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A Visualization Quality Evaluation Method for Multiple Sequence Alignments
2011 5th International Conference on Bioinformatics and Biomedical Engineering (iCBBE 2011) Wuhan, China 10 - 12 May 2011 Pages 1 - 867 IEEE Catalog Number: CFP1129C-PRT ISBN: 978-1-4244-5088-6 1/7 TABLE OF CONTENTS ALGORITHMS, MODELS, SOFTWARE AND TOOLS IN BIOINFORMATICS: A Visualization Quality Evaluation Method for Multiple Sequence Alignments ............................................................1 Hongbin Lee, Bo Wang, Xiaoming Wu, Yonggang Liu, Wei Gao, Huili Li, Xu Wang, Feng He A New Promoter Recognition Method Based On Features Optimal Selection.................................................................5 Lan Tao, Huakui Chen, Yanmeng Xu, Zexuan Zhu A Center Closeness Algorithm For The Analyses Of Gene Expression Data ...................................................................9 Huakun Wang, Lixin Feng, Zhou Ying, Zhang Xu, Zhenzhen Wang A Novel Method For Lysine Acetylation Sites Prediction ................................................................................................ 11 Yongchun Gao, Wei Chen Weighted Maximum Margin Criterion Method: Application To Proteomic Peptide Profile ....................................... 15 Xiao Li Yang, Qiong He, Si Ya Yang, Li Liu Ectopic Expression Of Tim-3 Induces Tumor-Specific Antitumor Immunity................................................................ 19 Osama A. O. Elhag, Xiaojing Hu, Weiying Zhang, Li Xiong, Yongze Yuan, Lingfeng Deng, Deli Liu, Yingle Liu, Hui Geng Small-World Network Properties Of Protein Complexes: Node Centrality And Community Structure -
FREDERIC DRUOT ARCHITECTURE SHANGHAI, DRAGONS of the BRIDGE of DONGHAI Urbain Developpement, 9 Dragons for Living, 00 Energie
FREDERIC DRUOT ARCHITECTURE SHANGHAI, DRAGONS OF THE BRIDGE OF DONGHAI Urbain developpement, 9 dragons for living. 00 Energie The project relates to the development of the urban territory of Shanghai, by the creation of hyper-structures able to answer multiple functionalities, under strong conditions of environmental comfort and consumption of extremely weak energies. The project is grafted on the bridge of Donghai, longer of the world with its 32,5 km connecting the town of Shanghai to the Yangshan islands. These islands shelter the largest deep water port of the world. New entities, in the shape symbolic system of 9 dragons, mark out the layout of the bridge. The establishment of each entity optimizes the high funds of bay. Each “dragon” consists of floors out of ring 500 m in diameter and 30m broad, on ten on 16 levels. A vegetal thermical envelope packs the unit and configures the image of the dragon. On the level of the bridge and mezzanine, networks, service roads private, terrestrial and maritime, public transport. In tertiary stages, many equipments, public residences Each “dragon” develops a surface of 750.000m ² The bridge: Length: 32,5 km Width: 31.5 m 670 series of piles 6 ways - One dragon: 752 000m² Surface of a plate: 47.000 m ² x16 Configuration: 376.000 m ² Housing and office 47.000 m ² Trade and shops 94.000 m ² circulations and carparks 19 km of garden walk 1 large equipment Energie 00 Nine dragons: Approximately 6.750.000 m ² 9 large equipments for: University Sport Culture FREDERIC DRUOT ARCHITECTURE Urbain developpement, 9 dragons for living. -
Empowering State Capitalism in China: the Revival, Legitimization and Development of Private Enterprises
Empowering State Capitalism in China: The Revival, Legitimization and Development of Private Enterprises By Zongshi Chen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Thomas Gold, Chair Professor Neil Fligstein Professor Heather Haveman Professor You-tien Hsing Spring 2011 Abstract Empowering State Capitalism in China: The Revival, Legitimization and Development of Private Enterprises by Zongshi Chen Doctor of Philosophy in Sociology University of California, Berkeley Professor Thomas Gold, Chair My research explores the interplay between the state and market in the formation of the market, and how this in turn leads to the transformation or reproduction of such structures. This is a historical examination of the revival of private enterprise in China since the late 1970s against the contemporary hostile political environment and of the current development of private enterprise. It explores three main issues: (1) how private enterprise, and generally the market economy, a political taboo under Mao’s regime, became legitimized; (2) how the state transformed in response to the development of private enterprise; (3) how private enterprise performed under such market institutions. My findings suggest that Wenzhou’s marginal position in socialist economy, culture and administration enabled Wenzhou to become the first place for experimenting with private enterprise. The findings imply that marginalized areas had great potential for engendering new institutions; this advances the theory of institutional change. My archival study also shows that three categories of people were the earliest to engage in private enterprise: those who had some work experience in a collective or state entity;those who had done business individually elsewhere; and some cadres. -
