Whispering Woods Basic Dragon Lore Course Nine Dragon Wall
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Uncovering the Messages Behind Four Imperial Dragon Robes from Exhibitions with Yin and Yang Message
Journalism and Mass Communication, January 2017, Vol. 7, No. 1, 53-62 doi: 10.17265/2160-6579/2017.01.006 D DAVID PUBLISHING Uncovering the Messages Behind Four Imperial Dragon Robes from Exhibitions With Yin and Yang Message Shu Hwa Lin, C J Duarte University of Hawaii at Manoa, Honolulu HI, USA The design themes of three Qing dynasty imperial dragon robes from the University of Hawaii at Manoa Costume Collection act as carriers of the Chinese yin-yang philosophy. The information shared by these imperial dragon robes are discussed through a cultural and technological analysis of the symbolic motifs and fabric structures of these garments to reveal the cultural and social impact of yin-yang on Qing imperial costume design. Keywords: Dragon robe, Yin and Yang, imperial/court costume Introduction Since the Qing dynasty (1644-1911), the yin-yang philosophy has been utilized in Chinese court dress (Lin, 2015). The influence of yin-yang on Chinese costume design can be observed in the surviving artifacts of the Qing dynasty (Cheng, 2008; Camman, 1952). The University of Hawaii at Manoa (UHM) Costume Collection (UHMCC) houses three kosse robes (i.e., tapestry) and one embroidery dragon robes from the Qing dynasty which provide representations of the yin-yang philosophy through the motifs and color patterns of its design. These important robes were selected to exhibit during special days such as year of dragon, UHM 100 years, and UHMCC 50 year’s anniversary. There are four categories of court dress: gunfu, chaofu, jifu, changfu (Zhoa, 1989; Zhou & Gao, 1988). Three dragon robes from the UHM Costume Collection are classified as jifu, or semi-formal court robe (Vollmer, 1977a). -
Dragon Magazine #182
Issue #182 Vol. XVII, No. 1 SPECIAL ATTRACTIONS Dragons: the lords of fantasy June 1992 9 Our annual tribute to our namesakeslong may they live! Publisher Not Cheaper by the Dozen Spike Y. Jones James M. Ward 10 Twelve of the DRAGONLANCE® sagas most egg-citing creations. Editor The Vikings' Dragons Jean Rabe Roger E. Moore 17 Linnorms: the first of a two-part series on the Norse dragons. The Dragons Bestiary Gregory Detwiler Associate editor 25 unhealthy branches of the dragon family tree. Dale A. Donovan Fiction editor F ICTION Barbara G. Young The Dragonbone Flute fiction by Lois Tilton Editorial assistant 84 He was a shepherd who loved musicbut he loved his audience more. Wolfgang H. Baur Art director R EVIEWS Larry W. Smith The Role of Computers Hartley, Patricia, and Kirk Lesser 55 From Mars to the stars: two high-powered science-fiction games. Production staff Gaye O'Keefe Angelika Lokotz Role-playing Reviews Lester Smith Tracey Zamagne Mary Roath 96 Now you can be the smallest of creatures or the most powerful. Through the Looking Glass Robert Bigelow Subscriptions\t 112 A collection of draconic wonders, for gaming or display. Janet L. Winters U.S. advertising O THER FEATURES Roseann Schnering Novel Ideas James Lowder 34 Two new horrific novels, spawned in the mists of Ravenloft. U.K. correspondent The Voyage of the Princess Ark Bruce A. Heard and U.K. advertising 41 This month, the readers questions take center stage. Bronwen Livermore The Wild, Wild World of Dice Michael J. DAlfonsi 45 Okay, so how many six-sided dice do you own? Kings of the Caravans Ed Greenwood 48 A land like the Forgotten Realms requires tough merchants! Dragonslayers on the Screen Dorothy Slama 62 Some handy guidelines for letting your computer be your DM. -
The Rise of Traditional Chinese Medicine and Its Materia Medica A
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Bath Research Portal Citation for published version: Williamson, EM, Lorenc, A, Booker, A & Robinson, N 2013, 'The rise of traditional Chinese medicine and its materia medica: a comparison of the frequency and safety of materials and species used in Europe and China', Journal of Ethnopharmacology, vol. 149, no. 2, pp. 453-62. https://doi.org/10.1016/j.jep.2013.06.050 DOI: 10.1016/j.jep.2013.06.050 Publication date: 2013 Document Version Early version, also known as pre-print Link to publication University of Bath General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 13. May. 2019 Journal of Ethnopharmacology 149 (2013) 453–462 Contents lists available at ScienceDirect Journal of Ethnopharmacology journal homepage: www.elsevier.com/locate/jep The rise of traditional Chinese medicine and its materia medica: A comparison of the frequency and safety of materials and species used in Europe and China Elizabeth M. Williamson a,n, Ava Lorenc b,nn, Anthony Booker c, Nicola Robinson b a University of Reading School -
