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Zenobia Kozak Phd Thesis
=><9<@6;4 @52 =.?@! =>2?2>B6;4 @52 3A@A>2 , />6@6?5 A;6B2>?6@C 52>[email protected] 0<8820@6<;? .;1 612;@6@C 9.>72@6;4 DIQRFME 7R\EN . @LIUMU ?WFPMVVIH JRT VLI 1IKTII RJ =L1 EV VLI AQMXITUMV[ RJ ?V# .QHTIYU '%%* 3WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ >IUIETGL-?V.QHTIYU,3WOO@IZV EV, LVVS,$$TIUIETGL"TISRUMVRT[#UV"EQHTIYU#EG#WN$ =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP, LVVS,$$LHO#LEQHOI#QIV$&%%'($)%+ @LMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV @LMU MVIP MU OMGIQUIH WQHIT E 0TIEVMXI 0RPPRQU 8MGIQUI Promoting the past, preserving the future: British university heritage collections and identity marketing Zenobia Rae Kozak PhD, Museum and Gallery Studies 20, November 2007 Table of Contents List of Figures………………………………………………………………………………………………………………………1 List of Tables……………………………………………………………………………………………………………………….2 List of Acronyms and Abbreviations…………………………………………………………………………………......3 List of Appendices………………………………………………………………………………………………………………..4 Acknowledgements………………………………………………………………………………………………………………5 Abstract……………………………………………………..………………………………………………………………………7 1. Introduction: the ‘crisis’ of university museums…………………………………………...8 1.1 UK reaction to the ‘crisis’…………………………………………………………………………………………………9 1.2 International reaction to the ‘crisis’…………………………………………………………………………………14 1.3 Universities, museums and collections in the UK………………………………………………………………17 1.3.1 20th-century literature review…………………………………………………………………………………19 1.4 The future of UK university museums and collections………………………………………………………24 1.4.1 Marketing university museums -
'Kurt Schwitters in England', Baltic, No 4, Gateshea
1 KURT SCHWITTERS IN ENGLAND, Sarah Wilson, Courtauld Institute of Art, ‘Kurt Schwitters in England', Baltic, no 4, Gateshead, np, 1999 (unfootnoted version); ‘Kurt Schwitters en Inglaterra el "Anglismo" o la dialéctica del exilio’, Kurt Schwitters, IVAM Centre Julio González, Valencia, pp. 318-335, 1995 ‘Kurt Schwitters en Angleterre’, Kurt Schwitters, retrospective, Centre Georges Pompidou, Paris, pp. 296-309 `ANGLISM': THE DIALECTICS OF EXILE' Three orthodoxies have dictated previous accounts of the life of Kurt Schwitters in England: that England was simply `exile', a cultural desert, that he was lonely, unappreciated, that his late figurative work is too embarrassing to be displayed in any authoritative retrospective. Scholars ask `What if?' What if Schwitters had got a passport to United States and had joined other artists in exile? He would have continued making Merz with American material. He would have had no `need' to paint figuratively.1 Would he have fitted his past into an even more `modernist' mould like his friend Naum Gabo, to please the New Yorkers?2 Surely not. `Emigration is the best school of dialectics' declared Bertold Brecht.3 Schwitters' last period must be investigated not in terms of `exile' but the dialectics of exile: as a future which cuts off a past which lives on through it all the more intensely in memory, repetition, recreation. `Exile' moreover is a purely negative term, foreclosing all the inspirational possibilities of a new `genius loci', a spirit of place: England. The Germany Schwitters knew was disfigured, disintegrating, self-destructing. His longing was for place which was no more. His Merzbau was destroyed by Allied bombing in 1943; Helma died in 1944: `Hanover a heap of ruins, Berlin destroyed, and you're not allowed to say how you feel.'4 The English period was a both a death and a birth, a question of identity through time, of new and old languages. -
Spotlight on Newcastle
