THE QUESTION of GOD: an Introduction and Sourcebook
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0 It Comes from the Outside
How valid are visions? 0 They happen to an individual person 0 It comes from the outside 0 It isn't usually looked for by the person receiving it 0 A vision is startling and memorable 0 The "receiver" will want to tell others about it 0 Visions are hard to put into words 0 They only have meaning if they convey a deeper message 0 Visions could be the result of an overactive imagination - or drug or alcohol induced Find an example of a religious vision and explain what the vision was and why it is important Assessment question. "Visions are only important for the person who receives them." Do you agree? Give reasons for your answer, showing that you have thought about more than one point of view. I 25 Dreams are a series of thoughts, images and sensations occurring in a person's mind during sleep. Many people forget their dreams. However there are some dreams which can make a deep impression on the person dreaming and, as with visions, they might give the dreamer new insights into reality and into God. Such dreams can give new direction to a person's life. For these dreams to be valid, they have to be free from any artificial stimulus, e.g. drugs! You are going to research 2 dreams and explain their meaning by answering the following questions: hlow valid are dreams? Name of Jacob's dream at Bethel Pharaoh's dream the dream Explain this dream How did God use this dream What affect did it have on the person 26 0 Dreams happen when a person is asleep 0 Most people forget their dreams but some leave a deep impression 0 Dreams might give new insights into reality and into God 0 People don't have control over their dreams 0 For dreams to be valid they have to be free from artificial stimulus Special Revelation: Enlightenment! Obiectives: Understand how enlightenment can help a believer deal with life and its pressures Evaluate the importance of enlightenment for believers and their faith ^ Task 1: Enlightenment is. -
Summary the Purpose of the Dissertation Is to Present The
Summary The purpose of the dissertation is to present the abductive argument of Richard Swinburne in favor of theism. Richard Swinburne was born on December 26, 1934. He is a British philosopher, a retired professor of the University of Oxford, where he held the position of Nolloth Professor of the Philosophy of the Christian Religion (Oriel College). He has devoted all his philosophical activity to the justification of the Christian faith – he has intended to show that it is rational to believe in God. The main thesis of the dissertation is that Swinburne’s concept of theism does not remain consistent with the assumption that God is perfectly good. This inconsistence comes from the fact that human experience of suffering cannot be reconciled with God’s perfect goodness, especially assuming that God allows or causes the suffering. The structure of the work corresponds to the logical construction of Swinburne’s line of reasoning. The first chapter – Methodology of Philosophy – describes the main philosophical methods Swinburne uses in presenting his arguments. It is divided into two parts: the first one (Theory of Explanation) primarily presents the Swinburne’s construction of the concept of coherence, which is a prerequisite for considering any theory as probable or true. Moreover, this part discusses Swinburne’s dual explanatory theory, according to which two types of explanation are possible: (1) scientific, based on the analysis of unintentional causation, and (2) personal, based on the analysis of intentional causation. At the same time, Swinburne tries to show that it is not possible to explain certain phenomena in the world only by means of scientific explanation. -
The Argument from Miracles: a Cumulative Case for the Resurrection of Jesus of Nazareth
The Argument from Miracles: A Cumulative Case for the Resurrection of Jesus of Nazareth Introduction It is a curiosity of the history of ideas that the argument from miracles is today better known as the object of a famous attack than as a piece of reasoning in its own right. It was not always so. From Paul’s defense before Agrippa to the polemics of the orthodox against the deists at the heart of the Enlightenment, the argument from miracles was central to the discussion of the reasonableness of Christian belief, often supplemented by other considerations but rarely omitted by any responsible writer. But in the contemporary literature on the philosophy of religion it is not at all uncommon to find entire works that mention the positive argument from miracles only in passing or ignore it altogether. Part of the explanation for this dramatic change in emphasis is a shift that has taken place in the conception of philosophy and, in consequence, in the conception of the project of natural theology. What makes an argument distinctively philosophical under the new rubric is that it is substantially a priori, relying at most on facts that are common knowledge. This is not to say that such arguments must be crude. The level of technical sophistication required to work through some contemporary versions of the cosmological and teleological arguments is daunting. But their factual premises are not numerous and are often commonplaces that an educated nonspecialist can readily grasp – that something exists, that the universe had a beginning in time, that life as we know it could flourish only in an environment very much like our own, that some things that are not human artifacts have an appearance of having been designed. -
