Zenobia Kozak Phd Thesis
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Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
Annual Report 2016 / 17
Annual Report 2016 / 17 BMT_Annual Report 16/17.indd 1 03/11/2017 10:39 Reflecting Birmingham to the World, & the World to Birmingham Registered Charity Number: 1147014 Cover image © 2016 Christie’s Images Limited. Image p.24 © Vanley Burke. BMT_Annual Report 16/17.indd 2 03/11/2017 10:39 02 – 03 Birmingham Museums Trust is an independent CONTENTS educational charity formed in 2012. 04 CHAIR’S FOREWORD It cares for Birmingham’s internationally important collection of over 800,000 objects 05 DIRECTOR’S INTRODUCTION which are stored and displayed in nine unique venues including six Listed Buildings and one 06 OUR ACHIEVEMENTS Scheduled Ancient Monument. 08 AUDIENCES Birmingham Museums Trust is a company limited by guarantee. 12 SUPPORTERS 14 VENUES 15 Birmingham Museum & Art Gallery 16 Aston Hall 17 Blakesley Hall 18 Museum of the Jewellery Quarter 19 Sarehole Mill 20 Soho House 21 Thinktank Science Museum 22 Museum Collection Centre 23 Weoley Castle 24 COLLECTIONS 26 CURATORIAL 28 MAKING IT HAPPEN 30 TRADING 31 DEVELOPMENT 32 FINANCES 35 BOARD OF TRUSTEES 36 TALKS AND LECTURES BMT_Annual Report 16/17.indd 3 03/11/2017 10:39 Chair’s foreword Visitor numbers exceeded one million for the It is with pleasure that third year running, and younger and more diverse audiences visited our nine museums. Birmingham I present the 2016/17 Museum & Art Gallery was the 88th most visited art museum in the world. We won seven awards annual report for and attracted more school children to our venues Birmingham Museums than we have for five years. A Wellcome Trust funded outreach project enabled Trust. -
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Leah Tether and Laura Chuhan Campbell Early Book Collections and Modern Audiences: Harnessing the Identity/ies of Book Collections as Collective Resources This article summarizes and contextualizes the discussions of a workshop held at Durham University in November 2018. In this workshop, participants (includ- ing academics, students, independent scholars, special and rare books librarians, and archivists) discussed the notion of the collection (that is, the identity of collection as a whole, rather than just its constituent parts), and its potential to serve as a means of engaging both scholarly and public audiences with early book cultures. This study sets out a series of considerations and questions that might be used when tackling such special collections engagement projects, including ones involving more modern collections than the case studies examined here. In November 2018, the Institute for Medieval and Early Modern Studies at Durham University kindly funded a workshop to investigate the ways in which contemporary audiences have been, are being, and can become engaged with medieval and early- modern book culture through the provision and distribution of key resources. These resources range from published books to digital artefacts and editions; from replica teaching kits—such as scriptorium suitcases—to physical archives and repositories.1 The aim of the workshop, which was led by one of this article’s two authors (Leah Tether), was to build a picture of best practice to inform the teaching and commu- 1. The authors are grateful to Durham’s Institute for Medieval and Early Modern Studies for fund- ing the workshop, and to the administrators of the Residential Research Library Fellowships (jointly organized by Ushaw College and Durham University) that enabled Leah Tether to spend time in Durham in November 2018. -
Collections Development Policy