SPOTLIGHT ON NEWCASTLE WELCOME TO NEWCASTLE, ENGLAND Newcastle upon Tyne commonly known as Newcastle, is a city in Tyne and Wear, North East England on the northern bank of the River Tyne. Newcastle is the most populous city in the North East and forms the core of Tyneside conurbation, the eighth most populous urban area in the United Kingdom. The city was named after the castle built in 1080 by William the Conqueror's eldest son. The city grew as an important center for the wool trade, coal mining, and shipbuilding. Newcastle's economy includes corporate headquarters, as well as learning, digital technology, retail, tourism, and cultural centers. Contents Climate and Geography 02 Cost of Living and Transportation 03 UK Visa and Passport Requirements 04 Sports and Outdoor Activities 05 Culture, Shopping, and Dining 06 Schools and Education 07 GLOBAL MOBILITY SOLUTIONS l SPOTLIGHT ON NEWCASTLE l 01 SPOTLIGHT ON NEWCASTLE Newcastle Climate Graph CLIMATE Situated in the coldest region of England, the climate in Newcastle is a cold oceanic one. However, being in the rain shadow of the North Pennines Mountains, it is also among the driest cities in the United Kingdom. Temperature extremes recorded at Newcastle Weather Centre include 90.5°F (32.5°C) during August of 1990 down to 9.3°F (−12.6°C) during January 1982. In contrast to other British cities, Newcastle has colder winters and cooler summers. Newcastle upon Tyne is generally believed to be the coldest Average High/Low Temperatures major city in England, and shares the same Low / High latitude as Copenhagen, Denmark and southern February 35oF (2oC) / 44oF (6oC) Sweden. -
Introduction
10 PROCEEDINGS OF THE SOCIETY, 1957-58. II. THE HUMAN HEAD IN INSULAR PAGAN CELTIC RELIGION. BY ANNE BOSS, PH.D., F.S.A.ScoT. INTRODUCTION. A Scottish Tricephalos said to come from Sutherland. Throug generosite hth Trusteee th Dice f yo th f kso Institute , Kilmarnock, importann a t carved hea kina t hithertf do dno o recorded from Scotlans dha been addeNationae th o dt lonlr Museum.fo g d beeha nt I exhibite1 e th n di Institute's museu earln a onle s mya th yfontd recor s provenancan , it f do e is '' Sutherlandshire.'' This head, 4-7 ins. high and 5-4 by 5 ins. broad, is shaped like a ball, truncated top and bottom. The top is hollowed into a conical cup about 3 ins. across and 2-6 ins. deep. The base is slightly concave. Three faces have been carved roun e sidesdth . Rounded incisions about J—. widin J e d abou an deptn i t. h^in outline three pair f eyeso s , chin droopingd san , triangular moustaches, whil lina e e continuous roun e stondth e indicates mouthse th . Broader lines -were use indicato dt innee eth r curvee th f o s cheeks and the sides of the drop-shaped noses. Between the faces there are similarly incised crosses, equal-armed, abou ins2 t . overall excep r onefo t , now damaged, abou. higin h1 t wit verha y uncertain horizontal strokt eno more than \ in. long. The ston granites ei , speckled black, whit pinkd ean . Mis . MacDonalsH d of the Geological Survey and Museum, South Kensington, has kindly examined it. -
University Museums and Outreach: the Newcastle Upon Tyne Case Study
University museums and outreach: the Newcastle upon Tyne case study LINDSAY ALLASON-JONES Abstract This paper describes developments in attitudes to public access and outreach at the University of Newcastle over the past thirty years, and the impact of those developments on the University’s Museum of Antiquities. The author describes some of the ground-breaking educational initiatives undertaken by the museum, and the plans for its future as part of the Great North Museum. Early days When I first began work at the Museum of Antiquities at Newcastle in 1978 the University was very clear as to the Museum’s role. It was there to assist teaching firstly and secondly to provide a basis for research. The museum was always a curious phenomenon because, although it was run by the University of Newcastle upon Tyne, the collections were mostly owned by the Society of Antiquaries of Newcastle upon Tyne. When the joint agreement to establish the Museum was signed in 1956, the Society was very firm that members of the public were to be allowed in for free. The then University of Durham was equally firm that the Keeper of the Museum had to be a longstanding member of the academic body, preferably at the level of Senior Lecturer. When the University of Newcastle upon Tyne was created, and the agreement renegotiated, this was still adhered to. By the time I took over responsibility for the Museum of Antiquities from Dr David Smith in 1989 and later added the Shefton Museum of Greek Art and Archaeology to my portfolio, I had already become very aware that a university museum was in an unenviable position, caught between the demands of the Higher Education Funding Council for England (HEFCE) on the one hand and the museum world on the other. -