Introductory Notes
Seth McKelvey, [email protected] Dr. Andrew Zawacki University of Georgia The Skeleton Keyhole: Introductory Notes Introductory Notes I am struck by the depth, complexity, and alternative logics present in many contemporary American experimental poetries, though I am also often turned off by the heavy demands they place on the reader. This so-called “experimental poetry” is in reality a wide group of work which hardly fits under a single umbrella of categorization, but shares in common an unavoidable inaccessibility. Obscurity, marginality, and difficulty are necessary to the works and their significance. Yet I still feel drawn to the populist ideals at the foundation of my own poetics. While I am willing to push through the difficult texts, I find it hard to believe that the average reader is willing to devote such time and effort. Most readers would only ever interact with such exhausting poetry through dissemination by academics. It is paradoxical to attempt to define, group, or canonize contemporary experimental poetry, which is centered around decentralization, on the indefinable, and on rejecting any confinements or limitations that could be placed around it in the name of understanding or explication. As Michael Palmer points out, “as soon as you propose a counter-poetics, it immediately becomes official and therefore it isn’t a counter-poetics anymore. It’s an illusion” (Active Boundaries 237). Yet Palmer and his contemporaries are willing to play along with such an illusion, and continue to treat their counter-poetics as if it was some sort of definable, identifiable theory of poetry. Perhaps because it is only through this limiting, restraining approach to such a poetics that one can begin any study or investigation of such an un- understandable poetics, however tainted or defiled such a study might be. -
University of Pennsylvania Press
University of Pennsylvania Press Newtonian Science, Miracles, and the Laws of Nature Author(s): Peter Harrison Source: Journal of the History of Ideas, Vol. 56, No. 4 (Oct., 1995), pp. 531-553 Published by: University of Pennsylvania Press Stable URL: http://www.jstor.org/stable/2709991 Accessed: 30-10-2015 01:34 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Pennsylvania Press is collaborating with JSTOR to digitize, preserve and extend access to Journal of the History of Ideas. http://www.jstor.org This content downloaded from 130.102.42.98 on Fri, 30 Oct 2015 01:34:15 UTC All use subject to JSTOR Terms and Conditions NewtonianScience, Miracles, andthe Laws ofNature PeterHarrison Introduction "Newton,"writes Richard Westfall, "both believed in and did not believe in miracles."It can onlybe concluded,Westfall continues, that the greatscientist, unwilling to relinquishhis beliefin a providentialand inter- posingDeity, "abandoned himself to ambiguitiesand inconsistencies,which gave theappearance of divine participation in nature,but not the substance."' Newton'sapparent ambivalence -
Religious Education Year 11 Themes Homework Pack
f?^. ^ Religious Education Year 11 Themes Homework Pack 1 AQA Religious Studies homework for Paper 2 Themes > The Existence of God and Revelation > Religion and Life Each section is worth 24 marks + 3 SPaG Each section contains five questions and all must be answered 0.1=1 mark take 1 minute 02=2 marks take 2 minutes Q3 = 4 marks take 4 minutes Q4 = 5 marks take 5 minutes Q5 = 12 marks take 12 minutes Use additional minutes for planning and checking All questions are knowledge based and question 5 requires evaluation. Homework Programme Exam Questions found at the back of the booklet Answer different questions each week. Tick of those completed. Homework I Existence of God and Revelation hlomework Religion and Life Week One 2x 2m lx4m lx4m (CBS), lx5m, Week Seven 2x 2m lx4m lx4m (CBS), lx5m, 2xl2m 2xl2m Week Two 2x 2m lx4m lx4m (CBS), lx5m, Week Eight 2x 2m lx4m lx4m (CBS), lx5m, 2xl2m 2xl2m Week Three 2x 2m lx4m lx4m (CBS), lx5m, Week Nine 2x 2m lx4m lx4m (CBS), lx5m, 2xl2m 2xl2m Week Four 2x2m lx4m lx4m (CBS), lx5m, Week Ten 2x 2m lx4m lx4m (CBS), lx5m, 2xl2m 2xl2m Week Five 2x 2m lx4m lx4m (CBS), lx5m, Week Eleven 2x 2m lx4m lx4m (CBS), lx5m, 2xl2m 2xl2m Week Six 2x 2m lx4m lx4m (CBS), lx5m, Week Twelve 2x 2m lx4m lx4m (CBS), lx5m, 2xl2m 2xl2m KEY: m=marks CBS = contemporary British society Use your flashcards for quotes. Find existence of God quotes and other reference to scripture: https://quizlet.com/Rb/405393776/the-existence-Qf-god-and-revelation-kev-Quotes-aQa-Rcse-flash- cards/ 2 Theme C: The existence of God and revelation Students should study religious teachings, and religious and philosophical arguments, relating to the issues that follow, and their impact and influence in the modern world. -