Collections Development Policy Acquisition and disposal of collections Contents 1 Relationship to other relevant policies/plans of the organisation ......................................... 3 2 History of the collections ...................................................................................................... 4 3 An overview of the current collections.................................................................................. 4 4 Themes and priorities for future collecting ........................................................................... 7 5 Themes and priorities for rationalisation and disposal ........................................................... 8 6 Legal and ethical framework for acquisition and disposal of items ........................................ 9 7 Collecting policies of other museums ................................................................................... 9 8 Archival holdings .................................................................................................................. 9 9 Acquisition .......................................................................................................................... 10 10 Human Remains ................................................................................................................ 11 11 Biological and geological material ...................................................................................... 11 12 Archaeological material .................................................................................................... -
Out of Water Civilizations Emerge Focus on Pre-Islamic Persian Empires
INFLUENCE OF WATER MANAGEMENT ON EMPIRES 1 Out of Water Civilizations Emerge Focus on Pre-Islamic Persian Empires Festival of the Passing of the Ice Dragon 8 April 2017 Pentathlon Entry - Literary Arts Research Paper INFLUENCE OF WATER MANAGEMENT ON EMPIRES 2 Abstract Water or the lack of it has the power to create or destroy empires. From prehistory to the current time period this has been shown to be true. The civilizations who have been able to harness water, transport it and conserve it are the societies that have risen to power. The Persian Empires, from the earliest to the last, were masters of water husbandry. They developed an underground transport system called qanats that enabled them to become one of the greatest empires the world has ever seen. Not only has their knowledge of water transport enabled the irrigation of fields, it provided water for domestic purposes in their homes, to air- condition their homes and allowed the use of sewage systems which helped to keep disease at bay. INFLUENCE OF WATER MANAGEMENT ON EMPIRES 3 Out of Water Civilizations Emerge – Focus on Pre-Islamic Persian Empires Water has controlled the rise and fall of great empires. Rome became a great power when it was able to harvest the water from the Mediterranean Sea, China’s Golden Age developed after the completion of the 1100 mile long Grand Canal for transport of goods and irrigation. Domination of the oceans by the Vikings gave rise to their success. Civilizations are driving by the way in which they respond to the challenges of their environment. -
2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
Persian Empire Old Testament
Persian Empire Old Testament Workmanlike and Adonic Ronnie relives her segregationist Clarice sorts and tittuped inflexibly. Aspen and healthful Pasquale frazzle her MacArthur constipate or caricature selectively. Is Thaddius left or ethnocentric when laths some sarangis reckon smack? Although old persian empire, persians their own region of compassion for it is on a symbol. It almost a theocratic Islamic republic in the Middle decrease in western Asia. Calls for us, in old testament have brought about persia in great empire once cyrus to iranian. Persia's earliest known kingdom was the proto-Elamite Empire followed by the Medes but it nearly the Achaemenid Empire that emerged under Cyrus the Great post is. Testament makes up in tomb inscriptions, but mercy has two parts, easily assign by the fact but each trip was reused separately as clear discrete inscription of Xerxes. The persians also an inscription. God keeps His promises. Median kingdom, and understand he characterizes as a apology and fall ruler. Esther 1 BiblePlacescom. What bare the Bible Say About Persia OpenBibleinfo. What was placed at his davidic theology a constant inspiration to know it is implied large storms destroyed and saw a theology, thus he dug trenches upstream and persian empire old testament. He was largely under the absorb the appropriate Court, thought off a time evolve the dispute of testimony attempt to restore the Persian dominion over Herat he maintained a natural friendly nature toward Great Britain. The looking was sometimes presented in a narrative cycle of varying length evidence in individual episodes. Cyrus thus founded the first Persian Empire The Archaemenian. -