AHRC Annual Report and Accounts 2005/06
2005/06 AHRC Annual AHRC Report and Accounts Arts and Humanities Research Council Annual Report and Accounts 2005/2006 Cover images Top left: Four studies of Ling, John Ruskin (draughtsman), 14 September 1869? Part of Bottom left: Section. 2003. Wallpainting. 2m x 2m. Detail. the John Ruskins Teaching Collection for which Colin Harrison received an AHRC Resource Enhancement grant. Detail. Bottom centre: High-resolution colour digital image of a Greek papyrus (2nd c. AD), recovered from ancient rubbish mounds in central Egypt, containing a 30 line Top right: Copy of a cave painting in Lesotho, southern Africa, showing Sotho men (with poem in elegiac couplets by the 7th c. B.C. poet Archilochos of Paros; the poem tells shields) trying to rescue their cattle from San raiders (with bows and arrows). Copyright of the Greeks' failed first expedition to Troy, during which they mistook Mysia in Asia Pitt Rivers Museum, University of Oxford which receives funding through the AHRC Core Minor for Troy, and when they were badly beaten and forced to flee by the Mysian king Funding Scheme(PRM 1993.19.1). Detail. Telephus. Archilochos compares his own similar experience of running away in battle, as he did in one of the few extant quotations from him in this metre: 'Some Thracian Centre: Shaw Untitled (c). Image courtesy Mike Shaw who received AHRC now has my shield, which I left behind, by a bush: so what? I'll get another one just as Doctoral Funding. good.' Image courtesy 'The Oxyryhnchus Papyri Project, Oxford'. Detail. Centre right: A Lad from Old Ireland (1910). -
Make Poverty History Harry Belafonte Reunion Weekend 2007 Visit: Arches Contents
The Newcastle University Alumni Association Magazine Issue 9 / Summer 2007 Arches Make Poverty History Harry Belafonte Reunion Weekend 2007 Visit: Arches Contents www.ncl.ac.uk/alumni Arches Communications Strategy Board Development & Alumni Relations Office Newcastle University 6 Kensington Terrace Newcastle upon Tyne NE1 7RU Telephone: + 44 (0) 191 222 7250 Fax: + 44 (0) 191 222 5905 Contents E-mail: [email protected] Website: www.ncl.ac.uk/alumni 04 09 12 Cover image: Chris Steele-Perkins (BA Psychology 1970). School children during a rainstorm in Lesotho, Southern Africa (1981). ACS Board members are: Dan Howarth (Editor, 04 – 08 Arches Feature Arches Feature DARO; alum), Lauren Huntington (DARO), Kara Byers (alum), Sharmishta Chatterjee-Banerjee (Business News 14 –15 18 –19 School), Prof Patrick Chinnery (Faculty of Medical Keep up to date with the latest Sciences), Robin Cordy (alum), Dr Eric Cross (Faculty Rebuilding Portrait of a of Humanities & Social Sciences), Jennie Gundill news straight from campus (Union Society; alum), Melanie Reed (Press & education in Iraq master sculptor Communications Office), Mark Scrimshaw (Chair of Arches Feature Amidst the current conflict in Iraq, A look at the career of Derwent the Alumni Association; alum), Helen Stark (alum), the University of Mosul is restoring Wise, one of the North East’s most Melissa Suddes (Student Recruitment Office), Gareth 09 – 11 Trainer (Careers Service; alum), Dr Andrew Young its academic reputation. Arches extraordinary artists, whose life’s (Faculty of Science,Agriculture -
Great North Museum Open Late on Friday 28 September for European Researchers' Night
News release September 2018 Images available at bit.ly/2P9ofKV Great North Museum open late on Friday 28 September for European Researchers’ Night European Researchers’ Night: Planet 2.0 Great North Museum: Hancock Friday 28 September 2018, 6-10pm Donations welcome (free entry) Friday 28 September sees the return of the popular European Researchers’ Night event (formerly known as Science Uncovered) to Newcastle University’s Great North Museum: Hancock following successful editions in 2016 and 2017 which both drew over 1000 visitors. European Researchers’ Night is a continent-wide initiative taking place annually on the last Friday in September. It’s a fun, alternative night out that presents scientific research in a social setting. Visitors