Concubinage Was a Deeply Entrenched Social Institution in The
Hsian.g LectQres on Chinese.Poet: Centre for East Asian Research . McGill University Hsiang Lectures on Chinese Poetry Volume 6, 2012 Grace S. Fong Editor Chris Byrne Editorial Assistant Centre for East Asian Research McGill University Copyright © 2012 by Centre for East Asian Research, McGill University 3434 McTavish Street McGill University Montreal, Quebec, Canada H3A 1X9 Calligraphy by: Han Zhenhu For additional copies please send request to: Hsiang Lectures on Chinese Poetry Centre for East Asian Research McGill University 3434 McTavish Street Montreal, Quebec Canada H3A 1X9 A contribution of $5 towards postage and handling will be appreciated. This volume is printed on acid-free paper. Endowed by Professor Paul Stanislaus Hsiang (1915-2000) Contents Editor’s Note vii How to View a Mountain in Medieval China 1 David R. Knechtges Poet-Nun of Nanyue: The Mountain Poems of Jizong Xingche (b. 1606) 57 Beata Grant When Dōgen Went to China: Chan Poetry He Did and Did Not Write 75 Steven Heine Editor’s Note The three Hsiang Lectures published in this volume were delivered respectively by Professors David Knechtges (October 23, 2009), Beata Grant (September 17, 2010), and Steven Heine (March 11, 2011). It is a happy coincidence that the three lectures share common themes on mountains as religious sites of spiritual, particularly Buddhist, practice and inspiration, and on classical Chinese verse as the medium for self-reflection, contemplation of nature, and the very embodiment of mystical experience and religious insight. Professor Knechtges provides an erudite close reading of the medieval poet Xie Lingyun’s (385–433) “Fu on Dwelling on the Mountain,” in which Xie records his exploration and experience of the mountain landscape in his estate in Shi’ning, in present-day Zhejiang. -
The Other and the Tragic Subject in Chinese Martial Arts Fiction, Viewed Through Lacan’S Schema L
ISSN 1751-8229 Volume Twelve, Number One The Other and the Tragic Subject in Chinese Martial Arts Fiction, Viewed Through Lacan’s Schema L Yen-Yin Lai, University of Queensland, QLD, Australia Abstract This paper looks at the tragedy of Qiao Feng in Jin Yong’s The Demi-Gods and the Semi-Devils. While it is common practice for Žižekean scholars to examine genre writing and popular culture with Lacanian theory, the martial arts genre has received little attention. In Demi-Gods, Qiao Feng experiences an ‘identity crisis’ at the peak of his career: rumour has it that though he was raised and trained in China, he was born a Khitan. Qiao Feng at first believes it is a just conspiracy, and henceforth is blind-sided by the imaginary relation between his ego and small others. He mis-recognises others’ scheming as ‘the Other of the Other,’ while his supposedly deceased Khitan father occupies the corner of the Other in the schema L to orchestra the manipulation game. However, what Qiao Feng is really under prey is the desire of the father, and of the two fatherlands, one Han-Chinese, one Khitan: his tragedy lies in the split of the national Other, in the impossibility of the ethical imperative Your duty is to be loyal to your country. And yet, it is exactly because of the emptiness in the ethical call that Qiao Feng can start to act as a subject, a subject that is by definition already always split. This paper thus interprets the actions of Jin Yong’s hero according to Lacan’s schema L, and also provides variations of the schema based on the twists and turns of this martial arts tragedy. -
2021Commencementprogram1.Pdf
One Hundred and Sixty-Third Annual Commencement JUNE 14, 2021 One Hundred and Sixty-Third Annual Commencement 11 A.M. CDT, MONDAY, JUNE 14, 2021 UNIVERSITY SEAL AND MOTTO Soon after Northwestern University was founded, its Board of Trustees adopted an official corporate seal. This seal, approved on June 26, 1856, consisted of an open book surrounded by rays of light and circled by the words North western University, Evanston, Illinois. Thirty years later Daniel Bonbright, professor of Latin and a member of Northwestern’s original faculty, redesigned the seal, Whatsoever things are true, retaining the book and light rays and adding two quotations. whatsoever things are honest, On the pages of the open book he placed a Greek quotation from the Gospel of John, chapter 1, verse 14, translating to The Word . whatsoever things are just, full of grace and truth. Circling the book are the first three whatsoever things are pure, words, in Latin, of the University motto: Quaecumque sunt vera whatsoever things are lovely, (What soever things are true). The outer border of the seal carries the name of the University and the date of its founding. This seal, whatsoever things are of good report; which remains Northwestern’s official signature, was approved by if there be any virtue, the Board of Trustees on December 5, 1890. and if there be any praise, The full text of the University motto, adopted on June 17, 1890, is think on these things. from the Epistle of Paul the Apostle to the Philippians, chapter 4, verse 8 (King James Version). -