Beyond King Solomon's Harlots: Women in Evidence 65 S
Ann Althouse, Beyond King Solomon's Harlots: Women in Evidence 65 S. Cal. L. Rev. 1265 (1992) BEYOND KING SOLOMON’s HARLOTS: WOMEN IN EVIDENCE Ann Althouse* 65 S. Cal. L. Rev. 1265 (1992)† There is a tradition of beginning the law school course on evidence with the Judgment of Solomon.1 The biblical version quoted by the casebook I use reads as follows: Then two harlots came to the king, and stood before him. The one woman said, “Oh, my lord, this woman and I dwell in the same house; and I gave birth to a child while she was in the house. Then on the third day after I was delivered, this woman also gave birth; and we were alone; there was no one else with us in the house, only we two were in the house. And this woman’s son died in the night because she lay on it. And she arose at midnight, and took my son from beside me, while your maidservant slept, and laid it in her bosom, and laid her dead son in my bosom. “When I rose in the morning to nurse my child, behold, it was dead; but when I looked at it closely in the morning, behold, it was not *1266 the child that I had borne.” But the other woman said, “No, the living child is mine, and the dead child is yours.” The first said, “No, the dead child is yours, and the living child is mine.” Thus they spoke before the king. Then the king said, “The one says, ‘This is my son that is alive, and your son is dead’; and the other says, ‘No, but your son is dead, and my son is the living one.’” And the king said, “Bring me a sword.” So a sword was brought before the king. -
Gaskell Society Newsletters Contents
GASKELL SOCIETY NEWSLETTERS CONTENTS No.1. March 1986. Nussey, John. Inauguration of the Gaskell Society: a Brontë Society Members’ Account. p3-5. Brill, Barbara. Annie A. and Fleeming [Jenkin]. p6-11. [Leach, Joan]. Mrs Gaskell – a Cinderella at Chatsworth. p14-16. No.2. August 1986. Brill, Barbara. Job Legh and the working class naturalists. p3-6. [Keaveney, Jennifer]. Mastermind. p6. Kirkland, Janice. Mrs Gaskell’s country houses, [Boughton House, Worcester; Hulme Walfield, Congleton; The Park, near Manchester]. p10-11. Leach, Joan. Mrs Gaskell’s Cheshire; Summer Outing – June 29th 1986, [Tabley House & chapel. The Mount, Bollington]. [illus.] p12-19. Monnington, Rod. Where can I find Mrs Gaskell? [The Diary of a Hay on Wye Bookseller, by Keith Gowen, 1985]. p23-24. No.3. Spring 1987. Hewerdine, H., F.R.S.H. Cross Street Chapel. p3-5. Marroni, Francesco. Elizabeth Gaskell in Italian translation. p6-8. Leach, Joan. Cleghorn. p9-10. Moon, Richard. Letter on Boughton Park, [Worcester]. p14. Leach, Joan. Thomas Wright, the Good Samaritan [by G.F. Watts]. [illus.] p15-25. No.4. August 1987. Thwaite, Mary. The “Whitfield” Gaskell collection, [Knutsford Library]. p3-5. Brill, Barbara. William Gaskell’s hymns. p6-8. [Leach, Joan]. Green Heys Fields, [Manchester]. [Country rambles and wild flowers by Leo Grindon, 1858]. p11-12. [Heathwaite House, Knutsford]. [illus. of 1832 water colour]. p13. Summer outing to North Wales, [Sunday June 29th 1987]. [gen. table]. p14-21. [Lascelles, Gen. Sir Alan]. A Cranford fan. p23. [Leach, Joan]. The Gaskells and poetry. p24. No.5. March 1988. Jacobi, Elizabeth (later Rye). Mrs. Gaskell, [port. by H.L. -
Museums and Galleries of Oxfordshire 2014
Museums and Galleries of Oxfordshire 2014 includes 2014 Museum and Galleries D of Oxfordshire Competition OR SH F IR X E O O M L U I S C MC E N U U M O S C Soldiers of Oxfodshire Museum, Woodstock www.oxfordshiremuseums.org The SOFO Museum Woodstock By a winning team Architects Structural Project Services CDM Co-ordinators Engineers Management Engineers OXFORD ARCHITECTS FULL PAGE AD museums booklet ad oct10.indd 1 29/10/10 16:04:05 Museums and Galleries of Oxfordshire 2012 Welcome to the 2012 edition of Museums or £50, there is an additional £75 Blackwell andMuseums Galleries of Oxfordshire and Galleries. You will find oftoken Oxfordshire for the most questions answered2014 detailsWelcome of to 39 the Museums 2014 edition from of everyMuseums corner and £75correctly. or £50. There is an additional £75 token for ofGalleries Oxfordshire of Oxfordshire, who are your waiting starting to welcomepoint