Nick Selby I in Talking About Transatlantic Influences In
TNEGOTIATIONSRANSATLANTIC INFLUENCE 1, MARCH 2011 69 TRANSATLANTIC INFLUENCE: SOME PATTERNS IN CONTEMPORARY POETRY Nick Selby I In talking about transatlantic influences in contemporary American poetry, this essay finds itself exploring a double-edged condition. As part of such a double-edged condition, the idea of influence is about power-relations (between texts, between poetics, between nations) and, in the ways that this essay is framing it, the idea of poetic influence across the Atlantic is about senses of possession: possession of, and by, something other. My title promises ‘some patterns in contemporary poetry’. But any patterns that emerge in this essay will be neither as orderly nor as clear-cut as this title might imply. What the essay is seeking to do is to trace some ideas and themes that might develop from a consideration of influence in terms of a transatlantic poetics: the essay’s first half examines the work of two British poets – Ric Caddel and Harriet Tarlo – whose work seems unthinkable without the influence of post-war American poetics upon it; and in its second half the essay thinks through three American poets – Robert Duncan, Michael Palmer and Susan Howe – whose work specifically engages the idea of influence in its debating of issues of the textual, the bodily and the poem’s culpability (and influence) within structures of political power. The idea of influence might be seen to be marked in, I think, three ways in the work of these poets. First, is the idea of direct influence – where one poet acknowledges the influence of another poet upon her / him: an example of which might be Ezra Pound’s petulant acknowledgment of Whitman as a ‘pig-headed father’ (and which is the sort of agonistic view of influence espoused by Harold Bloom in his The Anxiety of Influence);1 or, perhaps, in Michael Palmer’s interest in writing poetry out of his contact with and reading of other poets – Celan, Zanzotto, Dante, Robert Duncan (and many others). -
Miracles and the Natural Order in Nahmanides*
Miracles and the Natural Order in Nahmanides* MMIRACLESIRACLES ANDAND THETHE NATURALNATURAL ORDERORDER IINN NNAHMANIDESAHMANIDES* From: Rabbi Moses Nahmanides (Ramban): Explorations in his Religious and Literary Virtuosity, ed. by Isadore Twersky (Harvard University Press: Cambridge, Mass., 1983), pp. 107-128. The centrality of miracles in Nahmanides’ theology cannot escape the attention of even the most casual observer, and his doctrine of the hidden miracle exercised a particularly profound and abiding influence on subsequent Jewish thought. Nevertheless, his repeated emphasis on the miraculous—and particularly the unrestrained rhetoric of a few key passages—has served to obscure and distort his true position, which was far more moderate, nuanced and complex than both medieval and modern scholars have been led to believe. I To Nahmanides, miracles serve as the ultimate validation of all three central dogmas of Judaism: creation ex nihilo, divine knowledge, and providence (hiddush, yedi‘ah, hashgahah).1 In establishing the relationship between miracles and his first dogma, Nahmanides applies a philosophical argument in a particularly striking way. “According to the believer in the eternity of the world,” he writes, “if God wished to shorten the wing of * Some of the issues analyzed in this article were discussed in a more rudimentary form in chapters one, three, and four of my master’s essay, “Nahmanides’ Attitude Toward Secular Learning and its Bearing upon his Stance in the Maimonidean Controversy” (Columbia University, 1965), which was directed by Prof. Gerson D. Cohen. 1 Torat HaShem Temimah (henceforth THT), in Kitvei Ramban, ed. by Ch. Chavel I (Jerusalem, 1963), p. 150. On Nahmanides’ dogmas and their connection with miracles, see S. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry Permalink https://escholarship.org/uc/item/2kb1h96x Author Smith, Matthew Bingham Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry By Matthew Bingham Smith A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in French in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Michael Lucey, Chair Professor Mairi McLaughlin Professor Ann Smock Professor Lyn Hejinian Summer 2015 Abstract Patterns of Exchange: Translation, Periodicals and the Poetry Reading in Contemporary French and American Poetry by Matthew Bingham Smith Doctor of Philosophy in French University of California, Berkeley Professor Michael Lucey, Chair My dissertation offers a transnational perspective on the lively dialogue between French and American poetry since the 1970s. Focusing on the institutions and practices that mediate this exchange, I show how American and French poets take up, challenge or respond to shifts in the poetic field tied to new cross-cultural networks of circulation. In so doing, I also demonstrate how poets imagine and realize a diverse set of competing publics. This work is divided into three chapters. After analyzing in my introduction the web of poets and institutions that have enabled and sustained this exchange, I show in my first chapter how collaborations between writers and translators have greatly impacted recent poetry in a case study of two American works: Andrew Zawack’s Georgia (2009) and Bill Luoma’s My Trip to New York City (1994). -
