in memory of Virginia Hawkins Lowell Davies Festival Theatre. Carol L. Githens Karen & Don Tartre Alice & Ray Jacobson Kaaren Henderson Robert Gleason & Marc Matys C. Anne Turhollow & Mark Niblack, MD Jamie Henson & Sheila & Tom Gorey Michael J. Perkins William & Carla Nolan Robert Houskeeper NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER. 22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager LIGHTING DEVELOPMENT Dave Henson...... Director of Marketing and Communications Shawna Cadence...... Lighting Director Annamarie Maricle...... Associate Director, Todd Schultz...... Director of Development Jack Bender...... Assistant Lighting Director Institutional Grants Mark Somers...... Director of Finance Ryan Osborn...... Master Electrician, Globe Bridget Cantu Wear...... Associate Director, Planned Giving Richard Seer...... Director of Professional Training Jim Dodd...... Master Electrician, White Eileen Prisby...... Events Director Robert Drake...... Director of Production Kevin Liddell...... Master Electrician, Festival Rachel Plummer, Keely Tidrow...... Major Gifts Officers Roberta Wells-Famula...... Director of Education Steve Schmitz...... Lighting Assistant Robin Hatfield...... Annual Fund Manager Michael Anderson, Bradley Bergholtz, Mark Dewey, Matthew B. Williams...... Major Gifts Associate ARTISTIC Shawn McCombs, Michael Paolini...... Electricians Diane Addis...... Membership Administrator Eric Louie, Justin Waldman...... Associate Producers Rico Zamora...... Development Assistant Danielle Mages Amato...... Literary Manager/Dramaturg SOUND Tyler Jones...... VIP Donor Ticketing Bernadette Hanson...... Artistic Associate Paul Peterson...... Sound Director Karen Ann Daniels...... Community Outreach Manager Jeremy Nelson...... Master Sound Technician, Globe DONOR SERVICES Michelle Panek...... Irvine Grant Associate Project Manager Clayton Nicodemus...... Master Sound Technician, White Silvana Burrato, Jyothi Doughman, Laura Regal, Jose Galvan, Jacqueline Kim...... Artistic Interns RJ Givens...... Deck Audio, Globe Janette Jack, Barbara Lekes, Richard Navarro, Gary Neuberg, Stephanie Reed, PRODUCTION ADMINISTRATION Stephen Wade...... Suite Concierges Debra Pratt Ballard...... Associate Director of Production Alexandra Hisserich...... General Management Associate MARKETING Ron Cooling...... Company Manager Carolyn Budd...... Assistant to the Artistic Susan Chicoine...... Public Relations Director Carol Donahue...... Production Coordinator and Managing Directors Ed Hofmeister...... Associate Director of Marketing Jackson Smith...... Assistant Company Manager Darlene Davies...... The Old Globe Historian Mike Hausberg...... Public Relations Associate STAGE MANAGEMENT INFORMATION TECHNOLOGY Andrew Waltz...... Digital and Print Publications Coordinator Interim Marketing Assistant Leila Knox...... Production Stage Manager Dean Yager...... Information Technology Director Kevin Lohmann...... John Ralston...... Information Technology Assistant Manager Stephen Wade...... Marketing/Events Assistant TECHNICAL Brittany Summers...... Information Technology Assistant Carolann Malley...... Distribution Staff Benjamin Thoron...... Technical Director SUBSCRIPTION SALES Wendy Berzansky...... Associate Technical Director HUMAN RESOURCES Subscription Sales Manager Lucas Skoug...... Assistant Technical Director Sandy Parde...... Human Resources Director Scott Cooke...... Eileen McCann...... Resident Design Assistant Manny Bejarano...... Human Resources Coordinator Arthur Faro, Stephen Jones, Janet Kavin, Pamela Malone, Yolanda Moore, Philip Patterson, Eliza Korshin...... Technical Assistant/Buyer MAINTENANCE Ken Seper, Cassandra Shepard, Jerome Tullmann, Gillian Kelleher...... Master Carpenter Grant Walpole...... Subscription Sales Representatives Carole Payette...... Charge Scenic Artist Ramon Juarez...... Facilities Director Mack