Female Knights-Errant in Jin Yong's Fiction by Yin-Jen Chen Bachelor Of
Roaming Nüxia: Female Knights-errant in Jin Yong’s Fiction by Yin-Jen Chen Bachelor of Arts, University of Victoria, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Pacific and Asian Studies ã Yin-Jen Chen, 2017 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee Roaming Nüxia: Female Knights-errant in Jin Yong’s Fiction by Yin-Jen Chen B.A., University of Victoria, 2015 Supervisory Committee Dr. Tsung-Cheng Lin (Department of Pacific and Asian Studies) Co-Supervisor Dr. Richard King (Department of Pacific and Asian Studies) Departmental Member Dr. Ai-Lan Chia (Department of Phychology) Outside Member iii Abstract Supervisory Committee Dr. Tsung-Cheng Lin (Department of Pacific and Asian Studies) Co-Supervisor Dr. Richard King (Department of Pacific and Asian Studies) Departmental Member Dr. Ai-Lan Chia (Department of Phychology) Outside Member This thesis will explore the images of nüxia or “female knight-errant” in Jin Yong’s novels: The Eagle-Shooting Heroes, the Giant Eagle and Its Companion, and the Heaven Sword and the Dragon Saber. The depiction of nüxia underwent a significant development from the classical to modern literature of knight-errantry-related genre. Jin Yong, the master of wuxia fiction, has created many remarkable nüxia that distinguishes his nüxia images from the literary conventions. To examine Jin Yong’s uniqueness in portraying nüxia, this thesis will look into the history of nüxia-related works of poetry and classical literature, and analyze Jin Yong’s nüxia in the context of the literary history. -
Fiction-3-2018-1.Pdf
The Force of Truth and Grace British International School Shanghai (Puxi), Choi, Jiwon - 12 et’s tick our time back billions and billions of years ago. Picture this, when the Earth first began to rotate and when the sun just arose from the endless ashes. When the various creatures were first given L life, that was the age that I was born. When the age of creation was just about to emerge, that’s how our tale was written and how our adventure began. My life, before this adventure to the west, was pretty much spontaneous. Unexpected adventures always chased after me. When I was at the age of five million, I left the wizardry world of Olympus. Yes, it was depressing and heartbreaking to abandon the land that I’ve been breathing forever, however l was also delighted for the next destination of my anecdote. About a month after I left the Olympian wizardry world, I received an envelope with a golden feather inside. As soon as I unlocked the envelope, the feather swirled and pinned itself to my silver droopy hair, taking me to the grand, graceful palace of Olympian gods. A glittering rainbow filled the sky and gold had gobbled up the whole palace. The angelic statue of Cupid gracefully glistened as the sunlight gently shone through. Gorgeous melody from a golden harp was forming a pulchritudinous harmony with the glorious fountain. Whilst admiring the peaceful melody from the angel’s harp, a powerful voice flew down to my ears. “I sent the golden feather to bring you here,” Zeus blurted out his concern as he walked out of the Parthenon arch, “And this is why. -
Whispering Woods Basic Dragon Lore Course Nine Dragon Wall
Whispering Woods Basic Dragon Lore course Greetings and welcome to our Basic Dragon Lore course. In this course we will be looking at all aspects of Dragons. Not only their magickal uses but the various histories and beliefs of different cultures as well. For if one is to work with Dragons, and then a full knowledge of these wonderful creatures is a must. Dragons can be difficult to work with, but with a deep understanding of their lore and their ways we can reach a level of fulfillment and cooperation with these magickal creatures. Nine Dragon Wall A very popular tourist site in Beijing is this NineDragon Wall in BeiHai Park. After hundreds of years, the colors of the ceramic tiles are just as brilliant. The wall was built in 1756. It is 21m long, about 15m high and 2m thick. It is faced with 424 7color ceramic tiles. At the center of the wall, there is a giant dragon, flanged by four dragons on each side. In addition to these nine large dragons, the wall is covered from edge to edge with many smaller dragons. In all, there are 635 dragons. Whispering Woods Basic Dragon Lore Course Lesson One Facts and Myth An intro to Dragons: Dragons are a prominent part of Chinese festivals, including the Chinese New Year. In ancient China, dragons did not breathe fire, instead they were considered to be wise and caring. They were known to guard the wind, the rain, the rivers, precious metals and gems. Many countries include dragons in their art and history; this is especially true of China, Korea and Japan. -