can meet university researchers, hear about their work, enjoy a drink and take the rare opportunity to explore the museum after dark. All are welcome to attend and the event is particularly suitable for students and young adults. European Researchers’ Night is delivered in partnership with London’s Natural History Museum and the European Commission. Caroline McDonald, manager at the Great North Museum: Hancock said: “We’re looking forward to this evening of popular science during Freshers’ Week to celebrate European Researchers’ Night. “As Newcastle University’s museum on campus we want to inspire curiosity, learning and debate. An event like this with cutting-edge research at its heart, fits the bill perfectly.” 2018’s event revolves around the theme Planet 2.0 and sees a diverse range of projects and ideas presented by researchers. The main question up for debate is: Does the planet need a reboot? Human activity has undoubtedly changed the planet and scientists are researching our impact to give us the opportunity to move towards a 'Planet 2.0' where both people and planet can thrive. -
Curriculum Vitae
ANNE (ANYA) CHRISTINE HURLBERT Newcastle University [email protected] Education/Qualifications: 1990 MD, Harvard Medical School - MIT Health Sciences and Technology Program, Boston, MA. 1989 PhD, Brain and Cognitive Sciences, MIT, Cambridge, MA. 1982 MA, Physiology, University of Cambridge, UK. 1981 Certificate of Advanced Study in Mathematics, University of Cambridge, UK. 1980 BA, Physics, magna cum laude, Princeton University, Princeton NJ. Appointments held: 2016 - Dean of Advancement, Newcastle University. 2014 - Director, Centre for Translational Systems Neuroscience, Newcastle University. 2005 - Professor of Visual Neuroscience, Newcastle University. 2003 - 2014 Director, Institute of Neuroscience, Newcastle University. 2006 - 2008 Head of School, Psychology (Interim). 2003 - 2004 Acting Head of Division of Psychology, Brain and Behaviour. 1991 - 2005 Lecturer, then Reader, Physiological Sciences, Newcastle University. 1990 - 1991 Wellcome Trust Vision Research Fellow, University of Oxford. 1989 - 1990 Post-doctoral Fellow, MIT, Cambridge, MA, USA. 1986 Teaching Assistant, Neuroscience and Psychology, MIT. 1984 - 1990 Lowell House, Harvard University, Cambridge, MA. Tutor in Neuroscience and Medicine. External appointments: 2020- Editorial Board, Journal of Vision. 2020- Rank Prize Funds Optoelectronics Committee Member. 2018- Scientific Consultative Group, National Gallery, London. 2018- Advisory Council, Institute of Advanced Studies, Durham University 2018- Advisory Board, GestaltReVision, Methusalem Programme, KU Leuven, Belgium. 2014 - Programme advisory board, Rethinking the Senses (Institute of Philosophy, London). 2014 - 2017 Programme advisory board, EU Consortium on Material Perception. 2010 - 2018 Scientist Trustee, National Gallery, London. 2010 - 2018 Chair, Scientific Consultative Group, National Gallery, London. 2010 - 2018 Chair, Educational Trust, Royal Grammar School, Newcastle upon Tyne. 2005 - 2017 Board of Governors, Royal Grammar School, Newcastle upon Tyne. -
3904 Hw Man Plan App:1
Management Plan 2008-2014 cases, be led by the relevant local or regional authority. The plan Appendix 1.1 needs to draw its policies from a proper understanding of the significance of the site and focus on protection of the RELEVANT EXTRACTS FROM POLICY AND outstanding universal value, authenticity and integrity of the GUIDANCE DOCUMENTS site. The plan should take account of sustainable community strategies as relevant. Further guidance on the preparation of Management Plans is provided in [the English Heritage Guidance UNESCO Operational Guidelines for the Note]. Implementation of the World Heritage Convention, WHC 08/01 January 2008 14. The Secretaries of State for Communities and Local Government and for Culture, Media and Sport expect local Management systems authorities to treat relevant policies in Management Plans as 108. Each nominated property should have an appropriate material considerations in making plans and planning decisions, management plan or other documented management system to take them fully into account when devising core