The Dragon Prince by Laurence Yep a Chinese Beauty and the Beast Tale
Cruchley’s Collection Diana Cruchley is an award-winning educator and author, who has taught at elementary and secondary levels. Her workshop are practical, include detailed handouts, and are always enthusiastically received. Diana Cruchley©2019. dianacruchley.com The Dragon Prince by Laurence Yep A Chinese Beauty and the Beast Tale A poor farmer with seven daughters is on his way home from his farm when a dragon seizes him and says he will eat him unless one of his daughters marries him. Seven (who makes money for the family with her excellent embroidery) agrees and they fly away to a gorgeous home, wonderful clothes, a great life…and he reveals he is a prince in disguise. She misses her home, and while there, Three, who is jealous, pushes her in the river and steals her identity. Three is rescued by an old lady and uses her wonderful sewing skills to make clothes and shoes they can sell in the market. The prince, realizing something is wrong, seeks his real bride and finds her because he sees her embroidery in the market. Happy ending all around – except for Three. Lawrence Yep, Harper Collins, ©1999, ISBN 978-0064435185 Teaching Ideas Art There are some nice Youtube instructions on “how to draw a Chinese dragon” that your students would enjoy learning. I liked the one by Paolo Marrone. Lawrence Yep He doesn’t have a website, but there is an interview of Lawrence Yep on line. He has written 60 books and won 2 Newberry awards. He also writes science fiction for adolescent readers. -
About a Dragon Free
FREE ABOUT A DRAGON PDF G. A. Aiken | 352 pages | 02 Dec 2008 | Kensington Publishing | 9781420103748 | English | New York, United States Dragon - Wikipedia Goodreads helps you keep track of books you want About a Dragon read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — About a Dragon by G. About a Dragon Dragon Kin 2 by About a Dragon. Existence as a hated outcast is nothing new for a woman with such powerful secrets. The dragon, though? A tad unusual. This one has a human form to die for, and knows it. According to dragon law, Talaith is now his property, for pleasure…or otherwise. Get A Copy. Mass Market Paperbackpages. Published December 1st by Zebra first published August 1st More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about About a Dragonplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start About a Dragon review of About a Dragon Dragon Kin, 2. Oct 21, Alp rated it really liked it Shelves: dragons About a Dragon, fantasy-romance. Almost great. Oh yeah, I liked it! To tell you the truth, during the first few chapters, I was a little hesitant as to whether I should put this book down or not. -
Crimson Dragon 2
Brief Prologue "Ahh!" Pyrothraxus cried. "Get it off! Get it off!" The ent latched onto his ear frill tightly, grinding his splintery teeth against the membrane. He pulled down upon Pyrothraxus, bending the Red Dragon's neck awkwardly. Though the ent was as tall as Pyrothraxus' shoulder, Pyrothraxus still had another 40 feet to his neck. With one snap of the ent's shoulders, Pyrothraxus came toppling down onto his side. "Give it back to me!" the ent bellowed. "Give it back now!" "What?" Pyrothraxus asked. "Give what back?" The ent pulled harder, wrapping his arms around Pyrothraxus' neck and holding him tightly in a lock. The Red Dragon struggled under the great strength of the tree ent's branch-like arms. "Aiyah, Jonathan!" called Lao Shi from the pavement. "Just give whatever it is he wants back to him." "I don't know what it is he wants," Pyrothraxus growled back, trying to pull himself away from the vice-like grip of the ent's arms. "You're the dragon who stole it!" the ent shouted. "Stole what?" Pyrothraxus asked. The ent let loose a hollow bellow and flipped Pyrothraxus over onto his back. Cars parked in the street were suddenly tossed into the air by the Red Dragon's thrashing tail. Pyrothraxus gripped his claws into the pavement, sending the tar cracking and splintering across the surface. "Give it back!" the ent bellowed, tightening his grip around the dragon's neck. "That's it, I'm getting tired of guessing games, here," Pyrothraxus growled, black smoke slowly rising up from his nostrils. -
1. Smaug, the Treasure Keeper