What Do Creatures of Myth and Legend Truly Represent? Growing up Almost Purely on Fantasy Novels and Greek Myths, I Have Often Wondered This Myself
What do creatures of myth and legend truly represent? Growing up almost purely on fantasy novels and Greek myths, I have often wondered this myself. What messages do animals, such as tortoises, birds, or fictional creatures, such as dragons, and unicorns, give us? For what purpose were they put into a story? It varies greatly, but in myths of many cultures, animals, real or fake, are used to represent something of much greater value. With fables, there is always a moral, told in a story almost exclusively about animals. In children’s books, and even books suited for older audiences, guidance comes in the form of an animal, such as Sebastian and Flounder in Disney’s A Little Mermaid, or Fawkes the Phoenix in Harry Potter and the Chamber of Secrets. However, they symbolism of animals, and their ability to teach us a lesson goes much deeper than fables and children’s stories. For example, Chinese, Greek, and Hindu myths, use creatures prevalent in their culture to represent a concept, lesson, or idea. Christians use animals to symbolize different Christian values. Animals have played an important role in storytelling, from ancient times to the current day. I will explore the dragon, a creature that has played a role in the mythology of almost every culture across the globe. Dragons have played a large role in the stories of many different civilizations, and they have represented a variety of different things—from being emblematic of Satan to a highly worshipped rain god. Even today, there is a fascination with dragons in popular culture and modern literature, acting both as friendly companions and terrible antagonists. -
Enlightenment Unfolds Is a Sequel to Kaz Tanahashi’S Previous Collection, Moon in a Dewdrop, Which Has Become a Primary Source on Dogen for Western Zen Students
“Tanahashi is a writer and painter whose earlier collection, Moon in a Dewdrop, served as an introduction to the work of Dogen for many Western readers. This sequel collection draws from the complete range of Dogen’s writing. Some pieces have been widely translated and will be familiar to students of Zen, others have been reprinted from Moon in a Dewdrop, and still others appear here in English for the first time. Tanahashi worked with a number of co-translators, all of them Zen practitioners in Dogen’s lineage, and the result is an accessible and admirably consistent text. This is particularly impressive given the somewhat eccentric nature of Dogen’s prose, which can approach poetry and as a vehicle for Zen teachings often exists at the outer limits of usefulness of language in conveying meaning. Students of Zen will find this text essential.” —Mark Woodhouse, Library Journal ABOUT THE BOOK Enlightenment Unfolds is a sequel to Kaz Tanahashi’s previous collection, Moon in a Dewdrop, which has become a primary source on Dogen for Western Zen students. Dogen Zenji (1200–1253) is unquestionably the most significant religious figure in Japanese history. Founder of the Soto school of Zen (which emphasizes the practice of zazen or sitting meditation), he was a prolific writer whose works have remained popular for six hundred years. Enlightenment Unfolds presents even more of the incisive and inspiring writings of this seminal figure, focusing on essays from his great life work, Treasury of the True Dharma Eye, as well as poems, talks, and correspondence, much of which appears here in English for the first time. -
Fakt Und Fiktion in Der Chinesischen Kampfkunst
Magisterarbeit zur Erlangung der Würde eines Magister Artium des Sinologischen Seminars der Fakultät für Orientalistik und Altertumswissenschaften der Ruprecht-Karls-Universität Heidelberg Gutachter: Prof. Dr. Rudolf Wagner PH Dr. Barbara Mittler Thema: Fakt und Fiktion in der chinesischen Kampfkunst Untersuchung von Fakt und Fiktion in der chinesischen Kampfkunst anhand eines Vergleichs von kontemporärer Kampfkunstpraxis in China mit ihrer Darstellung in den Romanen des Hongkonger Autoren Jin Yong Vorgelegt von: Thomas Schmidt-Herzog Karlsruherstr. 96 69126 Heidelberg [email protected] Vorgelegt im: Juni 2003 Inhaltsverzeichnis 1. Einleitung ............................................................................................................................... 3 2. Der Wuxia-Romanautor Jin Yong.......................................................................................... 7 2.1 Die Bedeutung des Aspektes der Kampfkunst in den Wuxia-Romanen Jin Yongs....... 12 3. Geschichtliche Entwicklung und Bedeutung des Begriffs Jianghu ..................................... 14 3.1. Die Darstellung des Gebiets der Flüsse und Seen in den Romanen Jin Yongs ............ 17 4. Die Darstellung chinesischer Kampfkunst in den Wuxia-Romanen Jin Yongs................... 28 4.1. Der Daoist Zhang Sanfeng und die Kampfkunst Taijiquan .......................................... 35 4.2. Die inneren und die äußeren Kampfkünste Chinas....................................................... 39 4.3. Das Konzept der Kraft in den chinesischen