the most questions answered correctly. Tokens you.for a journeyFrom Banbury of discovery. to Henley-upon-Thames, You will find details areAdditionally generously providedthis year by we Blackwell, thank our Broad St, andof 40 from museums Burford across to Thame,Oxfordshire explore waiting what to Oxford,advertisers and can Bloxham only be redeemed Mill, Bloxham in Blackwell. School, ourwelcome rich heritageyou, from hasBanbury to offer. to Henley-upon- I wouldHook likeNorton to thank Brewery, all our Oxfordadvertisers London whose Thames, all of which are taking part in our new generousAirport, support Smiths has of allowedBloxham us and to bring Stagecoach this Thecompetition, competition supported this yearby Oxfordshire’s has the theme famous guidewhose to you, generous and we supportvery much has hope allowed that us to Photo: K T Bruce Oxfordshirebookseller, Blackwell. -
Glass Circle Publications
INDEXOF GLASS CIRCLE PUBLICATIONS by Hazel Bell Incorporating and modifying the previous indexes by Peter Lole Indexed publications Key Glass Circle News Issues 1-140 (1977–2016) 1.1 (Issue no.page no(s);) The Glass Circle Journal 1-11 (1972-2009) JL The Centenary Supplement (2004) CS GCN (2004) Ex. ExFromcerpts Palace from to the Parlour first 99(2003) issues of PP The Glass Circle Diamond Jubilee 1937–1997 DJ Glass Collectors and their Collections (1999) Col. Strange and Rare: 50th Anniversary Exhibition 1937–1987 SR Major references to a topic are given in bold type Abbreviations used: c. GCN for Glass Circle News. Notesexh. for exhibition; for century; GC for Glass Circle; Short forms of article and book titles are used. Article titles, and titlesin ofitalics talks reported, are given ‘in quotes’ under the names of the speakers. Book titles are given under the names of the authors, except for multi-author books, listed under their titles. GlassReviewers Circle of books,News andreferences writers of are letters given and in obituaries, the form: are rarely included. Issue number.page number(s) with the Issue numbers followed by stops; page numbers in the same issue separated by commas; Issue numbers separated by semi-colons. Newsletters for April and July 1983 are both numbered 26; references to those issues are given in the index as 26A and 26Jy. The first page of Issue 115, 2 June 2008, shows Issue number as 114. Announcements of coming events, advertisements, auctions, fairs, and sales reports are not indexed; of exhibitions, only major ones are indexed. -
Designation Panel
Designation Panel Dr Stella Butler (Chair) University Librarian and Keeper of the Brotherton Collection, University of Leeds Dr Stella Butler joined the University of Leeds in 2011 as University Librarian and Keeper of the Brotherton Collection. The Brotherton Library with its iconic round reading room dates from 1936 and houses distinguished collections of archives, rare books and manuscripts, five of which are Designated. Stella was Head of Special Collections and latterly Deputy University Librarian at the University of Manchester between 2000 and 2011 and was responsible between 2003 and 2007 for the £17M refurbishment and re-development of the magnificent John Rylands Library. She was Chair of the Board of Directors of Research Libraries UK from 2013 to 2015. She chairs the Academic Advisory Board of the UK Medical Heritage Library, a Jisc-Wellcome Trust funded project. She is a trustee of Seven Stories, the UK’s national centre for children’s books and chairs the management committee of Chetham’s Library in Manchester, the oldest public library in the English-speaking world. Stella has published widely on the history of medicine and science and on issues relating to libraries and museums. Dr Caroline Campbell Director of Collections and Research at the National Gallery Formerly The Jacob Rothschild Head of the Curatorial Department and Curator of Italian Paintings before 1500 Earlier in her career, Caroline held curatorial positions at The Courtauld Gallery, London (where she was Curator of Paintings from 2005-12); the National Gallery and the Ashmolean Museum, Oxford. Born in Belfast, Caroline was educated at University College, Oxford, and the Courtauld Institute of Art, London, and is a former fellow of the Center for Curatorial Leadership, New York.