Paper Information: Title: Identity in the Frontier: Theory and Multiple Community Interfacing Author: Rob Collins Pages: 45–52
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Spotlight on Newcastle
SPOTLIGHT ON NEWCASTLE WELCOME TO NEWCASTLE, ENGLAND Newcastle upon Tyne commonly known as Newcastle, is a city in Tyne and Wear, North East England on the northern bank of the River Tyne. Newcastle is the most populous city in the North East and forms the core of Tyneside conurbation, the eighth most populous urban area in the United Kingdom. The city was named after the castle built in 1080 by William the Conqueror's eldest son. The city grew as an important center for the wool trade, coal mining, and shipbuilding. Newcastle's economy includes corporate headquarters, as well as learning, digital technology, retail, tourism, and cultural centers. Contents Climate and Geography 02 Cost of Living and Transportation 03 UK Visa and Passport Requirements 04 Sports and Outdoor Activities 05 Culture, Shopping, and Dining 06 Schools and Education 07 GLOBAL MOBILITY SOLUTIONS l SPOTLIGHT ON NEWCASTLE l 01 SPOTLIGHT ON NEWCASTLE Newcastle Climate Graph CLIMATE Situated in the coldest region of England, the climate in Newcastle is a cold oceanic one. However, being in the rain shadow of the North Pennines Mountains, it is also among the driest cities in the United Kingdom. Temperature extremes recorded at Newcastle Weather Centre include 90.5°F (32.5°C) during August of 1990 down to 9.3°F (−12.6°C) during January 1982. In contrast to other British cities, Newcastle has colder winters and cooler summers. Newcastle upon Tyne is generally believed to be the coldest Average High/Low Temperatures major city in England, and shares the same Low / High latitude as Copenhagen, Denmark and southern February 35oF (2oC) / 44oF (6oC) Sweden. -
Introduction
10 PROCEEDINGS OF THE SOCIETY, 1957-58. II. THE HUMAN HEAD IN INSULAR PAGAN CELTIC RELIGION. BY ANNE BOSS, PH.D., F.S.A.ScoT. INTRODUCTION. A Scottish Tricephalos said to come from Sutherland. Throug generosite hth Trusteee th Dice f yo th f kso Institute , Kilmarnock, importann a t carved hea kina t hithertf do dno o recorded from Scotlans dha been addeNationae th o dt lonlr Museum.fo g d beeha nt I exhibite1 e th n di Institute's museu earln a onle s mya th yfontd recor s provenancan , it f do e is '' Sutherlandshire.'' This head, 4-7 ins. high and 5-4 by 5 ins. broad, is shaped like a ball, truncated top and bottom. The top is hollowed into a conical cup about 3 ins. across and 2-6 ins. deep. The base is slightly concave. Three faces have been carved roun e sidesdth . Rounded incisions about J—. widin J e d abou an deptn i t. h^in outline three pair f eyeso s , chin droopingd san , triangular moustaches, whil lina e e continuous roun e stondth e indicates mouthse th . Broader lines -were use indicato dt innee eth r curvee th f o s cheeks and the sides of the drop-shaped noses. Between the faces there are similarly incised crosses, equal-armed, abou ins2 t . overall excep r onefo t , now damaged, abou. higin h1 t wit verha y uncertain horizontal strokt eno more than \ in. long. The ston granites ei , speckled black, whit pinkd ean . Mis . MacDonalsH d of the Geological Survey and Museum, South Kensington, has kindly examined it. -
University Museums and Outreach: the Newcastle Upon Tyne Case Study
University museums and outreach: the Newcastle upon Tyne case study LINDSAY ALLASON-JONES Abstract This paper describes developments in attitudes to public access and outreach at the University of Newcastle over the past thirty years, and the impact of those developments on the University’s Museum of Antiquities. The author describes some of the ground-breaking educational initiatives undertaken by the museum, and the plans for its future as part of the Great North Museum. Early days When I first began work at the Museum of Antiquities at Newcastle in 1978 the University was very clear as to the Museum’s role. It was there to assist teaching firstly and secondly to provide a basis for research. The museum was always a curious phenomenon because, although it was run by the University of Newcastle upon Tyne, the collections were mostly owned by the Society of Antiquaries of Newcastle upon Tyne. When the joint agreement to establish the Museum was signed in 1956, the Society was very firm that members of the public were to be allowed in for free. The then University of Durham was equally firm that the Keeper of the Museum had to be a longstanding member of the academic body, preferably at the level of Senior Lecturer. When the University of Newcastle upon Tyne was created, and the agreement renegotiated, this was still adhered to. By the time I took over responsibility for the Museum of Antiquities from Dr David Smith in 1989 and later added the Shefton Museum of Greek Art and Archaeology to my portfolio, I had already become very aware that a university museum was in an unenviable position, caught between the demands of the Higher Education Funding Council for England (HEFCE) on the one hand and the museum world on the other. -