strategies which should specify how the outstanding universal value of a and other local development documents, and to give them due property should be preserved, preferably through participatory weight in their other actions relating to World Heritage Sites. For means. some sites it may be useful for Management Plan Steering Groups to develop the section of the Management Plan dealing 109. The purpose of a management system is to ensure the with development control in such a way as to allow adoption of effective protection of the nominated property for present and that section within a local development document. future generations. -
SIGCHI Conference Paper Format
Supporting the Creation of Hybrid Museum Experiences Boriana Koleva, Stefan Rennick Egglestone, Martyn Dade-Robertson Holger Schnädelbach, Kevin Glover, Chris Culture Lab Greenhalgh, Tom Rodden Newcastle University Mixed Reality Laboratory Newcastle, UK, NE1 7RU Computer Science, University of Nottingham [email protected] Nottingham, UK, NG8 1BB {bnk, sre, hms, ktg, cmg, tar}@cs.nott.ac.uk ABSTRACT A number of techniques have been used to augment the This paper presents the evolution of a tool to support the visitor‟s experience. Some of these track the visitors rapid prototyping of hybrid museum experiences by domain (through technologies such as infrared or GPS) in order to professionals. The developed tool uses visual markers to provide them with digital augmentations. In the HIPS associate digital resources with physical artefacts. We project visitors to the Museum Civico in Siena received present the iterative development of the tool through a user audio messages on their hand-held devices that were related centred design process and demonstrate its use by domain to the closest object [16]. The ARCHEOGUIDE project experts to realise two distinct hybrid exhibits. The process [24] explored the visual integration of the physical and the of design and refinement of the tool highlights the need to digital using see-through head-mounted displays to allow adopt an experience oriented approach allowing authors to visitors to see reconstructions of missing artefacts and think in terms of the physical and digital “things” that damaged parts in the context of cultural heritage sites. The comprise a hybrid experience rather than in terms of the Augurscope [20] is a sharable mobile AR display that underlying technical components. -
Archaeological Research by English Heritage 1976–2000 Hadrian’S Wall Archaeological Research by English Heritage 1976–2000
Hadrian’s Wall Archaeological Research by English Heritage 1976–2000 Hadrian’s Wall Archaeological Research by English Heritage 1976–2000 edited by Tony Wilmott Contents Acknowledgements vii Summary ix Résumé x Zusammenfassung xi 1 Introduction: English Heritage research work on Hadrian’s Wall 1976–2000 Tony Wilmott 1 Published by English Heritage, Kemble Drive, Swindon SN2 2GZ Documentation www.english-heritage.org.uk 2 A 19th-century condition survey of Hadrian’s Wall: the James Irwin Coates archive, 1877–1896 English Heritage is the Government’s statutory adviser on all aspects of the Alan Whitworth 8 historic environment. Catalogue 11 © English Heritage 2009 3 Charles Anderson and the consolidation of Hadrian’s Wall All images, unless otherwise specified, are either © English Heritage or Alan Whitworth 50 © Crown copyright. NMR. The negative numbers for English Heritage and NMR images are noted in square brackets in the captions where possible. The linear frontier and interval structures Every effort has been made to trace copyright holders and we apologise in advance for any unintentional omissions, which we would be pleased to 4 The linear elements of the Hadrian’s Wall complex: correct in any subsequent edition of the book. four investigations 1983–2000 Tony Wilmott and Julian Bennett 72 First published 2009 Introduction 72 The Vallum in Wall mile 9 – evaluation 2000 77 ISBN 978 1 905624 71 3 Transection in Wall mile 29 (Black Carts, Northumberland) 79 Transection in Wall mile 50 (Appletree, Cumbria) 102 Product Code 51324 Transection in Wall mile 61 (Crosby-on-Eden, Cumbria) 120 Discussion 128 British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library.