How have dragons evolved in modern literature? First we will study the classical representation of the fierce treasure- keeping monster in The Hobbit, then we will discuss its evolution as a potential ally or member of the family in Harry Potter and the Philosopher’s Stone and A Clash of Kings. We will also compare the film and television series adaptations of these works with the novels and evaluate the choices made to represent these dragons on screen. 1. Smaug, the treasure keeper This 1998 book cover edition of The Hobbit (published in 1937) written by J.R.R. Tolkien for his children. He invented a whole universe and an associated mythology. He is considered the father of Heroic Fantasy. Tolkien also translated Beowulf and it inspired him to create Smaug. Heroic fantasy is a subgenre of fantasy in which events occur in a world where magic is prevalent and modern technology is non-existent. Smaug is a dragon and the main antagonist in the novel The Hobbit, his treasure and the mountain he lives in being the goal of the quest. Powerful and fearsome, he invaded the Dwarf kingdom of Erebor 150 years prior to the events described in the novel. A group of thirteen dwarves mounted a quest to take the kingdom back, aided by the wizard Gandalf and the hobbit Bilbo Baggins. In The Hobbit, Thorin describes Smaug as "a most specially greedy, strong and wicked worm". The text is set just after Bilbo has stolen a cup from Smaug’s lair for his companions. The dragon is furious and he chases them as they escape through a tunnel. -
Shaping Darkness in Hyakki Yagyō Emaki
Asian Studies III (XIX), 1 (2015), pp.9–27 Shaping Darkness in hyakki yagyō emaki Raluca NICOLAE* Abstract In Japanese culture, the yōkai, the numinous creatures inhabiting the other world and, sometimes, the boundary between our world and the other, are obvious manifestations of the feeling of fear, “translated” into text and image. Among the numerous emaki in which the yōkai appear, there is a specific type, called hyakki yagyō (the night parade of one hundred demons), where all sorts and sizes of monsters flock together to enjoy themselves at night, but, in the end, are scattered away by the first beams of light or by the mysterious darani no hi, the fire produced by a powerful magical invocation, used in the Buddhist sect Shingon. The nexus of this emakimono is their great number, hyakki, (one hundred demons being a generic term which encompasses a large variety of yōkai and oni) as well as the night––the very time when darkness becomes flesh and blood and starts marching on the streets. Keywords: yōkai, night, parade, painted scrolls, fear Izvleček Yōkai (prikazni, demoni) so v japonski kulturi nadnaravna bitja, ki naseljuje drug svet in včasih tudi mejo med našim in drugim svetom ter so očitno manifestacija občutka strahu “prevedena” v besedila in podobe. Med številnimi slikami na zvitkih (emaki), kjer se prikazni pojavljajo, obstaja poseben tip, ki se imenuje hyakki yagyō (nočna parade stotih demonov), kjer se zberejo pošasti različne vrste in velikosti, da bi uživali v noči, vendar jih na koncu preženejo prvi žarki svetlobe ali skrivnosten darani no hi, ogenj, ki se pojavi z močnim magičnim zaklinjanje in se uporablja pri budistični sekti Shingon. -
Ruins of the Temple of Heracles at Agrigento in Sicily. (Wikimedia Commons
Ruins of the Temple of Heracles at Agrigento in Sicily. (Wikimedia Commons. Photo by José Luiz) ERCULES (also known as Heracles) tually overpowered it (Figure 3) and their own master. With their appetites Hhad been told by the oracle at Delphi brought it to Greece. This labour of satisfied Heracles was able to control that if he accomplished the tasks set for Her acles might reflect the subjugation them (Figure 4) and with his way of him by Eurystheus, the king of Mycenae, of the Minoan civilization on Crete by dealing with them they were no further he would gain immortality. Part I dealt conquerors from Greece in about 1450 trouble. with the first six of these labours and BC. The Ninth Labour was to obtain Part II will deal with the remaining six. The Eighth Labour was to capture Hippolyte’s girdle. Hippolyte was the The Seventh Labour was to capture the four wild mares that belonged to queen of the Amazons, who were female the Cretan bull. This was a large bull Diomedes, who ruled the fierce tribe of warriors in Asia Minor. The word ‘ama - that terrorized the people of Crete. (Fig - the Bistones in Thrace. The horses lived zon’ means ‘no breast’, and these women ure 1 – map) Some say it was the bull on human flesh and terrorized the had their right breast cut off when they that carried Europa on its back from country. Heracles gathered a band of were young so that they were better Phoenicia to Crete. Others say it was volunteers and went to Thrace. -