Make Poverty History Harry Belafonte Reunion Weekend 2007 Visit: Arches Contents
The Newcastle University Alumni Association Magazine Issue 9 / Summer 2007 Arches Make Poverty History Harry Belafonte Reunion Weekend 2007 Visit: Arches Contents www.ncl.ac.uk/alumni Arches Communications Strategy Board Development & Alumni Relations Office Newcastle University 6 Kensington Terrace Newcastle upon Tyne NE1 7RU Telephone: + 44 (0) 191 222 7250 Fax: + 44 (0) 191 222 5905 Contents E-mail: [email protected] Website: www.ncl.ac.uk/alumni 04 09 12 Cover image: Chris Steele-Perkins (BA Psychology 1970). School children during a rainstorm in Lesotho, Southern Africa (1981). ACS Board members are: Dan Howarth (Editor, 04 – 08 Arches Feature Arches Feature DARO; alum), Lauren Huntington (DARO), Kara Byers (alum), Sharmishta Chatterjee-Banerjee (Business News 14 –15 18 –19 School), Prof Patrick Chinnery (Faculty of Medical Keep up to date with the latest Sciences), Robin Cordy (alum), Dr Eric Cross (Faculty Rebuilding Portrait of a of Humanities & Social Sciences), Jennie Gundill news straight from campus (Union Society; alum), Melanie Reed (Press & education in Iraq master sculptor Communications Office), Mark Scrimshaw (Chair of Arches Feature Amidst the current conflict in Iraq, A look at the career of Derwent the Alumni Association; alum), Helen Stark (alum), the University of Mosul is restoring Wise, one of the North East’s most Melissa Suddes (Student Recruitment Office), Gareth 09 – 11 Trainer (Careers Service; alum), Dr Andrew Young its academic reputation. Arches extraordinary artists, whose life’s (Faculty of Science,Agriculture -
Great North Museum Open Late on Friday 28 September for European Researchers' Night
News release September 2018 Images available at bit.ly/2P9ofKV Great North Museum open late on Friday 28 September for European Researchers’ Night European Researchers’ Night: Planet 2.0 Great North Museum: Hancock Friday 28 September 2018, 6-10pm Donations welcome (free entry) Friday 28 September sees the return of the popular European Researchers’ Night event (formerly known as Science Uncovered) to Newcastle University’s Great North Museum: Hancock following successful editions in 2016 and 2017 which both drew over 1000 visitors. European Researchers’ Night is a continent-wide initiative taking place annually on the last Friday in September. It’s a fun, alternative night out that presents scientific research in a social setting. Visitors can meet university researchers, hear about their work, enjoy a drink and take the rare opportunity to explore the museum after dark. All are welcome to attend and the event is particularly suitable for students and young adults. European Researchers’ Night is delivered in partnership with London’s Natural History Museum and the European Commission. Caroline McDonald, manager at the Great North Museum: Hancock said: “We’re looking forward to this evening of popular science during Freshers’ Week to celebrate European Researchers’ Night. “As Newcastle University’s museum on campus we want to inspire curiosity, learning and debate. An event like this with cutting-edge research at its heart, fits the bill perfectly.” 2018’s event revolves around the theme Planet 2.0 and sees a diverse range of projects and ideas presented by researchers. The main question up for debate is: Does the planet need a reboot? Human activity has undoubtedly changed the planet and scientists are researching our impact to give us the opportunity to move towards a 'Planet 2.0' where both people and planet can thrive. -
SIGCHI Conference Paper Format
Supporting the Creation of Hybrid Museum Experiences Boriana Koleva, Stefan Rennick Egglestone, Martyn Dade-Robertson Holger Schnädelbach, Kevin Glover, Chris Culture Lab Greenhalgh, Tom Rodden Newcastle University Mixed Reality Laboratory Newcastle, UK, NE1 7RU Computer Science, University of Nottingham [email protected] Nottingham, UK, NG8 1BB {bnk, sre, hms, ktg, cmg, tar}@cs.nott.ac.uk ABSTRACT A number of techniques have been used to augment the This paper presents the evolution of a tool to support the visitor‟s experience. Some of these track the visitors rapid prototyping of hybrid museum experiences by domain (through technologies such as infrared or GPS) in order to professionals. The developed tool uses visual markers to provide them with digital augmentations. In the HIPS associate digital resources with physical artefacts. We project visitors to the Museum Civico in Siena received present the iterative development of the tool through a user audio messages on their hand-held devices that were related centred design process and demonstrate its use by domain to the closest object [16]. The ARCHEOGUIDE project experts to realise two distinct hybrid exhibits. The process [24] explored the visual integration of the physical and the of design and refinement of the tool highlights the need to digital using see-through head-mounted displays to allow adopt an experience oriented approach allowing authors to visitors to see reconstructions of missing artefacts and think in terms of the physical and digital “things” that damaged parts in the context of cultural heritage sites. The comprise a hybrid experience rather than in terms of the Augurscope [20] is a sharable mobile AR display that underlying technical components. -