Keats, Vendler, Adorno, and the Theory of the Avant-Garde Author(S): Robert Kaufman Source: Critical Inquiry, Vol
Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde Author(s): Robert Kaufman Source: Critical Inquiry, Vol. 27, No. 2 (Winter, 2001), pp. 354-384 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1344254 . Accessed: 28/03/2011 22:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde Robert Kaufman Frankfurt school aesthetics has never quite fallen off the literary-cultural map; yet as with other areas of what currently goes by the name theory, interest in this body of work has known its surges and dormancies. -
GCSE Revision the Existence of God and Revelation Revision Guide
Use the following checklist to make sure you have revised everything. Philosophical arguments for and against the existence of God √ The Design argument including its strengths and weaknesses. The First Cause argument including its strengths and weaknesses The argument from miracles including its strengths and weaknesses and one example of a miracle. Evil and suffering as an argument against the existence of God. Arguments based on science against the existence of God. The nature of the divine and revelation Special revelation as a source of knowledge about the divine (God gods or ultimate reality) including visions and one example of a vision. Enlightenment as a source of knowledge about the divine. General revelation: nature and scripture as a way of understanding the divine. Different ideas about the divine that come from these sources: - omnipotent and omniscient - personal and impersonal - immanent and transcendent. The value of general and special revelation and enlightenment as sources of knowledge about the divine including: - the problems of different ideas about the divine arising from these experiences - alternative explanations for the experiences and the possibility that the people who claimed to have them were lying or mistaken Agnostic: Belief that there is insufficient evidence to say whether God exists or not. All-compassionate: Characteristic of God; all-loving, omnibenevolent. All-merciful: Characteristic of God; always forgiving and never vindictive. Atheism: Belief that there is no God. Benevolent: Characteristic of God; all-loving. Conscience: Sense of right and wrong; seen as the voice of God within our mind by many religious believers. Design argument: Also known as teleological argument. -
Craig, William Lane and Mcgrew, Timothy and Lydia
11 The Argument from Miracles: A Cumulative Case for the Resurrection of Jesus of Nazareth TIMOTHY MCGREW AND LYDIA MCGREW Introduction It is a curiosity of the history of ideas that the argument from miracles is today better known as the object of a famous attack than as a piece of reasoning in its own right. It was not always so. From Paul’s defense before Agrippa to the polemics of the orthodox against the deists at the heart of the Enlightenment, the argument from miracles was central to the discussion of the reasonableness of Christian belief, often supplemented by other con- siderations but rarely omitted by any responsible writer. But in the contemporary literature on the philosophy of religion it is not at all uncommon to fi nd entire works that mention the positive argument from miracles only in passing or ignore it altogether. Part of the explanation for this dramatic change in emphasis is a shift that has taken place in the conception of philosophy and, in consequence, in the conception of the project of natural theology. What makes an argument distinctively philosophical under the new rubric is that it is substantially a priori, relying at most on facts that are common knowl- edge. This is not to say that such arguments must be crude. The level of technical sophis- tication required to work through some contemporary versions of the cosmological and teleological arguments is daunting. But their factual premises are not numerous and are often commonplaces that an educated nonspecialist can readily grasp – that something exists, that the universe had a beginning in time, that life as we know it could fl ourish only in an environment very much like our own, that some things that are not human artifacts have an appearance of having been designed.