Technical Activities 1983 Center for Basic Standards
Technical Activities 1983 Center for Basic Standards U S. DEPARTMENT OF COMMERCE National Bureau of Standards National Measurement Laboratory Center for Basic Standards Washington, DC 20234 November 1983 Final Issued January 1984 Prepared for: U S. DEPARTMENT OF COMMERCE National Bureau of Standards Qc /ashington, DC 20234 1 00 -USk p p p I p p V i I » i » i i » i [i fi n NBSIR 83-2793 TECHNICAL ACTIVITIES 1983 CENTER FOR BASIC STANDARDS Karl G. Kessler, Director U.S. DEPARTMENT OF COMMERCE National Bureau of Standards National Measurement Laboratory Center for Basic Standards Washington, DC 20234 November 1 983 Final Issued January 1984 Prepared for: U.S. DEPARTMENT OF COMMERCE National Bureau of Standards Washington, DC 20234 U.S. DEPARTMENT OF COMMERCE, Malcolm Baidrige. Secretary NATIONAL BUREAU OF STANDARDS, Ernest Ambler, Director TABLE OF CONTENTS Part II Page Technical Activities: Introduction 1 Quantum Metrology Group 2 Electricity Division 21 Temperature and Pressure Division 81 Length and Mass Division 123 Time and Frequency Division 135 Quantum Physics Division 187 i i I 1 I II II i li 1 1 INTRODUCTION This book is Part II of the 1983 Annual Report of the Center for Basic Standards and contains a summary of the technical activities of the Center for the period October 1, 1982 to September 30, 1983. The Center is one of the five resources and operating units in the National Measurement Laboratory. The summary of activities is organized in six sections, one for the technical activities of the Quantum Metrology Group, and one each for the five divisions of the Center. -
El Dragon De Gaudi En Barcelona
NETWORK FOR ASTRONOMY SCHOOL EDUCATION EL DRAGON DE GAUDI EN BARCELONA Rosa M. Ros – NASE Introducción En 1884 Gaudí proyecta los pabellones de entrada y los jardines de la finca que tiene Eusebi Güell Bacigalupi en la zona de Pedralbes en Barcelona como un homenaje póstumo al suegro del Sr. Güell que pasaba temporadas en dicha finca. El martes 16 de enero de 1883 falleció en Barcelona el primer Marqués de Comillas, Antonio López López y los Pabellones Güell se realizan del 1884 al 1887. Para ello Gaudí se inspira en el Jardín de las Hespérides tal y como Jacinto Verdaguer lo describía en su poema La Atlántida. Verdaguer dedicó este poema en 1877 al Marqués de Comillas, y curiosamente el autor lo termino de escribir en esta misma finca. La finca Güell El conjunto se compone de la casa de los guardias y las caballerizas. Dos casas unidas por una puerta monumental (figura 1). En la entrada destaca la gran escultura de hierro forjado de Ladón, el dragón mitológico adversario de Hércules en su undécimo trabajo. Después de la muerte de Eusebio Güell, en 1918, sus descendientes ceden la casa y parte de los terrenos de la finca para construcción del Palacio Real de Pedralbes. Las antiguas caballerizas, el picador y la casa del guardia forman parte actualmente de la Universidad de Barcelona. Las caballerizas son la sede actual de la Real Cátedra Gaudí de la Universidad Politécnica de Cataluña. Figura 1: Pabellones de la Finca Güell: Casa del Guardia, puerta y Caballerizas. NETWORK FOR ASTRONOMY SCHOOL EDUCATION Este precioso conjunto modernista, tiene una de las puertas de hierro forjado mas fotografiadas de Barcelona (figura 1). -
The Brightest Stars Seite 1 Von 9
The Brightest Stars Seite 1 von 9 The Brightest Stars This is a list of the 300 brightest stars made using data from the Hipparcos catalogue. The stellar distances are only fairly accurate for stars well within 1000 light years. 1 2 3 4 5 6 7 8 9 10 11 12 13 No. Star Names Equatorial Galactic Spectral Vis Abs Prllx Err Dist Coordinates Coordinates Type Mag Mag ly RA Dec l° b° 1. Alpha Canis Majoris Sirius 06 45 -16.7 227.2 -8.9 A1V -1.44 1.45 379.21 1.58 9 2. Alpha Carinae Canopus 06 24 -52.7 261.2 -25.3 F0Ib -0.62 -5.53 10.43 0.53 310 3. Alpha Centauri Rigil Kentaurus 14 40 -60.8 315.8 -0.7 G2V+K1V -0.27 4.08 742.12 1.40 4 4. Alpha Boötis Arcturus 14 16 +19.2 15.2 +69.0 K2III -0.05 -0.31 88.85 0.74 37 5. Alpha Lyrae Vega 18 37 +38.8 67.5 +19.2 A0V 0.03 0.58 128.93 0.55 25 6. Alpha Aurigae Capella 05 17 +46.0 162.6 +4.6 G5III+G0III 0.08 -0.48 77.29 0.89 42 7. Beta Orionis Rigel 05 15 -8.2 209.3 -25.1 B8Ia 0.18 -6.69 4.22 0.81 770 8. Alpha Canis Minoris Procyon 07 39 +5.2 213.7 +13.0 F5IV-V 0.40 2.68 285.93 0.88 11 9. Alpha Eridani Achernar 01 38 -57.2 290.7 -58.8 B3V 0.45 -2.77 22.68 0.57 144 10.