Archaeological Research by English Heritage 1976–2000 Hadrian’S Wall Archaeological Research by English Heritage 1976–2000
Hadrian’s Wall Archaeological Research by English Heritage 1976–2000 Hadrian’s Wall Archaeological Research by English Heritage 1976–2000 edited by Tony Wilmott Contents Acknowledgements vii Summary ix Résumé x Zusammenfassung xi 1 Introduction: English Heritage research work on Hadrian’s Wall 1976–2000 Tony Wilmott 1 Published by English Heritage, Kemble Drive, Swindon SN2 2GZ Documentation www.english-heritage.org.uk 2 A 19th-century condition survey of Hadrian’s Wall: the James Irwin Coates archive, 1877–1896 English Heritage is the Government’s statutory adviser on all aspects of the Alan Whitworth 8 historic environment. Catalogue 11 © English Heritage 2009 3 Charles Anderson and the consolidation of Hadrian’s Wall All images, unless otherwise specified, are either © English Heritage or Alan Whitworth 50 © Crown copyright. NMR. The negative numbers for English Heritage and NMR images are noted in square brackets in the captions where possible. The linear frontier and interval structures Every effort has been made to trace copyright holders and we apologise in advance for any unintentional omissions, which we would be pleased to 4 The linear elements of the Hadrian’s Wall complex: correct in any subsequent edition of the book. four investigations 1983–2000 Tony Wilmott and Julian Bennett 72 First published 2009 Introduction 72 The Vallum in Wall mile 9 – evaluation 2000 77 ISBN 978 1 905624 71 3 Transection in Wall mile 29 (Black Carts, Northumberland) 79 Transection in Wall mile 50 (Appletree, Cumbria) 102 Product Code 51324 Transection in Wall mile 61 (Crosby-on-Eden, Cumbria) 120 Discussion 128 British Library Cataloguing in Publication Data A CIP catalogue record for this book is available from the British Library. -
8905 Arches 6
ARCHES Editorial Welcome to the latest issue of Arches magazine In the past few months Newcastle University has been a beneficiary of two very major awards, both of which have been characterized by the University working as the lead partner in productive partnership with other regional organizations. The award of £9 million in January 2005 to establish two centres for excellence for the study of music and healthcare in the North East, will help the region to build on the international reputation it already boasts in these areas. The government money will be used to train hundreds of future musicians and health professionals using the very latest materials and methods, and by forging stronger links between the region’s universities and organizations like NHS hospitals, primary care trusts and The Sage Gateshead. In the same month, we were delighted to receive news that our application for £8.75 million from the Heritage Lottery Fund in support of our plans to create a Great North Museum on campus had been successful. The Great North Museum will bring together the world-renowned natural history collections and archaeological treasures currently housed in the Hancock Museum and the University’s Museum of Antiquities and Shefton Museum of Greek Art and Archaeology into one flagship venue for the city and region. Under the proposals, the Hatton Gallery will also be integrated into the management structure of this major new venture. The University is leading the £25.75m project, which has the backing of Tyne and Wear Museums, Newcastle City Council, the Society of Antiquaries of Newcastle upon Tyne, and the Natural History Society of Northumbria. -
Great North Museum (GNM) Acquisition and Disposal Policy Encompassing
Great North Museum (GNM) Acquisition and Disposal Policy encompassing : Great North Museum: Hancock Great North Museum: Resource Centre Hatton Gallery: Great North Museum Date approved by GNM Board: 29 September 2009 Date approved by SANT: 23 September 2009 Date approved by NHSN: 29 September 2009 Date for review: 24/09/2014 Table of Contents 1. Great North Museum’s statement of purpose ............................................................3 2. Existing collections, including the subjects or themes and the periods of time and /or geographic areas to which the collections relate .........................................3 3. Criteria governing future acquisition policy including the subjects or themes, periods of time and/or geographic areas and any collections which will not be subject to further acquisition. .....................................................................................3 4. Limitations on collecting .............................................................................................5 5. Collecting policies of other museums ........................................................................5 6. Policy review procedure ..............................................................................................5 7. Acquisitions not covered by the policy ......................................................................5 8. Acquisition procedures ...............................................................................................5 GNM Acquisition and Disposals Policy (revised August -