Benjamin, Violanda Corona, Ismael Delgado, Christian Thorsen...... Stage Carpenter/Flyman, Globe TICKET SERVICES Robert Dougherty...... Festival Master Carpenter Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Jason McNabb, Jose Morales, Maria Rios, Bob Coddington...... Ticket Services Director Jack Hernandez...... Charge Carpenter, White Leonardo Rodriguez, Vielka Smith...... Building Staff Marsi Bennion...... Ticket Operations Manager Daniel Capiro, Sean Chaffin, Chris Chauvet, Jordyn Patton...... Interim Group Sales Manager Sloan Holly, Eszter Julian, Kurtis Weichers...... Carpenters PROFESSIONAL TRAINING Stephanie Hable, W. Adam Bernard...... Lead Scenic Artist Ray Chambers...... Interim Chair of Theatre Caryn Morgan...... Lead Ticket Services Representatives Jason Chohon...... Automation Coordinator Christian Amezcua, Kari Archer, Matt Costa, Shana Wride...... Program Coordinator Kathy Fineman, Merri Fitzpatrick, Elizabeth Galafa, Brian Byrnes, Maria Carrera, Cynthia Caywood, COSTUMES Bea Gonzalez, Lauryn Greschke, Alejandro Gutierrez, Sabin Epstein, Gerhard Gessner, Stacy Sutton...... Costume Director Amanda King, Damon Shearer, Jan Gist, Fred Robinson, John Sweeney...... Ticket Services Representatives Charlotte Devaux Shields...... Resident Design Associate Abraham Stoll, James Vásquez...... M.F.A. Faculty Maureen Mac Niallais...... Assistant to the Director Corey Johnston, Nate Parde, PATRON SERVICES Shelly Williams...... Design Assistant/Shopper Nicole Ries, Robin Roberts...... M.F.A. Production Staff Mike Callaway...... Patron Services Director Michelle Hunt Souza...... Design Assistant Juliana Johnson, Mary Taylor...... House Managers Erin Cass...... Draper EDUCATION Angela Montague Kanish...... Front of House Assistant Wendy Miller...... Tailor Crystal Mercado...... Education Programs Manager Nic Hagan...... Food and Beverage Manager Babs Behling, Anne Glidden Grace...... Assistant Cutters Carol Green...... Speakers Bureau Coordinator Tim Acosta, Stephanie Passera, Mary Miller...... Tailoring/Construction Lisel Gorell-Getz, Catherine Hanna, Katherine Harroff, Brandon Potter...... Pub Shift Supervisors Heather Premo...... Stitchers Jason Heil, Erika Malone, Heather Pauley, Christopher Salazar, Jason Maddy, Carolyn Elder, Deborah Montes, Michelle Thorsen, Erin Carignan...... Craft Supervisor/Dyer/Painter Jennifer Van Atta, Jacquelyn Weber...... Pub Staff Damon Shearer, Spencer Smith...... Teaching Artists Jakey Hicks...... Wig and Makeup Supervisor Linda Bahash, Jessica Piatt, Kim Parker...... Assistant to Wig and Makeup Supervisor FINANCE Stephanie Rakowski...... Gift Shop Supervisors Ana Maldonado...... Wig Assistant Janet Gray...... Interim Senior Accountant Beverly Boyd...... Wardrobe Supervisor SECURITY/PARKING SERVICES Trish Guidi...... Accounts Payable/Accounting Assistant Beth Merriman...... Crew Chief, Globe Edward Camarena...... Security Supervisor Carly Bennett-Valle...... Interim Accounting Assistant Anna MacDonald...... Crew Chief, White Sherisa Eselin...... Security Officer Adam Latham...... Payroll Coordinator/Accounting Assistant Marie Jezbera...... Rental Agent Jonathon Ayon, Joshua Caldwell, Jeff Howell, Tim Cole...... Receptionist Janet Larson, Robert Lowe, Alejandro Lugo, PROPERTIES Anna Salgado, Jakob Schmidt...... Security Guards Neil A. Holmes...... Properties Director Alexander Thomas...... VIP Valet Attendant Kristin Steva Campbell...... Assistant to the Director M.H. Schrenkeisen...... Shop Foreman Rory Murphy...... Lead Craftsman Jack O’Brien...... Artistic Director Emeritus Chris Carignan...... Craftsperson Craig Noel...... Founding Director David Medina...... Properties Buyer David Buess...... Property Master, Globe Kristen Flores...... Stage and Property Master, White Andrew Recker...... Property Master, Festival Kristine Hummel-Rosen...... Properties Assistant

24 PERFORMANCES MAGAZINE