Attic Inscriptions in UK Collections Great North Museum: Hancock Peter Liddel and Polly Low
Attic Inscriptions in UK Collections Great North Museum: Hancock Peter Liddel and Polly Low AIUK VOLUME GREAT NORTH 12 MUSEUM 2020 AIUK Volume 12 Published 2020 AIUK is an AIO Papers series ISSN 2054-6769 (Print) ISSN 2054-6777 (Online) Attic Inscriptions in UK Collections is an open access AIUK publication, which means that all content is available without Attic Inscriptions charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the in UK Collections full texts of the articles in this journal without asking prior permission from either the publisher or the author. C b n a This paper is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International Licence. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. This paper is part of a systematic publication of all the Attic inscriptions in UK collections by Attic Inscriptions Online as part of a research project supported by the Arts and Humanities Research Council (AHRC): AH/P015069/1. PRINCIPAL PROJECT AIO ADVISORY INVESTIGATOR TEAM BOARD Stephen Lambert Peter Liddel Josine Blok Polly Low Peter Liddel Robert Pitt Polly Low Finlay McCourt Angelos P. Matthaiou Irene Vagionakis S. Douglas Olson P.J. Rhodes For further information see atticinscriptions.com PREFACE The Great North Museum: Hancock, a public museum of natural history and ancient civilisations in the city of Newcastle upon Tyne, houses an impressive collection of antiquities including inscriptions, ceramics, bronzes, stone and terracotta sculpture, gems and arms and armour. -
Great North Museum (GNM) Acquisition and Disposal Policy Encompassing
Great North Museum (GNM) Acquisition and Disposal Policy encompassing : Great North Museum: Hancock Hatton Gallery Date approved by Great North Museum Board: 15 September 2016 Date for review: 15 September 2021 GNM Acquisition and Disposals Policy (revised September 2016; updated October 2018) 1 Table of Contents 1. Great North Museum’s statement of purpose ............................................................ 3 2. Existing collections, including the subjects or themes and the periods of time and /or geographic areas to which the collections relate ................................................ 3 3. Criteria governing future acquisition policy including the subjects or themes, periods of time and/or geographic areas and any collections which will not be subject to further acquisition. ..................................................................................... 3 4. Limitations on collecting ............................................................................................. 4 5. Collecting policies of other museums ........................................................................ 4 6. Policy review procedure .............................................................................................. 4 7. Acquisitions not covered by the policy ...................................................................... 4 8. Acquisition procedures ............................................................................................... 4 9. Spoliation ..................................................................................................................... -
The MYSTERIES of MITHRAS the Pagan Belief That Shaped the Christian World Payam Nabarz, Ph.D
The MYSTERIES of MITHRAS The Pagan Belief That Shaped the Christian World Payam Nabarz, Ph.D. Inner Traditions Rochester, Vermont Mighty Anahita with splendor will shine, Incarnated as a youthful divine. Full of charm her beauty she will display, Her hip with charming belt she will array. Straight-figured, she is as noble bride, Freeborn, herself in puckered dress will hide. Her cloak is all decorated with gold, With precious dress Anahita we shall behold. ORIGINAL POEM BASED ON KASHANI’S PERSIAN FOLK SONGS, FROM ANAVESTAN INVOCATION TO ANAHITA Like grapes, we have always accompanied the vat. From the view of the world, we have disappeared. For years, we boiled from the fire of love Until we became that wine which intoxicated the world. SUFI PIR AND POET DR. NURBAKHSH ACKNOWLEDGMENTS To Alison Jones for reading this manuscript and her numerous helpful comments, discussions, and especially for her encouragement in the “last mile” of this journey. To John, Paul, Ivor, Moni, Ruth, Alex, Colin, Pascale, Tony, Mogg, and Sharron for stimulating conversations over the years. A special thanks to Mogg Morgan of the Oxford Golden Dawn Occult Society for his magical encouragement for my work with Mithras. To Caitlín Matthews for reading the manuscript and for her very helpful comments and especially for encouraging me to finish this book. To Guya Vichi and Lesley Harris and the other Priestesses and Priests of Mithras who are keeping the flame of Mithras alive. To all the members of the Mithras e-list who have discussed Mithraism with me, especially Parviz, Omid, Peter, Bradley, John, and Hannah.